| Subject | Object |
|---|
| ?:00 | "First release"^^xsd:string |
| ?:060303 | "Recorded live in Mexico City<br />
<br />
<a href="http://freealbums.blogsome.com/2006/11/29/vate-two-albums/">Review by Free Albums Galore</a><br />
<br />
<em>060303</em> was recorded live in 2003 and then studio-edited. While much of <em>Volk</em> sound like a searching, <em>060303</em> comes forth as a fully formulated work. Norteno influences are much more evidenced in these tracks and the beat is geared more for partying. “Marimba” is a good example as it prances throught the speakers in a festive celebration. Each track flows into the next track as small sound environments are created and evolved. The energy is quite high on this session and stays there. My favorite tracks are a exotic heart-pounder titled “Kukita” and a very funny combo of manic electro-beats and over-stimulated adults called “Porno Pixels”. If <em>600303</em> is representative of the techno nightclub scene south of the border, it may be time to take a road trip!"^^xsd:string |
| ?:105 Jive | "This single was made in 1983 by a college band in Wageningen, the Netherlands. All players were members of a student association called CERES. CERES was celebrating its 105 anniversary, hence the title of the song: 105 Jive. The band usually did covers, from Kool and the Gang to the Blues Brothers, but this single was an original composition."^^xsd:string |
| ?:115 The Difference Between What I See and What I Feel | "<strong>The Difference Between What I See and What I Feel</strong> is the 115th release of Bodycocktail."^^xsd:string |
| ?:2001-2004 | "A collection of lesser known Dee Mond classics from 2001 to 2004 . <br />
This collection highlights the broad musical pallete of this prolific producer. On listening you will discover the building blocks that created the foundation of the Dee Mond style " Elektrotek ".<br />
You will also hear some surprising tracks that defy classification and yet have lasting appeal."^^xsd:string |
| ?:2006 | "Voice: Fernando Luceri<br />
Keyboard: Pierangelo Chiga<br />
Bass: Silvio Negro<br />
Guitar: Pierpaolo Carra<br />
except "Il volo" guitar: Angelo Zaminga<br />
Drums: Marco Stefano<br />
except "Il volo " Drums: Alessandro Chiga<br />
<br />
Recorded in march 2006 at<br />
soundland studio Castro<br />
by Gabriele Ciullo<br />
except "il volo"<br />
recorded in november 2006 at<br />
Sound Studio Service<br />
Citta di Castello<br />
<br />"^^xsd:string |
| ?:222777444777782555 555444 | "This album was made in a night, in the december 2003.
In 2003 I listened so many times to Aphex Twin's Selected Ambient Works II, Yann Tiersen, Biosphere, Boards of Canada."^^xsd:string |
| ?:2 Ants | "Very free impros."^^xsd:string |
| ?:2Mind2Jester | "<strong>2Mind2Jetser</strong> is a demo self-produced and recorded one instument at time. One-man-band production."^^xsd:string |
| ?:3 Metallophone Solos | "<p><strong>Kataribe</strong> means <em>storyteller</em> in Japanese. This piece was composed by <a href="http://www.pacificmoon.com/html/kataribe.html">Missa Johnouchi</a> - the Japanese composer, pianist, conductor and singer.</p>
<p><strong>Short story</strong> was composed about 10 years ago, I can't do such things nowadays.</p>
<p>The track<strong> For Danielle</strong> performed <font face="Arial">initially on kalimba was published in the album <a href="http://www.jamendo.com/en/album/4527/">Instrumental Works</a></font></p>"^^xsd:string |
| ?:4D Reality | "<p> </p>
<p><font face="Arial">This album begins with recent works and finishes with early works, some of them are even from the past millenium.</font></p>
<p><font face="Arial">Credits:</font></p>
<p><font face="Arial">Clouds Fly As I Smile - guitar and inspiration by the Jamendo artist <a target=" Matti Paalanen" href="http://www.jamendo.com/en/artist/matti.paalanen/">Matti Paalanen</a> from the album Hollow</font></p>
<p><font face="Arial">Chandra Loka - bass solo from the album Petals On Your Path by Night Ark</font></p>
<p><font face="Arial">Fragments - native american flute from the album Spirit Flutes by David R. Maracle</font></p>
<p><font face="Arial">Wind In My Hands - Vocals by Yungchen Lhamo, album Tibet, Tibet</font></p>
<p><font face="Arial">Shanti - Shanti Mantra from the album Chants of India by Ravi Shankar; bansuri by Hariprasad Chaurasia</font></p>
<p><font face="Arial">Samsara - violins from Hana-Bi OST by Joe Hisaishi</font></p>
<p> </p>
<p><strong> TIP :</strong> Download albums in <strong>OGG</strong> format - it's better than MP3.</p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:50 million year trip | "<strong><em>The 50 million year trip</em></strong> is a 1 song EP made by the Icelandic drone band <strong><em>Gonzo Bizarro.</em></strong>"^^xsd:string |
| ?:7 Fool Moons 1/7 | "<div>
<p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;"><strong style=""><em style=""><span lang="EN-GB" style="font-size: 14pt; font-family: Arial;">7 FOOL MOONS</span></em></strong><strong style=""><span lang="EN-GB" style="font-size: 14pt; font-family: Arial;">: a new free track at every full moon.</span></strong></span></p>
</div>
<div>
<p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"><strong style=""><span lang="EN-GB" style="font-size: 10pt; font-family: Arial;"> </span></strong></p>
<p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"><strong style=""><span lang="EN-GB" style="font-size: 10pt; font-family: Arial;">Starting from september 2007, at the full moon, <em style="">Fluydo</em> will be releasing a brand new track in free-download, under a <em style="">Creative Commons </em>license. This will happen seven times.</span></strong></p>
<p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"><span lang="EN-GB" style="font-family: Arial;"><font size="3"> </font></span></p>
<p style="margin: 0cm 0cm 0pt; text-align: justify;" class="MsoNormal"><em style=""><span lang="EN-GB" style="font-size: 10pt; font-family: Arial;">Fluydo</span></em><span lang="EN-GB" style="font-size: 10pt; font-family: Arial;"> is a peculiar anglo-italian duo, gradually establishing a personal off-road path through the alternative-pop scene. They have already published three tracks for major <em style="">BMG</em> and two records for the legendary italian indie label <em style="">CNI</em>, the latter of which together with one of the finest italian electro/hip-hop producers, Ice One. Now they find themselves temporarily free from record deals while, in the meantime, the whole music-biz is undergoing dramatic changes: is there a better time to try something different? “7 Fool Moons” is <em style="">Fluydo</em>’s step towards the future and a gift to their fans. It is also a chance, for music lovers who never heard them, to check out their work! </span></p>
</div>"^^xsd:string |
| ?:7 Fool Moons 2/7 | "<p><font size="2" face="Arial" color="#808080">The october full moon brings us the second chapter of "7 Fool Moons", the innovative work-in-progress album by Fluydo, all in free-download.</font></p>
<div align="left"> </div>
<p><font size="2" face="Arial" color="#808080">This new song is about a love story. Sweetly narrated by Tico's voice, it's a bunch of empty and rumbling talk in the attempt of keeping together a relationship that seems to be falling to pieces. It is instinctive, animal passion: the one that's made of looks, sounds and...</font></p>
<div align="left"> </div>
<p><font size="2" face="Arial" color="#808080">This track is yet another product of the well-tasted collaboration with ICE ONE, one of the most respected dj-producers in Italy, showing off an elegant pad arrangement and booming rythms. Tico's bass rolls on, as Anto's guitar floats mellow in a clear tribute to Morricone's western moods. The funky coda, centered on a scratch-guitar solo, tells us that the pieces have been put together... in the oldest manner!</font><font size="2" face="Arial" color="#808080"> </font></p>"^^xsd:string |
| ?:9 | "9th album, reaching a summit in its arrengements of cheezy classical, well-made metal and down right debilitation, Louis twist and mixes your old classical education just not like you would have thought. He unleaches an litterate violence and rythm that will please any polyvalent ears, that is, very few. But with any luck, you are the one that eats ice cream with balsamic vinager while oil-painting death in a flower garden. It works, and its good."^^xsd:string |
| ?:A Breeze from Hell | "<h1>Sorta story</h1>
<em> Prisoner</em>: Prison life, depression.<br />
<em> A Breeze from Hell</em>: Jailbreak.<br />
<em> Tunnels and Open Skies</em>: Being chased, escape.<br />
<em> Close Them and Never Open</em>: Hiding.<br />
<em> As Time Flows</em>: Wandering into a town, integrating with society.<br />
<em> Falling Down</em>: Guilt and fears.<br />
<em> Sane Again</em>: Deciding what you have to do.<br />
<em> Help Me Cry</em>: It's not a definite end - what the protagonist decides and what is his/her fate are up to your thoughts.<br />
<h1>Sorta diary</h1>
<ul>
<li>As Time Flows<br />
<em>Went through a multitude of names before finally being named "Save the World Button" until the realization that that name was stupid. All is drum samples (one from MIDI), two synths and a white noise sample, made with ModPlug Tracker before the actual discovery of VST.</em><br />
2007-05-06</li>
<li>Tunnels and Open Skies<br />
<em>Pretty speedy. Reminded me of some crazy sci-fi chase on hoverbikes with lots of bullets and slow motion or something, hence the name. Uses two VSTi plug-ins and a VST effect applied to the whole mess. My first track with VST on OpenMPT.</em><br />
2007-06-16</li>
<li>Sane Again<br />
<em>This one uses three different VSTi plug-ins. I consider it my masterpiece so far.</em><br />
2007-06-21</li>
<li>Close Them and Never Open<br />
<em>Assembling this from different module files (because stupid OpenMPT doesn't apply VST effects to channels so far, even though it's supposed to) took plenty of time, but it was totally worth it. At least in my opinion... Weird glitch in the end, assembled in Audacity. Two different VSTi plug-ins and two VST effects.</em><br />
2007-07-05</li>
<li>Falling Down<br />
<em>Dancey club tune in the beginning, glitchy drum samples I had no use for before plus a sine wave with varying pitch envelopes afterwards, everything mashed up together in the end, and a cool pure tone groove in the</em><em> end. It used to be in the trash can.</em><br />
2007-07-08</li>
<li>A Breeze from Hell<br />
<em>Finally loaded String Theory, took a preset and modified it a little to my liking. Then did this. Added a menacing sample of the lead instrument in the next track ("Tunnels and Open Skies") that fades in slowly and then kicks it off. It's going to be the first track.</em><br />
2007-07-09</li>
<li>Help Me Cry<br />
<em>Starts the same as "Breeze from Hell", only with distortion. The distortion wears off and there's three more chords without it. This will definitely be the last track, lasting 47 seconds.</em><br />
2007-07-09</li>
<li>Prisoner<br />
<em>Dark. A very dark tune. I thought that "Breeze from Hell" will be the first track, but now this is. "Breeze from Hell" is at the second place.</em><br />
2007-07-10</li>
</ul>
<h1>Notes</h1>
<p>Well, technically I've been working on this even earlier than the 6th of May '07, since I intended to do an album with MadTracker 2 once that was going to be called "A Mild Breeze from Hell", and that was a long time ago. MadTracker is the program thanks to which I've discovered VST (although I've started using this extensively only, indeed, in this project). Some of the plug-ins I've used here are included with MadTracker 2 as well - Drumatic 3 and Superwave P8. I actually know these from there and I tried really hard not to overuse them. Yes, that's why I use another two seemingly identical drum plug-ins.</p>
<p>Wait, so why didn't I use MadTracker and used OpenMPT instead? Because OpenMPT is open-source, and I've became a snob that attempts to use only open-source programs on Windows. And I'm also strangely used to the crappy graphics and UI of ModPlug Tracker rather than MadTracker's. And MadTracker doesn't export to WAV, unless you buy it - that sucks.</p>
<p>Some of the tracks went through a lot of titles. "As Time Flows" was originally named "He Died Saving His Planet" to go with the tiny story I crafted after it, then "Save the World Button", and when I realized this track should be on this EP, it was renamed to "Failed".</p>
<p>I tried to record something on a real guitar once - I can play at an intelligible speed on my mother's acoustic guitar, barely knowing any technique. But my shitty microphone (it's not even a microphone but a one-ear headset I managed to squeeze into that guitar), combined with my 1997 sound card, produced distorted sounds instead of normal guitar sounds whenever I played too loudly (normally, that is). Try to do something with that when you don't know what will come out!</p>
<p>Speaking of real instruments, there's no vocals on this EP. Also, I never tried my hand at writing songs, but I'm sure I suck at doing that too.</p>
<p>Well, I did think of recording something and then doing the singing itself with a vocoder, but there came the most-likely-bad-at-song-writing part.</p>
<p>Yes, it is this short. I didn't feel like forcing myself to try and do some other interesting tracks after finishing "Prisoner".</p>
<h1>Stuff used</h1>
<h2>Plug-ins</h2>
<h3>Instruments</h3>
<ul>
<li>Superwave's <a href="http://home2.btconnect.com/christopherg/main.htm">Superwave P8</a> ("Prisoner", "Falling Down", "Sane Again")</li>
<li>E-Phonic's <a href="http://e-phonic.com/plugins/drumatic3.php">Drumatic 3</a> ("Tunnels and Open Skies", "Falling Down", "Sane Again")</li>
<li>Ugo's <a href="http://www.ugoaudio.com/">String Theory</a> ("Prisoner", "A Breeze from Hell", "Help Me Cry")</li>
<li>Audiosonic's <a href="http://www.audiosonic.dk/digidrumpro.html">DigiDrum Pro</a> ("Prisoner", "Close Them and Never Open")</li>
<li>Andreas Ersson's <a href="http://www.bostreammail.net/ers/ersdrums.html">ErsDrums</a> ("A Breeze from Hell")</li>
<li>Odo Synths's <a href="http://www.kvraudio.com/get/390.html">A-Bass</a> ("Tunnels and Open Skies")</li>
<li>Askywhale's <a href="http://www.askywhale.com/vst/">Osc321</a> ("Close Them and Never Open")</li>
<li>E-Phonic's <a href="http://e-phonic.com/plugins/">SoloString</a> ("Sane Again")</li>
</ul>
<h3>Effects</h3>
<ul>
<li>SimulAnalog's <a href="http://www.simulanalog.org/guitarsuite.htm">Guitar Suite</a>:
<ul>
<li>Tube Screamer ("Tunnels and Open Skies", "Close Them and Never Open", "Help Me Cry")</li>
<li>JCM900 ("Close Them and Never Open")</li>
</ul>
</li>
<li>mda's <a href="http://mda.smartelectronix.com/effects.htm">RingMod</a> ("Close Them and Never Open")<br />
<em>It's only used at the end of the glitch sound. Barely notable.</em></li>
</ul>
<h2>Software</h2>
<ul>
<li><a href="http://modplug.com/">ModPlug Tracker</a><a href="http://sourceforge.net/projects/modplug/">OpenMPT</a></li>
<li><a href="http://audacity.sf.net">Audacity</a><br />
<em>Used for normalizing, cropping stuff, generating the original sine sample and the random percussion for "Falling Down", and making the glitchy cacophony at the end of "Close Them and Never Open".</em></li>
</ul>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Abriendo caminos | "<div align="center"><strong><span style="FONT-SIZE: 14pt; BACKGROUND: yellow; COLOR: red">PRESENTACIÓN Y MINIBIOGRAFÍA<u>:</u></span></strong></div>
<div> </div>
<div><strong><span style="FONT-SIZE: 14pt; BACKGROUND: yellow; COLOR: red">RODY SOUSA - PRESENTACIÓN</span></strong></div>
<div> </div>
<div><em><span style="COLOR: red">¡Hola...!, gracias por dedicar este momento, soy cantautor y mi intención en esta primer maqueta, es hacer llegar a través de la música un mensaje muy claro y preciso en defensa de la vida, del amor, de la esperanza.-</span></em></div>
<div> </div>
<div><em><span style="COLOR: red">Cada uno de mis temas está basado en las distintas circunstancias que el ser atraviesa en el transcurso de la vida, en hechos reales que logran identificar y unir lazos entre quienes hayan tenido igual experiencia a las citadas en los temas.-</span></em></div>
<div> </div>
<div><em><span style="COLOR: red">Además, hay reflexiones muy puntuales que concientizan y llegan a lo más profundo del ser, en relación a la defensa de la vida, la integración, la paz, la amistad, el amor).-</span></em></div>
<div> </div>
<div><em><span style="COLOR: red">Un material destinado a quienes gustan no sólo de la buena música, sino también de las letras, de estas historias reales de las que muchos dirán..... ¡A mi me ha pasado algo parecido!, o tal vez..... ¡Esto me va a ayudar en mi camino!, o quizás alguien diga..... ¡No me interesa!.-</span></em></div>
<div> </div>
<div><em><span style="COLOR: red">Mas, si tan sólo a una persona le hiciera eco en su interior y le ayudase, muy feliz me sentiría, no por mi, sino por el bien provocado en esa persona.-</span></em></div>
<div> </div>
<div><em><span style="COLOR: red">"Os pido difundáis lo que sea bueno para el ser humano de hoy"</span></em></div>
<div><em><span style="COLOR: red">Un abrazo y muchas gracias por dedicarme una parte importante de tu tiempo.-</span></em></div>
<div><strong> </strong></div>
<div><span style="FONT-SIZE: 14pt; BACKGROUND: yellow; COLOR: red">RODY SOUSA – MINIBIOGRAFÍA</span><span style="COLOR: red"> </span></div>
<div> </div>
<div><span style="COLOR: red">Escritor y cantautor argentino:</span></div>
<div> </div>
<div><span style="COLOR: red">Como escritor, se inició apasionado con apenas 14 años con las famosas rimas de Bécquer y otros tantos autores, durante sus estudios secundarios comenzó a escribir poesías a sus compañeras y compañeros de clase, interesándose de sus inquietudes y realizando en base a ello las estrofas, recuerda a todos sus profesores, afirma que la base indiscutible de su amor a la poesía y a la buena lectura y ortografía, la debe en parte a su profesora de literatura, la poetisa María Rosa Gómez.-</span></div>
<div> </div>
<div><span style="COLOR: red">Participó también en certámenes de cuento, obteniendo un premio y reconocimiento por su obra “EL SEMBRADOR”, que forma parte de un libro titulado “CUENTOS PARA UN VIAJE”.-</span></div>
<div> </div>
<div><span style="COLOR: red">Continuó escribiendo varias poesías, teniendo como tema central las distintas situaciones de la realidad y de la vida cotidiana, obras a las que más adelante pondría música y acompañaría con su voz.-</span></div>
<div> </div>
<div><span style="COLOR: red">Como cantante se inició en Mendoza, en el año 1994 cantando tangos, acompañado en distintas oportunidades por los maestros Juancito Pereyra (guitarra), Ernesto Calvo (bandoneón), Oscar Funes (teclados), quienes fueron sus primeros maestros en su formación.-</span></div>
<div> </div>
<div><span style="COLOR: red">Reafirmó su formación estudiando canto y vocalización, teniendo como profesores a grandes exponentes de la música como Tito Casciani, Fenicia Cangemi, Patricia Cangemi.-</span></div>
<div> </div>
<div><span style="COLOR: red">Además estudió técnica teatral y expresión corporal con la profesora y cantante Sandra March.-</span></div>
<div> </div>
<div><span style="COLOR: red">Actuó en distintos eventos tanto público, como privados, siempre con el espíritu alegre y teatralizador que le caracteriza, más allá de las retribuciones y poniendo por delante su gran vocación con total profesionalismo.-</span></div>
<div><span style="FONT-SIZE: 7pt; COLOR: red"> </span></div>
<div><span style="COLOR: red">Compartió también escenario con Fredy Vidal, entre otros artistas mendocinos como Ricardo Fontana, Ramón Salinas, Rolo Gales, Osvaldo Jordán, Lito Ríos, Nene Pérez, Emilio Alvarez, Ringo, María Alodia, Varón Alvarez, Ballet NURUVUE, Las voces de Guamal, Juan Carlos Moreno, Martín Mercado, Nano (Los Ángeles Negros), Nayua Faiad, José Luis Miralles, Nilo y Yoli, Gotas de lluvia, Marta Orellano, José Armando, Héctor Gil, Os Chavantes, Hugo Torrente, Chango Carpero, Oscar y Susana (bailarines de tango), Rubén Del Curto, Dúo Horizonte, Ricardo Pérsico, Carlos Walter Morales, Mabel Alaniz, Ritmo de Cumbia, Bruno Laurentis – Marcos Cobos (Mendobras), Los Soñadores, Palito Ortiz, Orquesta Trinidad, Los Viejos Verdes, Los Profesionales, Alejandro Fabián, Guillermo Aldana, Nora Vidal, Gustavo Salas, Cecilia Maurich, Campos, entre otros.- </span></div>
<div> </div>
<div><span style="COLOR: red">Muy agradecido de todos ellos.-</span></div>
<div> </div>
<div><span style="COLOR: red">Integró una orquesta bailable de ritmos tropicales “Los Ángeles Azules” junto a Pedro “Meneco” Bilbao, Eduardo Ricarte, Rodolfo Ricarte, Andrea Ricarte, Miguel Ortiz, Fabián Ortiz, Lalo Currenti, Ñato Ortiz, actuando en innumerables salones de fiesta y clubes.-</span></div>
<div> </div>
<div><span style="COLOR: red">También compartió junto a un público muy entusiasta varios escenarios acompañado por el músico Miguel Godoy</span></div>
<div> </div>
<div><span style="COLOR: red">En el año 2004 decide poner música a los versos que durante años mantuvo guardados y continuó escribiendo otros nuevos para agregarles música propia y realizar la grabación de un CD.-</span></div>
<div> </div>
<div><span style="COLOR: red">Dicha grabación fue costeada con mucho esfuerzo por él mismo, sin tener oportunidad de un sello discográfico.-</span></div>
<div> </div>
<div><span style="BACKGROUND: lime; COLOR: red">RODY SOUSA: autor e intérprete de música y letra</span></div>
<div><span style="BACKGROUND: lime; COLOR: red">SEBASTIÁN CHAVEZ: bajo, guitarra, programación y producción musical</span></div>
<div><span style="BACKGROUND: lime; COLOR: red">VICTOR JUAREZ: Violín y guitarra</span></div>
<div><span style="BACKGROUND: lime; COLOR: red">CRISTIAN LEDESMA: teclados 1</span></div>
<div><span style="BACKGROUND: lime; COLOR: red">LUCAS PRIOTI: teclados 2</span></div>
<div><span style="BACKGROUND: lime; COLOR: red">JUANCHI: percusión</span></div>
<div> </div>
<div><span style="COLOR: red">En Diciembre de 2004 viajó con su familia a España, en donde actualmente está radicado.-</span></div>
<div> </div>
<div><strong><span style="FONT-SIZE: 14pt; BACKGROUND: yellow; COLOR: red">SUS COMPOSICIONES MUSICALES SON 17:</span></strong></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">EL ULTIMO MALEVO</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - tango</span></div>
<div><span style="COLOR: red">Gran tango en honor al último malevo que ha quedado y que hoy, en su ancianidad, evoca sus recuerdos mientras recorre las calles de buenos aires</span></div>
<div><span style="COLOR: red">“...soy el último malevo que ha quedao', entre cumbia, salsa, tango y rock mezclao`..."</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">MI DERECHO DE NACER</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - melódico</span><span style="COLOR: red"><br />
Conciencia ante el aborto y ante todo tipo de discriminación.-</span></div>
<div><span style="COLOR: red">A favor de la vida, de los derechos del niño, del joven y del anciano.- En general por el derecho a vivir sanos y en paz…</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">AMOR NO DECLARADO</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - melódico</span><span style="COLOR: red"><br />
“…Si tú nunca supieras que en silencio te he amado, si yo nunca advirtiera que igual te haya pasado…”</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">REINTENTEMOS </span></strong><span style="BACKGROUND: yellow; COLOR: red">– salsa</span></div>
<div><span style="COLOR: red">“...Siento que este amor tanto cambió, si cuando me das un beso de ti ya no quedo preso; mas, hoy yo le pido a Dios, como aquella vez primera… que una nueva primavera nos brinde un nuevo color...” </span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">EN TU PARTIDA</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - melódico</span><span style="COLOR: red"><br />
Una historia real en la que se trata de superar la ausencia de la pareja...</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">HIJO DE QUIÉN</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - vals melódico</span><span style="COLOR: red"><br />
Historia de ese niño abandonado al nacer y hoy agradecido de sus padres adoptivos.-</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">PREGUNTO</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - melódico</span><span style="COLOR: red"><br />
Preguntas en las que hay que reflexionar mucho antes de responder.-</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">UN AMIGO</span></strong><span style="BACKGROUND: yellow; COLOR: red"> – folklore - chacarera</span><span style="COLOR: red"><br />
Para saber cuál es ese amigo verdadero que siempre está a mi lado.-</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">TE QUIERO </span></strong><span style="BACKGROUND: yellow; COLOR: red">- melódico</span><span style="COLOR: red"><br />
Todo el romanticismo para acompañar un "te quiero"</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">SUEÑO CONTIGO</span></strong><span style="BACKGROUND: yellow; COLOR: red"> – melódico</span></div>
<div><span style="COLOR: red">“…Quiero verte, quiero hablarte, quiero entregarte mi ser, tengo tanto que contarte después de tanto perder…”.-</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">QUIERO </span></strong><span style="BACKGROUND: yellow; COLOR: red">- pop</span><span style="COLOR: red"><br />
“…Quiero ser parte en tu vida, quiero adherirme a tu piel, quiero en tu alma verter fragancias que mi alma anida…”</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">PREJUICIOS</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - salsa</span><span style="COLOR: red"><br />
Sé prudente en el amor y no vivas de prejuicios.-</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">NADIE COMO TÚ</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - salsa</span><span style="COLOR: red"><br />
No he encontrado aún a nadie como tú.-</span></div>
<div> </div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">MUJER DEL ORIENTE</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - pop</span><span style="COLOR: red"><br />
Frases, historias y juegos de palabras develan quién es la mujer del oriente, (el que sepa entender, que entienda).-</span></div>
<div><span style="FONT-SIZE: 7pt; COLOR: red"> </span></div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">ENAMORADOS </span></strong><span style="BACKGROUND: yellow; COLOR: red">- melódico</span><span style="COLOR: red"><br />
juntos por siempre, “…tú con tus ocupaciones, yo con mis obligaciones…, pero juntos siempre…” <br />
</span><span style="FONT-SIZE: 7pt; COLOR: red"><br />
</span><strong><span style="BACKGROUND: yellow; COLOR: red">DESPIERTA</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - pop</span><span style="COLOR: red"><br />
No te duermas en la vida <br />
<br />
</span></div>
<div><strong><span style="BACKGROUND: yellow; COLOR: red">LA MORENITA</span></strong><span style="BACKGROUND: yellow; COLOR: red"> - salsa</span><span style="COLOR: red"><br />
Historia de una muchacha latina que disfruta de su tiempo libre divirtiéndose en paseos y lugares bailables, y de un muchacho enamoradizo que siempre la observa y que en vano trata de acercarse intentado conquistarla...<br />
<br />
</span></div>
<div><strong><span style="COLOR: red">Rody Sousa</span></strong><span style="COLOR: red"> es un artista más entre los tantos que como él, dejan huella en cada sitio que recorren.- </span></div>
<div> </div>
<div><a href="mailto:rodysousa@hotmail.com">rodysousa@hotmail.com</a> </div>
<div> </div>"^^xsd:string |
| ?:Abstract Motion (a sampler) | "Compiled as a past-present-future sampler, covering a fairly broad variety of work, including guitar-based material.<br />
<br />
The titles in parentheses are the sources for the individual tracks. Of these <em>Void Jumper</em> is still in abeyance, as is the graphic novel it goes with (the music was a way to get myself going on the outline) while <em>Abstract Oceans</em> may or may not be complete; I am not yet certain. <em>The Lord Of Light...</em> comes from my cassette underground days, and was the fourth of the Egyptian-themed <em>Inundation</em> series composed for the Church of the Eternal Source annual festivals. <em>Red Weapons</em>, comprised of tracks recorded between 1992 and 1999, is essentially a guitar-oriented album; curiously enough, the title track for the album didn't get included until the second version of the CD was created."^^xsd:string |
| ?:Acoustic Demo | "Recorded at SCM Recordings in October of 2006, the Acoustic Demo strips three songs down to basics and lets lyrics and melodies dominate. Jaunty "Molten," chilling "Rust," and peaceful "Do You Know Where Your Children Are?" benefit from the spare treatment and span an impressive artistic range in a surprisingly short time."^^xsd:string |
| ?:ACTION 6 | "<p>GREAT HIPHOP ALBUM OF GOLDEN BOY (FOSPASSIN).THE ALBUM"ACTION 6 " IS MADE OF DIRTY SOUTH CRUNK,GANGSTA-RAP,WORLD MUSIC AND DANCE.THIS ALBUM HAS BEEN RECORDED IN ATLANTA GA USA.GOLDEN BOY RECEIVED HELPS FROM CHEDA BENZ WHO IS THE BEST RAPPER IN THE WORLD,LAMONT JACKSON "YOUNGIN",DWIGHT MOORE,RODNEY,ARION FANDO.ENJOY THE NEW WAY HIPHOP WITH THE BEST DANCER IN THE WORLD GOLDEN BOY (FOSPASSIN).MORE THAN 25 AWARDS WON,GOLDEN BOY (FOSPASSIN) IS ON HIS WAY TO BECOME THE BEST ARTIST IN THE WORLD.SOME FANS SAY:"GOLDEN BOY IS THE BOB MARLEY AND TUPAC REVOLUTION".</p>
<p><a href="http://myspace.com/goldenboyf">http://myspace.com/goldenboyf</a> </p>
<p><a href="http://www.customflix.com/Store/ShowEStore.jsp?id=1701373">http://www.CustomFlix.com/1701373</a><br />
</p>"^^xsd:string |
| ?:Adam's Single | "My single contains:electronic probes whit my new PC programmes."^^xsd:string |
| ?:A Day at the People Factory | "Debut album, originally recorded in 2003-2004. Looking back it has a few rough edges and things I would have done differently now, but some of the songs on this are still among my favourites. In my personal opinion the highlights are 'Sacred Jaguar', 'Adventures of Pidge and Greg' and 'Return to Babel', which has some very aggressive engineering including true backwards reverb (made by turning the tape over as was done in the 70s) and some very strange tape manipulation at the end.<br />
<br />
Thanks to Graveyard Greg and Webtroll for allowing me to use Pidge on the front cover.<br />
<br />
A PDF version of the cover with full lyrics and liner notes can be found here: <br />
<a href="http://dougtheeagle.com/adatpf/pf_cover4.pdf">dougtheeagle.com/adatpf/pf_cover4.pdf</a>"^^xsd:string |
| ?:adhDJ | "<h3><u>A</u>ttenetion <u>D</u>eficite <u>H</u>ard <u>D</u>isc <u>J</u>unkie</h3>
<p>replacement album 2 of 2 for the original BLAPP.</p>"^^xsd:string |
| ?:ADSL - Anamorphic Digital Systematic Lobotomy | "Short Ep about today's world omologation into stereotypes, into premade ideas. Those two pieces if listened to, will grant you a psychedelic trip into another dimension that's not the one of the ordinary world. Forever Goa."^^xsd:string |
| ?:Aeon | "The first album in the series contains various atmospheres and tunes. Orchestral and harmonic soundtrack music.<br />
<br />
Produced by <a href="http://www.jamendo.com/en/user/Michikawa/">Matti Paalanen</a>."^^xsd:string |
| ?:Aeon 2 | "Orchestral soundtrack tunes in spirit of Nobuo Uematsu and Jeremy Soule<br />
<br />
Produced by <a href="http://www.jamendo.com/en/user/Michikawa/">Matti Paalanen</a>"^^xsd:string |
| ?:Aeon 3 | "Part III of the Celestial Aeon Project album series"^^xsd:string |
| ?:aeonblue | "subatomicglue [2003] - aeonblue fills the dark chasm of dream and light with a harder techno edge while keeping the subatomicglue you've come to know. the aeonblue is a new beginning."^^xsd:string |
| ?:Aeronáutica y otras tecnologías | "<font class="pn-normal"><strong> Aeronáutica y otras tecnologías<br />
</strong><em>[V04] - 2001 - <a target="_blank" href="http://www.discogs.com/release/8263">Discogs</a> </em></font>"^^xsd:string |
| ?:AFRICAN MUSIC | "<p>AFRICAN MUSIC IS AN ALBUM MADE BY FOSPASSIN ONE OF THE MOST POPULAR AFRICAN ARTISTS.THIS IS ALBUM WHICH EVERYTHING TO MAKE YOU FEEL HAPPY EVERYDAY.IT IS FOR YOU TIME TO GET READY TO HAVE FUN BY DANCING AFRICAN MUSIC.</p>
<p>ENJOY IT AND LIVE FOREVER.FOSPASSIN IN YOUR EARS.</p>
<p> </p>"^^xsd:string |
| ?:Afternoon | "A collection of tracks recorded mainly between 1988 and 1990 with the first track recorded in 1992.<br />
<br />
Yes, I really have been sitting on it all this time."^^xsd:string |
| ?:Aki | "<p>In production album...</p>"^^xsd:string |
| ?:alien skies | "'alien skies' is the fourth of the older release series. It is on this album that the Magnetic sound began to take shape. The presence of more guitar oriented tracks and maore traditional song structure define this release and can be found on all the 'official' magnetic releases."^^xsd:string |
| ?:Alive Summer One Day World Tour | "Recorded Live at MONIATIC.<br />
Dissabte, 10th July of 2004.<br />
<br />
Improvised & recorded live to 2-track.<br />
<br />
Antoni Joan: percussion, treatments & loopage.<br />
Raul Bonell: tapping guitar & loopage.<br />
Cesar Molines: tapping guitar & bass clarinet.<br />
Alexis Selles: percussion, treatments & clapping.<br />
<br />
Edited and Mastered by RB at Estudio Paciente, 2007."^^xsd:string |
| ?:All Lyrics Are Lies | "<h3>Songs of stars, of life support and balancings: the starfirefive's third (and limited) release, "All Lyrics Are Lies" overflows with raw emotionality, on one hand conveying the band's familiar desperation for lost loves ("It Never Ends"), on the other, the raw edges of aggression ("[There Is No] Revolution"). </h3>
<h3><br />
The album features a remix of the previously released "Parallel" (Degree of Focus, 2002) and two instrumental tracks: the convoluted "Nothing Like Progress" and the thematic "Critical Stop".</h3>"^^xsd:string |
| ?:Alone in silent underground | "A promo single"^^xsd:string |
| ?:Alpha Oceanus | "<h1>Alpha Oceanus</h1>
<p class="meta">September 2007</p>
1. Luna Mare (intro) <em>(1:32)</em> <br />
2. The Uncharted Territories <em>(6:47)</em><a href="http://juho.psyyke.net/lyrics/uncharted.txt"></a><br />
3. Down in the Mines <em>(2:01)</em> <a href="http://juho.psyyke.net/lyrics/mines.txt"></a><br />
4. Spaceport <em>(8:04)</em><a href="http://juho.psyyke.net/lyrics/spaceport.txt"></a><br />
5. Ilmalaiva 22 <em>(7:43)</em><br />
6. Mount Oceanus (outro) <em>(2:19)</em><br />
<br />
Commander Iuho: All instruments, sounds*, voices & production. <br />
<br />
All music & Lyrics by Commander. <br />
<br />
Forged in the Headquarters in Augustus-September MMVII. <br />
<br />
*Except Ilmalaiva 22, which uses "D2.wav" sample by RealRhodesSounds from Freesound (http://freesound.iua.upf.edu). <br />
<br />
Covers by fitchet"^^xsd:string |
| ?:Alpha Omega- Live at Terra Australis | "Alpha Omega performing live at the 2002 Terra Australis festival.<br />
A blistering combination of heavy psychedeliosity and mind melting electronics."^^xsd:string |
| ?:Amarelya (Single) | "Lark Wiskey is a cosmic being that manifest itself in many evolutionary planets, mainly at critical moments, like these our Earth is passing through - a moment of transition. At these moments, when the five senses are not enough to express the life, anguish and anxiety take possession of the afflicted hearts, the humanity needs help. We are not alone. Lark is a being, an energy, on to the arts, in special to music, because music is the language of Muses, the language of Gods, that can be noticed even at the first steps of evolution, even by the irrationals animals. Its origin, not known, seems that it followed the exodus of Capella. Lark is adimensional and therefore its presence makes itself to be feeling through composers, musicians and interpreters spread out the universe. Of all places... to thousands, already said the king. Its communication is subtil, what it makes it difficult many times to identify the origin of the received material. At this moment some artists are receiving the mission to manisfest the musical art of Lark, cosmic and liberating. The only intention of Lark Wiskey is to divulge and promove the Love. The true essence of the Ksmos, and to prepare the humanity for the new conscience, spiritual. Lark Wiskey does not need aid. We do need it! Peace be with you. Thus either!"^^xsd:string |
| ?:Ambience Session | "This album was kind of an experimental in 1997. It was never released until now. Some of you have maybe heard the Enharmon in some of my gigs. Once again, thanks to Al Cabaro being with me in these studio sessions as a mental help and co-drinker. And thanks to all my friends for just being there all the time.<br />
<br />
Please sit down in a peacful corner, take a deep breath, relax and press play."^^xsd:string |
| ?:Ambient | "1 Ambient A [13.47]<br />
2 Ambient B [20.39]<br />
3 Ambient C [11.00]<br />
<br />
www.myspace.com/MFTM"^^xsd:string |
| ?:A MODO MIO | "<p>Ep con alcune tracce del futuro album in uscita di Piso che mischia un rap brillante ad un funk </p>
<p>leggero tutto da ballare! per info su Piso <a href="http://www.myspace.com/mypiso">www.myspace.com/mypiso</a></p>"^^xsd:string |
| ?:A MODO MIO | "<p>NEW EP!!</p>
<p>4 TRACKS !</p>
<p>THE ORIGINAL RAP HIP-HOP FUNK FROM ITALY!</p>
<p>MORE INFOS AT <a href="http://www.MYSPACE.COM/MYPISO">WWW.MYSPACE.COM/MYPISO</a></p>"^^xsd:string |
| ?:Amourir | "My second album, i qualifie it to second because a turn in my life, i mean by there that all the songs i made from a status to another are in this album. ^^<br />
<br />
Mon 2ème album, je le dit deuxième puisqu'un nouveau tournant arrive dans ma vie, je veux dire que je suis passé d'un certain status à un autre dans mon existance et toute les musiques que j'ai écrites en étant dans le status d'avant sont dans cet album. ^^"^^xsd:string |
| ?:AM Right/Wrong | "Written and recorded by Brent Lancaster & Brian Thomsen in Columbus,OH in the winter of 2004/2005"^^xsd:string |
| ?:...and Juliet-string quartet | "<p>written for A.Dimou's '....and Juliet' performance in 1994 (Lydia Fotopoulou -Piramatiki skini)</p>
<p>Anastasia Missirli 1st violin,Kyriakos Gouvendas 2nd violin,Tassos Missirlis cello,Michalis Siganidis double bass</p>"^^xsd:string |
| ?:Andrew, Just | "This EP was made with the help of my father turning up his TV in the other room while I was recording (I llived with him during the time these songs were recorded), Rorie Kelly's other-worldy voice, her willingness to get drunk with me and let me sleep on her livingroom floor (now she sleeps in my bed, because she's my--gasp!--<em>girlfriend</em>), and of course: alcohol. <br />
<br />
Sometimes, people say I sound like Jeff Buckley. Other times, they say I look like Antonio Banderas. Other times still, they don't say anything at all--and it's those times I pay most attention because I'm really hard on myself.<br />
<br />
My heroes are my closest friends because they're the ones who have to put up with me--and that, people, is the most commendable act of courage this world has ever known. <br />
<br />
I'm currently in the beginning stages of recording a full-length album: first, I want to get a band; next, I want us to practice; then, we can record. <br />
<br />
Anyway, enjoy these songs; they're all under a Creative Commons Atrribution-NonCommerical License, so do whatever you want with them--so long as you give me credit and don't charge any money for whatever it is you do (share, copy, give to friends and family, sample, etc.).<em><br />
</em>"^^xsd:string |
| ?:anEP | "anEP is my new album. I made over 20 tracks for it, but decided to cull it down to the 6 very best tracks, and chose them so they would make up the best possible EP i could from the tracks. Its a strange ride, changing from mellow indie/electronica with acoustic guitars and soundscapes, to hude industrial stomping machines. Im really happy with it, and it doesnt sound like anything ive ever heard."^^xsd:string |
| ?:A new life | "Music is in a progressive electronic rock style. You can hear some voices of an analog synthesizer-ARP Explorer I, produced in the 70's. Total time about 60 min."^^xsd:string |
| ?:An Island of Joy (In a Sea of Electronic Dreams) | "Three deep ambient meditations on Claude Debussy's 'water music'.<br />
<br />
This album is the second co-operation from Doc and Lena Selyanina. Where their first album <em>Distant Transmissions - Ambient Reflections on Bach (MT002)</em> was focusing around the idea of space - 'cosmic Bach' if you wish - this second album is characteristically a 'water album'. The theme of water is present at all levels: in the themes of the songs, in their tonal treatments and also in the sound material. The basic setting is that of deep, meditative ambient - the dark majesty of 'deep waters' - out of which arise the warmer, swifter and lighter layers of music conveying the mystery, intimacy and sensuality associated with the element of water.<br />
<br />
The original works of Debussy that inspired this album are: Danseuses de Delphes (Dancers in Mist), Voiles (Behind the Veils) and L'isle joyeuse (An Island of Joy).<br />
<br />
Complete hi-res cover art for the album is available from <a href="http://www.archive.org/details/mt004">Internet Archive</a>."^^xsd:string |
| ?:Anomalous Material | "Anomalous Material is the first full-length album by JT Bruce. This progressive rock album consists of 16 songs, most of which are instrumental. Lush, dynamic compositions with a wide range of moods, tones, and atmospheres make up the bulk of this work and will appeal to fans of progressive rock and progressive metal alike. The heavily layered and technical guitar work coupled with rhythmically complex drumming works together with carefully orchestrated synthesizer to create a very unique listening expirence."^^xsd:string |
| ?:Antimateria | "Hare Krishna! PAMHO AGTSP!<br />
<br />
"Antimateria (Antimatter in english) is an album of remixes of various samples taken from Hare Krishna devotional music. Most of the tracks were produced and recorded in Lima, Peru, (hence the spanish title)while the rest were completed in Brisbane, Australia. I made a few copies of the album personally and distributed them to devotees and I also performed some of the tracks at different festivals in and around Lima. The track "Transcendental Vibration" (originally as a remix of the final track on the album) was produced and recorded by my good friend Bernie Ellar in Auckland, New Zealand. The original version had 2 more tracks, but the ones included here have stood the test of time I feel.<br />
<br />
Here is the quote from the album notes:<br />
<br />
"Al mundo antimaterial esta inmanifiesto para el cientifico materialista. Uno tiene que volverse completamente limpio de habitos y corazon, antes de que pueda comprender los detalles del mundo antimaterial. Esta informacion es recibida mediante el proceso auditivo, por un discipulo que sea sumiso a la Personalidad de Dios."<br />
<br />
Libro - Viaje Facil a Otras Planetas por Su Divina Gracia A.C Bhaktivedanta Swami Prabhupada"^^xsd:string |
| ?:Anubis Gammatrik | "This album is a homage to the electronica and to the artists who changed to me at the age of 19.<br />
It sounds like Boards of Canada, Aphex Twin, Plaid and many other musicians.<br />
<br />
Maybe I don't have a style, but this album was important to me because its tracks are like pages of a diary from 2003 to 2004.<br />
<br />
Thanks to my friends for the voice of Eriol and the ears of Love Caballero in Animazione Italiana and the guitar of Paolo in Storie di Mose.<br />
<br />
If you like this, found out other free stuff on <a aiotitle="RadioDB" href="http://www.radiodb.altervista.org/index.htm">RadioDB</a>. Soon also on Jamendo."^^xsd:string |
| ?:A Pal From Outer World | "It is an year in the world when there is rampant hatred for each other. Countries are fighting, terrorists are inflicting violence in the minds of youngsters.
It is in these hazy days that a innocent child, bereft of his parents and friends and out of loneliness tries to communicate with a person not living in this strife torn world, but out of it in the outer space.
He does it through his small piece of music.
In no time he receives a message back. He is overjoyed. It is first time ever in his life he is able to communicate with another person peacefully.
This start transforms into a full fledged communication and the child finally gets aa new lease of life.
The music may not totally sound for it, but it is aimed at world peace.
Millions of children are being left in pain either by death of thier parents or by all the violence happening in the world.
It is our right to start creating a boundary less world, not through the politicians but through our own initiative.
I think music will surely destroy all the fencing on the borders.
I found this message and that was through Jamendo. It was first time ever that I communicated with people living far away from my country. It is a nice feeling. It is a boundary less place. Let's preserve it with music.
Let's start taking initiative.
Let's Unite the world !!
Let's Unite the world !!
Before it gets............
By Mudit Sood"^^xsd:string |
| ?:apply within | "as with all the music on this site, words aren't very useful!
please listen and enjoy!"^^xsd:string |
| ?:Archetypal Desert | "Archetypal Desert explores the realms of Jungian psychology and the deep metaphorical interface between music and our collective experience."^^xsd:string |
| ?:arkitex | "just pure good rockin music from planet earth... xcellent quality - independently produced......."^^xsd:string |
| ?:Artificial Flavor | "I can say without a doubt that this album is much better than "The First". Being my first album to compose period, it was very experimental and random. I believe that I have found a common ground from which these songs were derived from. I hope that you enjoy them!"^^xsd:string |
| ?:Artificial Horizon | "If Tracks 9 and above do not play: I'm not sure whats happened, something must have happened while uploading. The same album is available for download from http://www.ionetlabel.com/io018.php or just try to download it from here. I apologize for the inconvenience."^^xsd:string |
| ?:Artilugios para abrir un cuento | "Segundo trabajo de La Barca de Sua, en el que pretenden dar un paso más en su sonido y en la profundidad de los temas.
<p>Estos cuatro temas fueron grabados desde marzo a junio de 2007 en <a title="La Fragua" href="http://www.lafragua.tk/">La Fragua</a>, bajo la atenta supervisión de Diego Nieto. Fueron producidos, mezclados y masterizados por Diego Nieto, Pedro Álvarez y La Barca de Sua. Todo el proceso de grabación fue realizado con herramientas de software libre, fundamentalmente <a title="Ardour" href="http://www.ardour.org/">Ardour</a> bajo <a title="GNU
no es Unix" href="http://www.gnu.org/home.es.html">GNU/LiNUX</a>.</p>"^^xsd:string |
| ?:Ascension Into Off White Everything | "<p>Created back in the summer of 2004 during some serious sleep deprivation while in the process of recording a variety of instrumentation to make an 80 minute long instrumental track but I started thinking about it and wondered what it would sound like it I dropped some vocals into the tracks.</p>
<p> </p>
<p>I didn't have any lyrics prepared and after some chemical enhancement combined with the sleep deprivation decided that, hey, I should record every single thing that pops into my head. Well, after everything had already started. The first track that was recorded just kind of happened due to being freaked out by something and I thought what was created was pretty awesome. So I just kept trying to recreate it all weekend long.</p>
<p> </p>
<p>I thought it was all great, something original that really couldn't be compared to anything and then I released it a month later to everyone saying: oh, hey, you took your love for NiNe inch Nails and Apoptygma Berzerk and made some sort of concept album. Which is funny because those were the main two things I was listening to around the time of creating the album and didn't really make the connection until people started pointing it out.</p>
<p> </p>
<p>But, despite the obvious influences showing through, it's still a pretty interesting/fun/good album and I just want more people to hear it.</p>"^^xsd:string |
| ?:As Days Get Shorter | "The first solo release from Sharp features ethereal textures and pleasant digital distortion, as well as complex IDM structures. Released under <a class="external-link-new-window" target="_blank" title="Opens external link in new window" href="http://creativecommons.org/licenses/by-nc/2.5/">Creative Commons Attribution-NonCommercial 2.5</a>."^^xsd:string |
| ?:As Good As Bad | "<p> </p>
<p>As Good As Bad is the 6th cd m2X has made. Although this is the second one with acceptable sound quality both vocal and quality wise as these albums are recorded at home. Combalized, the cd before this one was the beginning of a new era for m2X, he acquired a new microphone and sound card for his PC. This increased the soundquality of his recording by great margins. As Good As Bad is the first one to contain only songs recorded with this equipment.</p>
<p>NOTE; On collaborations for this album the recording has been set up in such way that all artists have recorded separately. Because of that quality of vocals may vary in featured song.</p>
<p><strong><em><u>Credits go to following; </u></em></strong></p>
<p><em><u>Producers;</u></em></p>
<p><em>MC2B (<a href="http://www.soundclick.com/">www.soundclick.com/mc2b</a>) - "Are You Ready?(Intro)"</em></p>
<p><em>Sindustry (<a href="http://www.soundclick.com/">www.soundclick.com/sindustry</a>) - "See What's There"</em></p>
<p><em>MiC Checker Tom of Macdusa Records (<a href="http://www.soundclick.com/">www.soundclick.com/miccheckertom</a>) - "Martini Ovadose (Remix)"</em></p>
<p><em>Slantize, Hala X & Sinima of Shadowville Productions (<a href="http://www.shadowvillepro.com">www.shadowvillepro.com</a>) - "The Jason Story", "War of the Mind", "Innate To Man", "The Freeworld", "Come Around".</em></p>
<p><em>Devise (<a href="http://www.soundclick.com/">www.soundclick.com/devize</a>) - "Rafting Thru Dreams", "Goodbye, I'm Sorry", "Don't Put It On Me", "Standin' Still"</em></p>
<p><em>Cire (<a href="http://www.soundclick.com/">www.soundclick.com/cire</a>) - "In God We Trust..."</em></p>
<p><em>SoundEye Productions - "Paranoid"</em></p>
<p><em>Ce-Sektion Beats (<a href="http://www.soundclick.com/cesektion">www.soundclick.com/cesektion</a> - "The Cure"</em></p>
<p><em></em></p>
<p><em><u>Collaborating Artists;</u></em></p>
<p><em>MC Kravens (<a href="http://www.soundclick.com/thekravens">www.soundclick.com/thekravens</a>) - The Cure - verses 3+4, Standin' Still - verses 3+4, When We Do What We Do - verse 2, All Over The World - verse 1</em></p>
<p><em>Rowdy (<a href="http://www.myspace.com/thefewwords">www.myspace.com/thefewwords</a>) - When We Do What We Do - verse 3</em></p>
<p><em>Glowtune (<a href="http://www.myspace.com/thefewwords">www.myspace.com/thefewwords</a>) - Paranoid - verse 2 & last 30 seconds of 3rd verse</em></p>
<p><em>Deluzyon (<a href="http://www.soundclick.com/deluzyon">www.soundclick.com/deluzyon</a>) - All Over The World - verse 2 + chorus</em></p>
<p><em>MiC Checker Tom (<a href="http://www.soundclick.com/miccheckertom">www.soundclick.com/miccheckertom</a>) - Martini Ovadose (Remix) -intro/outro + chorus </em></p>
<p><em></em></p>
<p><em>Track Info</em></p>
<p><em>1. Are You Ready?</em></p>
<p><em> Produced By MC2B, Written and Recorded by C.Blom a.k.a. m2X</em></p>
<p><em>2. When We Do What We Do</em></p>
<p><em> Unknown Producer, Written and Recorded by; 1st verse - C.Blom, 2nd verse - Eduardo Aerrsens a.k.a MC Kravens, 3rd verse - Jonathan Åhgren a.k.a. Rowdy, Chorus - C.Blom</em></p>
<p><em>3. See What's There</em></p>
<p><em> Produced by Sindustry, Written and Recorded by C.Blom</em></p>
<p><em>4. Martini Ovadose Remix</em></p>
<p><em> Produced by Macdusa Records, Written And Recorded by; Intro/Outro + chorus - MiC Checker Tom, verse - C.Blom</em></p>
<p><em>5. The Jason Story</em></p>
<p><em> Produced by Hala-X of Shadowville Productions (www.shadowvillepro.com), Written and Recorded by C.Blom</em></p>
<p><em>6. War of the Mind </em></p>
<p><em> Produced by Hala-X of Shadowville Productions </em><em>(www.shadowvillepro.com)</em><em>, Written and Recorded by C.Blom</em></p>
<p><em>7. Come Around</em></p>
<p><em> Produced by Slantize of Shadowville Productions </em><em>(www.shadowvillepro.com)</em><em>, Written and Recorded by C.Blom</em></p>
<p><em>8. Innate To Man</em></p>
<p><em> Produced by Sinima of Shadowville Productions </em><em>(www.shadowvillepro.com)</em><em>, Written and Recorded by C.Blom</em></p>
<p><em>9. Paranoid</em></p>
<p><em> Produced by SoundEye Productions, Written and Recorded by; 1st verse, chorus, 1st 30 seconds of 3rd verse - C.Blom, 2nd verse + last 30 seconds of 3rd verse - Daniel Hansson a.k.a. Glowtune</em></p>
<p><em>10. Don't Put It On Me</em></p>
<p><em> Produced by Devize, Written and Recorded by C.Blom</em></p>
<p><em>11. In God We Trust...</em></p>
<p><em> Produced by Cire, Written and Recorded by C.Blom</em></p>
<p><em>12. The Cure</em></p>
<p><em> Produced by Ce-Sektion Beats, Written and Recorded by; verses 1+2+ chorus - C.Blom, verses 3+4 - Eduardo Aerrsens</em></p>
<p><em>13. The Freeworld</em></p>
<p><em> Produced by Hala-X of Shadowville Productions, Written and Recorded by C.Blom</em></p>
<p><em>14. Standin' Still</em></p>
<p><em> Produced by Devize, Written and Recorded by: verses 1+2 & chorus - C.Blom, verses 3+4 - Eduardo Aerrsens</em></p>
<p><em>15. All Over The World</em></p>
<p><em> Unknown producer, Written and Recorded by; verse 1 - Eduardo Aerrsens, verse 2+chorus - Deluzyon, verse 3 - C.Blom</em></p>
<p><em>16. Goodbye, I'm Sorry</em></p>
<p><em> Produced by Devize, Written and Recorded by C.Blom</em></p>
<p><em>17. Rafting Thru Dreams</em></p>
<p><em> Produced by Devize, Written and Recorded by C.Blom</em></p>
<p> </p>"^^xsd:string |
| ?:Asian Variations - Various Artists Remixed by MoShang | "The Asian Variations album is a collection of remixes produced by MoShang in his Chinese Chill style of downtempo electronica, melding deeply laid-back beats with Chinese traditional instruments. Some of these remixes were solicited by the original artists, two were done for remix competitions, and in some cases MoShang approached artists directly requesting permission to remix their work. The artists represented on the album are literally from all over the globe; The U.S.A. (Fort Minor, Toao, Lovespirals, Brad Reason), Taiwan (Kou Chou Ching, Chang Jui-chuan, Viba, André van Rensburg, MoShang), South Africa (Gordon's Suitcase), Japan (Akihiko Matsumoto & Chage), Italy (Tafubar), and Slovenia (PureH) and for the most part the collaboration with MoShang was via the web. With the exception of Fort Minor and J-pop star, Chage, none of the artists are signed to major labels and all are working hard to be heard. Thank you for listening!"^^xsd:string |
| ?:A story without thinking | "<p>This is an original hebrew pop song book from israel. Written about day to day struggle of living and loving in tel aviv haifa jerusalem and other related placed in Israel.</p>
<p>The sound of this my take you back to the 80's in mind but keep on remembering that this is done in the present. </p>
<p>Some words in hebrew now for the people of Israel jumping by....</p>
<p> </p>
<p>כייף גדול להעלות לכאן שישה שירים מתוך האלבום המקורי "סיפור בלי מחשבה" שנחל הצלחה לא קטנה ברדיו, עשרות השמעות בכייף, ויופי של פידבקים מהקהל הרחב. השירים הם פרי שיתוף פעולה שלי עם ג'ו (מר צרצר) רוזן. הוקלטו באולפן של יזהר אשדות. הטכנאים היו אלידע רמון וטל מטמור. בגיטרה חשמלית ניגן אייל אלטברג הגדול בדורו. </p>
<p>היה כייף של אלבום להפיק, וגם כייף של שירים לשמוע. שאף אחד לא יאמר לי אחרת :-) </p>
<p> אמרתי שישה מתוך האלבום במקור יש אחד עשר שירים</p>
<p>למי שמעוניין עוד נותרו עותקים של הדיסק הזה למכירה</p>
<p>אפשר ליצור קשר דרך</p>
<p>troy@troy.co.il</p>
<p>האזנה נעימה לכל </p>
<p>TROY</p>
<p> </p>"^^xsd:string |
| ?:Astro Al | "<a class="linkGreen" target="_blank" href="http://www.myspace.com/astroal">Astro Al</a> is what it would sound like if William Shatner was the lead singer for the Doors. Astro Al is 50's B movie music madness for spaced out adults."^^xsd:string |
| ?:Astro Al Live @ Goatstock 3 | "<p> </p>
<p><span class="headersgreen"><strong>Astro Al Live @ Goatstock 3<br />
<br />
</strong> </span><a class="linkGreen" target="_blank" href="http://www.myspace.com/astroal">Astro Al</a> is what it would sound like if William Shatner was the lead singer for the Doors. Astro Al is 50's B movie music madness for spaced out adults.</p>
<p><br />
This album was recorded live at Goatstock 3 on September 22, 2007. Goatstock <span class="description">is a benefit to raise money to help out the great folks at Heifer International (<a href="http://www.heifer.org/" linkindex="25" set="yes">www.heifer.org</a>). Heifer places animals in countries where they are desperately needed. All proceeds from this album will go to purchase goats to help people in need. </span><br />
<br />
To make a contribution or to learn more about Heifer International, go to <a href="http://www.heifer.org/" linkindex="26" set="yes">http://www.heifer.org</a>.</p>
<p> </p>"^^xsd:string |
| ?:Astrobiology | "This is our second album released on jamendo- a follow up to the mini album <strong><em>Psycoactive</em></strong> we released last january which shares the same cover. Astrobiology is a complete album consisting of 9 tracks of full on morning psytrance. Melodic at times, funky, progressive and generaly just 'different' at others.<br />
<br />
this time we also wanted to provide the complete cover art for the CD box, inlay with tracklist. the back and also the image to be printed on the CD itself (or sticker) to try to make this as much a complete CD release as possible.<br />
<br />
To download the complete cover art you will have to visit <a href="http://www.quantica.eu/">our website</a>, also if you would like the album in uncompressed .wav format we will be hosting that as well.<br />
<br />
We hope you enjoy this release! Jamendo rocks! keep it real!"^^xsd:string |
| ?:"Atomism" | "Atomism, White Light Riot's first full-length album, was produced/co-engineered by Brent Sigmeth (Grant Hart, They Might Be Giants, Tim O’Reagan, Ramblin’ Jack Elliott), co-engineered by Paul Marino (The New Congress, Desdemona) and mastered by Bob Ludwig. It was released nationally August 21, 2007 by RED Distribution (Sony BMG). It has already been named one of the best releases out of Minneapolis in 2007. The first single, “Out Of Sight,” was the 4 most added single at college radio earlier this summer and is currently charting on all 3 charts at specialty radio nationally.<a href="http://www.whitelightriot.com">www.whitelightriot.com</a>"^^xsd:string |
| ?:At Someone Else's Funeral EP | "A small EP with three industrial/electronic/rock tracks."^^xsd:string |
| ?:Babylon | "REGGAE-DUB-ROCK-BLUES"^^xsd:string |
| ?:BackVieW | "<p>A collection of new tracks from KraftiM after his first releases on <a href="http://www.musictrade.info">www.musictrade.info</a>, </p>
<p>Short waves and fieldrecordings are explored, expanded and reorganised.</p>
<p>Caragon is partly based on the beautiful Strawinsky Agon-ballet, mixed with cruising carsounds.</p>
<p>Adaschu is influenced by the great adagio of Schubert's stringquintet</p>
<p>Bilena is a virtual collaboration with Surinam singer Bibi and Russian pianoplayer Lena Selyanina (see/hear her also on doc's site <a href="http://www.jamendo.com/en/artist/doc/">www.jamendo.com/en/artist/doc/</a> )</p>
<p>Pataum is with the giggling of 4-year old Pat, rest is only A, U and M, sung by KraftiM.</p>
<p>Awl I Can Say containes only the processed singing of the A.</p>
<p>Danik contains the humming of my daughter mixed with som waves from Electroteque.</p>"^^xsd:string |
| ?:Bardland | "album's front cover art by Mr Alan Grech<br />
<br />
<br />
This album is dedicated to fellow TKMs in my utopian kingdom.. enjoy"^^xsd:string |
| ?:Bare Your Soul | "<p>Bare Your Soul is a compilation of several songs that have been composed and recorded over seven years in Colombia, El Salvador and Pennsylvania (USA). "Sanjuanero Alternativo" was composed by my close friend Gerardo Piñeros in Guatemala but this song is of Colombian origin. Special arrangements were made by another close friend: Scott Ramsey "Scooter" who passed away on 2001.<br />
<br />
I thank you for stopping by and listening to our music.<br />
<br />
Love,<br />
<br />
- Dabis Camero</p>"^^xsd:string |
| ?:baroque | "ce EP est fait comme un disque des 60's mais avec des moyens moderne"^^xsd:string |
| ?:Barren Tree ep | "<div>The world looks so barren and gray in the winter, sometimes it feels the same way within our soul, but there is hope. There is an opportunity to see the the beauty within the emptiness and purpose within our own loneliness. This music is<em> unconsciously </em>about this experience. <br />
</div>"^^xsd:string |
| ?:Barvy | "First album of Prorock, released in 1997. Fetures energic rock songs, sometimes with metal feeling."^^xsd:string |
| ?:Bayreuth "Intoxicated Quests in the Land of the Blunted" | "<p>Bayreuth- "Intoxicated Quests in the Land of the Blunted", is a short album that was produced in 2000 by Drugged Killer.</p>"^^xsd:string |
| ?:Beginner Level 1 | "Beginner Level 1 is the first album of the band SMG. SMG was started in mid 2007 by a student of school Maharaja Agrasen Vidyalaya in Ahmedabad, India. It follows a simple principle of providing good music which is liked by every generation of people."^^xsd:string |
| ?:Be happy, it's gray | "In this album I worked more with a techno style than others, but always the same sadness and couriousity for sounds and noise."^^xsd:string |
| ?:Behind It All | "<p align="center"><font color="#cc0000" size="2">__________________________________________________________________ </font></p>
<p align="center"><a target="_blank" type="0" href="http://9lies.proboards19.com/index.cgi?board=general&action=display&thread=1156046982">Interested in 9Lies History? Read Faustine Amore & TAXI's Interviews with Stevie Mann!</a><br />
<font face="Book Antiqua" color="#666666"> What a year it's been for 9Lies!<br />
It was the year which saw the 'Behind It All' album being released to critical acclaim, with massive radio airplay around the globe, and all without a record company being involved! It was also the year which saw the song 'Blind' being snapped up by Warner Brothers, and 'Behind it All' the title track from the album finding a new home as theme tune to reality tv show 'Our Prisoner' in the USA. We've been beamed up and down from satellites around the world more times than we care to remember. <br />
In just 6 months, 18000 people joined us on our 2 International myspace sites and in the last 3 months we've gathered almost 900 groupies since joining the Bebo social networking site, with fans placing our songs on over 1500 of their playlists! <br />
The Song 'Slippin Away' has not only been downloaded online during the last year more than 29,000 times, but has more recently been chosen by <a rel="nofollow" href="http://www.ascap.com/">ASCAP</a> for excellence in songwriting at the ASCAP Music Expo 07 in L.A. <br />
Download sales on digital sites such as iTunes and Rhapsody have remained strong, as have Material Worldwide CD sales from our <a target="_blank" type="0" href="http://www.9lies.net/9liesmerchshop.html">Online Music Store</a>, and all of this is down to you! Thankyou!!! <br />
It does'nt end there though! The new album 'Halfway from Nowhere' is almost finished and sounding absolutely fantastic!! If you haven't already done so, then join the <a target="_blank" type="0" href="http://www.9lies.net/contact9lies.html">9Lies Mailing list</a> for free, to be kept up to date and receive free member offers! <br />
Click <a target="null" type="3" href="http://www.9lies.net/9liesfreemusic.html">here for Free Downloads</a> of 5 broadcasts from The 'Behind It All' Album, including 'Slippin Away', 'Behind It All', 'Blind', 'Too Late' and 'The Gap'<br />
For additional resources about the band, check out the following links!<a rel="nofollow" href="http://www.myspace.com/99lies"> MySpace Music</a> ,<a rel="nofollow" href="http://www-9lies-net.bebo.com/">9Lies BEBO</a>, <a target="_blank" type="0" href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=167653808">9Lies on iTunes</a>, <a target="_blank" type="0" href="http://www.9lies.net/venafestivallodz07.html">9Lies Live @ The Vena Festival Poland</a>, and <a target="_blank" type="0" href="http://www.musicforte.com/member/9Lies">9</a><a target="_blank" type="0" href="http://www.reverbnation.com/9lies">L</a><a target="_blank" type="0" href="http://www.outersounds.ie/9Lies">I</a><a target="_blank" type="0" href="http://cdbaby.com/cd/9lies">E</a><a target="_blank" type="0" href="http://www.nextcat.com/9Lies">S</a><a target="_blank" type="0" href="http://www.airplaydirect.com/music/9lies">-</a><a target="_blank" type="0" href="http://www.jamendo.com/en/album/6685">0</a><a target="_blank" type="0" href="http://bandwagon.ie/band/9lies">7</a> <a target="_blank" type="0" href="http://www.newmusiclabel.com/user_profile.asp?user_id=2357">.</a> Or visit - <a target="_blank" type="0" href="http://www.9lies.net/">The home of 9Lies Indie Guitar Rock</a><br />
<font color="#cc0000" size="2"><strong></strong></font><a class="nav" title="SUBSCRIBE" href=""></a></font>
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<font class="navgrey"><a class="navgrey" href="http://www.9lies.net/"></a></font></p>
<p align="center">______________________________________________________________________ <br />
</p>"^^xsd:string |
| ?:Being Alive Killed The Best In Me | "Recorded in 2006, though some songs were written as early as in 2003. Nicolas wrote and read the lyrics of 'The Moors' and 'Des Points Lumineux', Ana wrote the lyrics of 'Ana', and Raphael read the lyrics of 'Wires and Plugs' and 'Ana', on which he also played a guitar part. Otherwise, all the other songs were written and performed by #2.<br />
In memory of Didier Lanciaux."^^xsd:string |
| ?:Best music for SEX | "<p><span style="FONT-WEIGHT: bold">This electro-psycho-industrial project was recorded in the city of HAIFA during 2001 - 2005 in our home studio "megasound". </span></p>
<p><span style="FONT-WEIGHT: bold">In 2006 "megasound" moved to Tel aviv and the album was complete. One song, "the promise" was recorded in Izhar Ashdot's studios (best known for his productions for Ofra Haza wich mad her famous)</span></p>
<p><span style="FONT-WEIGHT: bold">SEX in the aggresive way is the main issue here, but some other songs (mostly in hebrew) present TROY's softer side. </span></p>
<p><span style="FONT-WEIGHT: bold">TROY - a well established underground act in Israel (this is his 7th album) - will tour the world this summer. Check out his shows next your town. </span></p>
<p><span style="FONT-WEIGHT: bold"></span></p>
<p><span style="FONT-WEIGHT: bold"></span></p>"^^xsd:string |
| ?:Best of Album 2007 | "<p>THIS THE BEST OF SOME WORKS ALREADY DONE IN SOLO ELECTRONICA STUDIO.</p>
<p>AUDIO MASTERING IS COMPLETED WITH YAMAHA AUDIO MASTERING EQUIPEMENTS.</p>
<p> </p>"^^xsd:string |
| ?:Best Of Digital Wonderland 2007 | "Best Of Digital Wonderland Series 2007 - selected by listeners - Thank you for loving my music!"^^xsd:string |
| ?:Better Than Sliced Beats - SGX Remix Project | "This is the first SGX remix album."^^xsd:string |
| ?:#!/bin/bash | "<div class="titulo">
<h2>What is #!/bin/bash?</h2>
</div>
<p>1. It's a new EP by <a target="_blank" href="http://www.geradorzero.com/">Gerador Zero</a>.</p>
<p>2. It's the first line of all scripts on Linux/Unix that make use of the <a target="_blank" href="http://www.gnu.org/software/bash/bash.html">Bash</a> shell, a fundamental piece of the <a target="_blank" href="http://www.gnu.org/">GNU</a> system.</p>
<p>The EP has this name because:</p>
<p>1. I'm a geek and I've been trying to make some tracks about GNU/Linux for some time.</p>
<p>2. Weird names are cool (If you don't believe it, ask <a target="_blank" href="http://www.amazon.com/exec/obidos/tg/detail/-/B00005QD9N/102-0192052-9402564?v=glance">Aphex Twin</a>).</p>
<p><br />
</p>
<h2><span class="subtitulo">Why do the tracks have these strange names?</span></h2>
<p>It's a <a target="_blank" href="http://www.gnu.org/software/bash/bash.html">Bash</a> script. If you write this inside a text file and run it on Linux (or MacOS X, or Windows with <a target="_blank" href="http://www.cygwin.com/">Cygwin</a>), it will work perfectly. What does it do? Well, if you know Bash, you already know. If you don't, I'll explain it:</p>
<p><strong>#!/bin/bash</strong><br />
<span class="legenda">(Tells the system to use Bash to run this script)</span></p>
<p><strong>for x in *.wav; do</strong><br />
<span class="legenda">(Do the following with all .wav files:)</span></p>
<p><strong>oggenc -q 6 $x</strong><br />
<span class="legenda">(Convert it to OGG Vorbis with quality 6)</span></p>
<p><strong>rm $x</strong><br />
<span class="legenda">(Delete the original .wav)</span></p>
<p><strong>done</strong><br />
<span class="legenda">(Self-explanatory)</span></p>
<p>Obviously you'll need <a target="_blank" href="http://www.xiph.org/ogg/vorbis/">oggenc</a> for it to work, but most Linux flavors come with it pre-installed.</p>
<p> </p>
<h2><span class="subtitulo">But this could be done on a single line!</span></h2>
<p>I know, but a CD with just one song isn't that much interesting.</p>
<p> </p>"^^xsd:string |
| ?:bits | "this is work in progress. as everything in the universe ;)<br />
the name of the track always has the version of the track at the end of the name.<br />
everything below 1.0 isn't finished everything above is remix ;)"^^xsd:string |
| ?:bit.zell ep | "Some mellow microhousey tunes with an electronica edge. enjoy!"^^xsd:string |
| ?:Black hole ego | "The first album produced together with [dixan], in march 2003.<br />
<br />
<small>songwriting > [K] except “h.e.art” music by [dixan] - “spora” music by [jp]<br />
arrangement - programming - editing > [dixan]/[K]<br />
guitars > [captain]/[jp]<br />
[laura] sings on “angelslave”<br />
[jp] plays guitars on “spora”<br />
mixing - mastering > [K]</small>"^^xsd:string |
| ?:BLAPP. | "<p>Replacement album 1 of 2. the original BLAPP was deleted due to a clerical error, and the reviews for it can be seen at <a href="http://www.1amthi5.piczo.com">www.1amthi5.piczo.com</a> </p>"^^xsd:string |
| ?:Blue Trees, 7 Miles | "<p><strong><u>Blue Trees, 7 Miles</u></strong></p>
<p>Our first complete album. We started it in 1999 by using some various loop samples as well as our own drum machines, beats and instruments and completed it in January 2003. Basically a chill out album with progressive house and acid influences</p>
<p>Ou favorite track, still today is BLUE TREES 7 MILES</p>
<p>We hope you enjoy our music</p>"^^xsd:string |
| ?:Blurred Reality | "With this album I think I can express something that's in my head. It's difficult to talk about audio feelings so I'll let the album express it self."^^xsd:string |
| ?:Bodhi Tree | "<p><font face="Arial">Ambient music is a musical genre that incorporates elements of many different styles including jazz, electronic music, new age, traditional, world, noise and more.</font></p>
<p>That more or less is what you will find in this album. Tranquil ambiences, gloomy sounscapes, sounds of nature, <font face="Arial">polyrhythmic</font> breakbeats, jazz textures and world music - it's all there.</p>
<p>Instead of soulless electronically generated sounds I prefer real sounds and live acoustic instruments, mostly ethnic.</p>
<p>This was my first album published on Jamendo.</p>"^^xsd:string |
| ?:Boeko EP (Sample) [2006] | "<em><font face="Batang">The self-title album "Boeko" was compiled mid '06, and was the result of some really good vibes in the collective consciousness. This was my last release in Windsor Ontario, Canada (across from Detroit MI, USA), before my move to the Pacific NorthWest where I reside now with my girlfriend.</font></em><em><font face="Batang"><br />
This 3 track EP is a slight shift from my previous release "brb, techno...", bringing to the table some funky, acid sounds, mixed with a slightly minimal, dark vibe.</font></em>
<h2><em><font><em><font><em><font><em><font face="Batang">*NOTE::: The Jamendo release of the Polar EP are all 1 minute samples. If you would like to purchase the full length album, or hear full length previews, please visit <a target="_blank" href="http://www.subtlerecordings.com">http://www.subtlerecordings.com</a> and click on the "Albums" and/or "Ordering" section.</font></em></font></em></font></em></font></em></h2>"^^xsd:string |
| ?:Bollate Centro, non ci sto più dentro | "<p><strong>A 4 years work experimenting vocal music for easy listening songs. </strong></p>
<p><strong>Ironic and surreal lyrics and many music styles, from disco to raggae to rock, also a sort of a tribute to all the artists infuencing bacco music. </strong></p>
<p><strong>Love songs and stories coming from Milano suburbs, filtered by the disenchated view of a grey clerk.</strong></p>
<p> </p>"^^xsd:string |
| ?:Borderline | "Recorded in Milwaukee in 2006."^^xsd:string |
| ?:Boréalis aurora | "<p> </p>
<p>Sweet : english available below !</p>
<p>Music activation : en activation en cliquant sur le haut parleur</p>
<p>extatique : j'aimerais</p>
<p>Eh oui, 25 minutes de kitchnettes pour moi n'était pas assez, alors voici une version "on party" du fameux titre. <font face="Arial">http://www.jamendo.com/en/album/6313/?refuid=61187</font></p>
<p>Ecolove : désolé de la perte de qualité entre les différentes manip, et merci à Melchiades pour son autorisation ! <font face="Arial"><a href="http://www.jamendo.com/en/album/6570/?refuid=61187">http://www.jamendo.com/en/album/6570/?refuid=61187</a></font></p>
<p>Boréalis aurora et Isobella : dédié à Isobel bien sur, merci pour m'avoir tellement inspiré pour cet album</p>
<p>------English</p>
<p>Music activation : when you click on the speaker</p>
<p>Kitchnette on party : I like so much this song that I mix it to party. <font face="Arial">http://www.jamendo.com/en/album/6313/?refuid=61187</font></p>
<p>Ecolove : sorry for the bad quality, and for the lyrics jam butter, but it's like I like it. <font face="Arial">http://www.jamendo.com/en/album/6570/?refuid=61187</font></p>
<p>Boréalis, and Isobella : from and for Isobel, thanks to her for the inspiration she gives to me.</p>
<p> </p>"^^xsd:string |
| ?:Brazilian Bikini Tan | "Here it is, the much anticipated third EP, albeit the first <em>official</em> release, from Afghan Banana Stand. Truly a fruit of hard labor - that's what she said - the entire album was recorded in a single, grueling twelve hour session. All six songs are originals and now staples of the live show.<br />
<br />
<u>Track Breakdown:<br />
</u>1) Salvia - True story involving the band and the hallucinogenic, Salvia Divinorum...enough said<br />
2) Lulu - One of two songs that were re-recorded for the album, also one of the first songs the band ever composed. If anything this song solidifies the band's reputation as a wholesome family act in that like The Beatles they write about their friends.<br />
3) Bloody Saturday Night - In the words of lead singer/lyricist Vinton Whitcomb, "I wrote this song when I was mad."<br />
4) Nuke the Whale, Save the Beer - Also known as "Nuke the Whales," and "Bong Hits 4 Jesus," this track has surprisingly proven to be the biggest hit although the official title has nothing to do with the actual song. True story about the United States Supreme Court case (see, the band can be mature too).<br />
5) Patterson Hill - Also based on a true story regarding a certain band member who will not be mentioned. Trivia: When you play the song back wards, between 2:00 and 1:15 you can here two subliminal messages.<br />
6) Polygamy Jimmy - So far the most controversial song off the album for unbeknownst reasons to the band. In the words of bassist Aaron Mitchell, "Note to self: Do not play this at a kids' park," which the band has already done.<br />
<br />
<br />
More information can be found at: <a href="http://www.myspace.com/afghanbananastand">www.myspace.com/afghanbananastand</a><br />
Merchandise can be purchased at: <a href="http://www.cafepress.com/abswear">www.cafepress.com/abswear</a>"^^xsd:string |
| ?:Brazilian Touch | "This is a collaborative album, which use the great samples from the Creative Commons (©urve)music™ Remix Contest on ccMixter (http://ccmixter.org/curve). <br />
<p> </p>
Daniel Brandell: arrangements, french horn, keyboards, flutes, percussion<br />
<p> Creative Commons Samples:<br />
Tamy: vocals on Que Pena Tanto Faz and Cidade Sol (http://ccmixter.org/curve/files/tamy/10304, http://ccmixter.org/curve/files/tamy/10306)<br />
Manola Micalizzi: vocals on Madrugada (http://ccmixter.org/curve/files/zone/10309)<br />
Zone: percussion on Madrugada (http://ccmixter.org/curve/files/zone/10308)<br />
<br />
Cover photo by cwphotography (http://www.flickr.com/photos/scratched_crystal/)<br />
</p>
<p> </p>"^^xsd:string |
| ?:brb, techno... EP (Sample) [2005] | "<em><font face="Batang">The "brb, techno..." release 'technically' came out in '06, but the EP name, label and concepts came out of '05. This was my first release after a 3 year hiatus in production. All the concepts of this album were made possible by a shift of consciousness, and a shift of lifestyle on my behalf. </font></em>
<p align="left"><em><font face="Batang">This 3 track EP lets loose some dirty, yet technical Detroit Sounds, while experimenting with some new techniques, and gear.</font></em></p>
<h2><em><font><em><font face="Batang">*NOTE::: The Jamendo release of the Polar EP are all 1 minute samples. If you would like to purchase the full length album, or hear full length previews, please visit <a target="_blank" href="http://www.subtlerecordings.com">http://www.subtlerecordings.com</a> and click on the "Albums" and/or "Ordering" section.</font></em></font></em></h2>"^^xsd:string |
| ?:Breeding Sonic Waves | "<strong>Breeding Sonic Waves</strong> presents a different, simple and original sound made only by two / three simultaneous guitars played by me. All the four instrumental, experimental and minimalist songs were recorded digitally in a home studio some years ago with 100% of pleasure and dedication!"^^xsd:string |
| ?:Brightside | "Light rock."^^xsd:string |
| ?:Broken Into Tumbolia | "Tumbolia is a term used by Douglas Hofstadter in "Godel, Escher, Bach, an Eternal Golden Braid", and describes a state of recursive processing where normal relationships and hierarchies are overpowered by infinite self-referencing feedback.<br /><br />Breaking into tumbolia implies creating a musical engagement where normal rules of harmony, rhythm, tension and resolution are fed into each other and allowed to expand organically through all available dimensions. Chaos is encouraged.<br /><br />However, there is an overriding belief that this insanity must be <span style="font-weight: bold;">controlled. </span>This album is functional, as well as cerebral - so it can always be understood and felt <span style="font-style: italic;">rhythmically, </span>even where it is unfamiliar tonally, texturally or harmonically. Turn it up <span style="font-style: italic;">loud</span> and you will hear more. The sounds are crisp and detailed, and the bass is <span style="font-style: italic;">deep</span>.<br /><br />The tracks on this album were produced over a span of about two years, and most of them were mixed professionally at Berry Street Studios in Clerkenwell, London (primarily as an experiment to see what it would be like to be 'signed')."^^xsd:string |
| ?:BROM E.P. | "This E.P. was recorded in Brom's own studio by Peter Lee in Seattle. It is the precursor to their full length that they are hard at work on."^^xsd:string |
| ?:Bronco | "race and return"^^xsd:string |
| ?:Brown Skinned Mama | "My 3rd album in 5 years. Complete on computer produced."^^xsd:string |
| ?:brumm | "h: guitar<br />
valentín: vocals<br />
kanito: electronics<br />
<br />
music by molicie. inspired by David Cronenberg's Crash.<br />
<br />
included at medinasonora 2006 compilation, entitled <a href="http://www.valladolidwebmusical.org/medinasonora/previo.htm">erótica sonora</a><br />
<br />
u can watch the video clip <a href="http://www.archive.org/details/molicie-brumm_en_video">here</a><br />
<br />
<a href="http://www.archive.org/details/RendezVous"></a>"^^xsd:string |
| ?:B-side of the moon | "<small>Remixes of original songs released by [dK]<br />
and published on Albums:<br />
‘Electroglamour and infinite sadness’<br />
‘Black hole ego’<br />
‘Crack’</small>"^^xsd:string |
| ?:Bulbus | "<h1>Now it's a trilogy!</h1>
This is the final improvisation album that we will record in this way. And the last one recorded in our old rehearsal room with just two microphones.<br />
<br />
<em>Bulbus</em> is a bit different from <em><a href="http://www.jamendo.com/en/album/1059/">Gonzo Jazz</a> </em>and <a href="http://www.jamendo.com/en/album/2832/"><em>Where's The Station</em></a> as it was recorded in one July evening and there is no edits besides the obvious dropping of the non-happenings before and after the improvs. The feeling of the album is different, too. A bit darker, a bit more furious in parts, and there's the vocalizing of your's truly. (I'd be caught dead before I call it singing..)<br />
<br />
So there you have it. Three improvisation albums put out in 2006, two of them recorded this year. In 2007 you'll be hearing our composed recordings. That's a promise!<br />
<br />
Have a merry christmas (or what ever your holiday preference is) and a splendid new year!<br />
<br />
Sincerely,<br />
Jari Schroderus"^^xsd:string |
| ?:Burgundy & Blue | "<strong>Burgundy & Blue are the colours of the Human Soul. </strong><br />
<br />
<em>burgundy is the colour of the blood that pumps through our veins, essential to our survival.<br />
blue is the colour of pain and suffering that is the human condition which shapes who we all are.</em>"^^xsd:string |
| ?:Busy For An Eternity | "The first album in a trilogy inspired by the idea of it being something that would be able to further connect me with someone but since they're no longer in the picture it doesn't matter what sparked the creativity.
What matters though, is that this album is sort of the death and rebirth of that idea. Something is dying or has died but it has given way for something to be born. This project."^^xsd:string |
| ?:Busy Signals | "A backlog of songs I've written in the past six years.<br />
<br />
Les critiques en fran<font size="-1">çais sont les bienvenues!<br />
</font>"^^xsd:string |
| ?:c0ntact | "This is a story about a zen master's contact with the world unfiltered, his losing battle against temptation, and the annihilation of zen master status."^^xsd:string |
| ?:Cachonda | "<span class="esp"><span><span class="">Cachonda and Cachonda (Foreplay), altogether with Diablo and Por debajo del agua were done originally for the videohome Cumbia cachonda from director Christian González. Kukita is an original track from Manuel Neztic. Patria / Extranjero and Stravinsky appear in their original version in the album Volk. "Cachonda" means horny and/or sexy in Mexico.</span></span></span>
<div>
<div> </div>
</div>
<param value="transparent"></param>
<param></param>"^^xsd:string |
| ?:canciones para el campo | "<p> Disculpas por la voz, que fue grabada toda en primeras tomas ya que vivíamos en un piso pequeño y los vecinos también tienen que descansar...</p>
<p>I must apologize for the voice, which was recorded all in first takes, due to the fact that we used to live back then in a tiny flat, and the neighbours had the right to rest as well.</p>
<p>Si quieres una copia del album, mandame un e-mail (<a href="mailto:garrasdelviento@yahoo.co.uk">garrasdelviento@yahoo.co.uk</a>) con tu direccion y recibiras el cd por el modico precio de ... bah!.. gratis total.</p>
<p>If you want a copy of this album, send me an e-mail to (<a href="mailto:garrasdelviento@yahoo.co.uk">garrasdelviento@yahoo.co.uk</a>) with your address and you'll receive the cd for the modest price of nothing.</p>
<p>Piensa con el corazón y siente con la mente.</p>
<p>El nombre de Yerba viene simplemente de eso: la hierba verde (no la que se fuma, o se ingiere), donde te tumbas para respirar y mirar al cielo.</p>
<p>Visita la web al pié de página.</p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Cà Phê and Pizza | ""As A Start : Cà Phê & Pizza" shows the rebirth of AWAKEN and foreshadows the "BEPPU NIGHTS" concept. (available on Jamendo, if you're clever, you'll find it...)"^^xsd:string |
| ?:Captain Fish | "Psychodelic alternative."^^xsd:string |
| ?:Categoria: 1998/2002 | "This collections of songs recorded between 1998 - 2002 represents the pure innocence of someone who's following only his instinct and not a trend. <br />
<br />
The only instruments used were a classical (nylon) guitar, my "vox", a Pentium 133MHz, a cheap mic going thru a cheap soundcard and some buggy innapropriate software.. but it was fun;)<br />
<br />
<br />
<br />
Enjoy<br />
<em><br />
*IS*</em>"^^xsd:string |
| ?:Centrifuga | "The second EP released by 4c3, 'Centrifuga' is a mixing of stronger beats with atmospheric elements, it contains some tracks that will appear in the next LP, which is to be released later this year."^^xsd:string |
| ?:Chamber Music | "Chamber Music is a collection of spoken word poetry from the 19th and 20th Centuries put to music in various contemporary genres. The work encompasses poetry from major english language poets and is all in the public domain. All readings have been produced and performed by the volunteers at Librivox (<a href="http://www.librivox.org">www.librivox.org</a>) Music written and produced by members of <a href="http://www.soundclick.com/bands/pagemusic.cfm?bandID=614510">Euterpe Archipelago</a>."^^xsd:string |
| ?:Chamber Works | "This album consists of 16 short instrumental pieces, written as small scale piano concertos, usually accompanied by strings. Most are meant to be playable at home, and hence the name of the album. <br />
<br />
These pieces were written and developed over a period of about two and a half years, with "The Chaining of Prometeus" and "Chamber Works" being to first and last to be written. <br />
<br />
Notable exceptions include "The Chaining of Prometeus", which was developed further with the addition of several other instruments and "Chamber Pot", which contains a flute solo. <br />
<br />
A Tama drum kit was also used on numbers such as , 'Fibre Optics", "Of Tides and Tadpoles", "Elation" and "The Chaining of Prometeus"."^^xsd:string |
| ?:Chicago Demos | "A collection of early Blood Ruby demos."^^xsd:string |
| ?:Childhood Traumas | "<strong>While thinking back to my childhood I was brought back to a very dark time. I was born in Scranton, PA and spent the first 11 years of my life there. Growing up watching beatings that children should not witness, watching over your shoulder for who might grab you and drag you under the willow tree, realizing there is something not right about the way your brother looks at you or touches your leg or arm. Brings you to the realization that now it's time for me to make changes in my life. To never let this kind of TRAUMA into the lives of my OWN children.</strong>"^^xsd:string |
| ?:Chilly Winds | "All tunes in this album is not the best work I have done.<br />
But I think its pretty ok to listen to anyways.. :)"^^xsd:string |
| ?:Christmas Bells | "The intoxicating delight of the sounds of bells.
The Christmas Bells CD blends virtual analogue modelling synthesis with the crystal clear realistic multisampling of bell sounds by Roland (SRX/XV series).
The warm rendering of an analogue mix on mmb’s Fostex 350 vintage mixer has preserved the emotion of this music composed, produced and performed amid the atmosphere of Christmas. The album ends with homage to Gabriel, Marc’s regretted uncle.
“I hope this music composed with the loving kindness sounds of bells in the ambiance of Christmas time will rejoice, soothe and appease, as a recollection of Xmas agape… This CD is dedicated in memoriam Gabriel, with a special attention to his kind wife, children and grand-children who are still missing him very much.”"^^xsd:string |
| ?:Chroma | "SGX is back with Chroma, a collection of electronic music that will blow. your. mind. Do you like huge beats, crazy synths, epic melodies, and/or soul-shifting soundscapes? If you checked yes for any of the above, Chroma is the album for you!<br />
<br />
Several tracks on this album are short demo versions. If you would like to hear the complete album, including several exclusive tracks, please consider purchasing the CD or download version. The full version also includes an interactive music toy game that allows you to remix "Coactive" in real time. <br />
<br />
More information on this album here: <a href="http://www.sgxmusic.com/chroma.htm">www.sgxmusic.com/chroma.htm</a>"^^xsd:string |
| ?:Chronic Underestimation | "I guess this is my first "published" cd. I just took what I thought were some of my better peices and threw them on. Enjoy!"^^xsd:string |
| ?:Chu' Mèo Ngu? Quên (Chú Mèo Ngủ Quên) | "<p><font face="Arial"><font face="Arial">Bài hát Chú Mèo Ngủ Quên (Thì Trở Lại Thành Phố) được viết bởi Gilles Snowcat và Trịnh Thanh Duyên. Biểu diễn: Trịnh Thanh Duyên (giọng hát) và Gilles Snowcat (nhạc khí và điện tử).Bản dịch lời bài hát đầu tiên : Trinh và Ngọc QuỳnhTruyền thuyết Về Chú Mèo Ngủ Quên được viết bởi Gilles Snowcat và dịch sang tiếng Việt bởi Thùy.Thiết kề bìa mặt trước : Dương.Thiết kề bìa mặt sau : Hương May.Dịch trang web+ tranh vẽ nền+ tư vấn : Thùy.</font></font></p>
<p><font face="Arial">Ngày nảy ngày nay, có một cô gái Việt Nam xinh đẹp, cô X., sống tha hương tại một nơi thanh bình và vô hại: Đất Nước Không Tên.Dù không phải là một nơi náo nhiệt, Đất Nước Không Tên đảm bảo chất lượng cuộc sống và học tập của cô X., khiến cô gái quyến rũ của chúng ta lưu lại trong một thời gian dài.Không may, đây không phải là "gu" của bọn Ngu Ngốc- Xấu Xí, những kẻ lãnh đạo nham hiểm, những bậc đế vương độc ác, những người cai trị chua chát.Những con người đáng khinh bỉ,ngu độn đã quyết định (mà không có lý do chính đáng nào) sẽ đuổi cô X đi bất cứ nơi đâu, càng xa càng tốt.Một chú gì đó thất vọng, cô X cần đến một sự bảo vệ.Và cô Y đã tặng cô X một vật để đánh thắng sự tấn công của bọn Ngu Ngốc- Xấu Xí:một chú mèo ma thuật, có tên là Chú Mèo Ngủ Quên.Mang những sức mạnh mà chỉ loài mèo mới có và say mê cô X,Chú Mèo Ngủ Quên đã cố gắng hết sức để bảo vệ cô gái Châu Á dễ thương với niềm tin và cơn phẫn nộ.Phải,phẫn nộ.Thế nhưng...:Chú Mèo Ngủ Quên, mặc dù đã được thúc đẩy giúp đỡ cô X. những vẫn dành phần lớn thời gian để ngủ, ngay cả trong những tình huống nguy kịch nhất.Và điều gì phải đến đã đến: khi thức tỉnh sau một giấc ngủ đầy khỏe khoắn-theo lời Chú Mèo- và thõa mãn,Chú Mèo Ngủ Quên nhận ra sự vắng mặt của cô X.Tài đánh hơi nhạy bén dẫn chú đến sân bay của Đất Nước Không Tên, đúng lúc máy bay vừa cất cánh lên bầu trời, mang theo cô X. đi xa.Bọn Ngu Ngốc- Xấu Xí đã thắng.Kế hoạch đê tiện của bọn chúng đã được thực hiện.Giận dữ và phẫn nộ (lần này là thật sự phẫn nộ), Chú Mèo Ngủ Quên trở lại thành phố và quyết định phá vỡ bất cứ thứ gì.Thế nhưng,quá đau buồn và mệt mỏi, Chú Mèo nằm trong sự lạnh giá và chìm vào giấc ngủ trong nước mắt.Những giọt nước mắt tràn đầy nhanh chóng hóa thành bông tuyết,tạo một lớp áo trắng xoá như băng bao phủ Chú Mèo.Kiệt sức, Chú Mèo không còn chống cự được nên đã bị đóng băng và ngủ mãi mãi.Sau đó, chú trở thành một hồn ma mang tên Mèo Tuyết. Nhờ vào sức mạnh gấp mười lần, Mèo Tuyết đã báo thù Đất nước không tên và Bọn Ngu Ngốc-Xấu Xí cho cô X bằng cách tạo ra bão, những cơn mưa to,những đợt nóng, động đất và những thứ hay ho tương tự.Kể từ ấy, Đất nước Không Tên phải chịu môt khí hậu hủy diệt, và Bọn Ngu ngốc-Xấu Xí sống trong tình trạng khiếp sợ kéo dài...</font></p>"^^xsd:string |
| ?:City | "GIANT SQUID MARCH ON WASHINGTON<br />
"City"<br />
Black Lung International - BLI001<br />
<br />
"City", the genre-bending debut release from Giant Squid March On Washington comes as a surprise to some, a blisteringly down-tempo fist fuck of Everest proportions to others. From devastating "the slow death" (featuring the vocals of Vivek Shraya) to the emotionally fragile "Sunday Morning", "City" is a record that will change lives and feed starving children in Africa."^^xsd:string |
| ?:City | "<p>progressive electronic</p>"^^xsd:string |
| ?:City Scape | "<p>A mix of modern electronica and soundtrack style pieces. Influenced by modern day city life, City Scape is a diverse album that reflects the mix of fast living and slow chillin.</p>
<p>More tracks to be added soon.....</p>"^^xsd:string |
| ?:Civitas Urbanus | "<p> </p>
<p>2007 is an important year. For the first time in human history more people are living in cities, compared to living in other areas on the planet's surface. I let this amazing fact inspire me during the difficult task of cutting down one year of musical exploration to less than one hour. </p>
<p>The twelve instrumental pieces are solo performance work, played on the instruments Alto Traverse Flute, Tenor Sax, Fretless Sustainiac Guitar, Stratocaster Twang Bar Guitar and Akai EWI 4000s. EWI stands for "Electric Wind Instrument" and is to be played similar to a sax or a clarinet. I play both the EWI's built-in synthesizer sounds and use it as a MIDI controller for virtual instruments provided by the software Logic Pro. Most songs were created and recorded as instant improvisations with the real-time sampling/looping software Mobius. I personally regard also Mobius as my instrument, since I'm really experiencing that I'm playing Mobius with my foot controller board while also playing the above mentioned instruments with my hands. <br />
</p>
Be sure to also check out the duo <a href="http://www.jamendo.com/en/artist/lo.fi.lazer/" target="_blank">Lo Fi Lazer </a>together with Tryggve Lund!<br />
<br />
<br />
<br />
<p> </p>"^^xsd:string |
| ?:cocoa krispies & lucky charms | "<strong>"cocoa krispies & lucky charms"<br />
If you can dig it...this collection of tunes is some loose ends of recordings i've made <br />
throughout '07. If you're familiar with my 1st release on 'jamendo' "Fuck The War" , <br />
you know, as the title entails, is a collection of songs that reflect my views on the current<br />
"War on terrorism" that George Bush and his 'Bushies' are inflicting on the country of Iraq.<br />
<br />
Well the tunes on "lucky charms" are of a much lighter subject matter. These songs are<br />
not on any current release as of yet. So it's a pleasure to put them out on 'Jamendo' where<br />
listeners can hear them and download if they like...for free.<br />
<br />
I haven't forsaken writing songs about social and current issues. I can't. Right now, in the <br />
summer of '07 the situation has worsened and will continue to worsen. Another attack of <br />
terrorism is bound to happen in the United States, or so says the head of homeland security,<br />
who claims he has a gut feeling...though no intell to back up such an irresponsible statement.<br />
<br />
Be that as it may...it's a good thing to forget about the troubles that plague this world and <br />
write and perform music that I love. Even if it's only for a little while!!!<br />
thank u....<br />
ralph buckley <img src="http://farm2.static.flickr.com/1089/749668495_7abf2a465c_o.jpg" alt="Ralph Buckley" /><br />
</strong>"^^xsd:string |
| ?:Coinage | "This is an experimental electro house album that I made after listening to Daft Punk several times over and over."^^xsd:string |
| ?:Coloratura Nightmare | "An homage to some of the singers who have influenced my life and work. An aural representation of my operatic nightmare."^^xsd:string |
| ?:Color me | "This CD was expressively created for a special occasion: the Gay Pride Parade which was held in my town. It is therefore not "the most 'thelinks'" CD I made as it had to fit the occasion. <br />
However, I was very glad to have been contacted to make it esp. since I'm not a member of the community.<br />
<br />
<br />
Color me red orange yellow<br />
Color me green blue purple<br />
<br />
Just like a rainbow up in the sky<br />
I can see your true colors emerge<br />
Just like a rainbow up in the sky<br />
I can see your true colors emerge emerge emerge<br />
<br />
It's a fact we are all different yet essentially the same-same<br />
<br />
Be cool with the rule - No matter what you say - I will survive<br />
Face to face you are not the same - Face to the mirror - Who is beautiful?<br />
God may be He or She - You can decide to be the chosen one<br />
<br />
It's a fact we are all different yet essentially the same-same<br />
<br />
Color me red orange yellow<br />
Color me green blue purple<br />
<br />
It's a fact we are all different yet essentially the same-same<br />
<br />
Color me red orange yellow<br />
Color me green blue purple"^^xsd:string |
| ?:Combalized | "<p>First cd by m2X with a decent quality.</p>
<br />
<p> </p>
<p>The word "Combalized" was thought up by m2X's friend Mackan during a late night smoke on a bench in Gothenburg. m2X asked Mackan how he would define his music and the word he could think of was "Komboliserad". A clear fusion of flow and beat. Therefore m2X thought it was a good idea to name the album after it, in English becoming Combolized, or Combalized which sounds better :).</p>
<p>Though the Intro is simple, m2X has tried to keep his flows and verses as complicated as possible. This he thinks will force a listener to pay better attention to the song, maybe at the expense of losing some listeners to interest but in his opinion those shouldn't be listening to rap in that case as it's the lyrics that matter.</p>
<p>First song on Combalized is "In The Teenage Years". A song about drinking and handling the aftermaths of a party night. First verse touches on how you may feel the day after being sick, telling the story backwards to the end of the night before. Second verse is story telling in a forward motion, dealing with a psychotic girl who got some crazy stuff on her mind.</p>
<p>"Peace In War, War In Peace" is sort of a mix between a commercialized song and a political statement, as well as a remembrance of how the rapping started for m2X. The beat is uplifting and a generally fast pace. The title Peace In War, War In Peace, mean that in any situation there is always a peace and a conflict present.</p>
<br />
Me & My Bong featuring Nate is a track m2X did on an open verse from Hard Target's Soundclick website. It's purely a stoner track, elaborating on the soothing effect of weed and using a bong as a best friend as the methaphor for it.<br />
<br />
As The Days Pass By is a Rest In Peace track dedicated to m2X's grandmother who passed away after a number of illnesses. A very emotional track.<br />
<br />
Combalized Minds is kind of an experimental track and at the same time a journey through his mind at that point of time. It touches on m2X's love/obsession with the lyrical arts. The flow and beat are fast paced and with an intense rhymescheme.<br />
<br />
Stoner's Tales is yet another stoner track, with a touch of boastfulness to it. It features m2X's best mate Lewis a.k.a Ridicule who found an interest in lyric writing. It was written and recorded one night in m2Xs' apartment. A classic night in his eyes. It also served as an introduction for Ridicule.<br />
<br />
Seldom Seen Bitches is pure story telling. If one do not live in Maastricht, Holland they will perhaps not understand. The story is about walking from m2X's apartment at Emmaplein, to Smoky Boat Coffeeshop. He follows a road called Brusselsestraat which has some places he dislikes on it. These are mentioned in the song as The Shamrock, The Wall Street (bad, commercial coffeeshop) and for those who know the city he is attacked by crossdressers ("but no rest for us when we met some crossdressers, running towards us like some nutty professors") outside To The Point, which is his favourite pub. When he meets the old school mate it is just by the Heaven 69 Coffeeshop wich serves great breakfast but crappy weed.<br />
<br />
Shock You Like The Monkey is a boastful track. The title derives from a Joe Cartoon cartoon.<br />
<br />
Royalty is also boastful. It was first written for a mixtape created before called Drink Critics Mixtape but was also used for this album. The beat is from Nas' "The World Is Yours"<br />
<br />
Evil Inside is a strange track. It's about how evil lurks inside of us all.<br />
<br />
Second Round features Nuts, who got m2X to start rapping. It was written for a performance at Bonnefanten Museum in Maastricht. It's boastful. Pay extra attention to Nuts' verse as it's great!<br />
<br />
Fairwell is a statement about the decline of importance of lyrics in rap. Something m2X finds very annoying, alarming and sad.<br />
<br />
How I Get Down. Well the title explains it.<br />
<br />
Internet Gangsta's featuring J-Crill was an open verse m2X jumped on, ended up pretty good even though he doesn't like to have such an agressive attitude. Though it fits well for people who talk bullshit on people's message boards.<br />
<br />
Jacob is the first part of a supposed trilogy.(check The Jason Story - <br />
As Good As Bad for the second part) It's a story about a lower class family who end up in a tragic way, the songs are from each characters point of view. Jacob is the son. Jason is the father. next in the trilogy will be the mother or daughter.<br />
<br />
Gettin Myself High is a stoner track featuring MCK. This was the first proper track we made together, and it was the beginning of a long and positive collaboration.<br />
<br />
Digging My Own Grave takes you through m2X's thoughts during a very weird time of his life. Very personal.<br />
<br />
The Anthem was a free verse m2X jumped on.<br />
<br />
Off My Chest is personal too, it shows his thoughts after a drastic change in his life.<br />
<br />
On A Toxic Beat was the first collaboration with MCK.<br />
<br />
Evolution is an outro which shows my progress from when I started to where I was at that point."^^xsd:string |
| ?:Comets Over Flatland | "<div align="center">
<h1>Comets Over Flatland</h1>
by<br />
<h2>Randy Winchester</h2>
<div align="left">The pieces in <em><strong>Comets Over Flatland</strong></em> were recorded in the <strong>Emergency Music Studio<em>, </em></strong>a collection of pre-MIDI analog synthesizers and sound processing equipment. The studio was assembled in 1984 and used for the recordings <em><strong>Danger: Starts Automatically </strong></em>and <strong><em> Suburban Jazz Studies. </em></strong>One of the perceived problems of <strong>EMS</strong> was that without a computer interface, all the patches, knob settings and sequences were a one-shot deal and performances were essentially irreproducible at a later time. The studio was abandonded to make room for what was believed at the time to be the current state of the art in keyboard synthesizers.<br />
<br />
<strong>EMS </strong>was resurrected in 1994 to deal with a deficiency in the new hardware, namely the lack of any means of playing music outside of twelve equally tempered tones per octave! <strong>EMS </strong>is an outstanding collection of gear for xenharmonic music. The old synth modules still generate big wanton ramp waves that haven't been heard in most music in recent years.<br />
<br />
This is genuine electronic music, full of real electronics, intermodulation, phasing effects, crackly ADSRs and many other aural anomalies that just don't fit well with current musical trends. The important point with this recording though, is the many tunings that are used. They are as distinct from everyday 12 as the equipment used for this recording.<br />
<br />
<div align="right"> - Notes by Randy Winchester, 1997</div>
</div>
</div>"^^xsd:string |
| ?:Conjugate Metamorphosis | "1 Dead End<br />
2 5689<br />
3 aethegod<br />
4 Conjugate Metamorhposis<br />
5 11663<br />
6 Posthumous<br />
<br />
<br />
www.myspace.com/ConjugateMetamorphosis<br />
<br />
If you enjoyed the music, then the spread the music."^^xsd:string |
| ?:Constance (1999 demo) | "<p><font face="Verdana, Arial, Helvetica, sans-serif">The dark sound of trip hop mixes with acid jazz and the sweetest vocal melodies. If you like Massive Attack, Portishead, Morcheeba, Sade and Tricky. A demotape from 1999: This is a very old work, so the recording quality and the sounds are not so good... please be patient!</font></p>
<p><font face="Verdana"></font></p>"^^xsd:string |
| ?:Convey - EP | "Convey - EP <br />
2007<br />
Recorded with Morgan Door from the band Endway (endway.com).<br />
<br />
Some rights reserved."^^xsd:string |
| ?:cool aberrations | "I'm super excited to announce the web release of my fourth album:<br />
"Cool Aberrations". A year and a half in the making, every track was<br />
a collaborative effort with at least one additional musician. It's a<br />
journey through downtempo and uptempo styles, ranging from gentle<br />
acoustic melodies to raging funk jams. It's available for free<br />
download off my website: <a target="_blank" href="http://www.generalfuzz.net/">http://www.generalfuzz.net</a><br />
<br />
If you enjoy my music, please spread my website around via emails,<br />
blogs, forums, or whatever. My underlying goal is to get my music<br />
heard, and I'm dependant on you to help make that happen. I really<br />
appreciate any help in that regard."^^xsd:string |
| ?:Cosmic Spirit: The Best of DJ Blackwidow | "Cosmic Spirit: The Best Of DJ Blackwidow<br />
<br />
01 Leaving Town<br />
02 Cair Paravel<br />
03 Cosmic Spirit<br />
04 Casting Shadows (For Maryellen)<br />
05 The One and Only Winged Eros -- BlackJaq<br />
06 Eclipse <br />
07 Wooded Pathway (2007 Version) <br />
08 Between The Lines (2007 Universe Mix) -- BlackJaq<br />
09 Zen Cities (For Joi & Jennifer the Marathon Runner)<br />
10 Again (Ambassador Mix) -- BlackJaq<br />
11 North Star<br />
12 Elsewhere<br />
13 Wax Figures<br />
14 2012 (Original Version)<br />
15 Cosmic Dust -- BlackJaq<br />
16 Sweet Babboo -- BlackJaq<br />
17 City Spirits<br />
18 Lucid Dreams<br />
19 Zen Cities (Bodhichitta Mix) [New Edit]<br />
<br />
This CD is dedicated to Jacqui More. Without her...what's the point?<br />
<br />
Copyright 2007 BlackJaq Studios & Insomniac Machine<br />
<br />
All songs written by DJ Blackwidow except tracks 05,08,10,15,16 co-written by, DJ Jax.<br />
<br />
Mixed, mastered, and sequenced by DJ Blackwidow.<br />
<br />
Special Thanks:<br />
Jacqui More (this compilation wouldn't be the same without you), Buffalo, Schmedhead, Juice, Gabe, Nikki, Jenny, Peter Gabriel & Sarah McLachlan (thanks for the opportunity, even though I chickened out on it), Lunascape (for remixing potential), DJ Griffin, DJ Doughy, Catherine Duc (who liked me even though I bootlegged a remix of her song), Godiva (who said my blog was more interesting than my music, and who wanted to see the financial figures), Rowley Cutler aka DarkCompass (who had the audacity to play Zen Cities in England next to artists such as Sneaker Pimps and Morcheeba), Jenny (the marathon runner from Columbus who decided to play Zen Cities until she won), Daryl Brady, Kathy Griffin (who said my use of her samples in my song was "okay"), Enigma, Deep Forest, Banco de Gaia, Amethystium, Waterbone, Celestial, Mom and Dad, Aunt Maryellen, Bob, Aunt Amy, Dana, Uncle Ron and Michelle, Emily, Grandma and Nanny, and especially those who actually took the time to listen and review one of my songs or albums.<br />
<br />
Extra special thanks to those involved in LiveJournal, AcidPlanet, Jamendo and MySpace. <br />
<br />
This CD represents an era (2002-2007). I appreciate all of you, and please let me know what you think of this music. <br />
<br />
Blackie aka Kirk McKenna, Jr.<br />
<br />
photo taken by: Schmedhead"^^xsd:string |
| ?:Crack | "<small>All tracks written by [K],<br />
“I’m a visionary”and “Alien” by [k]/[dixan]<br />
“Isolation” by [k]/[captain]<br />
“Pripyat” and “To the lenghts” by [dixan]<br />
Arrangement/Production by [K]/[dixan]<br />
All guitars by [captain]<br />
Mixed/Mastered by [K]</small>"^^xsd:string |
| ?:Crossing The Bridge | "Milwaukee-based studio duo (Mike Link/keys, etc, Harvey Taylor/trumpet), with guest artists from the local scene...groove-based tunes with trumpet improvisations, etc, fusing a jazz/blues approach to contemporary electronica...World music influences combine for an eclectic mix."^^xsd:string |
| ?:Crossroads | "<p>A collection of songs that are both spiritual and thought-provoking. A journey through life, love, disappointment, triumph and rebirth. </p>
<p>Crossroads is my sixth CD release. </p>"^^xsd:string |
| ?:Crown Him | ""Look, He is comming with the clouds, and every eye will see him, even those who pierced him; and all the peoples of the earth will morn because of him...'I am the Alpha and the Omega,' says the Lord God, 'who is, and was, and wo is to come, the Almighty."<br />
Revelations 1:7-8"^^xsd:string |
| ?:Cycled | "cycled"^^xsd:string |
| ?:Daisy Mae | "Sonny refuses to take the blame for this one and is pointing the finger at Mick Wrench. These songs may require an extra pint to understand but there's no question that Daisy Mae is not as innocent as people may believe."^^xsd:string |
| ?:Dalai-Lama - SOS SS | "<strong> Dalai-Lama - SOS SS </strong>electro alternative rock <strong>thelinks</strong> <em>was founded about 15 years ago by thierry christinaz and is designed to link as many a style of music as possible into 1 style: thelinks'!i love music,not a particular style.i'm no good at talking about this but i'd say my music is like a huge sunday brunch:all you can eat; all you can "I can die on the TV" alternative electro rock<br />
<br />
</em> thelinks, d'origine Suisse Française et Californienne, allient rigueur et <br />
soleil - un reflet ricochant sur une vague de styles divers à tendance <br />
rock-electronique qui provoque une symbiose artistique déplaisante à <br />
l'oreille trop formattée par la déferlante commerciale."^^xsd:string |
| ?:Dark Nights | "<p>This is the first "album" that I put together, finished in March this year (2007). Production quality is quite low on some of the tracks due to my inexperience and lack of equipment, however there are some great songs here, so I ask you to judge the songwriting before the technical side.<br />
<br />
If my music ever generates a decent amount of attention, I suppose I might take the best tracks of the last 2 albums and re-record them professionally but for the time being I am more concerned with creating new songs and getting them recorded. All of these songs were made in one day (a day for each song, that is), including writing, performing, mixing and even sometimes making a simple video for youtube. <br />
<br />
I hope you enjoy it. <br />
<br />
Wobinidan.</p>
<br />
PS, I wrote my own damn name on the album cover wrong. I'm a moron."^^xsd:string |
| ?:David Kellner, Phantasia | "A phantasia composed by David Kellner. A phantasia was a free form piece, very popular in the baroque era.<br />
<br />
More information about the composer at http://www.tabulatura.com/KELLNHEM.htm ."^^xsd:string |
| ?:Dawn Of The New Gods | "Second EP recorded by the band with a change of line up.<br />
<br />
'All Things Kookie' & 'Celestial Mechanix' written by Xtian Nevarro<br />
'Tumbleweed' written by Gnasher Wells.<br />
<br />
Released by AzizA-Artists, just a guy who publishes all his friends music in one place. Check out http://www.jamendo.com/en/user/theonetruevlad/ or the website for all AzizA-Artists releases including other art forms and sales.<br />
<br />
http://homepage.ntlworld.com/tessa.corner1/AzizA-Main.html"^^xsd:string |
| ?:Day by Day | "<p>I continue to try and capture/redesign the sounds I grew up listening to, so I made this EP.<br />
Its more "happy" then my last album. dont know why :)<br />
<br />
This album was finished in June 2006.<br />
<br />
<strong>Gear List:<br />
</strong>Yamaha Rx7 & Boss DR-110<br />
<span class="hm">Korg</span> Poly800 & Yamaha DX7<br />
Guitars<br />
Computer</p>
<p>Enjoy.</p>"^^xsd:string |
| ?:Daydream Believer | "Fugue State's first release."^^xsd:string |
| ?:Day Of Discovery | "<p>It was peculiar when I started composing back in Decemeber of 2006. Walking towards my piano I saw a pattern of notes in my mind and said to myself, " I could write a song using those notes." I wrote another song using the free demo version of Finale software and posted the music. The feedback seemed positive so I continued writing. More and more music kept coming until this time where I've written about 80 minutes of music. I think I've finally defined what my particular style is. But it is hard to describe.</p>
<p>I would describe it under the genre of mood music, easy-listening, with emotion. It is modern but non-jazz and without percussion. I always try to make it melodic and pleasing to listen to and more than just ambient. I want you to hear good melodies and arrangements, not just ethereal timbres that sound pretty but merely float about and go nowhere. </p>
<p>I hope you'll find my music to be a pleasant discovery as there are multitudes of songs and composers to sift through according to personal taste.</p>
<p>Enjoy.</p>
<p> </p>"^^xsd:string |
| ?:Days to come | "In this album I tyred to capture and redesign the sounds I grew up listening to.<br />Bands like:<br />
<ul>
<li> Human League</li>
<li><span class="hm">Depeche</span> Mode</li>
<li> Fad Gadget</li>
<li> Soft Cell</li>
<li> Visage</li>
<li><span class="hm">Tuxedomoon</span></li>
<li><span class="hm">Kraftwerk</span></li>
</ul>
When you combine new digitalized computer sound with the old analogue gear sounds,<br /> you get the best of both worlds. The precision and imagination of the new age with the warmth and familiarity of the old age.<br /> <br /> This album was finished in 2005.<br /> <br />Gear List:<br /> Yamaha Rx7<br /> Boss DR-110<br /> <span class="hm">Korg</span> Poly800<br /> Roland SH101<br /> Guitars<br /> Computer"^^xsd:string |
| ?:DD10 8TW | "<p>This is a collection of demos recorded at home. Melodic, guitar based songs with a variety of styles. Lyrics written by either myself, my daughter Lisa or my friend Paul Valentine.</p>
<p> </p>"^^xsd:string |
| ?:Dead Chicken Songs | "This is not really an album so much as a blend of old and new songs that haven't yet been released. The first 2 tracks are my newest, perhaps to be on my new album. The next track is a track that never made it onto my "Dark Nights" album. Then there are 4 pure acoustic tracks, also so far unreleased, spanning 4 years. Finally, 2 electro songs that I made.<br />
<br />
I hope you enjoy the eclectic collection."^^xsd:string |
| ?:Dead Killer "Fear of Murder" | "Five tracks from Dead Killer..."^^xsd:string |
| ?:Dead Killer Part 2 | "Drugged Killer is Dead Killer Part 2! It was produced in early 2006 by Drugged Killer aka House by the Cemetery aka Drug Corpse aka Forgotten Remains, etc. This is the album minus two filler songs- "It's Felix," and "One God Damn Mistake." "^^xsd:string |
| ?:Deconstruction | "<p>Players:</p>
<p>Eric Nelson - Music</p>
<p>Chad Wilson - Music, Vocals</p>
<p>Jenny Debevec - Vocals</p>"^^xsd:string |
| ?:dedicated to buzz | ""dedicated to buzz" was the first complete album by "_voice".<br />
It was produced 2002 and released in january 2003.<br />
<br />
The album is a celebration of the greatest music program there is (and the one all tracks on this album are produced with): The freeware tool "Buzz" (http://www.buzzmachines.de).<br />
<br />
Find and download more of _voices tracks on http://www.phatsonic.de , http://voice.myownmusic.de or http://www.last.fm/music/_voice ."^^xsd:string |
| ?:Dee Mond EP | "The long awaited Dee Mond EP Featuring 4 influential electrotech tracks from Edinburgh's legendary production wizard.<br />Soon to be made available on 12" vinyl"^^xsd:string |
| ?:Deer's curse | "<p>A Kurdish tale directed by a Turk in a Greek National theatre.</p>
<p>Recorded live during the rehersals of the play in National Theatre of Northen Greece (2004). 30 actors singig,chanting and whispering an old story from the East.</p>"^^xsd:string |
| ?:Defrag | "One year of experiencing human culture and emotions, as available to me in digital formats, compacted into fifteen minutes of robot rock. Presented through 8bitpeoples, I am happy to give you <a href="http://www.8bitpeoples.com/discography_gfx.php?artist=Bin%E4rpilot#8BP049">Defrag</a>."^^xsd:string |
| ?:Degree of Focus | "<h2><em>Post-Romantic Independent College Rock</em><strong><em><br />
</em></strong></h2>
<em> I could be out of focus. For too long, I've been wrestling with your memory. The past: Not as it occurred, but as I recollect it having been. So much has changed within our lives. And for so much, there's a long journey remaining. But one thing's unchanging: You still haven't arrived.<br />
<br />
There's still that immutable vortex of focal points called the past, something ever undergoing metamorphosis and yet so fixed a part of history. <br />
<br />
Here I am.<br />
<br />
Somewhere, I know, it's raining, and you're cradling the small fragments, singing them to sleep. This is for you. Another broken heart, hidden beneath the bed. Another shade of the long neglected shadows. Another Degree of Focus... For ever.</em>"^^xsd:string |
| ?:Del Cuore | "<font face="Arial">Vocal/Tenor - Traditional Italian and Latin American Tenor Songs</font>"^^xsd:string |
| ?:Delirio in SIM | "<p><strong><em>Delirio in SIM</em></strong>, nato da un errore dattilografico dell’accordo SIm, si snocciola in quello che è un <strong>giallo poliziesco</strong>.</p>
<p>Un <strong>serial killer</strong> vive un periodo di misticismo, dovuto alla sua <strong>schizofrenia</strong>. Lascia tracce ovunque, compie omicidi classisti, infanticidi e tra una cosa e l’altra, si ferma al Club, il suo night preferito, dove prima di ricominciare la sua follia, beve sempre qualcosa. Il suo movente, la parapsicosi; le sue armi, forbici e coltello, dieci dita in una scarpa e un telefonino. Il commiss…L’ ispettore <strong>Gliespici</strong> ha un rapporto infinito, uno schedario lungo anni. Eppure dopo tanto tempo il killer commette uno sbaglio, chiama il signor <strong>Esenti</strong>, lasciandogli un messaggio troppo facile da decriptare per l’ispettore. L’assassino potrebbe avere per le mani la sua ultima infante vittima...</p>"^^xsd:string |
| ?:Delusional Disorder | "<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="">“<strong style=""><em style="">Delusional Disorder</em></strong>” is our 3<sup>rd</sup> digital album in the past 10 years. We started this album in early 2006. Each track has its own story -<em style="">at least for us</em>- and as a result every track is unique in terms of “genre & sound” (<em style="">the track titles are not randomly chosen</em>)</span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="">“<strong style=""><em style="">Delusional Disorder</em></strong>” carries a dark mood, with pessimistic melodies as well as upbeat sounds, while at the same time we kept our original sounding (<em style="">saxophones, old school influences, breaks etc</em>) coming from our two previous albums “<strong style=""><em style="">Blue Trees, 7 Miles</em></strong>” (<em style="">1998-2003</em>) and “<strong style=""><em style="">Happens In A City</em></strong>” (<em style="">2003-2006</em>). </span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style=""> This is part of our free / unsigned work hosted only from Jamendo!!</span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style=""> We hope you enjoy it!!! </span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style=""> <br />
</span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-US" style="">Best Regards,<br />
Strangezero</span></p>
<p class="MsoNormal"><span lang="EN-US" style="">P.S1. Track “Amnion” was recorded from a live performance in 02/06/2007<br />
P.S2. Track “22” is a tribute to our 22 years old friendship</span></p>"^^xsd:string |
| ?:demo | "First recorded song from Rematto. It is a demo CD with two songs. "Signore Padrone", composed by Rematto, and "Caravan" a cover of Duke Ellington.<br /><br />Tracks of this album are also available for download at <a href="http://www.archive.org/search.php?query=creator:%22Rematto%22">The Internet Archive</a> and <a href="http://rematto.dmusic.com/">Dmusic</a>.<br /><br />Rematto songs are also on air on <a href="http://www.last.fm/music/Rematto">Last.fm</a>"^^xsd:string |
| ?:demo | "releazed in 2002"^^xsd:string |
| ?:demo | "This album has been released in 100 copies but also spreaded through the internet just like it is right now thanks to Jamendo.<br />
<br />
In this tiny, little release I've tried to give and to show everything touching and moving inside me as I'm a human being. I know some people share these feelings and I hope you'll share them as well.<br />
<br />
I wish you some memorable moments.<br />
<br />
<em>Kaworu Nagisa</em>"^^xsd:string |
| ?:demo | "This is the first demo of P&P"^^xsd:string |
| ?:Demo | "A short demo composed of tracks from a longer work entitled Tales From The Planet Of Fear."^^xsd:string |
| ?:Demo | "Premier album 4 titres enregistré en 2005"^^xsd:string |
| ?:Demo | "Recorded in March 2006, released on April 9.<br />
<br />
<b>Recorded by:</b><br />
- Bart <i>(guitar)</i><br />
- Czopek <i>(guitar)</i><br />
- Ilmig <i>(guitar)</i><br />
- Ocik <i>(vocals)</i> (Ocik left the band in September 2006)<br />
- SaYmon <i>(drums)</i><br />
- Sysu <i>(bass)</i> "^^xsd:string |
| ?:Demo | "This may be all we have for awhile that's the only reason I put it up. But we are working on an album and would like everyones thoughts and input. Thank You."^^xsd:string |
| ?:demo 0.1 | "this is the first music to come out of this project.<br />
<br />
at its current form, it is a raw experimentation and is subject to change<br />
<br />
it is, a demo"^^xsd:string |
| ?:Demo 06.06.06 | "ARMED Demo 06.06.06"^^xsd:string |
| ?:demo > 1 | "TUD are a band formed in Bergamo (Italy) in September 2005 with the clear objective of conceiving and producing a CD capable of expressing their own musical personality in the context of the current international music scene. <br />
Actually TUD are arranging and recording the first album."^^xsd:string |
| ?:Demo 2005 | "This is a demo that contains some original songs of ours. At the moment it's the one we leave to pubs in our area to make ourselves known, together with another one recorded in 2006 containing some covers.<br />
<br />
Arrangements do not always correspond to the current ones, that are more rock and without keyboards."^^xsd:string |
| ?:demo 2006 | "Welcome!<br />
This is only our demo, but still you can meet our slavic energy :-)<br />
Have fun!"^^xsd:string |
| ?:Demo 2006 | "O EP contém quatro faixas demo que estarão no futuro álbum dos Velhos e Usados. Tem participação de Beto Mejía (flauta em O Carneiro e o Leão) e Esdras Nogueira (Sax em O Carneiro e o Leão e Invívido).<br />
<br />
--------------------------------------------------------<br />
<br />
This DEMO contains four tracks of our future full-length album, being recorded this year and to be released around November 2007. <br />
<br />
Additional musicians:<br />
<br />
Beto Mejía (flute in O Carneiro e o Leao)<br />
Esdras Nogueira (Sax in O Carneiro e O Leao and Invivido)"^^xsd:string |
| ?:Demo 2006 | "Recorded Live on Air at New Rock 94.5 FM Studios. December 9th, 2006"^^xsd:string |
| ?:Demo-noid E.P. | "http://www.demonoid.com/files/details/977002/12623776/
http://www.myspace.com/ofthei
http://www.mp3.com"^^xsd:string |
| ?:Demos | "A small collection of some songs that have been recorded in various nights."^^xsd:string |
| ?:Depression Is Ridiculous | "Electronica"^^xsd:string |
| ?:Derivas soñadoras | "<p>Musique perso...Je cherche à moyen terme à illustrer des images (films, diapo...)</p>
<p>Ici, c'est enregistré dans l'urgence entre la salle de bain et le salon ...avec mes petits moyens...</p>
<p>Donc, des brouillons...</p>
<p> </p>
<p> </p>
<p><font face="Arial">http://otoshiii.spaces.live.com/</font></p>
<p> </p>"^^xsd:string |
| ?:desolation sound | "Early album number two. This was written while I was sailing around Vancouver Island."^^xsd:string |
| ?:Destination | "<p> </p>
<p> Recorded between 2003 and 2005 in Buenos Aires, Argentina. Keyboards and guitars - JG</p>
<p>"Revenge" recorded in Montreal, Quebec, April 1994, guitars added in 2003. </p>
<p>Please write a review! Any kind of feedback is welcome.</p>
<p>----------------------------------------------------------<br />
</p>
<p>Grabado entre 2003 y 2005 en Buenos Aires. Teclados y guitarra - JG</p>
<p>"Revenge" grabada en Montreal, Quebec en abril 1994, guitarras agregadas en 2003. <br />
</p>
<p><br />
</p>
<br />
<p> </p>
<p><br />
</p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Destructive Restoration | "This is a collection of tracks that I composed over the summer. I try to span from the dancefloor to the living room and everywhere in between."^^xsd:string |
| ?:Detritis - BossModeV60 | "Take your old nintendo/sega/atari/c64/amiga out of the closet, Detritis is switched on!<br />
<br />
Blast yourself in an almost unbearable world of groovy chipsounds and simple tunes, thanks to the BossModeV60 booster chip."^^xsd:string |
| ?:Deviations | "It took a very long time for "Deviations" to happen. Two bands were started and disbanded in the meantime (The Good Lays and Horse in Retirement). I have moved from Warsaw's suburbs into Amsterdam's Red Light District; fallen in love with guitar rock, witnessed the New Order revival and downfall and realised that I will most probably never be a megastar, so why bother trying to be fashionable. Meanwhile time was passing (my last proper LP was recorded in 2003!) and I kept on writing songs... and when I had about 20 I thought I could as well do something about them. So I kept on writing and producing and recording and re-recording... and now it's 2007 and the album is ready.<br />
<br />
"The boy with the stars in his eyes" was the last song written for the album. It was also the first song I ever wrote with an acoustic guitar, which is why it mostly consists of the E and A chords -- I simply couldn't play anything more difficult. The lyric was initially heterosexual, but then, going with my "why bother" philosophy I changed "I wake her up" to "I wake him up", even though the song isn't autobiographical. I was trying to write from the point of view of someone who has a McJob, lives in a small town and doesn't have a chance to make it into a big city; someone who will never make it into the papers unless he becomes either a victim or perpetrator of violence.<br />
<br />
"To be a machine" was a song written because of frustration. I had an idea of how a song that didn't make it to the album, "Jake the Stripper" should have sounded but I was just unable to sing it the way I wanted to. Also, I'm both insecure AND a perfectionist, which doesn't exactly help matters. For "To be a machine" I did the vocals only once and didn't clean them up, leaving all the noises in and putting excessive AutoTune over the vocal track which I mixed with very, very analogue and repetitive electronic backing. I can't decide whether I hate or love the final effect; from the artistic point of view it works, but from the aesthetic... Oh well. Art doesn't have to be beautiful.<br />
<br />
"Extra" was written very quickly and initially sung in falsetto only, which excited me no end until I asked dVTB what he thought of it and, as kind as he is, he told me he wasn't extremely fond of the singing. So the falsetto track was relegated into background and it actually works much better this way. The song is about nothing, really, it started with me wanting to sing "you are extraaaaaaaa" and the rest of the lyric is just random phrases that sounded good. I'm rather happy about the way this is sung, which is basically me trying to ape Prince in a thick white duke kind of way.<br />
<br />
"Walk" is me being New Order. When I was recording "World (The price of love)" for the Community 2 tribute album, I did about three or four songs that weren't New Order, but sounded as if they were. This is the only one that was eventually completed and I was so thrilled with it I wanted to release it as a single immediately, even though I didn't have anything half-baked that I could put as a b-side. Then, as is the case with songs I immediately fall in love with, I completely got off it and dropped it from the tentative album tracklisting. And then, when finalising the tracklisting, I decided it was "rather good really". The title happened before I even started writing the lyric, because the backing track reminded me of The Cure's "The Walk" for some reason.<br />
<br />
"Mylenotronic" is one of my favourite tracks I have ever recorded and most probably will be the third single. Initially I wanted to do an English cover of Mylene Farmer's "Je t'aime melancolie" and then I realised I couldn't work out the chords, so I wrote a new song around the bit I already had. Mylene Farmer is a major inspiration for everything I do, really; this song allowed me to express that in words, adding some bondage and leather for the sake of it. (Actually I have this idea that I should look like the male version of Mylene Farmer, but I think Devendra and Patrick Wolf took care of that already and there really isn't anything I could do, so for the time being I settled for a mohawk macho look. But watch this space.)<br />
<br />
"Transition" was written and recorded very quickly when I found out I was about to move to the Netherlands. It's a pretty straightforward description of my feelings about that; I felt really strange, when I went for a walk and realised I didn't feel at home in Warsaw anymore yet there was no other place I could possibly call home at that moment. This feeling is gone now, but the song makes me come back to that place in mind that I was only in for a very short, transitional period of time.<br />
<br />
"Deviate" was me trying to be Underworld with proper singing, except I did the vocal track about five times and still couldn't be satisfied, so I just gave up and played "To be a machine" a lot. The song was inspired by "Deviate" by Vanessa Daou, which is about John Coltrane's music; my song, on the other hand, is about boxes, which was quite fitting considering I spent the last month in Poland living on a big pile of boxes and waiting for the green light from the Dutch government. Backing vocals were done by Amanda Anoda, who's about to become a huge pop star in Molvania.<br />
<br />
"Miracle" is a song that was quite carefully planned. I decided to re-write an old song of mine, called "No happy ends" and produce it so that it sounds like a Mylene Farmer track. I was quite obsessed (still am) about the sound Laurent Boutonnat achieved on the second and third Mylene Farmer album; the sound that was so specifically Mylene Farmer it sounded like her even without the vocals. I deconstructed parts of the songs and used them here, like the guitar strums, piano melodies, looped drums and bass programming. So parts of the song are old, parts are borrowed and the lyric is me consciously reaching back to the time when I was suffering from depression and writing from that place in mind; the "demon in my head" is depression.<br />
<br />
"Get you tonight" is an effect of my fascination with glam rock as presented by Goldfrapp; reconstructing a very rock sound using almost purely electronics. The lyric is about the metrosexual and blurring the boundaries of the genders; I think it's rather fun. It might still be a single. I owe the "there is gonna be no party tonight" bit to Noddy Riot, even though he might not be aware of that fact.<br />
<br />
"No Disco" is a really old track. The original, VERY stripped down version appeared on EP1 (you can download it for free from the Music section of my website). Then I reconstructed it with The Good Lays and it sounded really fun with guitars, bass and live drums. Then The Good Lays split and I reconstructed the song again for Horse in Retirement. Then I did it once more for this album, adding a lot of Pet Shop Boys-like sounds, orchestra hits, Hammond organ, filters, falsetto ad-libs and everything but the kitchen sink, really... I'm really happy about the way it sounds now; it's kitsch, camp, gay, queer and whatever you can think of really, which means it's a bit like Mika and Scissor Sisters, which means I can still become rich and famous while having loads of fun.<br />
<br />
"Rebound" is one of the first songs on which I worked with Marek from The Good Lays. Initially The Good Lays were meant to be just me and him; I wanted to have synth sound with guitar elements, a bit like Human League with guitars or Pet Shop Boys doing "We all feel better in the dark". The guitar solo at the end of this song is heartbreakingly beautiful. The song has been around for ages and I didn't really change anything about it except for remixing it slightly for the final release."^^xsd:string |
| ?:devi fare attento | "devi fare attento is the second album made by blackwire, is easy to feel the touch of the artist but there is very different kind of sound ambients."^^xsd:string |
| ?:Diablo | "Includes the original version of Diablo, a track that mixes sounds of cumbia and German electro style, in addition to two remixes done by Neztic and Anibal.
<p>Diablo was done originally for the videohome <em><a target="_blank" href="http://www.imdb.com/title/tt0400334/">Cumbia cachonda</a></em> from director <a target="_blank" href="http://www.imdb.com/name/nm0327646/">Christian González</a>, along with other three pieces: <em>Cachonda</em>, <em>Cachonda (Foreplay)</em> and <em>Por debajo del agua</em>. <a target="_blank" title="Diablo" href="http://www.faircopy.com/action/viewcollection?collectionId=128">Diablo</a> combines the basic sound of cumbia, as usually is played in Mexico, with simple and danceable electro sounds. </p>"^^xsd:string |
| ?:Digital Childrensland 1 | "Copyrightfree Childrens Songs mostly from Germany, USA and France - electronic versions"^^xsd:string |
| ?:Digital Spaceland 1 | "Electronic Pop Space-Fantasy"^^xsd:string |
| ?:Digital Spaceland 6 | "<p>Melodic tunes by virtal instruments</p>"^^xsd:string |
| ?:Digital Spaceland 7 | "another melodic album to lean back an relax"^^xsd:string |
| ?:Digital Spaceland 8 | "Electronic Pop Music / Easy listening"^^xsd:string |
| ?:Digital Wonderland | "<p>Electronic Pop and Fantasy - All done with virtual instruments and one Keyboard</p>"^^xsd:string |
| ?:Digital Wonderland 10 | "Electronica Elektro Pop done with virtual Instruments"^^xsd:string |
| ?:Digital Wonderland 2 | "Electronic Pop by Project System 12 done with one Keyboard and virtual Instruments"^^xsd:string |
| ?:Digital Wonderland 3 | "Electronic Pop, all done by one person with one Keyboard and virtual instruments"^^xsd:string |
| ?:Digital Wonderland 4 | "Electronic Pop - made with virtual Instruments"^^xsd:string |
| ?:Digital Wonderland 5 | "Electronic Pop Fantasy - Close your eyes, listen and you will "see" pictures from the fairytale-woods... Elfs, Dwarfs, Dragons..."^^xsd:string |
| ?:Digital Wonderland 6 | "Electronic Music done with virtual Instruments"^^xsd:string |
| ?:Digital Wonderland 7 | "Electronic Pop Variety made with Virtual Instruments"^^xsd:string |
| ?:Digital Wonderland 8 | "Electronika Elektro Pop made with virtual Instruments"^^xsd:string |
| ?:Digital Wonderland 9 | "<p>Electronic Music done with Virtual Instruments</p>"^^xsd:string |
| ?:Dirt | "The second 80-min mixed installment of squatterly filth, including an occasional breath of air and some acoustic guitar gone bad."^^xsd:string |
| ?:Dirty Horizon | "<p>3rd release.<br />
<br />
more melodies plus some selfmade samples of real instruments make this my favorite. <br />
</p>
<p>anyhow, let me know what you like and don't. <br />
</p>
<p><br />
</p>
<p> If you like or use what you hear, donations are welcome. <br />
</p>
<p><br />
</p>
<p> </p>"^^xsd:string |
| ?:Dirty Wings | "One of the two most recent CDs released by Josh Woodward in August 2007. <strong>Dark Wings</strong> is an indie rock CD, full of dark songs but with the usual musical and lyrical complexity you'd see in his more traditional material. Features "<em>I Want to Destroy Something Beautiful</em>", "<em>Stickybee</em>" and "<em>Gravity</em>"."^^xsd:string |
| ?:Distant Transmissions - Ambient Reflections on Bach | "Three electro-ambient reflections on J.S. Bach's music. <br />
<br />
The music on this album is deep, beatless ambient, ranging from dark to bright in tones. Its general atmosphere is relaxed, making it suitable background music for relaxation and meditation, while its delicate ambient structures and rich tonal layers lend themselves easily to deep listening, audio voyages and creative visualization.<br />
<br />
Complete hi-res cover art for the album is available from <a href="http://www.archive.org/details/mt002">Internet Archive</a>."^^xsd:string |
| ?:DistorsioniOniriche EP version | "This EP is extracted from the CD "Distorsioni Oniriche". To Buy full album contact us : http://sognolucido-poprock.blogspot.com <br />
<br />
If you like to listen PopRock sound, Funky, Grunge and latin rock, <br />
If you like to read introspective words <br />
if you like to enjoy with indipendent music, <br />
if you like to listen italian rock music, <br />
please let's listen our works! <br />"^^xsd:string |
| ?:Distortion | "Drum n Bass from the darkest depths of an ex-teen's grimey bedroom. In the corner you'll find this DJ cutting, looping, sampling and throwing it all into his cooking pot (computer). Some say he can't cook. Some just say its a GRIMEY taste... As for me, I like it..."^^xsd:string |
| ?:Disturbance | "<strong>Distrubance</strong>. Rare "Golden Oldies" saved from c-casettes, dat-tapes and old harddrives. Just counterplay it very loud next time your neighbour downstairs is banging the roof with the broom.<br />
<br />
Some words about the songs...<br />
<br />
<strong>Silent One</strong> was done few months after the four first songs in the <em>Ambience Session</em> album. Actually I tried to continue the theme of the <em>Magician Clayish in High Voltage Transformer</em>, but I partly lost the grip and got into something else. Something like voodoo from steam pipes. However, I was satisfied.<br />
<br />
Of course I had to show people the flip side of the Silent One too. It became <strong>Silent Another</strong>.<br />
<br />
<strong>Henna Dos</strong> will speak for itself. Dos is not abbreviation of denial of service or disk operating system. Neither dentists of society.<br />
<br />
<strong>Crossnoise</strong> is a, eh, hiphop-ambient-trance-something that has definitely rocked up the mood flying in every party about 10 years ago. This rhythmic collection of noise I composed with Parametric. Half the credits to him. Thanks Al.<br />
<br />
<em>Camel Boost</em> is the only song I have touched afterwards on this album. It was originally supposed to be <em>Moontra 2</em>, but it failed. I listened it now and it just sounded as dry as camel's rear, so I had to add the water. I made some changes, and now it is <strong>Camel Boost - It's Raining mix</strong>. <br />
<br />
<strong>Moontra</strong>. If I really have to describe this song somehow, let's say It's the main theme of the <em>Disturbance</em>.<br />
<br />
I remember when I was composing <strong>Solkä</strong>. I had broken headphones. I guess someone had stepped on it or something. Anyway this song was made by chasing the funny resonance they made in certain frequencies.<br />
<br />
Then I bought new headphones and just to make sure they are better than the old ones, I made a pair for the <em>Solkä</em> called <strong>Cckä</strong>. This one sounded also funny in my old subwoofer. Funny magic piano. I can't recall when or where or how did I play it...<br />
<br />
Then there are only two songs left to introduce: <strong>Fartetti</strong> and <strong>Pianussimo</strong>. Some kind of "my old favourites" - I don't know why I like these very special. They are just nostalgic for me somehow...<br />
<br />
<br />
<br />
However, these are old and rusty songs made late 90's or in other words 10 years ago. About same time as the two previously published: <em>TeddyBear Trilogee</em> and <em>Ambience Session</em>. I just didn't dare to mix&master any track anyhow (except the Camel Boost just a little bit) - so don't expect too high quality and don't ruin your hi-fi stack. I still hope you like what you hear.<br />
<br />
Sincerely yours,<br />
Ben Akusto"^^xsd:string |
| ?:Divinity | "Divinity contains all the published tunes from Project Divinity so far. The album is currently waiting to be published in physical form. It contains ambient and dark ambient soundscapes, similar to those of projects such as Vangelis, Shinjuku Thief and Jonn Serrie.<br />
<br />
Produced by <a href="http://www.jamendo.com/en/user/Michikawa/">Matti Paalanen</a>."^^xsd:string |
| ?:Dog Days | "Fugue State EP released June 2007."^^xsd:string |
| ?:Doodle | "A tiny preview of things to come."^^xsd:string |
| ?:Dorian Gray EP | "This is Lord Henry Wotton's first album with their most early tracks."^^xsd:string |
| ?:DOUBLEMINDS by Phil and Xarj | "This is <a href="http://www.doubleminds.com" target="_self">DoubleMinds </a>first Album. Made with Acid, Audition and a Yamaha PSR530 by Phi and <a href="http://www.xarj.net" target="_top">Xarj </a>in the Basque Country in 2005-2006."^^xsd:string |
| ?:doxombus | "soundtrack for the Greek film ''Doxombus'' directed by Fotos Lambrinos (1987)"^^xsd:string |
| ?:Dream (Single) | "<p> </p>
<p><font face="Arial">This track is a result of collaboration between 3 Jamendo artists :</font></p>
<p><a href="http://www.jamendo.com/en/artist/nikila/">Nikila</a> <img alt="" src="http://img.jamendo.com/avatars/747/89747.60.jpg" /> </p>
<p><a href="http://www.jamendo.com/en/artist/saregama/">SaReGaMa</a> <img alt="" src="http://img.jamendo.com/avatars/296/78296.60.jpg" /> </p>
<p>and <a href="http://d7b9.com/D7b9.php">Hamelin Bérengnier</a> <img alt="" src="http://img.jamendo.com/avatars/310/10310.60.jpg" /> from <a href="http://www.jamendo.com/en/artist/suerte/">Suerte</a>.</p>
<p> </p>"^^xsd:string |
| ?:Dream Traps & Black Cats | "<h1><strong>It's been a long time coming..</strong></h1>
<br />
The first instrument tracks for this album were recorded over three years ago (before Margin of Safety even existed) by me and Mika. Since we started we've been trhough four different recording hardware (computers, digital recorders, microphones, amps and all-sorts periferials) and that in the end resulted in a varying sound quality throught the tracks.<br />
<br />
That in count and all other overlapping projects, lack of faith and pure lazyness, the completion of the work kept getting delayed indefinitely.<br />
<br />
There were times when each one of us suggested that we scrap everything we've recorded and start from scrach. If we had done that, the album would have been finished at least a year ago. But that wasn't realy an option considering all the work we had already put into it.<br />
<br />
Two tracks got dropped from the album (one of them will be re-recorded for our next one and I promise, that one will NOT be three years in the making), one short song was composed and recorded a while ago.<br />
<br />
All in all <em>Dream Traps & Black Cats</em> turned out to be a different album than the one we started recording, and that might be a good or a bad thing. But here you are, our first album that due to circumstances came out fourth.<br />
<br />
This is what it used to be like..<br />
<br />
All music by Margin of Safety<br />
Lyrics by Jari Schroderus<br />
<br />
<pre>Mika Hiironniemi - Drums, percussion, MIDI-tracking, recording, mixing, poducing</pre>
<pre>Petri Koivistoinen - Bass guitar</pre>
<pre>Jari Schroderus - Guitars, vocals, MIDI-tracking, harmonica, co-producing, coverimage</pre>"^^xsd:string |
| ?:Dream Your Dream | "Through his vision and creativity, ZG, the multitalented songwriter/recording artist/performer, expands the scope of reggae music with his current CD single titled Dream Your Dream . As he engages and wins the attention of global audiences, ZG demonstrates a rich variety of musical compositions, reminiscent of the works of two of his mentors, celebrated legends Bob Marley and Jimi Hendrix.<br />"^^xsd:string |
| ?:Drumnia | "The first in a pair of albums exploring electronic manipulations of guitar noise and other drones. A swelling, ambient, experimental soundscape, featuring mostly live production."^^xsd:string |
| ?:Drunken Kuma (ＤＲＵＮＫＥＮ熊) | "『DRUNKEN 熊』は渋谷の酒バーに住んでいる熊。"^^xsd:string |
| ?:Dub From The Krypt | "The Flykicks plays laidback electronic dub. Nice echoes!"^^xsd:string |
| ?:Duos: Todd Brunel clarinet, Robert Rivera cello, Larry Carsman guitar | "<p>This program was presented for ARTSomerville at the Nave Gallery on October 12, 2007 and recorded live. Other works on the program but not included here were by Pixinguinha, Duke Ellington, Olivier Messiaen, John Lewis and Charles Lloyd.<br />
<br />
Featuring:<br />
Todd Brunel clarinet<br />
Robert Rivera cello<br />
Larry Carsman guitar</p>"^^xsd:string |
| ?:Dynamics EP | "Abbreviated version of the album "Dynamics of Darkness""^^xsd:string |
| ?:Dynamics Of Darkness | "<h3>Dynamics of Darkness (2007) by brokenkites.</h3>
<h3><br />
"Did you know that something on the order of every seven years the average human replaces ninety eight percent of their molecules with new molecules? That's like every handful of years, you're ninety eight percent different than you were before, yet you hardly notice a real change at all. I guess you kind of realize that you're growing older, and your relationships change, but you feel like you're the same person, for the most part."</h3>
<h3><br />
"Really? Ninety eight percent?" I asked, wondering if she was right.</h3>
<h3><br />
"Look it up!" she replied. "Anyway, that's not the point I'm making, it's just an idea, an example. The point I am trying to make to you is that you never notice a change, but a change has been made, gradually. And maybe that's what happens when you die, you just sort of make a smooth transition to the next level, a level that's probably only about one or two percent of the way things are as we know it."</h3>
<h3><br />
"That's a good point, but I think you're reaching for something that isn't really there."</h3>
<h3><br />
"Maybe, but it makes sense to me." She crossed her arms on top of the covers. "I mean, you don't have to have god for that, do you?"</h3>"^^xsd:string |
| ?:Dystopian Origins I | "<div align="justify">This natlyea release was recorded in sessions from 22nd October until 30th October, mastered on 31st. It contains minimalistic drone soundscapes which form a two hour experience of slow and, well - dystopian origins. <br />
<br />
Basically the thing was recorded meanwhile practising for Lustorchester Biene (which was a drone doom act that found together 6th November, and was ended 7th November...). Beginning with "Beyond The Rose", it slowly gets more and more dangerous undertones, when eventually it all culminates in the almost half-hour long ending track "Rose Within Thorns". However, the thing is set up very minimalistic, and changes in the tracks occur almost imperceptible. <br />
</div>"^^xsd:string |
| ?:Dystopian Origins II | "Volume two of the Dystopian Origins cycle was recorded in various sessions from 22nd of November until 2nd of December, mastered on 3rd December 2006. Again it follows the roots that have been laid in the previous release, slow and thick drones, minimalistic and quite calm. <br />
<br />
It starts off right where Dystopian Origins I left off, "Alice In Nightmareland" is proceeding slowly towards the loneliness of sound, where the tracks form a (subtle) peak of anger. On the B side there is a shimmering sound of steady ascension hovering above it all, unfolding its layers into the last track, "Lonely Angel" where the tranced feeling is getting disturbed by descending drones again.<br />
"Oath" was completely recorded with a set of broken strings, which gave interesting results for the deep frequencies."^^xsd:string |
| ?:Early Bong Adventures Vol. 1 | "<u><strong>Welcome to Moodstarrr`s "Early Bong Adventures" series.<br />
<br />
</strong></u>Whats that !?!<u><strong><br />
</strong></u>Well...it`s a flashy trip-hopish sound collage containing some of my early beats from the mid 90`s. People that like so called trip hop...like DJ Krush or DJ Cam will probably enjoy this piece of work...at least I hope so.<br />
It`s a totally un-commercial project...i put a lotta heart in those CDs.<br />
I hope you enjoy this mind blowing trip thru those different worlds.<br />
I appreciate feedback in any form...so drop me some lines.<br />
This is Volume 1 of the series....if you like it....dont hesitate to grab Volume 2...also here @ Jamendo.<br />
I did most of those beats with my Ensoniq ASR-10 hardware sampler....using the internal sequencer (which is by the way built by Roger Linn [Akai MPC series]).<br />
So watcha waiting for?<br />
Light up a spliff and get into those "Early Bong Adventures".<br />
<br />
Peace,<br />
Moodstarrr P.<br />
<br />
<a target="_blank" href="http://www.moodstarrr.com">www.moodstarrr.com</a>"^^xsd:string |
| ?:Early Bong Adventures Vol. 2 | "<u><strong>Welcome to Moodstarrr`s "Early Bong Adventures" series.<br />
<br />
</strong></u>Whats that !?!<u><strong><br />
</strong></u>Well...it`s a flashy trip-hopish sound collage containing some of my early beats from the mid 90`s. People that like so called trip hop...like DJ Krush or DJ Cam will probably enjoy this piece of work...at least I hope so.<br />
It`s a totally un-commercial project...i put a lotta heart in those CDs.<br />
I hope you enjoy this mind blowing trip thru those different worlds.<br />
I appreciate feedback in any form...so drop me some lines.<br />
This is Volume 2 of the series....if you like it....dont hesitate to grab Volume 1...also here @ Jamendo.<br />
I did most of those beats with my Ensoniq ASR-10 hardware sampler....using the internal sequencer (which is by the way built by Roger Linn [Akai MPC series]).<br />
So watcha waiting for?<br />
Light up a spliff and get into those "Early Bong Adventures".<br />
<br />
Peace,<br />
Moodstarrr P.<br />
<br />
<a href="http://www.moodstarrr.com" target="_blank">www.moodstarrr.com</a><br />"^^xsd:string |
| ?:Earthly Delights | "This is the debut album by BlackJaq."^^xsd:string |
| ?:Earth Solarsystem | "A new sound for a new world, was the intention of these tracks.<br />
Maybe it is a high goal, but when you listen closely you may find the new world within your inner self."^^xsd:string |
| ?:Echoes from an Engulfed Cathedral | "This is the fourth album from the Finnish ambient producer Doc and the Russian pianist Lena Selyanina. Like their second album 'An Island of Joy (In a Sea of Electronic Dreams)' this one also gets its musical inspiration from the works of the French composer Claude Debussy, and the themes of water are again strongly present in the cinematic and impressionistic soundworlds of these long ambient tracks. The original piano works that inspired these tracks are: Reflets dans l'eau (Reflections on Water), Mouvement (Movement in Stillness) and La Cathédrale Engloutie (Echoes from an Engulfed Cathedral). The idea of golden ratio is one of the special spices of this album, expressed in various harmonic and structural aspects of the music. The title track also reflects the ideas of sound architecture - in the long meditative section of the track the listener is taken inside a cathedral built from the sound, the deep gong pillars of the building laid out to follow Pythagorean numeric relations. Each track is an aural adventure on its own so put the stereo on, relax and let the journey begin. <br />
<br />
<strong><em>Note: 24bit/88.2kHz FLAC audiophile version of this album is available on <a href="http://thepiratebay.org/tor/3596667">BitTorrent</a>.<br />
<br />
</em></strong>Complete hi-res cover art for the album is available from <a href="http://www.archive.org/details/mt011">Internet Archive</a>.<strong><em></em></strong>"^^xsd:string |
| ?:Eclips | "<p>Eclips is Bubble-U-Boeuffs first and only album that contains arranged compositions. It was the conclusion of a period of many rehearsals and only few concerts. After the recording of this album Bubble-U-Boeuff set its goal for a totally new concept.<br />
All other albums made by Bubble-U-Boeuff contain non-arranged improvisations, based upon moving pictures. You can find them, and download tracks, from the homepage of Buble-U-Boeuff.<font size="2"></font></p>"^^xsd:string |
| ?:Eclipsed | "6 songs from microtones, circuit bent casio keyboards, classic juno60 synth sounds, <font size="-1"><strong></strong>intricate </font>beats, field recordings of the caribean sea, wind chimes and a deep exploration of the possibilities of sound and music. Enjoy!"^^xsd:string |
| ?:EDM Compilation 1 | "EDM Compilation 1 includes eight songs from zircon's three albums, Phasma Elementum, Impulse Prime, and Antigravity. Check out more free tracks at <a href="http://www.zirconstudios.com">Zircon Studios</a> and pick up the full albums too!"^^xsd:string |
| ?:Eep! (EP) | "This features some newer songs that may or may not be included in future albums."^^xsd:string |
| ?:Egocentric Youth | "Egocentric Youth is a dedication to the restless d' butant of the now, of the past. The one I use to be or maybe still am ha! ha! Rock & Roll! B)"^^xsd:string |
| ?:Egocentric Youth Voice Track For DJs | "Following the release of the Single "Egocentric Youth" here is the voice for those requesting it. The track is clean and voice is filter-FREE. Feel free to go crazy! All I ask is that you credit me and let me know of your kick-ass job! Rock & Roll kids!"^^xsd:string |
| ?:eightysix | "<h3>"Eightysix" is a compilation of experimental instrumental and predominantly electronic loop-based tracks. It follows a completely different direction in theme than "Degree of Focus" (2002). It features works composed throughout the starfirefive's history as a band (1998-2004) and includes many of the base tracks that were not fully developed on the previous album.</h3>"^^xsd:string |
| ?:Eileen Feldman | ""PRELUDES"- finely crafted musical jewels of pith, presence, and personality by Bach, Chopin, Debussy, and others"^^xsd:string |
| ?:Electric Garden (CD Single) | "Electric Garden, inspirated by my last trip on Bali and composed in my garden, with flowers and trees.<br />
Of course a little dreming sound of the beatiful Indonesia."^^xsd:string |
| ?:Electric Ride | "Enjoy!"^^xsd:string |
| ?:Electro Blanket | "An 80 min mixed compilation of Squatter's tracks from spring/summer 06. Dark and different."^^xsd:string |
| ?:Electroglamour and infinite sadness | "First album published by Karmasutra (then [dK]) in 1999.<br />
<small><br />
songwriting > [K]<br />
arrangement - programming - editing > [K]<br />
guitars on <em>the guilt - breaking off the fight - alms - ordinary state of grace -<br />
best pain</em> > [captain]<br />
guitars on <em>karmastate - in front of River - the ethics of River</em> > [jp]<br />
mixing - mastering > [K]</small>"^^xsd:string |
| ?:Electromechanical World 2006 | "## Hello people ! I would like to introduce my passion, my person and my interests to you. <br />
Here are absolutely FREE versions of all my compositions in MP3 Format. <br />
As i do not cooperate with the music industry, i have decided to utilize <br />
the power of file sharing technologies (P2P) to promote my music. <br />
Listen to it yourself - many say it's worth it.<br />
<br />
This is really very unique trance music (because i am also rather unique type of man :D) - you <br />
can be sure you haven't heard anything like this before. Every composition tells a diffrent <br />
story, has its own life and its own, special character. This music is also really <br />
COMPLETELY free to listen, share and copy, so by downloading it you will lose nothing, <br />
but you can always gain something :D<br />
<br />
IMPORTANT: Be sure to listen every composition from beginning to end. I take <br />
really GREAT pleasure in building tension in my music :D.<br />
<br />
I hope you will enjoy listening to my music. If you want to know more, visit:<br />
<br />
http://www.djsooflet.com<br />
<br />
DJ Sooflet 2006<br />
<br />
Info:<br />
Artist: DJ Sooflet<br />
Album: Electromechanical World 2006<br />
Year: 2006<br />
Genre: Trance<br />
Format: MPEG-1 Layer 160Kbit, 44.1 Khz, Average Bitrate (ABR), <br />
High Quality Mode HQ ~160Kbit/s<br />
<br />
[EN] Tracklist / [PL] Lista sciezek: <br />
<br />
01 DJSooflet.com - Deep In The Night (World Trance).mp3<br />
02 DJSooflet.com - Glass Factory (Electromechanical Trance).mp3<br />
03 DJSooflet.com - Machine Failure (Electromechanical Trance).mp3<br />
04 DJSooflet.com - Mechanaton (Electromechanical Trance).mp3<br />
05 DJSooflet.com - Mystery Of An Old Mansion (World Trance).mp3<br />
06 DJSooflet.com - Radiation Meter (Electromechanical Trance).mp3<br />
07 DJSooflet.com - Robotize (Electromechanical Trance).mp3<br />
08 DJSooflet.com - Run In The Rain (World Trance).mp3<br />
09 DJSooflet.com - Traveler (World Trance).mp3<br />
10 DJSooflet.com - Wild Jungle Mix (World Trance).mp3<br />
11 DJSooflet.com - Worlds Touch (World Trance).mp3<br />
12 DJSooflet.com - Big Magic Party (World Trance).mp3<br />
13 DJSooflet.com - Shanghai Trance (World Trance).mp3<br />"^^xsd:string |
| ?:Electronics | "Electronic music, lots of synthesizer combined with acoustical instruments such as piano. Ambient, some tracks influenced by Indian music. Others are more techno, hardcore or even industrial style."^^xsd:string |
| ?:EleKtrovibes | "EleKtrovibes is a mix of Trance & Electronic music.
Some tracks ("Hollow", "The Beginning") are pure techno music sweetened with a nice melody.
Others tracks as "Exosphere", "EleKtrovibes", "Spleen" respond of my own concept of Electronica.
I've united the synthetized melody with a nice bass line & four-on-the-floor-beats,
and if you like effects as delay, flanger, reverbes ecc....you are welcome !
"Dust" is a dark track, I wasn't very happy in that period..... aggressive kick & dark melody.
Some notes about "Astra".
This is my top-rated song , this is what we call (in Italy,I'don't know in your country :-) "Electro-House",
it's only 120 BPM but the synthetized string of piano and the intense kick render a perfect club track."^^xsd:string |
| ?:Eleven funky love songs | "<font size="-1"><big><big><span style="font-family: Tahoma;">Pure <span style="font-weight: bold;">funk</span> stories about <span style="font-weight: bold;">making love</span> and <span style="font-weight: bold;">crimes</span>, getting away and hiding, </span><br style="font-family: Tahoma;" /> <span style="font-family: Tahoma;">escapes by the <span style="font-weight: bold;">big and fast cars</span> and the <span style="font-weight: bold;">furious criminals</span>, sized big as gorillas<br /> with their <span style="font-weight: bold;">loaded revolvers</span> and blunt knives. They are ready to take</span><br style="font-family: Tahoma;" /> <span style="font-family: Tahoma;">shit out of someone in anyplace in anytime.</span><br style="font-family: Tahoma;" /> <span style="font-family: Tahoma;"><span style="font-weight: bold;">Groovy beats</span> pump hot-blooded as hungover Catholic priest in the whorehouse. <br /> <span style="font-weight: bold;">Cool basslines</span> jog like a <span style="font-weight: bold;">long black fat jelly-dick</span> inside the finest <span style="font-weight: bold;">pussy</span> <br /> in the world. <span style="font-weight: bold;">Nasty wah-wah guitar riffs</span> licking like a tongue, "helping</span><br style="font-family: Tahoma;" /> <span style="font-family: Tahoma;">bass in his duty" as described by<span style="font-weight: bold;"> John</span>.</span><br style="font-family: Tahoma;" /> <span style="font-family: Tahoma;"><span style="font-weight: bold;"></span></span><span style="font-family: Tahoma;"><span style="font-weight: bold;"><br /></span></span></big></big></font>"^^xsd:string |
| ?:Elixir | "<p>The songs on ELIXIR reflect some of the musical range experienced at a TenGooz LIVE</p>
<p>show. These tracks were recorded in 2 days at a small studio among the blueberry fields of northern Ibaraki Prefecture in Japan.</p>
<p>Backwards Peeker was written by Tom Debor, an original member of the TenGooz now residing</p>
<p>in Pittsburg Pennsylvania.</p>
<p>Avi Landau-vocals Sagara Kenya-Trombone Hase G-Bass Tanaka-Guitar</p>
<p>Jon Hicks- Bass</p>
<p> </p>"^^xsd:string |
| ?:Elsewhere | "The 3rd album produced has many more effects and sounds than that of the first two. I try to keep a good variety of genre in my albums. It's not that I don't know what I like. I just like it all and try to make the most of that by showing it. This album isn't quite as long as the others. I tried to focus more on quality rather than quantity this time. I hope that you enjoy this album, and above all, Jamendo and all the albums that it has to offer."^^xsd:string |
| ?:enfin ! | "Enregistré en 2003 <br />
Premier Démo réalisée tout seul, avec Ninon de Meikwei à la Batterie.<br />
Mixage d'Aurélien Raude<br />
Pressé à la main<br />
art graphique par <a href="http://www.abratete.net">www.abratete.net</a>"^^xsd:string |
| ?:Enoistica | "Spontaneously recorded improvised piece of experimental music.<br />
<br />
Performed by: <br />
Polina Maklakova - keyboards, <br />
Maxim Suhanov - percussion, guitars, voice, whistle, <br />
Mikhail Kryshen - programming, sound manipulation."^^xsd:string |
| ?:Entered Text | "This is my first real album, where everything you hear has<br />
been played, recorded, mixed, programed, composed, written<br />
and everythinged by me, my computer, 2 microphones, midi keyboard<br />
piano, drums, 2 acoustic guitar (1 nylon 1 steel), electric <br />
guitar, bass, and my vocals (even though their not that good<br />
I tried my best autotune was used here and there admitably.)<br />
<br />
Starting point 15th August 2005<br />
Finishing point 14th July 2007"^^xsd:string |
| ?:Enter the Fox EP | "An EP by comedic rock band FoxpHire. A diverse compilation featuring songs crossing pop, punk, metal, and fantasy territory."^^xsd:string |
| ?:enTrance | "This is a all my songs in one album"^^xsd:string |
| ?:EP. | "First EP of the band"^^xsd:string |
| ?:EP001 | "AngelisD's EP001 is a mix of the two music styles I loved as an underground raver, trance and drum and bass. Designed for playback by DJ's, each track lifts the spirit and settles the soul into deep grooves and ambient highs.<br />
<br />
You'll enjoy the tracks in order as they seem to speak of an order in the universe that we all know and feel is there.<br />
<br />
This EP has not been available since 2000. It has been remastered and is bing rereleased with original cover art. Enjoy!"^^xsd:string |
| ?:Ephemeris | "<span class="normal">My name is Tomislav Ocvirek and I'm an independent artist, music producer and composer from Zagreb, the capitol of Croatia. This is my first full legnth music album release on the internet. This album represents a pure essence of my work and efforts during more than a decade of continuos work and studious exploration of music, sound, harmony and composition. I have carefully choosed the best tracks in terms of musical production and quality in order to make a concept album that is able to carry it's unique musical thematics and atmospehere from the very begining until the end. The musical genre of the album might be tagged as new age, easy listening, atmospheric or electronic since there was a lot of synhtesizers and similar electronic instruments engaged in it's production. <br />
<br />
Album is released under a <strong>Creative Common License</strong>, so you are entitled to download music free of charge and enjoy it while it's for your own private amusement. For commercial or other use, please contact me first in order to make an appropriate contract and arrangement. This album is meant to be distributed in .mp3 format, but if you are interested in CD-Quality version, you may contact me via e-mail and hopefully we will find a solution to arrange that. </span>"^^xsd:string |
| ?:Escapades In Sound | "This is the soundtrack to a MultiMedia collaboration between a friend and I. The music was designed to compliment the video, but I felt it stood just fine as a chill-out soundtrack. Try putting it on the next you spend a rainy night at home with someone you like very much to touch."^^xsd:string |
| ?:Esperando el verano | "<p>Latin, pop, r'n'b are the ingredients inside the three tracks that compose this album.</p>"^^xsd:string |
| ?:"estratti" da ballate di fine inverno | "<p>L'album "Ballate di fine inverno" è stato realizzato da Gianluca Bernardo( <a href="http://www.rein99.it">www.rein99.it</a> ), Giovanni Santese, Franco Fosca nel febbraio del 2006 in un casale di montagna nei pressi di Carpineto romano (Rm). Il disco è stato interamente autoprodotto in tutte le sue fasi ed è stato reso possibile grazie all'indispensabile contributo del Linux-club di Roma ( <a href="http://www.linux-club.org">www.linux-club.org</a> ). Le canzoni qui di seguito caricate rappresentano un estratto relativo alle sole produzioni di Giovanni Santese. L'album intero contiene altri 13 pezzi, maggiori informazioni sono riscontrabili alla pagina <a href="http://www.fpml.it/fbs">www.fpml.it/fbs</a></p>
<p> </p>"^^xsd:string |
| ?:etSitara feat Krita Yuga minialbum | "Again a collaboration with Japanese artist Krita Yuga. It is based on his Raga Kariyan Alap, played on a superb sitar. KraftiM took the freedom to divide this piece in 5 parts and added an intro and outro, all based on the sitartones. Own drumming is added in part 4. As a bonus a track is added Yuga's Stara wave, which is mixed with a beautiful violinline, provided by Japanese violinplayer Kigas, who dedicated this melody to KraftiM. Hope you enjoy this emotional blending of Eastern and Western sounds..."^^xsd:string |
| ?:Euripides ION Actors Touring Company-London | "<p>Actors Touring Company(London) and Piramatiki Skini tis Technis (Thessaloniki,Greece) co-produced a performance of this tragedy in 1995.</p>
<p>Instumentalists:Kostas Vomvolos accordion,qanun,percussion Kyriakos Gouvendas violin Michalis Siganidis double bass Tassos Missirlis cello Kostas Papapostolou ney Floros Floridis reeds </p>"^^xsd:string |
| ?:Everything and More | "just pure good rockin music from planet earth... xcellent quality - independently produced......."^^xsd:string |
| ?:everywhere is nowhere | "<p> </p>
<p>A collection of songs and music written, recorded and produced over a 6-year period by Ether Ashe. <br />
</p>
All vocals and instruments were performed by Ether Ashe except:<br />
<ul>
<li><strong><em>mystical monkey </em></strong>& <em><strong>more</strong><strong></strong></em>: lead guitar - Louis Washausen</li>
<li><em><strong>l</strong><strong>ow blow</strong></em>: female vocal - Kim Officer</li>
<li><em><strong>lip jig</strong>:</em> lead guitar - some guy I can't remember (sorry dude)<br />
</li>
</ul>
<br />
Drum loops cannibalized from myriad sources.
<p><br />
</p>
<p> </p>"^^xsd:string |
| ?:evolution | "Melodic, jazzy, and original: my first Jamendo album, <strong>evolution.<br />
</strong>
<p>I don't know what to call my music; it is somewhere between jazz fusion, progressive rock, and <em>The Twilight Zone</em>.</p>
<p>I <em>do</em>, however, know what to call myself. I have deliberately released this music under my own name—and not some fictional band name—because it is <em>me.</em></p>
<h2>The Album Cover</h2>
<p>The photo is of the interior of the St. Augustine Lighthouse.</p>
<p>I chose the name <em>evolution</em> for this album because my musical career has been just that—and this is the point in time where I test my new legs out on the burgeoning continent of the Internet. This is the cycle of life—spiraling ever upward.</p>
<p><em></em></p>
<h2 class="section">The Songs</h2>
<p>None of these have words. They are feelings and situations. Sometimes they tell a story; sometimes that story is so private I keep it secret.</p>
<p>However, from November 27 to December 15, 2006, I wrote detailed “liner notes” for each of the songs on my first <a href="../../">Jamendo</a> album, <a href="../../us/album/3428/">evolution</a>. These were posted to<a href="http://bmccosar.wordpress.com/"> my blog</a>; here they are, indexed according to track number:</p>
<ol>
<li><a href="http://bmccosar.wordpress.com/2006/11/27/tattered-and-torn/">Tattered and Torn</a>.</li>
<li>Jennie Haniver: <a href="http://bmccosar.wordpress.com/2006/11/28/jennie-haniver/">part 1</a>, <a href="http://bmccosar.wordpress.com/2006/11/29/jennie-haniver-part-2/">part 2</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/11/30/all-ill-ever-be/">All I’ll Ever Be</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/12/01/desolation-angels/">Desolation Angels</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/12/02/lucky-cat/">Lucky Cat</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/12/03/magic/">Magic</a>.</li>
<li>Missing You (Song for Hannah): <a href="http://bmccosar.wordpress.com/2006/12/04/missing-you-song-for-hannah-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2006/12/05/missing-you-song-for-hannah-part-2/">part 2</a>, <a href="http://bmccosar.wordpress.com/2006/12/06/missing-you-song-for-hannah-part-3/">part 3</a>, <a href="http://bmccosar.wordpress.com/2006/12/07/missing-you-song-for-hannah-part-4/">part 4</a>, <a href="http://bmccosar.wordpress.com/2006/12/08/missing-you-song-for-hannah-part-5/">part 5</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/12/10/round-trip-ticket/">Round Trip Ticket</a>.</li>
<li>Kelly’s Theme: <a href="http://bmccosar.wordpress.com/2006/12/11/kellys-theme-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2006/12/12/kellys-theme-part-2/">part 2</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/12/13/desert-and-dream/">Desert and Dream</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/12/14/the-burning/">The Burning</a>.</li>
<li><a href="http://bmccosar.wordpress.com/2006/12/15/sally-regrets/">Sally Regrets</a></li>
</ol>
<h2 class="section">About Me</h2>
<p>If you've listened to my music, you know me. Here's the rest.</p>
<p>I'm a public school teacher (sixth grade science), a husband, and an American Indian. As I mentioned in “All I'll Ever Be,” I switched careers midlife. Before teaching, I was a pharmaceutical research chemist; I have around 10 scientific publications.</p>
<p>Online, I sometimes write for Wikipedia. Most of the time on the Internet, I keep a low profile. Other than that, I play music about 3 hours a night—it's better than aspirin for taking away the pain. And after 38 years on this planet, I definitely need aspirin.</p>"^^xsd:string |
| ?:Exclusive | "EXCLUSIVELY..for the people who supported my music ever since..<br />
<br />
"Exclusive" contains works from 2003-2006.<br />
All tracks written, mixed and produced by Loukianos Patrinos."^^xsd:string |
| ?:Experimental Singles I | "This is a collection of experimental tracks from various Musictrade compilation albums.<br />
<br />
01 - Solaris<br />
<br />
This meditative ambient track, inspired by Tarkovsky's movie Solaris, is from Musictrade's <a href="http://www.archive.org/details/mt001">Sola Muusika </a>compilation (mt001), released in June 2005. It features Estonian artist Solaris (!) who is playing Tibetan singing bowl and recitating her own mystical poetry.<br />
<br />
02 - Airports for Music<br />
<br />
This track is based on a field recording from Schipol airport, made by Australian Musictrade artist Electroteque on his long way to Norberg, Sweden. The noisy, effective and informative soundworld of a modern airport reveals here its dreamlike harmonies and hidden heartbeats. The track was released on Musictrade's <a href="http://www.archive.org/details/mt003">Norberg 2005 Field Mixes</a> compilation (mt003) in August 2005.<br />
<br />
03 - <span class="songname">Looking for Sophie<br />
<br />
This track is a mythical audio odyssey based on Musictrade artist KraftiM's field recording from Norberg, Sweden, where Musictrade had a special showcase in summer 2005 in Norberg's annual electronic music festival. The journey begins from a peaceful suburb of Norberg, proceeds through the town's crowded marketplace, passes through peaceful meadows, ending up to the industrial festival site with its massive soundworld. From <a href="http://www.archive.org/details/mt003">Norberg 2005 Field Mixes</a> album (mt003).<br />
<br />
04 - </span><span class="songname">This Is It<br />
<br />
This track is from Musictrade's special New Orleans tribute compilation </span><a href="http://www.archive.org/details/mt005">Requiems for a Submerged City</a> (mt005, released in November 2005). Its material comes mainly from the media coverage of the hurricane Katrina catastrophe.<br />
<br />
05 - N.O.P.D. Blues<br />
<br />
This is a long, epic track from the <a href="http://www.archive.org/details/mt005">Requiems for a Submerged City</a> (mt005) album focusing on the dark, desperate moments of the New Orleans police department at the time when they were trying to keep order in the flooding city with no outside help yet available. The track utilizes scanned police radio traffic in a capturing, movie-like fashion."^^xsd:string |
| ?:Exploration | "<p> </p>
<p> </p>
<p>"Exploration" was made in spring/summer 2005,</p>
<p>The Album is a small tonal-adventure where i'm trying to bringing pop-structures into Ambient and Downtempo shapes and soundscapes.</p>
<p>The album was supossed to be released back in 2005 but record company went down,</p>
<p>Now after a few years of other projects i've decided to give it for free to the world,</p>
<p>If you like "Exploration" then please burn copies and give them to your friends.</p>
<p>Have fun Listening,</p>
<p>Walter Well</p>
Thanks to Andy , Avi , Seb and Sah. for piano, flute, programming and voice.<br />
<p> </p>
<p><br />
</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:extraterrestres | "<p> </p>
<p> </p>
<p>Extraterrestres is the debut album from Umbriel Rising, this Jamendo version features a bonus track not available on the CD release or at other upload sites, this being track #9 Live Eclipse. To accomodate this, the track order has been changed somewhat from the physical CD.</p>
<p>This album is a hybrid electronica/electro/rock fusion album with the odd reference to funk also thrown in. A mixture of classic analog synth sounds of the late 70's and early 80's with new school beats and breaks. I hope you will enjoy the diversity of sounds !!</p>
<p>All musical performances, production, engineering, mixing and mastering by m.j.brown</p>
<p>recorded, mixed and mastered at Bunker 88 (ON, Canada) from August 2006 to June 2007 using various instruments, sequencing software, virtual instruments and a warped mind....</p>
<p>(p) + (c) 2007 distinguished recordings ltd, DR003</p>
<p>buy the CD for only US$ 9.00 from www.cdbaby.com/cd/umbrielrising</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Eye Aorta | "Probably the shortest album in the world."^^xsd:string |
| ?:Face | "<p>Experimental electronic</p>"^^xsd:string |
| ?:Fade Girl Hips (Know You're SOL) | "This is just me getting back to my DIY FTW old school self just creating shit and releasing it cuz it was there and I could instead of figuring out how to market it, what audience would more likely enjoy it, what to label it so it'd be easier recognised by the people who it could be marketed to or getting the cover art right or whatever else thats slowing me down in releasing "My Vampire Bite" when I shouldn't be worrying about that stuff, since I'm not a record company and fuck the record industry.
<br /><br />
I'm just your average run of the mill self-indulgent douchebag making music today. Which pretty much describes anyone making music since it's not exactly a noble act of kindness or greatness. You're not saving the worlds problems you're just creating a bunch of noise that someone somewhere enjoys. So yeah... fuck people who make music too.
<br /><br />
Anyway, that out of the way, this album basically spawned out of someone listening to some recent songs I was working on that were kind of industrial dance meets acoustic guitar wackiness and said something along the lines of me wanting more and more to become Beck and I was like, well, if I reeeeallllllllllyyy wanted to be Beck, I'd have spanglish all over my songs --- like this! --- and sat down and created what would become "Absent of Damage (Caliente!)" but it really didn't sound anything like what I was creating and more like all the freak folk, noise and/or whatever else I was listening to at the time.
<br /><br />
Turns out I enjoyed doing that more than what I was actually working on and since it's not like I'm on a deadline or NEED to be doing anything with my music, since I don't have a record company on my back, I decided that that was what I needed to be doing instead. So I started making songs in a similar vein, basically just creating a bunch of noise for the fun of it until I was like, you know what? I've got enough for an album. Then I was trying to figure out what to call it and it had a working title which was far too pretentious, so I found an anagram in there and it became Fade Girl Hips (Know You're SOL) so I was just trying to figure out what that meant and ended up writing a song to go along with that title.
<br /><br />
Actually the last five songs I created for this album were created after I got a title and they were tailored around that. Sort of but not really, the only thing completely correct about that sentence is that they were created after I got the album title. So, anyway, most of the album is just like a less industrial, more acoustic version of Ascension into Off White Everything in that I made a bunch of noise and randomly layed down vocals all improvisational like, then pasted said vocals together and looped them, trying to make sense out of them which wasn't so easy, since half of it was spanish and my spanish is rough, so yeah. Despite the fact that most of the vocals are just a part of the sound for the most part, I tried to reverse some of it, just so people couldn't figure it out, because what I said, after thinking about it was either too non-sensical or not something that I wanted someone to attempt to make sense out of.
<br /><br />
Although, people claim to hear messages in backwards lyrics, so people are going to hear what they're going to hear regardless of whether it's there or not. So, uh, hey wacko, don't try to kill yourself because you think the song told you to or something. Hopefully it just tells you to lick a lollipop, while slapping your face and skipping around in a pair of pre-wrecked $100 abercrombie pants that you didn't previously own before listening to the song, ya wacko.
<br /><br />
Other notes: Toxic Love was originally recorded as an acoustic version of one of those songs thats all angsty with one person singing and another person screaming but I thought the finished product was horrible and cheesy and needed to be destroyed, so I raised the pitch on one set of vocals and lowered the pitch on the other set, slowed it all down and randomly delayed and looped it. So, yeah, it wasn't originally supposed to be that creepy. But as creepy as it is, it's 10000 times more awesome than the cheesy mess it originally turned out to be.
<br /><br />
Creepy > Cheesy.
<br /><br />
PS: if you don't unexplainably laugh without knowing why at least once by, let's say, the end of Stay in the Palacios, you're probably listening to the album wrong."^^xsd:string |
| ?:Fake nightmare | "theatre music written for 'Nightmares' by G.Skourtis-National Theatre of Northern Greece 2005"^^xsd:string |
| ?:Fantastic Rhapsodies | "Fantastic Rhapsodies--the gamelan-inspired piano music of Claude Debussy, performed by Brent Hugh."^^xsd:string |
| ?:Far Left Panic 1 | "All tracks included in this release have been composed throughout 2000 and document the latest stage of Comandante-em-Chefe's research work."^^xsd:string |
| ?:Far Left Panic 2 | "As far as i can recall, most tunes in this release have been composed between August 1999 and December 2000. <br />
Everything has been programmed on Buzz Digital Composer, using primarily the synths, drum machines and effects processors this application offers by default. Samples have been also used and heavily modified."^^xsd:string |
| ?:feeling2 | "this is my new personal work of which certain song will be included in my group Mister Muffin"^^xsd:string |
| ?:Fell the Hill | "Recorded at the Green ball by Alex Bailey and Andy Abelow. Special thanks to Seth and Laura on Packhorse. "^^xsd:string |
| ?:Firebrands and daggers | "<strong><em>Guitar based rock/pop/blues with some Indian influences.</em></strong>"^^xsd:string |
| ?:First Brakeout | "An electronic techno-trance album.<br />
It's small but is what i feel."^^xsd:string |
| ?:First Experience | "<p>This is my first eXperience on this site. This album is made for poeple those like this genre of music. Love to music is one the most beautiful things in hole world.</p>
<p>But if my feelings says that experience needs more satisfaction to grow, I know already that you</p>
<p>can take place in my world, to believe in the Soul of this creative works. Thanka a lot for reading this.</p>
<p> </p>"^^xsd:string |
| ?:First Flight of Icarus {EP} | "This 4 song EP is a mix of old and new material from Momentary Prophets. The opening song "The Unfound Door" is the first song written by the duo, over a year ago, they lyrics are based on a line found in one of Thomas Wolfe's poems. The second song "GO!" has become one of the Prophets' signature songs among the circles they perform in. "GO!" is about physics really, the lyrics would make even Newton smile. "Choiceless" was completely written in one night and still bewilders the duo as to where it comes from or what it really means, several interpretations have been formulated, listen for yourself, tell us what you think it means. "Point Your Lotus to the Sky" is based off a dream Ted {Prophet of Rhythm and Soul} had back in the late winter of 2007, it features sitar and guitar and is another signature song. Please enjoy <em>First Flight of Icarus</em> and if possible provide feedback!!<br />
<br />
Peace, Love, and Om to all..."^^xsd:string |
| ?:Five Hemispheres | "The compositions in <strong>Five Hemispheres</strong> feature exotic tunings, rhythms and timbres.<br />
<br />
<strong>One </strong>uses a tuning of seven equal steps per octave. The composition uses a simple AABAAAB song structure based on a single chord progression.<br />
<br />
<strong>Two </strong>is tuned in 15 steps / octave. Two melodic voices intertwine over a constantly changing continuo of piano and mallet instruments. Metric modulations are introduced in the middle section. The main melodies are recapped in the last section.<br />
<br />
<strong>Three</strong> uses 21 steps / octave. The first string choral section is followed by an improvisation in 7 / octave that recalls the theme of <strong>One</strong>. The piece wraps up with an unconventional cannon-like structure for strings.<br />
<br />
<strong>Four</strong> is a small concerto in one movement for an improvised jazz trombone-like instrument over an updated electronic gamelan, sometimes spooky and hokey at the same time. The tuning is 8 / octave.<br />
<br />
<strong>Five </strong>is a simple theme with variations for wind instruments tuned in 22 / octave."^^xsd:string |
| ?:Form EP (2006) [IA.001] | "<p> </p>
<p class="mp3albumtext"> Far from 'traditional' dance-oriented electronic music, the six tracks on <em>Form EP (2006)</em> smoothly merge intricately funky rhythms with melodically focussed tunes — from the playfully eccentric 'Jump & Run' and the evocative, slightly pensive 'Autopilot', to the almost prototypical electronica track, 'Milc'. While 'Know-how' is more minimal, bubbling with heavily warped sounds, Form also features 'Slipstream', a track that perhaps best exemplifies <a href="http://www.intervall-audio.com/artists/legofriendly.html">Legofriendly</a>'s music of this period.</p>
<br />
Form EP (2006) is a partly re-recorded and entirely re-mastered version of the original limited release CD-R and had been made available again in 2006 as a free downloadable MP3 album from Intervall-audio. The tracks are licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.<br />
<br />
To download the artwork, please visit Intervall-audio || <a href="http://www.intervall-audio.com/mp3_releases/index.html">IA.releases</a><br />
For additional information on the release, please visit Intervall-audio || <a href="http://www.intervall-audio.com/mp3_releases/index.html">IA. releases</a><br />
To read more about Legofriendly, please visit Intervall-audio || Artists - <a href="http://www.intervall-audio.com/artists/legofriendly.html">Legofriendly.</a><br />
<p> </p>"^^xsd:string |
| ?:For The Stilling Of Volcanoes | "<div><font color="#333333">With <em>The Stilling of Volcanoes</em> Pharmacopia's trumpeter/composer Pete Dragotta seeks to fuse his improvisation based electronica with his recent explorations into Buddhism coming up with something that sounds nothing like any thing he has produced before. Dragotta’s focus is evident. The compositions on Volcanoes have a consistent polished feel with a bite and range to not be solely described as Acid Jazz. </font></div>"^^xsd:string |
| ?:Francesco Guaiana: ‘Clouds in Motion’ | "Scilian guitarist, Francesco Guaiana combines electronic effects and overlapping layers of sounds and noises to create "a sonic wall". The repetitive cycles alter the sense of gravity, and inspire a feeling “lightness” which helps one to escape the weight of everyday life. With ‘ special guest Giacomo Merega on electric bass’<br />
<br />
Website:<br />
<a href="http://francescoguaiana.com/">http://francescoguaiana.com/</a><br />
<br />
MySpace<br />
<a href="http://www.myspace.com/francescoguaiana">http://www.myspace.com/francescoguaiana</a><br />
<br />
Giacomo Merega's MySpace page:<br />
<tt><a href="http://www.myspace.com/giacomomerega">http://www.myspace.com/giacomomerega</a></tt>"^^xsd:string |
| ?:Frey | "Another section of the backlog..."^^xsd:string |
| ?:Friday 13th Live | "Lo Fi Lazer is a duo for musical improvisation in a style some people like to call Noise World Electrojazz. The first release, Friday 13 Live, is a 100 percent live recording done with a good stereo mic in front of the acoustic sound system. <br />
<br />
<a href="http://www.jamendo.com/en/artist/lo.fi.lazer/" target="_blank">Click here to listen, download for free or donate!</a> <br />
<br />
Tryggve Lund (no) usually plays: <br />
C Flute, disembodied FM radio, throat singing, carefully selected dumpster divided materials, guitar, effect processing, live mixing, real-time live looping. <br />
<br />
Per Boysen (se) usually plays: <br />
Fretless Sustainiac C guitar, Alto Traverse (G) Flute, Tenor Saxophone, Akai EWI 4000s, effect processing, real-time live looping. <br />
<br />
Lo Fi Lazer was founded in 2006 at the <a href="http://www.norbergfestival.dk/" target="_blank">Norberg Festival </a>for experimental electronic music, in Sweden, after a successful jam session at the festival's Open Stage. <br />
<br />
You can check out Tryggve's other musical activities at <a href="http://www.myspace.com/enavomi" target="_blanc">http://www.myspace.com/enavomi</a><br />
You can check out Per's other musical activities at <a href="http://www.looproom.com/" target="_blanc">http://www.looproom.com</a> or <a href="http://www.myspace.com/looproom" target="_blanc">http://www.myspace.com/looproom</a>"^^xsd:string |
| ?:From Lincoln to Continental | "The long-awaited release from vocalist Jayne Hartman (Baldwin) and instrumentalist/producer Spiro Bolos.
Recorded and produced entirely at Killjoy, in unincorporated Wheaton, Illinois. Mastered by Dan Stout at Colossal Mastering in Chicago.
Full physical CD includes artwork by John Enda Folan, band photo by Togai Atac of Irradio, and a hidden track: a cover of Throwing Muses' "Furious". "Furious" previously appeared as the lead-off track on "Hot Hands", Kuma-chan Records' tribute to Kristin Hersh and her former band, Throwing Muses. "^^xsd:string |
| ?:From my hands | "Acoustic rock pop with a sting in tale"^^xsd:string |
| ?:FUCK THE WAR!!! | "<h2 align="center">"fuck the war"<br />
The 'War on Terror' is now in it's 6th year and some<br />
55 billion dollars later, the end of this conflict is<br />
nowhere in sight. These are some songs that I've <br />
written and recorded in the past few months that <br />
mirror some of the images that this war has imprinted<br />
upon our memories forever.<br />
Will this war come to an end?<br />
Wherever there is oil...there will be the presence<br />
of the United States military.</h2>
<h2 align="center"> <br />
</h2>
<a href="http://www.ralphbuckley.com"><strong>http://www.ralphbuckley.com</strong></a>"^^xsd:string |
| ?:fun 1999-2000 | "<p><br />
Questo album è stato registrato di getto in una fase di grossa ispirazione dell'artista TABACHE all'età di circa quindici anni.<br />
Dopo queste registrazioni TABACHES si è dedicato ad altri ambiti musicali per poi tornare solo dopo quattro/cinque anni alla composizoine di musica elettronica (alimentata dal suo nuovo gruppo elettronico (Problems with my MInd)).<br />
<br />
Questa è elettronica rude sporc, spontanea e divertente.<br />
<br />
Ogni traccia(o quasi) è stata registrata e composta nell'arco di un pomeriggio.</p>"^^xsd:string |
| ?:galactica nova e.p. | "Debut 4 track E.P. release, from umbriel rising. A blend of swirling ambient soundscapes, blistering beats, rocked out guitars, morphed and destructed samples in a progressive style of chill and thrill.<br />
<br />
(p) +(c) Distinguished Recordings 2007<br />
http://www.distinguishedrecordings.com"^^xsd:string |
| ?:Galaxy Centaurus A | "An audio exploration of a strange, distant galaxy"^^xsd:string |
| ?:Gateway | "I have various influences, none of which I should list as it would be too long. I've been writing music for a few years now and am currently composing predominantly electronica at the moment."^^xsd:string |
| ?:GBVO | "GBVO is comprised of Action Man, Bruiser (not pictured - still MIA, sorry), Soapy and Weasel. The Perfesser, another GBVO member (who does not appear on these recordings), sometimes plays the role of "chief irritant."<br />
<br />
GBVO was aborted from the Ann Arbor, MI and Columbus, OH rock scenes in the mid-1980s. Members ended up in Boston, MA of all places and desperately tried to make sense of the strange jam they found themselves in by strangely jamming.<br />
<br />
This is truly music for hardcore suckers. We're sure that you'll enjoy it."^^xsd:string |
| ?:General Caution | "<div align="center">General caution is the brand new album from Double|), Compared to the previous offerings of "Technotronika" and "Jump.Space.Nine" Double|) brings you more chilled out tracks like "Pure Mercury" an 8 Minute chillout of pure hypnotism. He's also bringing some remixes to the album like "Laura's Electronika" or Techsaw Promise" which are both remixes of 2 songs from the game Silent Hill 2. The album is a must have for anyone who enjoys music. So get your groove on to the Double|) Beat and get a General Caution!</div>"^^xsd:string |
| ?:Generative Scumbag | "<p>A collection of soundtrack/soundscape style ambient songs. Some tracks were generated with algorithms and a lot of luck. 'Frozen Passage' includes samples I did not create.</p>
<br />
Enjoy responsibly. Do not drive and listen, you might fall asleep."^^xsd:string |
| ?:Genuine | "This album has it all , RnB , Pop , Rock , Hip Hop , alternative and abstract . It clearly shows my taste in music. Hope u like it."^^xsd:string |
| ?:Genuine (special release) | "This is a special release , just a few rearrangments for the track , and 3 new tracks added"^^xsd:string |
| ?:Geometric Visions | "<h1>Recursion</h1>
<pre><br />... loosely speaking means "repetition". More precisely, it means a repeated <br />enfolding-within, such as the play within a play in Hamlet, or the play <br />within a play within a play in Rosencrantz and Guildenstern are Dead, <br />itself a play derived from Hamlet.<br /><br />Recursion is a technique used by mathematicians and computer scientists in <br />which inward repetition, with simple variation, is used to create images of <br />great beauty and complexity, such as the recursive structure of fractals, or <br />fractal images of clouds, mountains, ferns and trees.<br /></pre>
<pre>Recursion is a technique used by nature in which repetition, with simple variation, <br />is used to create structures of great beauty and complexity, such as the construction <br />of real clouds, real mountains, real ferns and trees from atoms and from the forces <br />that bind them.<br /><br />Recursion is a technique used by people in which repetition, with simple variation, <br />is used to create beings of great complexity and beauty, such as the growth of human <br />beings from the repeated division of single cells, themselves created by the joining <br />of cells that were once themselves divided.</pre>"^^xsd:string |
| ?:germinal noise | "<p>this is my music.for all with love.noise sound nation. thanks in particular to all the artists and friends of radiodb.listen here <a href="http://radiodb.ibfree.biz/">http://radiodb.ibfree.biz/</a></p>
<p> </p>"^^xsd:string |
| ?:Getting Back From Where I've Been | "Kelly Allyn is a powerhouse vocalist with a unique retro sound. Getting Back From Where I've Been includes songs from many different genres showing us Kelly Allyn's diversity. There is something for everyone on this album."^^xsd:string |
| ?:Get What You Want | "This album was recorded in Milwaukee during 2006. Makes use of keyboard, guitar, harmonica, banjo, drum machine, and vocals."^^xsd:string |
| ?:ghosts | "‘Ghosts’ is an album about distance and loss. <br />
<br />
‘Ghosts’ was written while I was away from home, working in a foreign country. A great distance separated me from the two people who matter the most and inevitably that sense of loss is felt throughout the album.<br />
<br />
This album is a song cycle that begins with ‘Shoreline’, a song about remaining hopeful while watching all that matters fade into the distance and ends with ‘Without Strings’, about reuniting and trying to recapture the past.<br />
<br />
While I was away I spent what little free time I had playing guitar or one of the pianos that were available and documenting my thoughts, feelings, and emotions. Eventually, I amassed a large collection of ideas and song snippets and using my laptop began to form the ideas in to songs. <br />
<br />
Upon my return home I had completed writing and had 12 songs that were ready to move to the next phase of the process. After deciding which tracks best told the story I wanted to tell, I began to work on finalizing arrangements and instrumentation.<br />
<br />
I wanted this album to feel more 'raw' than my previous albums. I only wanted to use 'real' instruments, guitars, piano, organs, strings etc. However, as the songs evolved, more electronic bits crept in to help fill out the sound.<br />
<br />
Enjoy!"^^xsd:string |
| ?:Gif† A.D. (Acoustic Demo) | "<p align="center"><font face="Arial">Gif† A.D., 2005, 2006<br />
The first definitive demo geared towards spreading the gospel.</font></p>"^^xsd:string |
| ?:Ginkgo | "<p>Just threw some tracks together. There's no rhyme or reason to them. I just made what I felt like at the time. I hope you like it.</p>"^^xsd:string |
| ?:Glass Spider EP | "The <strong>Glass Spider EP</strong> is a collection of lush piano based songs. Included is the track <em>Glass Spider</em> (from the full length album <a href="http://www.spirographonline.com/discography-mod-5.htm" target="_blank">Elements</a>), <em>Winter Rose</em> (also from <a href="http://www.spirographonline.com/discography-mod-5.htm" target="_blank">Elements</a>), <em>Lunar Perception of a Phenomenon</em> (unreleased remix of <em>The Day the Sun Never Rose</em> from the full length album <a href="http://www.spirographonline.com/discography-mod-4.htm" target="_blank">The Double Eclipse</a>), <em>Midnight Whispers</em> (unreleased song from the <a href="http://www.spirographonline.com/discography-mod-4.htm" target="_blank">The Double Eclipse</a> sessions) and the <em>Amber Version </em>of <em>Glass Spider</em>.<br />
<br />
All related albums can be purchased at the <a href="http://www.spirographonline.com/store.htm" target="_blank">SpirographOnline.Com Store</a>.<br />
<br />
Please enjoy.<br />
<br />
S-graph"^^xsd:string |
| ?:Glenn Dickson | "Clarinetist <a class="linkGreen" target="_blank" href="http://www.naftulesdream.com/">Glenn Dickson</a> (from Naftule's Dream) combines the human warmth of the clarinet with electronic techniques developed by Brian Eno to create other-worldly soundscapes and hypnotic tone poems."^^xsd:string |
| ?:globalenemy | "subatomicglue [2000] - midnight mauraders, stealthy beings of the earth strive to bring existance as we know it to a shattering end. lite and airy with menacing undertones."^^xsd:string |
| ?:Gnosie | "Ultimatek knowlegisky aber multiexpressivo debilitatentiv muchubertwistedmusic."^^xsd:string |
| ?:GOATSTOCK 3: Return of the Goats - A benefit concert for Heifer International | "<h1><strong>GOATSTOCK 3: Return of the Goats</strong></h1>
<h2><strong> A benefit for Heifer International</strong></h2>
<br />
This album was assembled as a preview of <strong>Goatstock 3</strong>, a live benefit concert that takes place on Saturday, September 22, 2007 at the Nave Gallery 155 Powderhouse Blvd, Somerville, Massachusetts 02143. All proceeds from this album go to support <strong>Heifer International</strong>, <a href="http://www.heifer.org">www.heifer.org</a> to give the gift of goats to people in need.<br />
<br />
All tracks were kindly donated by the artists and all copyrights belong to the individual artists.<br />
<br />
Thanks very much to the Nave Gallery, <a href="http://www.artsomerville.org">www.artsomerville.org</a>, for allowing us to stage this event. Thanks also to Randy Winchester.<br />
<br />
1. Astro Al: I Wish I Had a Goat (Old Time Radio Mix) 3:16<br />
<a href="http://www.astroal.com">www.astroal.com</a><br />
2. Tim Mungenast & His Preexisting Conditions:<br />
World Full of Goats (Live) 4:24<br />
<a href="http://www.mungenast.com">www.mungenast.com</a><br />
3. Amber Spyglass: Unfortunate One 4:03<br />
<a href="http://www.amberspyglass.net">www.amberspyglass.net</a><br />
4. Brian Fowler: Echobeast 4:18<br />
<a href="http://www.soundclick.com/brianfowler">www.soundclick.com/brianfowler</a><br />
5. Harts Horn: Watching the Wild Horses Ride 4:28<br />
<a href="http://www.myspace.com/hartshorn">www.myspace.com/hartshorn</a><br />
6. Astro Al: Ode to the Pillzz Berry Dough Boy (Acid Pillz Mix) 2:40<br />
<a href="http://www.astroal.com">www.astroal.com</a><br />
<br />
<div align="center"><u><strong> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=</strong></u><br />
</div>
<br />
<h2><strong>September 22, 2007</strong></h2>
<div class="concert1_t">
<h1> Goatstock 3: Return of the Goats</h1>
<h1>A benefit concert for Heifer International </h1>
</div>
<span class="location" style="display: none;">Nave Gallery @ Clarendon Hill Church, 155 Powderhouse Blvd., Somerville (MA)</span><abbr class="dtstart" title="2007-09-22T19:00:00+02:00" style="display: none;">September 22, 2007 19:00</abbr> <strong>Address :</strong> Nave Gallery @ Clarendon Hill Church, 155 Powderhouse Blvd. , Somerville, MA, USA<br />
<strong>Hour :</strong> 19:00 (7:00 PM)<br />
<strong>Ticket price :</strong> $5 <br />
<span class="description">
<p>This is a benefit to raise money to help out the great folks at Heifer International (<a href="http://www.heifer.org">www.heifer.org</a>). Heifer places animals in countries where they are desperately needed. We hope to raise enough money to purchase a goat to help out some people in need. Ticket price is only a $5.00 donation.</p>
<p>Performers listed in order of appearance: </p>
<p><strong>Astro Al </strong>(octopus cartoon music) <a href="http://www.astroal.com">www.astroal.com</a></p>
<p><strong>Tim Mungenast & his preexisting conditions</strong> (the goat guitar god himself) <a href="http://www.mungenast.com">www.mungenast.com</a></p>
<p><em>Headlining will be:</em></p>
<p><strong>Chris Mascara</strong> <a href="http://www.mascaramusic.com/">www.mascaramusic.com/</a></p>
</span>
<div><span class="description">
<p> "Sonically edgy...rippling with energy...superchargedsinging...braying guitar flourishes" -- Boston Phoenix</p>
<p> "Expansive avant-pop...not like other kids on the block" -- Boston Globe</p>
<p> "Top-of-the-heap...demands attention...vocal powerhouse" -- Boston Herald</p>
</span></div>
<span class="description">
<p>For more information call the Nave Gallery at 617-625-4823 or the <a href="mailto:navegallery@artsomerville.org?subject=GOATSTOCK%203">navegallery@artsomerville.org</a>. </p>
</span>"^^xsd:string |
| ?:God's Speed | "First EP recorded by the band with the original line up.<br />
<br />
All the songs were written by Xtian Navarro.<br />
<br />
Released by AzizA-Artists, just a guy who publishes all his friends music in one place. Check out http://www.jamendo.com/en/user/theonetruevlad/ or the website for all AzizA-Artists releases including other art forms and sales.<br />
<br />
http://homepage.ntlworld.com/tessa.corner1/AzizA-Main.html"^^xsd:string |
| ?:Gonzo Jazz | "<span style="font-style: italic;">Gonzo Jazz</span> was recorded at rehearsals spring 2005. All tracks were improvised by Hiironniemi/Koivistoinen/Schroderus and recorded with two Røde microphones. No overdubbs. Make it bonk!<br /><br /><span style="font-weight: bold;">Update!</span><br />You can download the full cove art here: <a target="_self" href="http://personal.inet.fi/koti/hanskajalka/gonzo/gonzo.zip">gonzo.zip</a><br /><br />The zip-file contains four pdf-files and a readme!.txt for those who want to print the covers."^^xsd:string |
| ?:Goofing Around Inc. | "<p>This album contains 7 pieces of songs i created.They are not that long but they are enjoyable<br />
<br />
Techno/HappyTechno/Rave/Trance<br />
<br />
ENJOY<br />
</p>
<p><br />
</p>
<p>My second album "Nerviosynthesis" will be coming soon.........<br />
</p>
<p>it has more songs and they are longer<br />
</p>
<p><br />
</p>"^^xsd:string |
| ?:Gr8 Hits | "<p>This is Titee's Gr8 Hits Album.<br />
My main genre is that of Dance, Electronic and experimental (Danconicental)</p>
<p><br />
</p>
<p> I use FL, with Soundforge for voice samples and Acid Pro for finishing or remastering.<br />
I like to do hard and soft stuff and what ever else.</p>
<p> These tracks are for the listeners. They are a gift for our ears, like all other music.<br />
I like the medium of music for you can relate with others who don't even speak your tongue.<br />
Its amazing to see people from different cultures, unaware of the others traditions and ways to be together celebrating with fine listening powers to the same artist at the same venue.<br />
Music brings the people together. Its the party.<br />
I make tracks, I really don't know how I do this. It seems impossible but I can create them.<br />
I use a PC and it does the job. My main aim with music is to create an album on a CD which can be played in any disc player in the world. This is what makes me happy. What also makes me happy is that I can listen to my own tracks. It's kinda nice having one of your own tunes in the inner duke box, keeping your brain happy. Hooray.</p>
<p>There are so many fantasitic independent music artists all over the Jamendo. Thankyou.</p>
<p><br />
</p>
<p><br />
</p>
<p><br />
</p>"^^xsd:string |
| ?:Grace | "Sonny only asks that you enjoy the music and keep an open ear for undiscovered talent.<br />
<br />
As songwriters we would be flattered to hear bands playing or sampling our music. Please contact us before you do. <br />
<br />
All songs on this EP are the original work and ownership of Paul Gudaitis, Frank Krasicki, David MiCloskey, and Wayne Cote. Copyright 2006, All Rights Reserved."^^xsd:string |
| ?:Green [Single] | "<p>The track of this single album, <em>'Green'</em> was composed from 22 to 27 december 2005.</p>
<p><em>'Green [Single]</em>' was released on <a href="http://www.jamendo.com/"><font color="#0046c4">jamendo</font></a> on 20 january 2006.</p>
<p>Lolo Tof plays: Spanish Guitar, Electric Guitar, Melodica, Xylofon, Voice Effects, Percussion.</p>
<p>Composed, performed, conducted and engineered by Lolo Tof.</p>
<p>Arranged and supervised by Lolo Tof and Adrièn Schwarz.</p>"^^xsd:string |
| ?:Guy Johnston | "This is my debut EP, which was recorded at home and released in 2005. <br />
<br />
N.B. All of the recordings, songs, lyrics and artwork are licensed under the <a href="http://creativecommons.org/licenses/by-sa/3.0/">Creative Commons Attribution-ShareAlike License v3.0</a> and the <a href="http://artlibre.org/licence/lal/en/">Free Art License v1.2</a> or later. I recommend using the Ogg Vorbis download rather than the MP3 one, because it's better quality and patent-free. If you're using Windows and you can't play Ogg Vorbis files, you can download the codec <a href="http://www.illiminable.com/ogg/oggcodecs_0.71.0946.exe">here</a>."^^xsd:string |
| ?:Habitat | "Habitat was released in 2002, it was also the last album of the band."^^xsd:string |
| ?:Hablar demasiado ayuda a tu enemigo | "Disco debut de eXperpento. Dúo español."^^xsd:string |
| ?:Half of a Sentence | "<span class="listdescription">An EP Release from engeo. Songs about religion, boredom and the empathic responses you get from girls.</span>"^^xsd:string |
| ?:handmade | "<h2>handmade -- conga jazz!</h2>
<br />
I named this album <em>handmade</em> because all the rhythms were performed using hand percussion instruments: three conga drums, two maracas, and a cowbell. Against this background I have highly melodic improvisation, jazzy chords, and of course a groovin bass line.<br />
<br />
I play every instrument you hear on this album--guitar, bass, Hammond organ, keys, and drums.<br />
<br />
If you want to know more about the music, have a look at my <a href="http://bmccosar.wordpress.com/">Wordpress</a> blog. From February 3 to March 7, 2007, I wrote detailed “liner notes” for each of the songs on this album. Here they are, indexed according to track number:<br />
<div class="snap_preview">
<ol>
<li>Patterns in the Sky: <a href="http://bmccosar.wordpress.com/2007/02/03/patterns-in-the-sky-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/04/patterns-in-the-sky-part-2/">part 2</a></li>
<li>Abandon in Place: <a href="http://bmccosar.wordpress.com/2007/02/06/abandon-in-place-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/07/abandon-in-place-part-2/">part 2</a>, <a href="http://bmccosar.wordpress.com/2007/02/08/abandon-in-place-part-3/">part 3</a></li>
<li>Like the Ocean Needs the Moon: <a href="http://bmccosar.wordpress.com/2007/02/09/like-the-ocean-needs-the-moon-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/10/like-the-ocean-needs-the-moon-part-2/">part 2</a></li>
<li>The Outer Banks of Love: <a href="http://bmccosar.wordpress.com/2007/02/11/the-outer-banks-of-love-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/12/the-outer-banks-of-love-part-2/">part 2</a></li>
<li>Nothing Left but the Sea: <a href="http://bmccosar.wordpress.com/2007/02/15/nothing-left-but-the-sea-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/16/nothing-left-but-the-sea-part-2/">part 2</a></li>
<li>City in Flight: <a href="http://bmccosar.wordpress.com/2007/02/17/city-in-flight-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/18/city-in-flight-part-2/">part 2</a>, <a href="http://bmccosar.wordpress.com/2007/02/19/city-in-flight-part-3/">part 3</a></li>
<li>Night’s Bridge: <a href="http://bmccosar.wordpress.com/2007/02/21/nights-bridge-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/22/nights-bridge-part-2/">part 2</a></li>
<li>Volcanology: <a href="http://bmccosar.wordpress.com/2007/02/23/volcanology-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/24/volcanology-part-2/">part 2</a></li>
<li>A Dream of Flying: <a href="http://bmccosar.wordpress.com/2007/02/26/a-dream-of-flying-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/02/27/a-dream-of-flying-part-2/">part 2</a></li>
<li>In Search of Forgotten Names: <a href="http://bmccosar.wordpress.com/2007/02/28/in-search-of-forgotten-names-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/03/01/in-search-of-forgotten-names-part-2/">part 2</a></li>
<li><a href="http://bmccosar.wordpress.com/2007/03/03/pinelands/">Pinelands</a></li>
<li>Harriet Tubman Lives: <a href="http://bmccosar.wordpress.com/2007/03/04/harriet-tubman-lives-part-1/">part 1</a>, <a href="http://bmccosar.wordpress.com/2007/03/05/harriet-tubman-lives-part-2/">part 2</a></li>
<li><a href="http://bmccosar.wordpress.com/2007/03/06/a-spy-in-the-house-of-pancakes/">A Spy in the House of Pancakes</a></li>
<li><a href="http://bmccosar.wordpress.com/2007/03/07/rafting-down-the-lethe/">Rafting Down the Lethe</a></li>
</ol>
</div>
<h2>The Album Cover</h2>
<br />
My wife gave me a wonderful present for Christmas this year: <a href="http://bmccosar.wordpress.com/2006/12/25/the-best-christmas-gift-ever/">a quilt she had made for me</a>. Each of the sections of the quilt is a pattern that tells something about me--musical notes, chili peppers, stars and planets, mad scientist cats doing chemistry.<br />
<br />
When I saw it, I knew it was the perfect symbol for this album--it was, literally, handmade. It was something <strong>put together with care, performed with love, given with joy.</strong> I feel the same way about this album, and I hope you enjoy listening to it."^^xsd:string |
| ?:Happens In A City | "<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"><strong><u>Happens In A City</u></strong></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"><strong><u></u></strong></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB">We started this album in late 2003 and it was completed in November 2006. We decided to add some lyrics and guitars, something that our previous album "<strong style="mso-bidi-font-weight: normal">Blue Trees, 7 miles</strong>" didn't have.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span><span lang="EN-GB"></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB">We believe that this album is more “mature” than the previous one and we are distributing it in Greece for free, with our own expenses.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span><span lang="EN-GB">We hope (<em>and that’s our only hope</em>) for you to enjoy listening our music.</span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify"><span lang="EN-GB"><span lang="EN-GB"></span><span lang="EN-GB">Many thanks to GuitaReal for his beautiful guitar sounds and NoneShe for her divine voice.</span></span></p>"^^xsd:string |
| ?:Hazy Story | "<p>kind of the <strong>debut </strong>(though there have been sampling experiments before, which might show up here on jamendo before soon...) <br />
</p>
<p><br />
lots of drums, electronic instruments and effects gone insane. <br />
</p>
<p> my personal favorite is the last track which has been recorded with warm ambience and flirts with 12 tone music (which we all like I guess). <br />
</p>
<p>anyhow, let me know what you like and don't. <br />
</p>
<p>donations are welcome of course</p>
<p><br />
</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Headless Statues | "The Chinese cultural revolution of the 1960's saw revolutionaries knocking the heads off ancient statues in an attempt to deny and condemn the long Chinese past. This album represents my experiences in China during the mid 1980's and tries to capture the enduring emotional impact of seeing these statues first hand. They remain the embodiment of the need to separate and embrace one's past on both a personal and cultural level.<br />
<br />
The experience changed me then and still resonates today in my work and music. Enjoy."^^xsd:string |
| ?:HeartBEATS | "<em><strong>HeartBEATS</strong></em> is the 2007 mini album / demo of The Love Dictators. The music could be described as an Eurodance record reminiscent of 80s popular music and general techno.<br />
Blending <em>DJ Vibeseeker</em>'s charismatic rapping with the clean singing of Mary O.D., The Love Dictators utilize a unique style to spread their vibes."^^xsd:string |
| ?:Hecuba -music for Euripides's tragedy | "<p>live recording from the rehersals of National Theatre of Northern Greece performance in Epidavros ancient theatre (summer 2001).</p>
<p>16 actresses performing the parts of the chorus accompanied by lute,double-bass and drums</p>"^^xsd:string |
| ?:higher (EP) | "Cat.No.: MNKM011
Artist: ELANBASE
Title: HIGHER
Tracks:
1. Orange Vibes 4:12
2. The Foundation Dream 3:06
3. Defender 4:58
total time: 12:16
1.
orange vibes: recorded in october 2005.
samples from Mediterrenian sample Bank.
2.
the fondation dream: recorded in august 2006.
samples from Cornel Capbell: Jah Jah Me No Horn Yah
3.
defender: recorded in march 2006.
samples from Original Caste: Mr. Monday and House Of Pain: Same As It Ever Was
(cc)2006 MONOKOM RECORDS
http://www.monokom.org
EMAIL:
elanbase@gmail.com
MONOKOM is so proud having back ELANBASE, now with his 'Higher' EP. A well-known hip-hop producer himself, the artist has prepared a flawless short 'from trippy to hoppy and back' lecture for all who are here to stay. The opening "Orange Vibes" gently guides you through that exotic primitive market of ourselves, followed by the cosmic-a-delic dubbish "The Foundation Dream". What will appeal most to the tastes, however, is "Defender" - the track, where ELANBASE has actually done what he does best - a bit more than just modern hip-hop."^^xsd:string |
| ?:Hip-Hop Nation | "My first MP3 album."^^xsd:string |
| ?:Hipnoviolentparty | "<p><strong>KillaNation</strong> were born in 2002, according to a strange concept of <em>live and electronic music</em>, mixed together to create a new sound, were instruments are played within a synthetic structure. Bass, guitar, voices, synth & sampler & computer...we like to mix our punk attitude with electronic influences and passion for contemporary sounds, something like "<em>tekno-punk</em>" and "<em>psycore#3</em>", if these could be possible definitions...</p>
<p>produced by: Icaro Tealdi (<a href="mailto:production@braideadmusic.org">production@braindeadmusic.org</a>)</p>
<p>booking & management: Andrea Kunkl (<a href="mailto:booking@braindeadmusic.org">booking@braindeadmusic.org</a>)</p>"^^xsd:string |
| ?:HIRE&FIRE Single | "further description is forthcoming..."^^xsd:string |
| ?:Holiday End | "This music I made,with the program:Hip-Hop 6,and with my mouse."^^xsd:string |
| ?:holistic audio | "<font size="3"><font face="Times New Roman">
<p class="MsoNormal" style="MARGIN: 0in 0in 0pt"><span style="FONT-FAMILY: &quot; Century: ">Many of the tracks on pharmacopia's 10th release "holistic audio" incorporate dreamy eclectic sonic elements around Pete Dragotta's digital trumpet. The funky and euro-groove side are not completely abandoned on tracks "cuffia trombone" and "transporté". Pete digs back into his jazz blowing roots on "unspoken dialects" which is reminiscent of his past colaboration with Bob Sharkey (Industrial Tee Pee) and Claude Coleman Jr. (Ween) during his days co-leading The James Quintet.<span style="mso-spacerun: yes"> </span></span></p>
</font></font>"^^xsd:string |
| ?:Hollow | "Guitar ambient album in spirit of Sigur Rós"^^xsd:string |
| ?:Home Recording Made Easy | "Our self-produced debut album 'Home Recording Made Easy' was released in December 2005 and has a varied mixture of different styles, mostly rock. The songs range from poppy to quite heavy, some with piano. There are also two dance songs made by Chris on eJay and two bonus tracks: an older recording of our most famous song to date, 'Break The Seal', and 'Nathan Loves Dan', an improvised acoustic track with vocals by Guy.<br />
<br />
N.B. We recommend using the Ogg Vorbis download rather than the MP3 one, because it's better quality and patent-free. If you're using Windows and you can't play Ogg Vorbis files, you can download the codec <a href="http://www.illiminable.com/ogg/oggcodecs_0.71.0946.exe">here</a>."^^xsd:string |
| ?:Honky Fonky (EP) | "<p>This EP includes 3 tracks from the albums Bodhi Tree and 4D Reality published earlier on Jamendo and a new collaboration with wonderful Jamendo artist Hamelin Bérengnier <img alt="" src="http://img.jamendo.com/avatars/310/10310.60.jpg" /> from <a href="http://www.jamendo.com/en/artist/suerte/">Suerte</a>. </p>
<p> </p>
<p>Honky Fonky :</p>
<p>Alto saxophone - Hamelin Bérengnier.</p>
<p>Trumpet - <span class="BAB_CPTermStyle">Dizzy Gillespie.</span></p>
<p> </p>
<p> Oh No Babe:</p>
<p>Hammond organ - Jimmy Smith</p>
<p> </p>
<p>Fonky S:</p>
<p>Trumpet - Miles Davis</p>"^^xsd:string |
| ?:HOT SEXY | "<p>GOLDEN BOY (FOSPASSIN) IS THE BEST DANCER IN THE WORLD AND KING OF THE NEW WAY HIPHOP WITH WORLD MUSIC.SPECIALE MENTION MUSIC AID AWARDS 2006,HONORABLE INDIE-MUSIC,NOMINEE BEST VIDEO LA MUSIC AWARDS 2006 WITH HIS ALBUM "ACTION 6",GOLDEN BOY IS COMING BACK THIS YEAR 2007 WITH SOMETHING NEW AND HOT.17 SONGS IN ONE ALBUM'HOT SEXY' MADE OF HIPHOP,POP,REGGAETON,WORLD AND OTHERS.</p>
<p>BEFORE BEING PUBLISHED,GOLDEN BOY RECEIVED MORE THAN 5000 VOTES TO GET ON COMCAST TV ON DEMAND MUSIC VIDEO SPY WITH 3 VIDEOS .FRIENDS CALL HIM PATRICK.HE IS THE KING OF THE MONKEY DANCE.WAIT FOR THE NEXT VIDEO TO LEARN HOW TO DANCE IT.ALL OVER THE WORLD PEOPLE THINK THAT GOLDEN BOY (FOSPASSIN) IS THE BOB MARLEY AND TUPAC REVOLUTION.FOR CONCERTS:</p>
<p>CONTACT: <a href="http://www.myspace.com/goldenboyf">www.myspace.com/goldenboyf</a> or <a href="mailto:patrickgoldenboy@yahoo.com">patrickgoldenboy@yahoo.com</a> </p>"^^xsd:string |
| ?:How it could be | "This is the second album I've made. It was all recorded in the space of 2 weeks, and every song was made from start to finish in one day (with a few tiny adjustments on some tracks the next day). It ranges from acoustic rock to trancey disco but all with the guitar in common. I hope you like it."^^xsd:string |
| ?:Huh? | "<p>Hey there! Victor here!<br />
Anyways, i guess this is gonna appear on the album page.<br />
You might be wondering why I named my album "huh?". Well, I couldn't think of a name for my album, so when I asked my parents what they thought i should name my album, they turned around and said, "huh?".<br />
<br />
So, this album is a six track album of my best songs. I got a lot of them, but most of them aren't so good. I hope you enjoy this album! Please buy a CD from my site or Donate!</p>
<br />
<p>EDIT:</p>
<p>So far my album has been featured in 2 podcasts and 1 tv show so far! <br />
</p>
<p>here's the link to the TV show's website: <a href="http://www.shutdowntv.com">www.shutdowntv.com</a></p>
<p>It's at the very end of episode 3 part 2!</p>"^^xsd:string |
| ?:Human Kind Xtinction | "Human Kind Xtinction is about deleting all humans from one's mind to get the head free for the good stuff out there."^^xsd:string |
| ?:Hunt Club EP 2006 | "Hunt Club is the sound of a Frenchman, a Mexican, and a Californian having an arm wrestling contest in a walk-in refrigerator. Hunt Club is the sound that Thomas Jefferson’s bones make when he rolls over in his grave. Hunt Club sounds like Jerry Falwell trimming his hedges with an electric toothbrush. It is the sound of abandoned motherboards howling at the moon in a waste treatment facility in China. Hunt Club sounds like the cheerful chirping of cockroaches as they mate amongst the crumbs at the bottom of the toaster. It is the whooshing sound of hypodermic pharmaceuticals coursing through Nancy Reagan’s restless legs. Hunt Club is the sound of a robot with tinnitus, softly singing himself to sleep in the bathtub."^^xsd:string |
| ?:Hydra Science Volume I: After the Fall | "<strong>A note on Hydra Science</strong>: In 2003, my computer suffered a massive power surge which destroyed the chip, motherboard, and both hard drives. I lost the original source files for Hydra Science, so what I present to you is the recovered versions. Unfortunately, they are not perfect and the sound quality is not the best. However, I present the album to you for your enjoyment.<br />
<br />
S-graph<br />
<br />
<strong>Hydra Science Volume I: After the Fall</strong><br />
The most personal <span class="blue-highlight">Spirograph</span> album to date, <span class="blue-highlight">Hydra Science</span> encompasses different emotions throughout two volumes consisting of thirty-two songs. Many of the songs are direct reflections of various events and/or people in <span class="blue-highlight">Spirograph's</span> life. Without a doubt, <span class="blue-highlight">Hydra Science</span> is <span class="blue-highlight">Spirograph's</span> most focused album and the entire album is meant to be played as a whole performance, back to back. Clocking in at almost one-hundred sixty minutes of completely new <span class="blue-highlight">Spirograph</span> technology, <span class="blue-highlight">Hydra Science</span> marks the beginning of <span class="blue-highlight">Spirograph's</span> reborn approach to music."^^xsd:string |
| ?:Hydra Science Volume II: The Unfinished Dream | "<strong>A note on Hydra Science</strong>: In 2003, my computer suffered a massive power surge which destroyed the chip, motherboard, and both hard drives. I lost the original source files for Hydra Science, so what I present to you is the recovered versions. Unfortunately, they are not perfect and the sound quality is not the best. However, I present the album to you for your enjoyment.<br />
<br />
S-graph<br />
<br />
<strong>Hydra Science Volume II: The Unfinished Dream<br />
</strong>The most personal <span class="blue-highlight">Spirograph</span> album to date, <span class="blue-highlight">Hydra Science</span> encompasses different emotions throughout two volumes consisting of thirty-two songs. Many of the songs are direct reflections of various events and/or people in <span class="blue-highlight">Spirograph's</span> life. Without a doubt, <span class="blue-highlight">Hydra Science</span> is <span class="blue-highlight">Spirograph's</span> most focused album and the entire album is meant to be played as a whole performance, back to back. Clocking in at almost one-hundred sixty minutes of completely new <span class="blue-highlight">Spirograph</span> technology, <span class="blue-highlight">Hydra Science</span> marks the beginning of <span class="blue-highlight">Spirograph's</span> reborn approach to music."^^xsd:string |
| ?:Hymns About Her (advance) | "Vocals: Steven Dunston (except for lead vocals on Lyle Love Song sung by Cameron Daddo).<br />Piano: Steven Dunston <br />Strings: Steven Dunston<br />Guitar: Cameron Daddo<br />Percussion: Scotty Lund<br /><br />All songs written by Steven Dunston, except Lyle Love Song, written by Cameron Daddo and Steven Dunston."^^xsd:string |
| ?:Hyperflip | "Tracklist : <br />
1.Emotions <br />
2.Excursion To Basement<br />
3.Wonderland<br />
4.Minimalism<br />
5.Crazy<br />
<br />"^^xsd:string |
| ?:I'd Better Go Cos Im Driving | "Underground emcee that rocked London and the South East from time to time. Compiled a few tunes over the years and here are a handful of them.<br />
I am open to anyone who would like to use my music commercially I just would like to be asked first. The idea that people could take it and use it without mentioning what its being used for is something i'm not keen on. Just be good to know where its going."^^xsd:string |
| ?:Idiot Secrecy | "This is the first music I ever wrote, when I was 15 to 17 years old. Just messing around with my Amiga using Protracker, a 4-channel (2 left / 2 right) software synth. Mostly experimenting to see what could be done. Thus not the nicest sounding samples, probably only 8-bit and very cheesey. <br />
<br />
These are all the tracks that survived ripping from cassette a few years back, some are only fragments that never got finished but you get the idea. The finished tracks are good for what they are and worth it if you like this sort of thing.<br />
<br />
Just thought I'd see what anyone else thought. Enjoy!<br />
<br />
Released by AzizA-Artists, just a guy who publishes all his friends music in one place. Check out http://www.jamendo.com/en/user/theonetruevlad/ or the website for all AzizA-Artists releases including other art forms and sales.<br />
<br />
http://homepage.ntlworld.com/tessa.corner1/AzizA-Main.html"^^xsd:string |
| ?:I Don't Know What I'm Doing | "12 songs by me."^^xsd:string |
| ?:III | "Porpoise are a UK based band who formed around Janurary 2007 when the bass player ( Jon Behrendt), guitarist (Pete Stanley) & drummer (Gareth McCabe)disbanded their old band Dials, hooking up with Singer/Guitarist Dave Halama (Knives Of Goya, Horse Called Chariot). Their aim was to make noisy disjointed rock like their heros; Flaming Lips, Guided By Voices, Pavement, Fugazi, Pixies & Mastodon, mixing them with the pop sensibilities/country noise of bands like Queen, The Beatles, Neil Young & Lynard Skynard. <span class="">It's fair to say the band are a bunch of musos, but they never take themselves too seriously. Late August 2007 saw the band put together their debut release 'III' which featured three tracks recorded with Tim parkes & Eddie Morton at the Infamous Katie Fitzgeralds Pub in Stourbridge, West Midlands. <br />
The band thrive on live performance and feel their music is better made in an organic and diplomatic way. Inperfection is perfection in their eyes.<br />
For more info see <a href="http://www.myspace.com/porpoiserock">www.myspace.com/porpoiserock</a></span>"^^xsd:string |
| ?:illusion | "Illusion - Rendered sometime in 2005, released around that time too, roughly september, but I can't be sure. Experimental stuff, the first part of my really good quality stuff era."^^xsd:string |
| ?:illusions | "<p>DJDB - illusions<br />
<br />
Music used for this mix:<br />
<br />
Cellular 1 - Digital Bros.<br />
One Sun - Biphenson<br />
Minimal Perception (Original Mix) - 2Inventions<br />
A voice From Darkness (Trance) - Atomic cat<br />
They angels of the darkness - Dj Thony<br />
Entry of the corridor - -mystery- 2007<br />
Can You Do Better? (Club Mix) - #Dance 75#<br />
Some Noise - Ferentino by Night<br />
Capteck - DJ SIRIUS<br />
2 Random blows - Ferentino by Night<br />
Ethereal Dancer - Doctor Strangelove<br />
Strings for trance - synteticboy<br />
Forever to last (Dance) - Atomic cat<br />
We Can't be free (Original Mix) - 2Inventions<br />
Galaxie melodie - Dj Thony<br />
<br />
Images by davebluedevil ("Ring in the dark") & Hobo pd ("Portico")<br />
<br />
Published under Creative Commons license<br />
http://creativecommons.org/licenses/by-nc-sa/3.0/<br />
<br />
DJDB, Some Rights Reserved, 2007</p>"^^xsd:string |
| ?:I Miei Primi Insetti | "This is the album made in 2006, with Ableton Live, some VSTi, a Korg MicroKontrol as a controller midi, and my Powerbook G4.
I tried to complicate the drums, playing them at 9/8, 7/8, 11/8, 7/4.
Thanks for the listening!"^^xsd:string |
| ?:imperfect human | "this is my music.thank for all artist of radiodb <a href="http://radiodb.ibfree.biz/">http://radiodb.ibfree.biz/</a>"^^xsd:string |
| ?:Improvisaciones | "<p class="MsoNormal"><strong>Please wait a few seconds for each piece to begin…</strong> </p>
<p class="MsoNormal">These are the first works that I am sharing with the community: a small and varied album consisting of a series of improvisations recorded on a Yamaha Clavinova. </p>
<p class="MsoNormal">The very nature of this kind of music means that the pieces will inevitably contain errors of fingering, tempo or other, but I hope you can enjoy them anyway. </p>
<p class="MsoNormal">My method has been to record each piece in its entirety and later, if necessary, to treat it by varying the pitch of the piece as a whole or speeding up the tempo in general, when I felt that the spirit or musicality of the piece demanded it. </p>
<p class="MsoNormal">In the past, never satisfied, I often erased many of my recordings - maybe the best ones; but I am now being encouraged by people around me to share them…. and if my pride permits, I hope not to discard so many in the future.<span style=""> </span></p>
<p class="MsoNormal">The recordings are created with the simplest means - a home computer, a cable, a keyboard; but then, little more is necessary - except, of course, an immoderate love of music. </p>
<p class="MsoNormal"> I'm open to questions and suggestions, if anyone would like to contact me. </p>
<p class="MsoNormal"> Happy listening…. </p>
<p class="MsoNormal"> Carlos Rives</p>
<font size="4"><font face="Times New Roman"><br />
</font></font>"^^xsd:string |
| ?:Improvisaciones 2 - Barroco | "<p class="MsoNormal"><strong>Please wait a few seconds for each piece to begin…</strong></p>
<p class="MsoNormal"><strong>A few improvisations in baroque style and in varied style. <br />
</strong></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">These are the second works that I am sharing with the community: a series of improvisations recorded on a Yamaha Clavinova. </p>
<p class="MsoNormal">The very nature of this kind of music means that the pieces will inevitably contain errors of fingering, tempo or other, but I hope you can enjoy them anyway. </p>
<p class="MsoNormal">My method has been to record each piece in its entirety and later, if necessary, to treat it by varying the pitch of the piece as a whole or speeding up the tempo in general, when I felt that the spirit or musicality of the piece demanded it. </p>
<p class="MsoNormal">In the past, never satisfied, I often erased many of my recordings - maybe the best ones; but I am now being encouraged by people around me to share them…. and if my pride permits, I hope not to discard so many in the future.<span style=""> </span></p>
<p class="MsoNormal">The recordings are created with the simplest means - a home computer, a cable, a keyboard; but then, little more is necessary - except, of course, an immoderate love of music. </p>
<p class="MsoNormal"> I'm open to questions and suggestions, if anyone would like to contact me. </p>
<p class="MsoNormal"> Happy listening…. </p>
<p class="MsoNormal"> Carlos Rives</p>
<font size="4"><font face="Times New Roman"><br />
</font></font><em></em>"^^xsd:string |
| ?:Inane and Serene | "<p> </p>
<p>Official debut release from the instrumental one-man band Savium. <br />
More info at <a href="http://www.saviumsaliva.com">www.saviumsaliva.com</a></p>
<p>REVIEW: <br />
<a href="http://www.saviumsaliva.com/txt/review2.html">http://www.saviumsaliva.com/txt/review2.html</a> </p>
<p><font face="Arial">OTHER JAMENDO RELEASES:<br />
<a href="http://www.jamendo.com/en/album/10145">www.jamendo.com/en/album/10145</a></font></p>
<p>LINKS: <br />
<a href="http://www.saviumsaliva.com">www.saviumsaliva.com</a> <br />
<a href="http://www.myspace.com/savium">www.myspace.com/savium</a></p>
<p> </p>"^^xsd:string |
| ?:INcomplete.Untitled._demo EP | "Added guitar tracks - see links --- Hoping to play live sometime, find a school/teacher - learn music theory, collaborate, travel."^^xsd:string |
| ?:Increase the Dosage | "The album<em> </em><em><a href="http://www.revolutionvoid.com/Revolution_Void_-_Increase_the_Dosage/">Increase the Dosage</a></em> features guest performances by musicians such as <strong>Seamus Blake</strong> (the Mingus Big Band), <strong>Michael Shrieve</strong> (Santana) and <strong>Matthew Garrison</strong> (Herbie Hancock).<em><br />
<br />
</em>The album was released initially on 4/4/2004 but the short-run self-released pressing quickly sold out. It was released again on 9/25/05 in a web package with full album art.<em><br />
<br />
</em>The web package is a self-contained website with hyperlinks directly from the tracklist to MP3 sound files. It features 4 pages of full-color artwork by Seattle artist <a href="http://www.shawnwolfe.com/">Shawn Wolfe</a>. (<a href="http://revolutionvoid.com/Revolution_Void_-_Increase_the_Dosage/" target="" title="Revolution Void">view web package</a>)<br />
<br />
<p>Excerpt from <a href="http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47F1ED248AA7720CE963A49D9B76AD208DA46F69E16294B1BD2B02554953544C76BADBF9EFDFB74AB70B0FD2EA45F43D2CBE457F9D6623A2DED93&sql=10:vicm96oojep2" title="AMG review">All Music Guide</a> review by Matt Borghi:</p>
<blockquote>
<p>The Revolution Void recording is excellent and shows quite a gifted blend of sounds that defy genre specification, coming together and becoming quite cohesive. This is a very eclectic recording and one that certainly rewards the listener with a palette for new and intriguing sound. This is a great disc, and one that listeners should definitely look into.</p>
<p>4/5 stars.</p>
</blockquote>"^^xsd:string |
| ?:Ineluctable Modality | "This album is a collection of spoken word pieces drawn from the public domain."^^xsd:string |
| ?:Injured | "progressive electronic"^^xsd:string |
| ?:Inna Sanna | "<p> </p>
<div align="justify">Dopo quattro anni di esperimenti più o meno riusciti e di umile studio della nobile arte del rap, Biugi, braccio musicale del Gruppo Crudo, ha deciso che era ora di rimettere un po' della sua merda al giudizio del popolo sovrano. Quindi eccovi un'ora di giocoleria sonora e verbale. Del tutto gratis. Roba da cantine e garage, gustatevelo gustavi.<br />
<div align="center">---<br />
</div>
Registrato su un paio di laptop con scrause schede sonore di serie fra Savona e Brisbane.<br />
Tutte le tracce prodotte, arrangiate e miscelate da Biugi.<br />
Maestro di Cerimonie: Biugi.<br />
Hanno partecipato: il Biolo, il Ruvido, Frattale, Seb, Emme, Ciccio, la Sista Bestia, Bobotti, Brudo, Ananazzi.<br />
</div>
<div align="center">---<br />
</div>
<div align="justify">Biugi ringrazia i convenuti, la famiglia, il Barba, Fra Schiena, gli accoliti del Garage 80, tutta la SVHC, il Collettivo Libertario, Will Ashon, Lizzy, Alice ed altre muse, chiunque altro abbia incrociato.<br />
</div>
<div align="center">---<br />
X CONTATTI (O PER L'ARTWORK UFFICIALE IN PDF): biugi_1981@libero.it<br />
---<br />
<div align="justify">Questo album è pubblicato su licenza Creative Commons, i pezzi sono protetti con firma digitale e marca temporale grazie al Movimento Costozero e al servizio Copyzero Online.<br />
<br />
I tempi sono maturi per fare la Nostra Cosa senza Cosa Nostra. Ciao ciao alla SIAE (svergognata industria aguzzini emeriti) e alle major, è l'ora del suonolibero. Zero commissioni, zero intermediari.<br />
<div align="center">---<br />
</div>
</div>
<div align="center">LINKS<br />
<br />
www.myspace.com/gruppocrudo<br />
www.creativecommons.org<br />
www.costozero.org<br />
freesound.iua.upf.edu<br />
<br />
---<br />
Some songs contain samples taken from the following list of files, published with a CC-sampling license on THE FREESOUND PROJECT http://freesound.iua.upf.edu<br />
<br />
BY ANTON:<br />
<br />
fast_8bar_key-d1.wav<br />
drone_key-d.wav<br />
<br />
BY ASHASSIN:<br />
<br />
hipj.wav<br />
<br />
BY DR.FAB:<br />
<br />
085Drum001.wav<br />
085Am003.wav<br />
<br />
BY JUNGGLE:<br />
<br />
djembe_loop_13.wav <br />
scratch243_looped.wav <br />
scratch343_looped.wav <br />
scratch244_looped.wav <br />
<br />
BY NIKOLAT:<br />
<br />
hunter_90bpm.wav<br />
<br />
BY SIMONDSOUZA:<br />
<br />
calling_out_longer_12beat_Dm_90.wav <br />
flutter_up_8beat_Dm_90.wav <br />
squeak_squeak_1_4beat_Dmaj_90.wav <br />
squeak_squeak_2_8beat_Dmaj_90.wav <br />
sweety_8beat_Dmaj_90.wav <br />
<br />
BY TRISTAN:<br />
<br />
tg_xylophone 3.wav<br />
<br />
BY XWITNESSX:<br />
<br />
01_A.wav <br />
13_A.wav <br />
</div>
<div align="justify"> </div>
</div>
<p> </p>"^^xsd:string |
| ?:In presa diretta... | "<p> </p>
<p> "In presa diretta..." è frutto di una sessione live registrata direttamente e senza alcun lavoro di correzione successiva.</p>
<p>Contiene tre brani tratti dal nascente lavoro di portAlegre che - sviluppato tra musica, recitazione e immagine - snoda una riflessione sui modi di vivere, sulla velocità e la lentezza, sulle opportunità, sulle ingiustizie, sulla possibilità di riscatto.</p>
<p>Protagonista è un artigiano, solitario e geniale di nome Clos, il quale attraverso la sua straordinaria capacità nel costruire Chiavi, traspone l'idea di chiave non più come semplice oggetto metallico, ma come opportunità per ognuno di sviluppare le proprie scelte.</p>
<p>I brani registrati in questo minialbum sono un primo assaggio del concept di portAlegre e sono stati pensati come una sorta di demo-set per proporre il sound della band.</p>
<p>----------------------------------------------------------------------------------------------------------------------------</p>
<p>"In presa diretta..." is the result of a live session recorded directly, without any other kind of sound-correction.</p>
<p><font face="Arial"></font></p>
<p><font face="Arial">It contains three songs excerpted from the ongoing portAlegre's work that - </font><font face="Arial">developed among music, poetry and images - proposes a reflection about ways of </font><font face="Arial">life, about fastness and slowness, about opportunities, inequalities... and </font><font face="Arial">about the chance that everybody always has.</font></p>
<p><font face="Arial">The main character of this work is Clos, lonely genius, with an extraordinary </font><font face="Arial">talent in making Keys. And Keys represent human chances and paths to make concrete </font><font face="Arial">everyone's choice.</font></p>
<p><font face="Arial">The recorded tracks of "In presa diretta..." are a little preview of what the </font><font face="Arial">concept work will be and represent a sort of demo-set to make people know the sound of the band.</font></p>"^^xsd:string |
| ?:Insomniance | "<p> </p>
<p><em>Insomniance</em> is a series of short tone poems. It was recorded and mixed in about two weeks, except for the title track which happened on a sleepless night in May.</p>
<p>Each track (and each track within) was a first take, often of some random and lucid impromptu. I can't say I left in the mis-takes, because there were never any intentions.<br />
</p>
<p>I did spend some time with a software editor, and so there are some layers and effects on most tracks. Others were direct line-in to my computer from my acoustic or electric pickups, through my amp, 1/4" TRS out to RCAs, to 1/8" unbalanced mini.<br />
</p>
<p>I've learned a lot about digital recording since, and plan to remaster these and press some CDs which will be available by request.<br />
<br />
I hope, given the proper setting and state of mind, that these pensive bagatelles will offer you some quiet serenity and peaceful reflection.<br />
<br />
-- J<br />
<br />
<br />
</p>
<p> </p>"^^xsd:string |
| ?:Instrumental Works | "<p> </p>
<p> <img alt="" src="http://eed.udm.ru/nadishana/Media/Homus2.gif" /></p>
<p>This is a short demo album with a quite raw performance. It was recorded at home with a crappy cellphone microphone and built-in soundcard. I did my best to improve the sound but still certain range of frequencies is missing. My apologies to audiophiles :-)</p>
<p>Instruments : 7 tines kalimba, 15 tines kalimba, flute, jews harp, didgeridoo.</p>
<p>Percussions : bells, shakers, tambourine, tabla, leather darbuka, plastic darbuka.</p>
<p>No electronic sounds were used on this recording.</p>
<p><img alt="" align="middle" src="http://bp1.blogger.com/_1nXrbSqFHsI/Rwi9FvJJ0wI/AAAAAAAAAD0/BPgRtM-ATlY/s1600/gse_multipart10600.jpg" /></p>
<p> </p>"^^xsd:string |
| ?:iNTERDiT | "Here is my first album, "iNTERDiT". You can download it for free. It's not mastered, sorry, so the sound won't be like a commercial album, but still I EQed everything best I could.<br /><br />
The main goal of this album was to capture the feelings of love (genuine feelings). Happiness, lust, melancholy, angst, etc. Success or not, I am satisfied with the results of this project. <br /><br />
"iNTERDiT" was literally autobiographic, and infact was based on a real relationship. The trax were made during the relationship and the innevitable ending. No less, the album has a special place in my heart.<br /><br />
All tracks written and produced by MERCURIUS FM.<br /><br />
<img src="http://i8.photobucket.com/albums/a7/mercuriusfm/MercuriusFMINTERDITBack.jpg" />
<br /><br />
<a href="http://mercuriusfm.blogspot.com/">Official Page</a>"^^xsd:string |
| ?:Interesting Yet Not Productive | "Our Punk Rock album with Bonus acoustic track."^^xsd:string |
| ?:Intermezzo | "thoughts converted into music, sound, moment. that's it."^^xsd:string |
| ?:Interstate 80 | " "Interstate 80" is the first complete and released Meat Machine album. These 10 songs were all written and recorded in the few months before and after I moved from New Jersey to California, in the summer of 2006.<br />
<br />
All songs were written and performed by me (Jono Davis), and hastily recorded on my computer using the wonderful and free <a href="http://audacity.sourceforge.net/">Audacity</a>. The album art was drawn by my brother Zack Davis.<br />
<br />
This album couldn't have been possible without the support and friendship of many people, who I will fail to list completely here: Jon, Guy, Goldy, Molly, Brittney, Abbey, Sophia, Mom, Dad, Zack, xMattx, Alicia, Kirsten, Lex, Andy, Tom, Victoria, Elizabeth, Susan, Erik, Jonny, Jeremy, Tanner, the countless NotRockers, and more, more, more, on into the distance.<br />
<br />
-<a href="http://www.meatmachine.blogspot.com">jono</a>. xoxo."^^xsd:string |
| ?:Interstate Medicine | "Interstate Medicine features 12 tracks that roll out like a weekend getaway in your older brother’s Camaro, cruising from wind-in-your-hair guitar anthems to moody, late-night reveries with stops for gas and cold beer along the way. Bandleader Michael Baker’s exceptional lyrics and knack for rough-hewn hooks invite comparisons to Ryan Adams, Tom Petty and Dire Straits, but Slim ups the ante with virtuoso musicianship and rock’n’roll muscle. The result is a highly personal brand of American music, packed with equal parts soul, smarts, and passion. "^^xsd:string |
| ?:In The Flash | "<br />
<font class="translate">"In The Flash"</font><font class="translate"> is my second LP ( in my live :)) , there is loose package of work among years 95-98 <br />
Some name e.g. Luiza or Tereza .stay working<br />
<br />
Feel influences techno, jungle etc.. I call this stuff naive electronics ;))<br />
<br />
<br />
So.. Enjoy :))</font>"^^xsd:string |
| ?:In The Hood | "My 2nd album. Complete produced on computer."^^xsd:string |
| ?:Inverse Funk EP | "This is a quick collection of new sounds I've been working on. I was working on this and ended up with over 50 minutes of music, but I decided to take only bits and pieces of that work and sew it together into an EP, which is covering my experiments with minimalism and a sound where I overload the listener with waves. I want it to be a quick and delightful listen. Just something you can select and start hearing if you want some quick electronic beats.<br />
<br />
So enjoy if you may."^^xsd:string |
| ?:Inward Journey (Single) | "This is my first release. It is one piece, split into three movments. Please leave feedback, thanks."^^xsd:string |
| ?:in whose hands | "<p> </p>
<p> </p>
<p>'in whose hands'</p>
<p>This album was written in 2006 and has an anti Bush administration theme running through it,it is meant to be heard without any pause between the tracks which could put it into the catergory of a concept album.</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:I (one) | "YLE SENSUELLE:<br /><br />Antonio Sernia: acoustic/electric guitar & voice; <br /> Michele D'Amico: bass guitar; <br /> Giuseppe Setteducati: drums, percussion and sample; <br /><br /> Sound engineer : Enzo Setteducati. <br /> Cover artwork by Guglielmo Gentile "Donna con macchina da caffè" <br /> Digital editing and sleeve design by Pierpaolo Cimino and Enzo Setteducati <br /> Pierpaolo Cimino for CIP Multimedia prdx <br /><br />http://www.officinadellearti.eu<br />http://www.adrenalinicsound.com<br /> Bologna Italy."^^xsd:string |
| ?:Israel | "<p>This song's hebrew lyrics are about going out and breaking free.</p>
<p>The chorus says: </p>
<p>Run to the open wide</p>
<p>Run to the sea</p>
<p>Run to the open wide</p>
<p>What will you bring to me?</p>
<p>I wrote this piece 16 years ago. I love it.</p>
<p> </p>
<p>Ran</p>"^^xsd:string |
| ?:It's Time! | "<p><img height="169" alt="jacket back" hspace="10" width="200" align="left" vspace="10" border="2" src="http://www.tengooz.com/img/timewilltell_jamendo.jpg" />Its time is the fruit of the TenGooz 4th recording session,among the blueberry fields and rice paddies of rural Ibaraki Prefecture,Japan.The tracks were laid down in two whirlwind red-eyed days,though we did go back to the studio a few times for some reworking over the subsequent weeks.</p>
<p>The Tengooz are:</p>
<p>Avi Landau-Vocals,</p>
<p>Kenya Sagara-Trombone</p>
<p>Nodoka Hasegawa-Bass</p>
<p>Fumi Tanaka-Guitar</p>
<p>Jon Hicks-Drums</p>
<p>Ryoichi kuuhara helped to compose Walking On Air </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Jakub Tuta | "Album nagrany w pewną cichą noc. Zapraszam do słuchania."^^xsd:string |
| ?:JamatriX | "The JamatriX project<br />
<br />
5 Jamendo artists, and from their album the next tracks:<br />
<br />
The Abogix (J.K.) - Welcome in my Dreams - I dreamed...i was a bird<br />
Arne Pahlke - Dunkel - Projekt Demon<br />
Albert B - Pichu's Suite - Pichu's Suite<br />
Melchiades Estrada Band - Music of Youth - Symbiose<br />
pan:core - Breath On - Another Day, Call from Italy ,<br />
<br />
From each track 6 waves were distilled, that got a thorough treatment (pitched, stretched, reversed and whatever).<br />
So a matrix is made where each kraftimtrack is built from one wav per artist.<br />
Next came the stadium of composing my tracks with the material. Its not a bold remix, i tried to make 1+1+1+1+1 much more than 6. With som luck each artist can find his attribution in every KraftiM-track.<br />
The names are completely randomised and count as an extra contribution.<br />
<br />
A short intro and outro are added to border the project. As a bonus a remix from the tracks used from pan:core is added.<br />
<br />
To complete the album i used a picture from Jamendomember Ren van Hirk called "Salz", which got a KraftiM-treatment too and serves as sleeve.<br />
<br />
Hope you can enjoy it, celebrate free music free culture.<br />
<br />
Many thanks to the above Jamendo colleges for their great trust.<br />
<br />
KraftiM, august 2007<br />
<br />
intro<br />
Melkiose<br />
Bichup<br />
Rezbird<br />
Demonwind<br />
Panatem<br />
Zugnamor<br />
outro<br />
Panother Ritualo (bonus)"^^xsd:string |
| ?:Jamendo 4 the World : Free Music | "<p> </p>
<p> </p>
<p>EVA MARIA<br />
http://www.jamendo.com/es/artist/eva.maria/<br />
BINARY MIND<br />
http://www.jamendo.com/es/artist/binary.mind/</p>
<p>SAREGAMA<br />
http://www.jamendo.com/es/artist/saregama/<br />
JAIME HERAS<br />
http://www.jamendo.com/es/artist/jaime.heras/<br />
EMPATHIK<br />
http://www.jamendo.com/es/artist/empathik/<br />
DHALIUS MUSIC<br />
http://www.jamendo.com/es/artist/Dhalius_Music_%282%29/<br />
NEHORYN<br />
http://www.jamendo.com/es/artist/nehoryn/<br />
CHARLES FENOLLOSA<br />
http://www.jamendo.com/es/artist/charles.f.orenga/<br />
INCONEXIA<br />
http://www.jamendo.com/es/artist/inconexia/<br />
MOVING SAND<br />
http://www.jamendo.com/es/artist/moving.sand/<br />
<br />
<br />
download the cd cover art front and back slim case</p>
<p>http://sg.geocities.com/dhalius_web/slim_cd_cover.doc <br />
<br />
</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Jaugernaut/ContraMantra | "<p>My Music is a labor of love. I tried to combine marketing with my love for music and it didnt work. Contra Mantra is here for free because I want as many people as possible to hear it, I no longer care about the business part of music - Making a living from music is no longer a possibilty, but I still love making music. The only issue I have is that I dont want someone else making money off ot it. Enjoy!</p>"^^xsd:string |
| ?:JazzMoves | "<strong>JazzMoves</strong> is a collection of some of my daily first takes, every tracks was created <em>on the fly</em> without overdubs. This album represents my playing and improvisation style in the immediate mode."^^xsd:string |
| ?:Jazz U | "Collection of my works during the years 2003 - 2006. Mix of jazz, electronica, lounge and mellow tunes. Just collection of good mellow, music.<br />
==========================================================================<br />
Note: <br />
<ul>
<li>In track #2 (Moment of Green) are used samples from CDK(ccmixter.org), backing vocals by <a href="http://www.lisadebenedictis.com/">Lisa DeBenedictis` Below</a></li>
<li>Track # (EXIT 65) is part of OST to theatre play "<a href="http://www.night-songs.info">NightSongs</a>"</li>
</ul>"^^xsd:string |
| ?:JC+GK (four track sample ep) | "<p>Please note, this a sample release. An expanded version of the ep containing 8 tracks is going <br />
to be released in the coming weeks in much higher quality. For updates check out the links below<br />
<br />
<br />
<br />
<br />
JC+GK<br />
<br />
1 Anigrav<br />
2 10th Of August<br />
3 Karma<br />
4 Rosé<br />
<br />
<br />
<br />
Review from www.roadrecs.com;<br />
Dave-<br />
<br />
"this four track ep from this dublin based experimental two piece opens up with a big explosion of noise for 30 seconds<br />
before lying right back to some truly beautiful and haunting acoustic based sounds, a slowly plucked acoustic guitar <br />
picks out the most minimal of notes while subtle but haunting electronic drones hover around deep in the mix, by the <br />
third track we are in a similar territory to the likes of harold budd meets fennesz as gentle piano creates a kind of <br />
neo classical basis behind which the pair mix scratchy sound effects and monotone drones, the ep finishes off on another<br />
short piece of harsh drone sounds featuring roughly 30 seconds of some kind of underwater sound effect, the two longest <br />
pieces in the middle are just perfect though and would sit rather nicely on labels like type, touch or even expanding <br />
records, a truly excellent piece of modern improvisational work"<br />
<br />
<br />
<br />
All tracks by JC+GK<br />
Mixing by JC<br />
<br />
www.myspace.com/JCGKmusic<br />
JCGKmusic@gmail.com<br />
<br />
All material copyrighted 2007</p>"^^xsd:string |
| ?:Jeanie and Caroline | "<p>This is an EP released only in the internet. These 9 tracks mix different references and influences, ranging from 30's swing to 60's surf musi, from rock to hip hop. All that glued together with fast and hyperedited and broken beats.<br />
<br />
This is rock and roll built with breakbeat and breakcore tools!</p>
<br />
Here is the video for "Reckless driving is not a sin"<br />
<p>http://www.archive.org/details/twe002</p>"^^xsd:string |
| ?:John O'Hara | "<a class="linkGreen" target="_blank" href="http://www.myspace.com/johnohara">John O'Hara </a>and Somerville go together like peanut butter and chocolate, or, more accurately, beer and drinking it. He's absolutely thrilled to be doing SOS although he wishes the 88 ran closer to the Nave. He currently resides on the 88 bus line.<br />
<br />
John really wants to be a professional musician, yet shamelessly insists on managing a call center. He records and plays all of the instruments on each of the the tracks he posts to this site. He's learning the mandolin and keyboard, loves harmony, non sequiter, and <a href="http://www.youtube.com/watch?v=NN3MGN899yE">Shatner</a>. A native Bostonain, he grew up in Jamaica Plain, lived in <a href="http://www.ebaumsworld.com/homerun.html">Allston</a> for a couple of years, and quite happily makes his home in Somerville."^^xsd:string |
| ?:Journey | "<pre><strong>Classic Tragic Hero -- (n)</strong> <em>1. One whose passion often overrules reason. 2. One whose three parts of soul are not harmonious.</em></pre>
<em><br /></em>
<h3> Classic Tragic Hero (folk/pop/rock) features BILL MEEKS <a href="http://www.myspace.com/van_zee" style="font-weight: normal;">(songwriter, guitarist, vocalist)</a><span style="font-weight: normal;"> and <span style="font-weight: bold;">STEPHAN CARROLL</span> </span><a href="http://www.stephancarroll.com/" style="font-weight: normal;">(keyboards, piano, producer)</a><span style="font-weight: normal;">. Meeks performs live at various clubs, sometimes accompanied by Carroll.</span></h3>
Their latest album, <span style="font-style: italic;">Journey</span>, features 13 new original songs."^^xsd:string |
| ?:Journeys Thru Samsara | "go to <a href="http://www.jclmusic.co.uk">http://www.jclmusic.co.uk</a> for more info."^^xsd:string |
| ?:Journey To Eternia (Demo) | "Ok this is a very budget recording using the microphone on a MP3 player so please do not comment on the crappy audio i know that it is already. As the title stats this is just a demo the full album will be 8-10 tracks total and be of much better audio quality."^^xsd:string |
| ?:Juan Shamán-Reëvolución | "<h2><strong><em>Juan Shamán: Reëvolución</em></strong></h2>
<strong><em><br />
</em></strong><em>First album by Juan Shamán, Jenaro A. Díaz-Ducca's dark Latin rock project, from San José, Costa Rica.<br />
<br />
The 12 original songs show a mix of rock genres such as dark, new wave, and Latin rock, as well as Latin American rhythms such as bolero and son. Some other influences are evident as well, classical music, electronica, etc. The CD can be roughly divided into two parts: first, a "radio-friendly" part, and a darker, more intimist one.<br />
<br />
Ranging from the Spanish Romancero to post-Modernism, literary influences also mingle in a fabric of different discourses and readings, aesthetic, social, even political. From an urban perspective, the lyrics span current romantic and social issues. The poetry, however, is rich in images, metaphors, and paradoxes. It also offers a deep concern for the future. According to Juan Shamán, "this album is a love album; love for your beloved one, love for mankind, and love for those that have not been born yet..." <br />
<br />
An English translation can be found <a href="http://www.geocities.com/juanshaman/archivos/reevoenglish.html" target="_blank">here</a>.<br />
</em><em><br />
Notes by <a href="mailto:pepetrueno@juanshaman.com ">Pepe Trueno.</a><br />
<br />
------------<br />
</em><strong><em><br />
Juan Shamán: Reëvolución</em></strong> <br />
<br />
<strong><em> </em></strong><em>Music and lyrics: Jenaro A. Díaz-Ducca<br />
<br />
Produced by: Juan Shamán<br />
<br />
Recorded at Castillo de Cartón Music, San José, Costa Rica.<br />
<br />
Recording engineer: Juan Kadejos.<br />
<br />
Mixed by: Juan Kadejos y Juan Shamán.<br />
<br />
Masterized by: Jerry Ramírez en Moonlet Music, San José.<br />
<br />
Rights reserved, 2006.<br />
<br />
----<br />
<br />
<strong>Credits:</strong><br />
<br />
Voices, guitars, keyboards, sequences and Latin percussion: Jenaro A. Díaz-Ducca.<br />
<br />
Electric bass guitar in 1, 2 y 3: Leonardo Madrigal<br />
<br />
Guitar in 12: Esteban "Chato" González<br />
<br />
Alto sax in 5: Ronny Ugalde<br />
</em>"^^xsd:string |
| ?:Just Beats E. P. | "<p>Title says it all:<br />
<br />
Beats that make the bird choke on the rooftop. <br />
<br />
Created with infamous 909 clone, this is the 2nd release from 4o. <br />
</p>
<br />
<p>anyhow, let me know what you like and don't. <br />
<br />
</p>
<p>If you like or use what you hear, donations are welcome. <br />
</p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:kandavlis's wife | "<p>Kostas Vomvolos:qanun,saz,percussion Kostas Papapostolou:ney Anastasia Missirli: violin Michalis Siganidis:double bass Kostas Theodorou:percussion</p>
<p>writen for M.Lymperaki's play 'Kandavlis's wife' performed by Piramatiki Skini in 1997. </p>"^^xsd:string |
| ?:Kaos Axiom | "This was my first solo effort and my introduction to electronic music. I came from a Prog-metal background but decided to try a different approach to music writing and recording so I bought a PC and quit my band to try and learn the art of home recording and mixing.<br />
I have used many free and paid for programs like FL Studio and Energy XT along with all kinds of plug ins by many different independent developers. <br />
The whole CD is divided in 2 sections which are inspired by a set of dream sequences and some personal situations I went thru with my family and kids.<br />
Overall. This is mostly an experiment and completely mixed and "masterd" by me in my PC so the quality (or rather lack of ) shows.<br />
Enjoy;<br />
Germ"^^xsd:string |
| ?:knowledge pills | "This is the first album, made to descrive one year full of a strong and different emotions."^^xsd:string |
| ?:Kokkaljós Khronicles | "Each song took me maybe five minutes to make. I also didn't really know how to growl. It'd be totally awesome if someone decided to release this on a 7" vinyl or something. And people would actually <em>buy it.</em>"^^xsd:string |
| ?:Kontrollzé : Wavok | "<font size="5">
<p>About kontrollze </p>
</font>
<p align="center"> </p>
<center>
<table cellspacing="0" cellpadding="4" width="435" border="0">
<tbody>
<tr>
<td bgcolor="#ffffff"><font size="5">
<p>We had played in different unsigned bands for a few years before we started playing together in 2004. This music we play now is all different and new for all of us.<br />
Songs are written on acoustic instruments and electronic effects will be added later.<br />
We wrote 6 songs in 4 months and it took another 4 months and lots of work to record them but we are very very happy with the outcome, hope you will be too when you have listened to them.<br />
The lyrics are in Hungarian but we are working on translating them and record the songs in English. Please listen to the songs and get back to us, any feedbacks (good or bad) are welcome. Thanks.<br />
</p>
</font><font face="Times New Roman" size="5">
<p>Contacts:</p>
<p>www.kontrollze.hu</p>
<p>www.myspace.com/kontrollze</p>
<p>kontrollze@gmail.com</p>
<p>Hungary</p>
</font></td>
</tr>
</tbody>
</table>
</center>
<p> </p>
<font face="Arial" size="2"></font>"^^xsd:string |
| ?:L.A.C.E. (Love: A Comedy of Error) | ""I haven't listened to a whole lot of music like this. What genre is it anyway? Probably the closest thing I have in my collection would be the last Prodigy album, or Tweaker, or perhaps even elements of Diary Of Dreams. Anyway, whatever you call it, I <strong>really</strong> dig it. You already know from my stuff that I'm all about sound layering but <strong>dude</strong>, the way you change up the rhythms and manage to stuff so much distorted stuff together and still keep the layers distinct, that's a hell of a trick!<br />
<br />
In particular, "Some Emotion" just blows me away. That changeup at 0:31, and the repeated element at 1:28 ... man. I am seriously impressed! Put it this way - I would pay actual money for this album, without hesitation. It's a truly extraordinary album. So many layers of sound, so much interesting sound programming, and a very welcome departure from the 4/4 mentality. It has inspired me enormously!" <br />
<br />
- <a href="http://www.gwydi.com">Gwydi</a>"^^xsd:string |
| ?:L.A.H.E. Presents....Greetings From the 9th Dimension (deeper than atoms) | "Greetings from the 9th dimension is the third in a series of internet releases created by ocnotes. Its an experimental album with many different flavors. a lot of soul, a little bit of house, a little bit of hip hop, a ton of higher vibrations. The official in-store album release is scheduled for spring of 07'. enjoy."^^xsd:string |
| ?:LarG Productions Fall 2007 | "A sampler of LarG Productions summer activity in 2007, as well as two bonus tracks from the summer of 2005."^^xsd:string |
| ?:Last Night E.P. | "<p><strong>Last Night E.P.</strong> is an introduction to our forthcoming album "<strong>Delusional Disorder</strong>" that will propably go live in Jamendo on Sept-October 2007.</p>
<p>It's a combination of many music genres and each track is a result from our unique moments in life.</p>
<p>We are hoping that you'll share our dreams & enjoy it. Appreci8 any review, good or bad.</p>"^^xsd:string |
| ?:Last One Down | "A complete collection of the works of Milo Firewater (David Johns & David Emeny) from 2002 to 2007.<br />
<br />
Including collaborations with Nathan Went, Taneta.<br />
<br />
www.milofirewater.co.uk"^^xsd:string |
| ?:la terre en 8 temps | "<em>La terre en 8 temps</em> is the one of the strongest productions of Louis Tanguay. In one single blow, you'll drive through 8 worlds of supreme fantasy. Nothing can prepare you to it. But if you are an harpischord amateur going on a elctric guitar rampage, you might be a distant candidate."^^xsd:string |
| ?:La vita è sofferenza (La morte è l'unica certezza) | "Sthephane Chartier nasce nel 1975, e già dai primi giorni di vita si rende conto che la sua esistenza sarà tutt'altro che normale; nasce in bilico fra due mondi, su un aereo che trasportava i sui genitori dalla Germania, loro paese natio (dal quale se ne andavano per sfuggire a pesanti debiti di gioco) , al Brasile, dove passerà tutta la sua infanzia.<br />
Vede così la luce nello spazio aereo internazionale al di sopra dell'atlantico, di cittadinanza incerta, quasi metafora del suo oscillante vivere tra due mondi distanti senza mai riuscire ad appartenere a nessuno dei due, così indeciso tra la lacerante follia che porta all'autoannientamento e la geniale pazzia che porta alla gloria e al successo tra gli uomini.<br />
La sua vita non fu facile, la sua infanzia, passata in un paese dal quale si sentiva estraneo e diverso accresce la sua già spiccata tendenza all'isolamento alla solitudine.<br />
Il suo amore per la musica nasce fin da subito: a 5 anni è gia un espertissimo suonatore di jambè e si dedica alla pittura di nature morte raffiguranti noci di cocco.<br />
Torna in patria all'età di 12 anni per frequentare le scuole medie superiori. In quegli anni si manifesta la sua componente aggressiva e psicotica: a 16 anni si barrica nel liceo tenendo in ostaggio alcuni professori, come protesta contro l'eccessiva bruttezza delle bidelle presenti nell'istituto.<br />
Passa alcuni anni tra vari istituti di malattia mentale, ma ciò non arresta il suo genio: impara da autodidatta a suonare numerosi strumenti a fiato (iniziando dall'armonica, facile da suonare anche con la camicia di forza, fino ad arrivare al sax e alla tromba).<br />
È di questo periodo l'adolescenziale "Ahhhh" agghiacciante lavoro autobiografico che scrive sotto lo pseudonimo di "Smilzo", in realtà uno psicopatico con tendenze suicide incontrato durante la degenza in uno dei tanti ospedali psichiatrici.<br />
Il lavoro è un paranoico grido contro la vita, lanciato con veemenza sconcertante: il suo male di vivere lo sta già divorando senza sosta. Come avrà a dire qualche anno più tardi in una canzone per ora edita solo in Turchia, per lui "la vita è il lento e fatale spegnersi di ogni speranza","una parabola discendente che termina in una latrina".<br />
Fuggito dall'ennesimo istituto si rifugia in Italia, dove vivrà il suo unico periodo di serenità rifugiandosi in un piccolo paesino della campagna lucchese: Antaccoli. Qui fa vita di pastore, comprando un gregge e iniziando la produzione di ricotta, un formaggio tipico della tradizione contadina. In Italia incontra anche l'amore: Elisabetta Modiglioni, l'unica donna che è riuscita a far battere il suo cuore. Scrive in quei mesi pezzi di rara bellezza e dolcezza, tutti dedicati al suo amore. Vende il suo gregge e si organizza per sposare la giovane, ma questa, misteriosamente, scompare nel nulla, lasciando solo un nebuloso messaggio, nel quale sembrava trasparire la sua totale e marcata repulsione per il giovane Stephan, per ogni centimetro del suo corpo e per la sua mene, il suo modo di muoversi e perfino il suo odore. Questo darà il colpo di grazia al già fragile cuor di Stephan. Preso da follia omicida, brucerà tutte le suo opere e i campi comprati con tanto sacrificio, si mozzerà il mignolo in segno di lutto e fuggirà in Marocco, alla ricerca di un nuovo spettacolare modo per togliersi la vita.<br />
Inizia invece a comporre il suo secondo album …. Nel quale sembra aver imparato a controllare e incanalare il suo dolore e la sua arte: finalmente un'opera banale e sciatta che riscontra un discreto successo in Europa e Usa. Contattato dai più grandi artisti del periodo da alla vita brani del calibro di "Baby one more time", in collaborazione con Britney Spears, "La vida loca", che regalerà poi all'amico e compagno Ricky Martin, "Un mese di ritardo" inspirata dalla figlia di Gigi D'Alessio e poi venduta al padre...<br />
Scrive i testi di molte canzoni di Minghi e Valeria Rossi. Collabora alla sceneggiatura di molti film di successo come Indipendent day, X-man, Armageddon, Se scappi ti sposo, Nothing Hill e altri...<br />
Giunto all'apice del successo rivelerà di avere un piano segreto per la distruzione del mondo, che tutto ciò che aveva fatto e prodotto in quegli anni faceva parte del piano, di essere già riuscito a portare tanta distruzione, dolore e degrado e di avere ancora tanto da fare...<br />
Scompare quindi nel nulla. Di lui non si hanno avute più notizie…"^^xsd:string |
| ?:lavodrama ep | "This is a LO-FI EXPERIMENT, most songs are short and to the point. Looking for a good tune. There will be more albums soon."^^xsd:string |
| ?:Lawnmower Hypnotist | "<p>Released in 2002.</p>
<p>Players:</p>
<p>Eric Nelson - Music</p>
<p>Chad Wilson - Music, Vocals</p>
<p>Jenny Debevec - Vocals</p>"^^xsd:string |
| ?:Lazydremz | "Second Demo of Mister Jairo."^^xsd:string |
| ?:Leaving Town | "This CD was written and recorded between 2004 - 2005. I decided to create songs that were based on my spiritual experiences over the years. I think of all the music I've written, these songs are the most personal to me and would represent some of the best music I've done so far. I decided to take an electronica, new age, and techno sound and bring it all together using elements of world music.<br />
<br />
2007 BlackJaq Studios"^^xsd:string |
| ?:Legends at Home | "Legend at Homes' self titled album has now been released. Featuring eleven strong tracks that each bring a flair of their own. <br />
<br />
"Legends at Home"<br />
1. 138<br />
2. In 1996<br />
3. Somethings<br />
4. Sucha<br />
5. Mess<br />
6. Passion<br />
7. Nite<br />
8. The Divide<br />
9. NdgE<br />
10. Installment<br />
11. Closure"^^xsd:string |
| ?:Le mur de soi | "This music has been created for a contemporary dance spectacle in Paris in 2005. It relates the journey of dancers who used to be confined in a restricted space, restricted ideas, and who progressively open up to the world, finally ending by their libreration. It is only music, no Lyrics :)"^^xsd:string |
| ?:Lesbians and Ice Cream | "Fourteen tracks of gooey symphonic rock all over your face. It's like the song of the male wilder beast as it longs for a mate. Arthur and John's in your face Rock and Roll life style comes to life in the form of this epic album. Handed down by GOD himself to the best band in the world, THE OTHER WHITE NOISE!"^^xsd:string |
| ?:Le théâtre des enfants fous | "semuta electro sound"^^xsd:string |
| ?:Let it begin | "First official release from Born of Sin.<br />
<br />
A five track EP.<br />
<br />
Recorded in August 2006, by Marko Tervonen (The Crown & Angelblake) and mastered in Studio Bohus. "^^xsd:string |
| ?:Let's Go For A Ride [EP] | "<p> </p>
<p>LET'S GO FOR A RIDE was the second and final release of completely original material from live electronica act Misfilter. The songs were written and performed in early 2005 in the New York city area. With LGFAR, Misfilter changed pace quite a bit to more accessible rock, alternative and pop arrangements as evident on the songs "Reaching Out" and the title track "Let's Take a Ride". The space epic balladry of "Will You" explores dark and moody trip-hop with a hint of goth influence while on "Mr. Garvey" vocalist Hadley Poole sings about being the naughty lolita of an older man. The EP ends on an energetic driving note with "Take It All Back" which paid homage to the popular electro-clash trends of the time.</p>
<p> </p>"^^xsd:string |
| ?:Let's Swing | "This is a follow up on Xperiment!. Still trying out on layers of voice and sounds. All are loops or voice and some songs contain small midi parts.<br />"^^xsd:string |
| ?:Letting Your Self Go | "These songs are inspired from my recently expanded training in the <a href="http://en.wikipedia.org/wiki/Alexander_Technique" target="_blank">Alexander Technique</a>. These ambient atmospheres and guitar textures are meant to accompany and encourage the experience of letting your muscles stop working and while laying on your back, allowing gravity to restore your natural skeletal structure. Hopefully this may be of some benefit to others who hope to restore there natural bodily form. Enjoy!"^^xsd:string |
| ?:Lies, Fear, and Hate | "<span style="font-style: italic;">Lies, Fear, and Hate</span> is twenty tracks of gooey punk rock goodness from the Seattle-based punk rock trio Autonomadic. If you like The Clash, Social D, or Screeching Weasel, you'll dig this."^^xsd:string |
| ?:LIFE | "This album made in November 2007 by Sam on purpose of a presentation software called <a>Mixaz</a>, however it was a clearly basic effort to trip to our life through the lifetime process.."^^xsd:string |
| ?:Life In Bitville | "Bitville is an imaginary City, a symbol of any city. Life in Bitville is like life in any other city: People wakes up and spend hours in their cars going from home to work and from work to home. At nights they go out to have fun or to chat with friends, and later they sleep until next morning, if they are lucky. And it all restarts.<br />
<br />
This record is a musical portrait of all this.<br />"^^xsd:string |
| ?:Liftoff | "<p> Tracks from the vaults.<br />
<br />
A collection EP of tracks going back to the bigbang stage of this project.</p>"^^xsd:string |
| ?:Like Pow | "Sickboys and Lowmen - Like Pow (2004) Recorded at Yellow Cactus Studio the Hague."^^xsd:string |
| ?:Lisa's Song + 6 Songs | "Please visit <a href="http://www.allisoncrowe.com/lisaspage.html">http://ww.allisoncrowe.com/lisaspage.html</a> to learn about Lisa, the inspiration for the first track on this special edition disc - which was recorded live-off-the-floor in April 2003. The 6 songs that follow "Lisa's Song" were recorded live-off-the-floor one afternoon in July 2001 as Allison was on her way to perform in Seattle, WA for Pearl "Jammers" (at the Worldwide Jammer Convergence)."^^xsd:string |
| ?:Listen | "'listen' is t r y ^ d's second creative commons album release.<br />
<br />
involving the work of 20 musicians located around the world, this album represents a true global collective effort.<br />
<br />
a blending of multiple styles, with a specific focus placed upon classical piano, 'listen' is a mature work of melodic electronica.<br />
<br />
share and enjoy!<br />
<br />
<br />"^^xsd:string |
| ?:Live | "Recorded live at Yesterday's in Wheeling, WV 10-2006"^^xsd:string |
| ?:"Live" at Persborg | "<p> </p>
<h1><u><em><img style="WIDTH: 472px; HEIGHT: 80px" height="80" alt="ein Bild" width="452" src="http://88.198.45.22/pic/g/grasuggorna/grasuggornabannerblixt4.jpg" /></em></u></h1>
<p><a href="http://grasuggorna.page.tl/">grasuggorna.page.tl/</a></p>
<p><img alt="ein Bild" src="http://88.198.45.22/pic/g/grasuggorna/joggeanim.gif" /> <img alt="ein Bild" src="http://88.198.45.22/pic/g/grasuggorna/johananim.gif" /> <img alt="ein Bild" src="http://88.198.45.22/pic/g/grasuggorna/tomasanim.gif" /></p>
<p><strong>This is our first demo with the current setting. It was recorded in May or June, 2006. </strong></p>
<p><strong>All the instruments and vocals were recorded simultaniously during a 3-4 hour session in the place were we reherse - Persborg, Rättvik. </strong></p>
<p><strong>As we speak though, we're in a studio making a "real" demo with about 15 songs. We'll release some material from that one on Jamendo as soon as it's done (probably in june).</strong></p>
<p><strong>As for the music, I guess you could say wer'e mostly inspired by English punk rock the way it sounded in the early 80:s. We play our own material as well as covers (we just can't help ourselves, there are so many good songs out there).</strong></p>
<p><strong>The members of Grasuggorna are:</strong></p>
<p><img style="WIDTH: 90px; HEIGHT: 82px" height="212" alt="" width="105" src="http://88.198.45.22/pic/g/grasuggorna/jorgen01.jpeg.jpg" /><strong>Jorgen Johansson - vocals/bass</strong></p>
<p> <img style="WIDTH: 85px; HEIGHT: 80px" height="153" alt="Tomas" width="158" src="http://88.198.45.22/pic/g/grasuggorna/tomasdalarock.jpg" /><strong>Tomas Nylén - Guitar/vocals</strong></p>
<p><img style="WIDTH: 84px; HEIGHT: 78px" height="95" alt="" width="134" src="http://88.198.45.22/pic/g/grasuggorna/johan02.jpg" /><strong>Johan Larsson - Drums</strong></p>
<p><strong></strong></p>
<p><strong>And the name Gråsuggorna... The letter "å" only exist in some of the Scandinavian countries and would be best exchanged with an "a" though it's prenounced like "o" in the English word "on".</strong><strong>Directly translated to English it would be "The greysows" but the most correct English word would be "Woodlice" (a kind of pretty disgusting insect). Blablabla... Interesting! Not.......??</strong></p>
<p><strong>PS. If you like what you hear - please star or review us, it would do so much good for our egos. Of course you can do it if you don't like us to, but don't feel like you have to.... ;-)</strong></p>
<p><strong>Thank's for taking the time.</strong></p>
<p><strong>OLD PUNK's NEVER DIE!</strong></p>
<p> </p>
<p>Pay a visit to our home: <a href="http://grasuggorna.page.tl/">grasuggorna.page.tl/</a></p>"^^xsd:string |
| ?:Live at the All Asia Bar | "This is The Disclaimers performing an hourish set at the All Asia Bar in Cambridge Massachusettes. The Disclaimers are a high school jazz funk soul band. Los Toros is an original. One in Seven and So Live! are Soulive song. Honky Tonk is a miles davis tune, and Give it Up or Turn It Loose is a James Brown tune."^^xsd:string |
| ?:Live at Wood Hall (originals) | "<p><strong>Live at Wood Hall</strong> is a journey through the artist's concert repertoire, recorded at the Conservatory of Music, (a converted church chapel), in Victoria, British Columbia, Canada in March, 2005. Alongside more than an album's worth of original songs of love and hope to social and political commentary, Allison covers her favourites - in a range from rock and popm through roots & blues, folk, jazz and more. </p>
<p>This collection, here on Jamendo, contains original songs of Allison Crowe captured in concert - solo. To hear Allison's live interpretations of others' songs please visit <font face="Arial"><a href="http://www.allisoncrowe.com/LiveatWoodHall.html">http://www.allisoncrowe.com/LiveatWoodHall.html</a> (Between song banter was recorded on separate tracks, and can be heard on the physical, double-album, of this name.)</font></p>
<p>" 'Music, man, that's where it's at'/ it is a religious line/ outside, the chimes rung/ an they/ are still ringin." </p>"^^xsd:string |
| ?:Live from the 55 Bar - 03/07/93 | "<p><strong>Recorded Live from the 55 Bar (NYC) - 03/07/93</strong></p>
<p><strong><u>The James Quintet</u></strong></p>
<p>Bob Sharkey - Guitar/Electronics<br />
Peter Dragotta - Trumpet/Electronics<br />
Chris Dragotta - Alto Sax<br />
Steven Decker - Bass<br />
Claude Coleman Jr. - Drums</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Live from the 55 Bar - 05/11/93 | "<p><strong>Recorded Live from the 55 Bar (NYC) - 05/11/93</strong></p>
<p><strong><u>The James Quintet</u></strong></p>
<p>Bob Sharkey - Guitar/Electronics<br />
Peter Dragotta - Trumpet/Electronics<br />
Chris Dragotta - Alto Sax<br />
Steven Decker - Bass<br />
Jason Wildman. - Drums</p>"^^xsd:string |
| ?:Live@NL 2006 | "This is a live recording from a concert played in a club in Boretto, Reggio Emilia. Enjoy it!"^^xsd:string |
| ?:Live - Trenton Avant Garde Fesival 09-12-1992 | "<p><strong>Recorded Live from Trenton Avant Garde Festival (Trenton, NJ) - 09/12/1992<br />
<br />
NOTE:</strong> <span style="FONT-SIZE: 9pt">This performance is a field recording by the venue's mixing board; which blew out a few times during the performance. Best methods were used in remixing and mastering to maintain continuity of the performance.</span></p>
<p><strong><u>The James Quintet</u></strong></p>
<p>Bob Sharkey - Guitar/Electronics<br />
Peter Dragotta - Trumpet/Electronics<br />
Chris Dragotta - Alto Sax<br />
Steven Decker - Bass<br />
Claude Coleman Jr. - Drums</p>"^^xsd:string |
| ?:Lliendes | "Lliendes is the first album published by Xera, excluding the demo published in 2005, in which there were five of the ten songs of the album.<br />
<br />
Lliendes maintains the same style of its promotional preview, mixing synthetic sounds with traditional melodies and songs from Asturias.<br />
<br />
The 'physical' version, contains the whole work as it was conceived in its origin, forming a single unit, while the version available online (web and P2P networks) offers each song independently in Vorbis (OGG) and MP3 formats.<br />
<br />
The whole process, from composition to final mastering, was done in Asturias with Xera's own resources, except the physical CD copies, made in Catalonia.<br />
<br />
The work extends its previous Creative Commons license, (by - nc - sa) keeping the freedom of copying and incorporating the possibility of making derived works using the same license."^^xsd:string |
| ?:Loden Bathmat | "Clutch Cargo Classic tracks full of tasty grooves smothered in a creamy weasel sauce."^^xsd:string |
| ?:Lo Fi Anxiety | "Presented in Stereo. <br />
A Web Mic Recording. <br />
All Songs written and preformed by Sam Harmon 2007. <br />
Artwork by Sam Harmon.<br />
For Lyn<br />
<br />
This album was recorded mostly late at night by stuffing a web mic inside an acoustic guitar.<br />
There are words throughout but there are no lyrics."^^xsd:string |
| ?:Logical Human Race | "This is a concept album about car races. Racing is not real life, but it's just like it!"^^xsd:string |
| ?:London Calling [Single] | ""London Calling", like a lot of my songs, started from personal experience and then spun off into something else (I guess most creative experiences are probably a little like that). A few years ago, I went to visit a friend of mine who was living in San Sebastian, Spain - the Basque Riviera. I decided to take the scenic route, which included 3 days in New York City and a week in London and Paris before showing up in Northern Spain.
I was really impressed by all of these places, but the time I spent in London was far and away the most inspirational, from a songwriting point of view (I actually got several songs out of this trip, some of which showed up on the "Interstate Medicine" record, by my other band, Slim). I didn't know anyone there, so I basically spent all my time just walking around and actually seeing all these celebrated landmarks, neighborhoods and locations - Oxford High Street, Piccadilly Circus, Hyde Park, etc. - which I knew from reading about English history.
Or from listening to rock'n'roll. I was hoofing it through the London of the Beatles, Stones, Led Zeppelin, the Clash, the Sex Pistols, Elvis Costello, Mark Knopfler, Leonard Cohen and a zillion others, and it was great!
It was also pretty lonely - did I mention that it was a solo trip? With no one to talk to, and with all this amazing sensory input flooding in, the ideas came pretty quickly when I hit the pubs at the end of the day with my notebook, especially on the afternoon of July 4th, towards the end of my trip. For some reason, the Brits aren't too excited about celebrating Independence Day - who knew? - and the fact that I couldn't find anyone to eat watermelon and light off M-80's with really brought me down. Plus it was foggy. And rainy. I wrote the second verse of this song right then and there, drinking warm Boddington's and looking out the window at Hampstead Heath. Then I caught a plane and got the hell out of there.
"^^xsd:string |
| ?:Look at the wall | "The first album. Created out of memory loss and the search for true bypass.
Thanks to Tusten and its crazy ability of defragging the human brain and making a sweet line between darkness and light.
.................................................................................................And yes, for vidias go to: http://www.youtube.com/watch?v=rn8ReRtgspE and http://www.youtube.com/watch?v=Mrk64avGhBI"^^xsd:string |
| ?:Loss Ideas | "Disco musics etc. in my second album"^^xsd:string |
| ?:Lost | "Lost among the machinery."^^xsd:string |
| ?:Lost forever | "one of the favorite live sets i've done,<br />
all improvised , made with guitar , synth and harps.<br />
<br />
a long and progressive downtempo structure with a definet Postrock feel to it.<br />
<br />
have fun listening<br />
give copies to your friends if you like it !!<br />
<br />
kind regards,<br />
<br />
Walter Well"^^xsd:string |
| ?:Lost Words (Single) | "All Songs written by Sam Harmon. Tracks one and two recorded by Calyn Kelley and Colin Quisenberry at The WOW Hall in Eugene Oregon. Track three recorded by David Stelter and Sam Harmon in David's computer room on Feb the 15th.<br />
Track four recorded by Sam Harmon 2006."^^xsd:string |
| ?:Love (CD single) | "Here we are with my new track Love, inspirated by my family, friends and many people on the dancefloor. <br />
Big thanx to my bros and my friend Ale for suggestions and openminded support, than evolving me. Light for both!"^^xsd:string |
| ?:Lovely Live (14/07/2007) | "Live in Siciliartenergia! AS It is!"^^xsd:string |
| ?:Lower Remixes EP (Sample) [2007] | "<em><font face="Batang">The Album "Lower Remixes", cut in June of 2007, is a compilation of edits and revisions to the original cut "Lower" off my Self Title Album (Located <a href="http://www.subtlerecordings.com/boekoself-bio.htm">HERE</a>).</font></em>
<p align="left"><em><font face="Batang">These edits stretch this track as far as it will go, from Acid-techno to a deeper style of Techno. The concept of this track came from a health scare, in 2006, which prompted a major change in my lifestyle.<br />
Enjoy the dark, raunchy variations of this album.</font></em></p>
<h2><em><font><em><font><em><font><em><font face="Batang">*NOTE::: The Jamendo release of the Polar EP are all 1 minute samples. If you would like to purchase the full length album, or hear full length previews, please visit <a href="http://www.subtlerecordings.com" target="_blank">http://www.subtlerecordings.com</a> and click on the "Albums" and/or "Ordering" section.</font></em></font></em></font></em></font></em></h2>"^^xsd:string |
| ?:Lucid Dreams | "<p> </p>
<p>Lucid Dreams - DJ Blackwidow <br />
An Experiment<br />
<br />
01 Lucid Dreams<br />
02 Thirteen Boxes (New Mix)<br />
03 City Spirits<br />
04 Read The Runes<br />
05 In The Garden<br />
06 27 Acre Wood (For Juice, Erin & Jay)<br />
07 Walk Away<br />
08 Port Authority<br />
09 Sins Justified (Restitution Mix)<br />
10 Ethnocentric<br />
11 Lucid Dreams (Destiny Mix)<br />
12 City Spirits / The Whirling Dervish (Ghostly Mixshow)<br />
13 Thirteen Boxes (Rite Of Spring Mix)<br />
14 Lucid Dreams (Mardi Gras Mix) [Bonus Track]<br />
</p>
<p>All songs written, produced, mixed and mastered by DJ Blackwidow.</p>
<p>This CD basically was an experiment as I was writing and testing new songs for my compilation CD. I wanted to try new styles and new approaches to various sounds I had in my head. The DJ Blackwidow sound comes full circle on this one. Enjoy!<br />
</p>
<p> Special thanks: DJ Jax, Schmedhead, Buffalo, Juice, Gabe (for allowing the BlackJaq remix of his song to exist), Nikki, Jenny, Soundgirl Sue, Erin, Jay, mom and dad.<br />
</p>
<p>Remember to check out further CDs by DJ Blackwidow, BlackJaq, and DJ Jax...all available on Jamendo.</p>
<p> 2007 BlackJaq Studios</p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:L'Ultima Ora | "<p><em>"L'Ultima Ora" ... la Dernière Heure du jour...<br />
quand la nuit a implacablement absorbé les lueurs du crépuscule,<br />
révélant à chacun ses propres ombres, ses faiblesses, ses fautes,<br />
ses remords, ses regrets...</em></p>
<p>L'Ultima Ora est le dernier album en date de Aching Beauty, sorti en novembre 2004 sur le label <a target="_blank" href="http://www.brennus-music.com/">Brennus Music</a>. Un savant mélange de Rock, de Métal et de Progressif, aujourd'hui distribué librement. </p>"^^xsd:string |
| ?:Lumivyöry | "<p> </p>
<p>A sort-of-experimental drone/noise/ambient EP created in the year 2006, but wasn't published until now. The name "Lumivyöry" pertains to a concept ongoing during the album. It means "avalanche" in english, but the meaning's not that simple in the end... Enjoy the rhythms.</p>
<p> </p>"^^xsd:string |
| ?:Luo | "<font color="#000000">"This flourishing shuffled step and melodic craftsman from Finland proves his commitment to taking his style to new heights and quality with Luo. An achievement inviting you to quietly listen and enjoy a comfortable and catchy groove with its adventurous instrumental adornment, thoughtful melodies, spiraling synths, playful/pragmatic percussion, and bouncing bass. bad loop's intent to create a solidly cohesive listen from begining to end has paid off. "<br /></font>"^^xsd:string |
| ?:Ma Blonde Est Partie | "The title <em>Ma Blonde Est Partie</em> is taken from a Cajun classic song written in the 1920's. The song, by a prisoner on a chain gang, laments the loss of his lover.<br />
<br />
These songs represent both themes surrounding this experience and themes from the Cajun artist, George Rodrigue"^^xsd:string |
| ?:Mad Mush EP | "Four sweet tunes....fruits of 20 years of songwriting, tonnes of heartache, and the spirit of 77...."^^xsd:string |
| ?:Magadat Kerested Limited Edition 4 Track EP | "<p align="justify"><strong>Zulu is a band, which palys a special type of rock music, called "gloomy". This style is a combination of passion, technique and a special feeling.</strong></p>
<p align="justify"><strong>The lyrics are written in Hungarian.</strong></p>
<p align="justify"><strong>This is a short version of the whole album, which contains 6 Tracks, and a few special effect, and an intro.</strong></p>
<p align="justify"><strong>The whole album will be published as soon as possible. </strong></p>"^^xsd:string |
| ?:Magnetic II | "'Magnetic II' is the latest release by Canada's Magnetic. <br />
<br />
'Magnetic II' is a 12 song release that combines Mark Weiler's (the main Magnetic guy) love of electronic music with a more earthy, acoustic vibe. This shift in sound can be traced back to the last album, [the magnetic north], where these new sounds began to find there way in to the mix. <br />
<br />
When Mark began writing the album his intention was to not stray as far from the original Magnetic sound as he did. However, when the first version of the disc was completed, Mark was not satisfied. He felt that there was not enough life in the songs, that they needed more urgency and drive. With this goal in mind, Mark began re-doing various elements of the original recordings (especially the drums) to give them a more 'live' sound. During this phase of the project a number of new songs also emerged, bringing the original 10 song tracklist to around 20! (That is why an outtakes album is also in the works)<br />
<br />
Now that Magnetic II has been released, Mark intends to asemble a live band to perform as many shows as possible. You can expect to see this happen sometime around March or April of next year, due to unavoidable work commitments that will have Mark out of the country for a few months.<br />"^^xsd:string |
| ?:Magnetize | "MAGNETIZE was the debut record of electronic music group Misfilter. What would become their trademark (weaving a musical tapestry of various electronic music genres) quickly comes evident as the trip-hop and dub influenced "Intro" leads into the frantic jungle rhythms of "Sunshine From The Rain". Later on in the album the pace slows down with the digital pop-ballad "Lovely". To go on even more of a tangent "Like An Angel" exhibits guitar driven fem-rock. Drawing heavily from his roots as a drum and bass DJ, producer Jon "Chord" Gos crafts an expansive project that compliments both the lyrics of vocalist/songwriter Hadley Poole and the guitars of James Staubes. This is no more evident than at the album's apex "This Is Love", a high-energy PJ Harvey cover of epic proportions!"^^xsd:string |
| ?:Make Believe | "This is my third album, and my second full length LP. During the time of recording this, I was listening to cat stevens & carole king alot, & was pretty much only listening to folk music. So alot of the songs I wrote at this time were mainly acoustic guitar, folky-type songs, & most of them made it onto this album.<br />
<br />
I recorded the majority of this with audacity & FL studio on my pc, with my behringer xenyx 802 mixer, in my home studio. I play all the instruments, except the drums (i currently do not have my own kit, one day though..) which are programmed beats I wrote myself. It's mainly all acoustic for the guitar parts, but the electric guitar parts were played on my yamaha pacifica, recorded through my mixer either clean or through my zoom 505II guitar pedal.<br />
<br />
Hope you enjoy this release!"^^xsd:string |
| ?:Makin-A-Munson | "This is Shearer's first official studio album. Visit http://www.shearer.de for up to date news, tour info and downloads."^^xsd:string |
| ?:Manifest Destiny | "<strong>Equals Conquest: Manifest Destiny</strong>
<p> Former bassist/vocalist, Imix Shish, of the Afterglows (former Reading, PA Punk/Hardcore) spins a complete 180 and strips down to his bare soul. What began as rough singer/songwriter ideas was transformed into a new level of sonic soundscapes/ beats/ keys/ awesomeness and textures by collaborating with former bandmate, drummer, and all around ruling guy, Mike Mollura. The duo have created a layered, dense, beautiful ride of gritty sounds and emotions on the bands debut, "Manifest Destiny". The Equals Conquest project grew out of the friendship of Imix and Mike. They had demoed various songs throughout the years, but had only dedicated themselves to the task of recording a full record in early 2005. The duo recorded "Manifest Destiny" exactly like they had always wanted to: on their own terms, on their own time, as equals, and with only themselves to please. After many years of musical collaberation, they knew that they finally had a record they could present to the world. The duo's philosophy has carried over to their live set. Live, Equals Conquest is a living being, capable of taking many shapes. The group, with an album's worth of new, unreleased material, is equipped to play almost any audience. Being multi-instrumentalists has also helped them and they have been able to swtich instruments mid-set if need be. Equals Conquest's style continues to evolve, offering something for everyone with a each tasty piece of rock and roll. Watch for these two as they conquer hearts and minds alike. -<a href="http://www.drprecords.com/">drp records</a> </p>"^^xsd:string |
| ?:Mantis Shaped and Worrying | "<p align="center"><font size="2"><em>"On the first of the four tracks here, New Zealand experimental musician David A. Edwards spins out these dry verbal expositions of descriptive details in rhythmic and purely compulsive floods, while behind his NZ accented narrative various bloops, noodles and skittering musical sounds are smeared around the canvas. Almost poetry, but often more like verbal textures rather than a focus on the words themselves. His speaking delivery seem purposely emotionless. The second is an instrumental folkish thing that devolves into a battle between squids wearing black rubber raincoats. The third track is sung and perhaps the most "normal" moment here, with a meandering songlike structure and more compulsive verbiage. The fourth and final is almost 24 minutes of narration, swooping bass notes walking through the darkness, clattering spastic percussion, as the words seem to merge film noir dialog with surreal beat poetic train of consciousness." </em></font></p>
<p style="margin-top: 0pt; margin-bottom: 0pt;"><font size="2"><em> </em> </font></p>
<p style="margin-top: 0pt; margin-bottom: 0pt;"><font size="2"> - George Parsons, </font></p>
<p style="margin-top: 0pt; margin-bottom: 0pt;"><span style="font-family: Times New Roman;"><font size="2">Dream Magazine #5</font></span> </p>"^^xsd:string |
| ?:Mapi Molina | "<h3> Mapi Molina , cantante y actriz, nace en Málaga, pero la mayor parte de su carrera musical se desarrolla en Madrid, donde se trasladó a los 21 años. Fue a partir de entonces cuando empieza a componer sus primeros temas, compaginándolo con sus estudios de teatro musical y sus trabajos en musicales como “Cuentos y Leyendas”, “Jesucristo Superstar” y “Hoy no me puedo levantar”. <br />
<br />
A principios del 2006 comienza a grabar en estudio algunos de sus temas. Ha sido un proceso lento, pero lleno de ilusión el que ha dado como resultado este proyecto que incluye 10 temas, de los cuales 4 han sido producidos por Pablo León y el resto han sido producidos por Alexander Pantchenko (Sasha), teclista, director musical de la banda que acompaña a la artista en directo y compositor de algunos temas. <br />
<br />
Siguiendo una línea general de pop-rock, las canciones tienen un sonido actual. Guitarras eléctricas y teclados son parte fundamental que apoyan unas líneas de voz muy melódicas. Unas letras que hablan de sentimientos con los que todos nos sentimos identificados en algún momento son el aporte más personal de Mapi Molina. <br />
</h3>"^^xsd:string |
| ?:Mata Barata | "<p class="MsoNormal"><span lang="PT-BR" style="">De um grito na multidão surge uma canção. Da Avenida Joana Angélica, para o mundo. Talvez seja um exagero, mas o que era apenas um anúncio de um camelô tentando ganhar seu pão de cada dia se transforma em uma composição de apelo social forte, abordando tanto fatos do cotidiano soteropolitano, como o triste episódio 16 de maio. Indignação? Com certeza! Excesso de informações? Talvez. Provocador de agentes transformadores? Tomara. Essa é a cadência de Mata Barata.</span></p>
<p class="MsoNormal">Esse single ainda conta com algumas outras composições perdidas em alguma gaveta.<span lang="PT-BR" style=""></span></p>"^^xsd:string |
| ?:Matanzas | "<strong>When people think of Florida They think of sunshine, beaches, spring break and a nice place to retire. After living here for the past 15 years I have seen the darker side of Florida, unbearable heat old dying people and violent weather. <br />
<br />
This album is our goodbye to Florida. After 15 years here and my wife having spent the last 25 years here, we are headed to South Carolina for a new start leaving behind some bad memories. <br />
<br />
If you are planning on comming to Florida make sure you bring some strong sun block.</strong>"^^xsd:string |
| ?:May | "If you are fond of melodic electro-sound I hope that you will enjoy."^^xsd:string |
| ?:Mea Turpia | "My old grunge rare tracks."^^xsd:string |
| ?:Megagagga | "the reviews for LUXUS from MP3.COM, the vivendily & universally killed mother of all music download places - and believe me folks, some of the people who wrote it are VERY talented:<br />
<br />
Thierry van Werveke, actor extraordinaire gets digitally captured by Luxus, drunker than hell, and beligerent. Luxus repeatedly asks what to do with a drunken sailor. Thierry just simply wants a hamburger and a beer, though he reached his limit long ago.He is roughly ushered out of the SlingaBurger joint, after a diatribe exposes Thierry's true intentions and disposition. He's drunk as hell. This is a comedic track, keep that in mind, as Luxus propels you into the mind of a drunken sailor for a brief period. we here at the Land of Phrygia Drunk and Disorderly Hit Squad gave this a staggering four thumbs up out of a possible four. I would personally like to know the inspiration for a track like this. I am projecting the hope that Luxus was subjected to a drunken sailor one day, and decided to make his feelings publicly known about drunks and their impact on society. Try it, you lush.<br />
<br />
<br />
P.S.: don't do like Swampjaw from Detroit, who told he pissed his clothes because of laughing too much the first time he listened to it...no joke! i am not sure if he told the truth or if he just wanted to be nice... i am afraid, it was the truth...;)<br />
<br />
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<br />
Review by: Sergio Cesario<br />
<br />
Smooth, relaxing, and downright funky. Luxus has a knack for filling up the empty space with all sorts of interesting sounds. Over all i think that Luxus has a distinct sound which sets them apart from the collective whole. A very strange sound all together. I guess you would have to call this acid rock cause it makes you feel as if you were on it. or maybe be something you would listen to on it. Anyways this group has alot of talent and should be recognised for it. I severely recomend that everyone give them a listen.<br />
<br />
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<br />
Dude - the Sunken Sailor is some funny shit! You're quite the diverse guy there- maybe you might also like PoetJester I will add Sunken Sailor to one of my stations, as to why none of the stuff is downloadable, it's because we want to sell cds. If no one wants to buy them, then they will just play it on the computer, and we will continue to be on the mp3 charts for exposure- either way is a win situation, where if everyone dowloads and plays at their leisure, we don't get credit for it so to speak.<br />
<br />
Take care<br />
<br />
HC<br />
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Review by: Bobby Shiflett<br />
<br />
Have you ever thought to yourself, "Gee, I wish I could hear something completely different"? Well if you are about to listen to Luxus you have come to the right place. Funny, irreverant, skilled all come to mine and then, it would seem, that they have mastered "The unknown factor." Once upon a time the infamous sorcerer Aleister Crowley wrote, "Wolf's bane is not so sharp as steel; yet it pierceth the body more subtly." For some reason this comes to mind when I am listening to these guys. They are not particularly heavy. In fact much of their music sounds founded on electronic groove (with some nice guitar licks thrown into the mix) ...Yet they know how to get to you ...and that's what music is really all about isn't it? Communicating something that words can't.<br />
<br />
Bliss:<br />
Alamantra<br />
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<br />
Hi,<br />
Now im listening your songs.<br />
'sunken sailor' is very interesting and funny.<br />
but im vegetarian...<br />
maybe gonna add another song to my station Sh@nti Friends Network.<br />
<br />
Thanks!<br />
Jack Krishna<br />
<br />
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<br />
weird, some techno type ish back round, WTF cheese burger????? LMAO, this was aight, LMAO, this was some fake ass comedy ahahaha. aight now answer my question!!! please lol.<br />
Holla!<br />
<br />
Robert Lee <bobbie23x0@yahoo.com><br />
<br />
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<br />
Vvery amusing! Great stuff-love the drunken sailor stuff!<br />
<br />
Rainbow Jimmy<br />
http://www.spaceanimals.com<br />
<br />
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<br />
Review by: Sergio Cesario<br />
<br />
Once again i think that this band is one of my favorites....they got me on the floor dying of laughter.. they defeinelty got the market cornerd on funny ass songs... two<br />
thumbs up from me..laughing my ass offf..<br />
<br />
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<br />
From: "Rodney Young" <itman2k@hotmail.com><br />
<br />
chick'n MO, You need help. That was the funnest stuff I have heard since joining mp3.com. I played it at my desk at work and some of my co-workers had a ball with it. Some didn't of course but now I know who the fun people are.<br />
<br />
Thanks,<br />
Rod Young<br />
<br />
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<br />
Sunken Sailor all the way!!!<br />
<br />
Thanks again!,<br />
<br />
Teddie Tapawan (Smart Apple)<br />
http://www.smartapplerocks.com<br />
<br />
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<br />
Hi Luxus -<br />
<br />
Your XXXcellent song has been added @ the decidedly dodgy, ever popular, hi-traffic station, 'XXXTREME' @ <br />
<br />
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<br />
Comments about Sunken Sailor:<br />
Song about a beer with a funny ending. The music has a little taste of funky, blues and baresque rock styles.<br />
<br />
isenngard@mail.com<br />
<br />
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<br />
Review by: Sami Alho<br />
<br />
Strange kind of music. Lots of interesting things going on all the time, but i couldn´t get a grip. Maybe a bit progressive for me, but I liked it anyway.<br />
<br />
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<br />
Hey dawg, if you stopped by Paris, call me, my number is 01 40 61 92 10, if am not there leave a message, maybe we could go to a pub and get drunk like the drunken sailor. By the way I was at the pub yesterday and on the flyboat too with some friends and we just kept singin the hook of drunken sailor. It was dope we did it for like 10 hours straight am serious. I even got the PS2 yesterday and gran turismo 3 and called my pilot the Drunken Sailor. Well am out dawg. Peace<br />
LIL'T<br />
<br />
From: "LIL'T Records" <liltrecords@hotmail.com><br />
<br />
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<br />
fouche kellis <x130844@yahoo.com><br />
<br />
I indeed added go away to the station. the drunken sailor was pretty funny.<br />
cya!<br />
<br />
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<br />
Review by: Bob Sylvester<br />
<br />
"This music is so deep that even KOJAK would struggle to get to the bottom of it" can be read on site of LUXUS. Well you bet.... It would be hard for<br />
any fan of alterative music NOT to like the tracks presented by LUXUS. The deliberately powerfull arrangements -great guitar, bass (Abe LABORIEL appears<br />
through courtesy of spectrasonics on "Overland"), sparse use of effects box and sprinkling samples (and no drum box please) can evoke at times Brian Eno's Music<br />
for Films, or Frank Zappa. "Sunken Sailor" is certainly the most infectious tune of the bunch. This act deserves encouragement, and I'll be interested to see what new<br />
material emerges down from the Sea...<br />
<br />
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<br />
Akai <akai11@yahoo.com><br />
<br />
COOL!<br />
<br />
James/Beautiful Strangers<br />
<br />
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<br />
Review by: Francis Hyland<br />
<br />
One of the best innovative bands on MP3.com<br />
Much talent!<br />
Respect,<br />
ISOL8<br />
<br />
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<br />
Hey man!<br />
<br />
I really enjoy 'Sunken Sailor' Great song, funny comedy and very original stuff. Ofcourse you are included on 'The Wow! Experience'. Your music is truly a wow! experience in all aspects. You have some very nice tragicomedy lyrics - and I must say the music is very wellproduced.<br />
<br />
The slightly diffrent version of 'papa was a rolling stone' was just too cool man! I will listen to all your songs.<br />
<br />
Tobias Andersson<br />
** TOTAL INTUITION **<br />
<br />
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<br />
Review by: Jeff Ayers<br />
<br />
Rather mind numbing, but I guess that's the name of the game in trance music*) . Good inclusion of other styles, though!<br />
<br />
Jeff Ayers<br />
<br />
*) i suppose, jeff must have been listening to 'red angel' first...trance music is certainly not our main job...hehe...<br />
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<br />
<tc@creative-sound.de><br />
<br />
I´ll give You some streamin tonight - watch out drunken sailer ! ;-)<br />
Peace<br />
Thomas W<br />
HARMONIC OBSESSION<br />
<br />
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<br />
Review by: Jeza<br />
<br />
I was very impressed with LUXUS from Belgium *) the first time I passed this way. Not so much with the tongue in cheek, 'Sunken Sailor' track which heads the page, but the subsequent songs, which show a very talented and playful multi-instrumentalist at work. 'Overland' a powerful jazz fusion groove, suddenly becomes the theme from Bonanza, or we hear the artist biting into an apple .. Inbetween .. Some great guitar playing and steady bass. I hope to hear more from LUXUS<br />
<br />
*) oops, jeza, this is not true...luxus comes from grand-duchy of luxembourg...it's called luxus, not belgux...hehe...;¬)<br />
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<br />
DUDE! hehehe...that song is freakin hilarious...i didnt pee my pants cause i had just got through peeing but i still had some trickle action hehe....Good peice:)<br />
<br />
-Mikel(carb.) <br />
<br />
From: Carbpromotions@aol.com<br />
<br />
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<br />
Review by: John Garza<br />
<br />
This group is great. I find the mix of humour and talent very refreshing and entertaining. I give these guys a big ten. Don't let the first impression of their web site fool<br />
you this is real talent at it's best.<br />
<br />
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<br />
I was listening to "Sunken Sailor" together with my Son (8), he said "it is strange but I like it, it is funny...". So LUXUS has surely winning the teen and kids public! At least here in Luxembourg!<br />
From Bissen, ciao<br />
<br />
Vittorio Merlo<br />
<br />
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<br />
Review by: John Griffith<br />
<br />
One look at the picture of this handsome fellow smoking his stogie and you realize there's something 'different' about Luxus. This cat is really outside the box, serving up a #10 combo platter of great musicianship and original ideas, while laying it out with a huge helping of humor. It tickles my funny bone and assuages my appetite for something new equally. Try it, and try not to smile...I'm going back for seconds.<br />
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heehee SUNKEN SAILOR!!! You are TOO funny!! How many brews did you have to down 4 ya came up with all that? Sounds original to me...unless you are a good faker from way back! Poor sailor.....probably still out looking for a beer. I read the words and all! Heehee.....one time...it says:<br />
<br />
"give me a bear"!!<br />
<br />
Listening to Overland now. You turn out extremely cool music. I mean it! Keep it up! ;o)<br />
<br />
Debbie Henning<br />
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<br />
Review by: Lana Crowley<br />
<br />
thought sunken sailor was hilarious and the Selig song [#4} on play list was a favorite to me {just wish I knew what he was sayin} had a kinda Babyface feel to it.<br />
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<br />
I just put sunken sailor on our radio station! Stay up so we can network!<br />
Peace<br />
KWRECK<br />
<br />
"John Nix" <medunetr3@bet.com><br />
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<br />
Review by: Von Babasin<br />
<br />
The first thing that impresses me about these guys is the fact that almost every song they do is in a different genre. I really feel that the way to break the record companies cycle of endless clone bands is through true diversity. Next is excellent musicianship. And third, their humor. It doesn't seem they take anything too seriously, which is a way to keep from going insane in an insane business. You guys are great - I thoroughly enjoyed everything I heard. Plus - Abe Laboriel is a personal hero of mine - you get extra consideration just for that!<br />
<br />
Thanks for the cool tunes.<br />
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<br />
Chicken mo -<br />
<br />
Thanks so much for getting me a great laugh from the SUNKEN SAILER!!<br />
<br />
The rest of your music shows great variety with great beats for movin and shakin. Of course I am really drawn to the bluesy-jazzy-funky-shit!!<br />
<br />
I will put a couple cuts on some of the stations I have.<br />
<br />
Stay cool,<br />
<br />
Joe Purrenhage<br />
Fuze<br />
<br />
From: "Fuze" <Fuze@mail.onlinebands.com><br />
<br />
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<br />
Review by: Robert ~Songbear~ Jandro(Walters)<br />
<br />
If you are looking for a mind twist, then this is the band to click on. "Sunken Sailor" is a interesting, enjoyable track that we ended up laughing out loud to. The rest of the tracks are all well composed and hold your interest although you do begin wondering just how many drugs these boys are doing!!!:) Congrats on AOTD!!!<br />
Rob~Songbear~Walters<br />
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<br />
Etienne Bichler wrote (through R T helL):<br />
<br />
moien här luxus (ech wees leider net wei dir heescht) mee ech ( den edy) wees awer dass ech iech musik gudd fannen an mei noper ( den manuel ) ass och der meenung.leider verstinn mir den text sou gudd wei guer net dofir sin ech haut mol kucken gaangen an hun d'iwwersetzung fond also probeieren mir lo nach eng keier steck fir steck vum lidd ze lausteren an den text ze iwwerstezen.ech froen mech nemmen vun wou dier un den text kommt.an mech ging nawell och nach interesseieren wei dass dier op dei idee komm sid fir sou een lidd ze maachen.an dann wollt ech nach froen op et nach een lidd vun iech ging gin??<br />
ech ging mech freen wann dier mir filleicht entwerten kinnt.wann der wellt dann schreift mir w.e.g. op dei folgend adress: fordfocus_rs@hotmail.com<br />
<br />
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<br />
yoyo, that drunken, sailor shit is tight, i wish i could have a beer right now, i feel you, just give me a beer and a big coke, for real, i really feel that, thats dope as fuck!!! Much love!!! Am gonna kill you, give me that beer!! hhahaha, what should we do with that drunken sailor early in the morning!! haha thats fuckin tight!! Much Love!!<br />
<br />
LIL'T<br />
<br />
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<br />
Review by: adam kravitz<br />
<br />
Extremely interesting stuff!! Makes Elvis think twice:)<br />
Motivate<br />
<br />
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<br />
Dude Thanks, I just listened to the Drunken sailor, that's some funny shit!!!<br />
it reminds me of my Saturday nights lately. lol<br />
<br />
Take care and have a great Holiday,<br />
Ooh and don't get to Drunk..... Awesome!<br />
Tim<br />
<br />
TimThomas1st@aol.com<br />
<br />
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<br />
Review by: Ol'Kutty<br />
<br />
Drunken sailor is a must listen to! Enough said!!!!<br />
<br />
-------------------------------------------------------------------------------------<br />"^^xsd:string |
| ?:Meleliale | "Meleliale is an improvising collective that never rehearses - its sessions are all performances. Some work is prepared as structured improvisations, or themes worked out beforehand, but mostly it is spontaneous sounds and melodies.<br /><br />Album cover art scavenged from the internet by Ale Fernandez. Original images:<br /> <br />http://www.bluejake.com/archives/2006/02/08/at_the_chinese_new_year_parade.php (Bluejake: At the Chinese New Year Parade)<br /><br />http://www.flickr.com/photo_zoom.gne?id=79956469&size=m&context=set-1732235<br /><br />http://www.flickr.com/photo_exif.gne?id=97116610"^^xsd:string |
| ?:Melia EP | "Melia EP, one of the releases from Psilodump as featured on http://www.kahvi.org"^^xsd:string |
| ?:Messy's Pace | "lush melodic instrumental electronica"^^xsd:string |
| ?:metamorphoses | "добрый вечер"^^xsd:string |
| ?:midnight soundz | "one man + laptop, guitar and ideas"^^xsd:string |
| ?:Milk, Eggs, Coffee, Garbage Bags | "this was a jam session recorded by tom whalen and kevin gordon on november 11, 2007. all songs were recorded on their first take.<br />
<br />
electric/acoustic guitar: kevin gordon<br />
drums: tom whalen<br />
acoustic guitar: tom whalen<br />
pennywhistle: kevin gordon<br />
trumpet: tom whalen<br />
clarinet: kevin gordon<br />
charango: tom whalen<br />
tribal flute: kevin gordon<br />
voices: kevin and tom"^^xsd:string |
| ?:MiND EXPLOR3R | "Psychoactive noise. Serve with weed or # ;)"^^xsd:string |
| ?:Mind Phaser: About the world | "This was my first serious band.<br />
I was so happy when they told me that I were "inside", I was only 18<br />
<br />
The band was very famous in the past, the first drum player was Matteo Giovannone, then Simone Bassi, and me for the end.<br />
<br />
The other players were:<br />
<br />
Alberto Mora, one of the "Minds" behind the songs, I remember his very hard guitar riffs like 17/8 or 32/4...phew, I played with him after the end of the band and I can say he was and is very very powerfull<br />
<br />
Cristian Ruggi the screamer, great voice and passion for Napalm Death<br />
<br />
Oscar Lanzoni, very known bassist in Italy for hsi quality, eneryfull person<br />
<br />
Alessandro Simeoni, the other guitarist, he looks serious the first times and to be sincerely he scared me a little, but with the time we became good friends.<br />
<br />
You can hear other songs/bands of theese players looking for Pteroids, 7 notes in black, Dysmorphic and Genital grinder.<br />
<br />
As always I hope you like this band...if not, I like it for you."^^xsd:string |
| ?:MIND VS PC - Vol. 1: IQ | "<p>Nell'era della digitalizzazione, tutto è in discussione...<br />
Chi vincerà la sfida tra l'essere senziente e l'intelligenza artificiale?<br />
Chi avrà la meglio nel risolvere complicati enigmi scientifici? <br />
Ci sarà un nuovo tempo, dominato dalle macchine, o l'uomo, dotato di particolarità irriproducibili, sarà il vero dominatore del suo stesso destino?</p>
<p>Sarà l'umanità, ad avere il potere, proprio per la malvagità che la contraddistingue?</p>
Rhythm Guitar, Bass, Voice, Panza Drums: ChriZ<br />
Lead Guitar, Voice, Loops, Volantini e Locandine: Jampy<br />
Drums on track 10, Voice and Acoustic Guitar on track 12: Syd<br />
<br />
All Songs written, arranged and mixed by Jampy & Chriz, except for track 12, written and arranged by Syd, equalized by Jampy.<br />
<br />
Cover Artwork. Syd
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Mini Demo Tape | "Mini Demo Tape is basically what it sounds like - except, of course, it's not a tape. It consists of only two actual songs, one enhanced version of one of said songs, and an accidentally recorded pile of gibberish known as the drummer practicing."^^xsd:string |
| ?:Mini Sandwich | "An experiment in Linux sound. All song on mini we're made in Linux and with free software. Not too shabby."^^xsd:string |
| ?:Miracle Road | "My fifth release. This time around I wanted to carry on the folky/country feel (amongst other elements) of my last album, Make Believe, whilst adding up more upbeat sound, by fusing elements of r'n'b & rock. Most songs have the drums & acoustic guitar as the main focus, as well as rich vocal harmonies. Another thing I wanted to do, as I did on Miracle Road, was keep the songs short. I wanted to have short & catchy songs that were easy to get into, stuff more accessible than alot of what I record. There's still experimental elements however, for example on the intro track - welcome to the show. There alot of reversed sounds, layered effect & tone shifts etc.<br />
<br />
I used my freshman acoustic on most of the tracks, recorded through a hama microphone. all outside instruments were hooked up to my line in input on my pc through a behringer xenyx 802 mixer. I used FL studio 6 for alot of the tracks & did most of the mixing & editing in audacity.<br />
<br />
Anyways Enjoy!"^^xsd:string |
| ?:Mistakes Eternal- Violent Mistakes | "Mistakes Eternal "Violent Mistakes"- is a collection of some of Drugged Killer's latest work, along with some songs by the 6 100s (Drugged Killer and Jeremiah "A Pair of 3s" Brothers") and some unfinished pieces by another Drugged Killer side project- 3 Brothers Stormed. For more songs by DK and these groups visit www.justonefixrecords.com"^^xsd:string |
| ?:Mister E.P | "Tryings on the Armonica field."^^xsd:string |
| ?:Mix-o-down | "Finally!!!<br />
MAIS - Mix - o - Down IS OUT NOW!!!!<br />
<a href="http://mais.altervista.org/mixodown/"><img width="600" height="600" src="http://img.jamendo.com/albums/2402/covers/1.600.jpg" alt="" /></a><br />
Download it!!!!<br />
If you're not convinced watch the promotional/subliminally MAIS video here <a href="http://mais.altervista.org/mixodown/video/">http://mais.altervista.org/mixodown/video/</a><br />
or here <a href="http://mais.altervista.org/mixodown/video/4x3.html">http://mais.altervista.org/mixodown/video/4x3.html</a> .<br />
For the *.wav files write us @ siammais AT gmail DOT com , we'll send you the CD at the cheapest price in the web.<br />
<br />
--<br />
MAIS: avant-POP, hack-rock, proto-noise, indie rock band from Italy<br />
....SIAM.|.MAIS....<br />
...S.IAM.|.MAI.S...<br />
..S.I.AM.|.MA.I.S.. <a href="http://mais.altervista.org/mixodown/">http://mais.altervista.org/</a> .<br />
.S.I.A.M.|.M.A.I.S. <a href="http://www.myspace.com/ilmais" target="_blank">http://www.myspace.com/ilmais</a> .<br />
..S.I.AM.|.MA.I.S..<br />
...S.IAM.|.MAI S...<br />
....SIAM.|.MAIS...."^^xsd:string |
| ?:Modern Fairytales | "Modern Fairytales 2001<br />
Conni Maly: Groovebox, Samples, E-Guitar, Space Dildo<br />
Mani Neumeier Drums, Percussion, Vocals, Sounds"^^xsd:string |
| ?:MOJA ZEMLJA | "<p><strong>KARLO Kostic Lazar</strong> je svoju prvu pesmu napisao jos davne 1964 god, i od tada, do danas je za svoj uski krug prijatelja napisao i izveo preko 100 pesama. </p>
<p>Od Maja 2007 god je odlucio da vecinu tih radova stavi u javnost putem internet <a href="http://www.freewebs.com/lazarkostic/">www.freewebs.com/lazarkostic/</a> . Istovremeno je zapoceo saradnju sa izvanrednim tesktopiscem poezije <strong>Draganom Konstantinovic</strong> i rezultat toga rada je ovaj album <strong>Moja Zemlja,</strong> koji u sebi sadrzi pesme inspirisane <em>Zemljom u kojoj se zivelo a cijeg imena sada vise nema</em>, kao i svim novijim dogadjaima koji su proistekli iz ovih okolnosti. </p>
<p><strong>Moja Zemlja</strong> je album pre svega namenjen svim onim ljubiteljima muzike i dobre lyrike, koji se jos ne mogu u potpunosto odvojiti (citaj pomiriti) sa cinjenicom da je jeddana zemlja u kojoj su ziveli nestala. Ali isto tako ovaj album u sebi nosi i poruke da je sve prolazno i da je zemlja u stvari ljudi koji je cine.</p>
<p>Poslusaj te verujem da cete u nekoj od pesama ovoga albuma i vi pronaci deo sebe!</p>
<p>WebAlbums Moja Zemlja</p>"^^xsd:string |
| ?:Moodstarrr Productions presents: DA NU GERMAN UNDERGROUND (Various Artists) | "<h2><u>Moodstarrr Productions presents: <br />
</u></h2>
<h2><u>DA NU GERMAN UNDERGROUND (Various Artists)</u></h2>
<br />
The Germans started two world wars...and this iz how their undergound rap sounds. Be a true head & recognise hiphop worldwide. Check this serios compilation. 20 Tracks / 60+ minutes heat.<br />
<br />
You consider yourself a tru hiphop head?<br />
Then you should at least have a Frech and German rap album within your collection...<br />
<br />
This baby here comes to you directly outta Germany`s struggling undergound scene.<br />
Moodstarrr P. executive produced this album featuring the raw talents of unsigned MC`s from all over Germany.<br />
Time for you cats out there to get international!<br />
Dont worry if you cant catch the lyrics...catch the feeling instead.<br />
<br />
60+ minutes / 20 track compilation.<br />
Raw and uncut vibes from the streets of Germany.<br />
<br />
We appreciate feedback in any form. Just hit us up via <a target="_blank" href="http://www.moodstarrr.com">www.moodstarrr.com</a> or leave comments below."^^xsd:string |
| ?:Moodswings | "Balancing a love for writing and working in the studio with a passion for performing, babyPaul has assembled a talented complement of musicians to bring his musical vision to life. Together they bring a fresh and innovative sound to the alternative pop music scene."^^xsd:string |
| ?:Moogboy | "
<p style="MARGIN-BOTTOM: 0pt"><span style="FONT-SIZE: 9pt; FONT-FAMILY: Arial"> </span></p>
<p style="MARGIN-BOTTOM: 0pt"><span style="FONT-SIZE: 9pt; FONT-FAMILY: Arial"> Moogboy -Robert Eugene Stafford - This is the second electronic solo album by this Canadian musician who takes samples and distorts them beyond recognition to produce something entirely new. Robert has studied piano, classical / flamenco guitar and Electronic Music Technology. Moogboy is a tribute album to various musicians who have been distorted in honor. It is a chill out after midnight music CD that contains reggae, techno, jazz, and ambient electronic mutations. </span></p>
<p style="MARGIN-BOTTOM: 0pt"><span style="FONT-SIZE: 9pt; FONT-FAMILY: Arial"> Visit album space here - </span></p>
<p style="MARGIN-BOTTOM: 0pt"><span style="FONT-SIZE: 9pt; FONT-FAMILY: Arial"><a href="http://www.myspace.com/moogboyres">www.myspace.com/moogboyres</a></span></p>
<p style="MARGIN-BOTTOM: 0pt"></p>"^^xsd:string |
| ?:Motor | "<font class="pn-normal"><strong> Motor<br />
</strong><em>[V05] - 2002 - <a target="_blank" href="http://www.discogs.com/release/303237">Discogs</a> </em></font>"^^xsd:string |
| ?:Motor | "My first adventure in recording, hope you like it!"^^xsd:string |
| ?:Mr Muffin Demo | "Mister Muffin it's Chicha (Bass) Jona (Drum) 's story. In a first time Chicha played only one, and decided to work with a drummer (Jona). After one years, they found many people to work with them: Odimba (percution), Sem (keyboard), Dundar (guitar) and Mister Muffin was born. Today , they work on them new EP, to be continue..."^^xsd:string |
| ?:Musical Landscapes I | "Musical Landscapes I is an experimental project, a mainstay of future songs. Orchestral and ambient music for relaxing moments."^^xsd:string |
| ?:Music for Rain | "Produced, recorded and mixed by Marcus Martin"^^xsd:string |
| ?:music on hold | "The project “zoop” and the album “Music On Hold” is the result of a work two Moscow’s musicians – bassist, composer “zoop” and saxophonist Mikhail "Syntheticsax” Morozov. Launched as a studio venture in 2004, the duo has been recently expanded to the format of a live-performing band which tends to force locks of the Moscow most bourgeois and snobbish jazzy clubs in the nearest future."^^xsd:string |
| ?:Musik zum Duschen in memoriam Rudolf Kranz | "a sampler full with dolefulness for a man who changed the eyes of art"^^xsd:string |
| ?:My Analogue Hound | "Unsuspecting in a way. Acoustic, but not. No VSTs, no loops, no manufacturing, no 'beatz'. A sound track for vision. An ode to Vladislav Delay."^^xsd:string |
| ?:My house | "Experimental electronic"^^xsd:string |
| ?:My Loss Is Your Loss | "Just listen and be convinced!!"^^xsd:string |
| ?:my mother said I never should... | "<p>singers: Roula Manissanou,Maria Thoidou,Georgia Syllaiou,Myrto Papathanassiou,Stella Rapti</p>
<p>written for the Piramatiki Skini performance of 'My mother said I never should..' in Thessaloniki,Greece (1995)</p>"^^xsd:string |
| ?:My Personal Feelings | "This track is two music in one file. I hope you guys like it."^^xsd:string |
| ?:my roots | "welcome in my univers"^^xsd:string |
| ?:my second album | "My second album,soul,funky,lounge"^^xsd:string |
| ?:mystery prophet ep | "Mystery Prophet EP, a collection of 3 post modern electronica tunes, fused with old style synths and beats, new school programming and sequencing, elements of rock and prog rock and funk.<br />
Most of the sounds are performed by umbriel rising via keyboards, computer software and guitars. Some occasional references to sampling occur, all samples are paid and usable for commercial and non-commercial purposes. <br />
<br />
Thanks to Bluenevus for writing 'Weird' and allowing me to collab on it with extra production, performance and mixing and for permission to post this here. Please check out some of his amazing body of work at http://bluenevus.dmusic.com/music"^^xsd:string |
| ?:Naetherna | "Melodic Black Metal fron Spain"^^xsd:string |
| ?:Na jug | "<p align="justify"><span lang="EN-US" style="FONT-SIZE: 8pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US"><span lang="EN-US" style="FONT-SIZE: 8pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">SUR as a group began to take shape in the end of the year 2001 after its founder finished writing and producing the music for the theatre performance Poželenje ("Lust") by the director and choreographer Sebastjan Starič. In the context of this project the first versions of the tracks you can hear on this album were created, sung at that time by Urška Samec and Mojca Žerjal. Encouraged by the reaction of the people around them, the group continued with their work. In the summer of 2002 the singer Neža Trobec - Teropšič joined the team. After a couple of (quite worthless, in the band's opinion) gigs as a "laptop + singer + guitarist", the moved past that and organised a full fledged band, which now consists of 7 full members and a sound engineer (Neza Trobec - Teropšič: vocals; Monika Fritz: backing vocals; Jure Praper: guitar; Aljaž Tulimirovič: guitar; Samo "Herb Boy" Pečar: bass; Andrej Hrvatin: percussion; Borut "Spritzer Boy" Praper: drums; -- and Robert Oven: sound (whenever possible :)) </span></span></p>
<p style="TEXT-ALIGN: justify" align="justify"><span lang="EN-US" style="FONT-SIZE: 8pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">The first album by SUR, recorded, produced, mixed, mastered, and published by the band itself, was the first statement the band made, and at that time the material still strongly focused on sounds and production. After this album the band swam into more familiar (as most long-time musicians in the band are concerned) waters of alternative rock, so the band's next release will not be all that similar to this one. But, whatever the next release turns out to be (it's currently in the mixing / mastering stage), it'll also be published here again.</span></p>
<p style="TEXT-ALIGN: justify" align="justify"><span lang="EN-US" style="FONT-SIZE: 8pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US">SUR on MySpace: <font face="Arial"><a href="http://www.myspace.com/surproject">http://www.myspace.com/surproject</a> </font></span></p>"^^xsd:string |
| ?:Navigate By The Light Of The Glowing Buddha | "1. Sweet Babboo (Written and performed by BlackJaq)<br />
2. Barrelhouse (Written and performed by BlackJaq)<br />
3. Cosmic Dust (Written by DJ Jax and performed by BlackJaq)<br />
4. Tanz (Written and performed by BlackJaq)<br />
5. Aural Synthesis (Written and performed by BlackJaq)<br />
6. Wetlands (Written and performed by BlackJaq)<br />
7. Whiteout Conditions (Written and performed by BlackJaq)<br />
8. The Whirling Dervish (Written and performed by DJ Blackwidow)<br />
9. Walk Away (Written and performed by DJ Blackwidow)<br />
10. Fustigate (Written by DJ Jax and performed by BlackJaq)<br />
11. Ode To Korla Pandit (Written and Performed by BlackJaq)<br />
12. Hubris (Written and performed by DJ Jax)<br />
13. Waning Moon (A Sequel To Between The Lines)(Written and performed by DJ Blackwidow)<br />
14. Fusion Reactor (Feat. Schmedhead)(Written and performed by BlackJaq and Schmedhead)<br />
15. Ethnocentric (Written and performed by DJ Blackwidow)<br />
16. Om Mani Padme Hum (Written and performed by DJ Jax)<br />
17. Cosmic Dust (Power Of Now Mix) (Remixed by DJ Blackwidow)<br />
<br />
This is BlackJaq with a more sophisticated sound. We've mutured since our last CD and we hope you love it!<br />
<br />
Special thanks to: Schmedhead, Buffalo, DJ Griffin, DJ Doughy, Juice, Jenny (especially for your grassroots promotion!), Nikki, Soundgirl Sue, Gabe, Jen, Joey, Mah and Pah, Russ, Tracy, Joi, John, Mackenze, Mike, Kirk Sr., Pam, Amy, and all of our fans on Jamendo, MySpace, AcidPlanet and LiveJournal who took the time to write a review...This one is for you guys. <br />
<br />
Thank you<br />
Merci Beaucoup!<br />
<br />
All songs mixed, mastered and sequenced by BlackJaq.<br />
<br />
Loops courtesy DJ Griffin<br />
<br />
Copyright 2007 BlackJaq Studios"^^xsd:string |
| ?:Nein Absolut Nicht | "Built on the soundworld from a single episode of the German police tv series 'Der Alte', energized by retro disco, funk and reggae beats and spiced up with intriquing speech synthesizer and field recording material, this is a joyful, genre-transcending album that will lure you both to dance and to listen.<br />
<br />
Complete hi-res cover art for the album is available from <a href="http://www.archive.org/details/mt006">Internet Archive</a>."^^xsd:string |
| ?:Nemogel and The Yerg Lrae | "Nemogel and The Yerg Lrae is a re-worked version of The Unsettling Time EP (which can be found on <a href="http://www.last.fm/music/Earl+Grey+and+The+Legomen">Last.FM</a>). The reason for this is that the opening track on The Unsettling Time - No Road To Home, is badly recorded (the timing is off), and so gives a bad impression, plus The Unsettling Time used a hand-drawn cover (which was then photocopied), and so couldn't be easily used on the web. No Road To Home was moved to track 3, with Ghoul Town being pushed to track 1.<br />
<br />
The album was subsequently handed to popular DJ and 'Gonzo' presenter Zane Lowe."^^xsd:string |
| ?:New Folder | "<strong>The Dead Horse Revival</strong> is the resurrection of an old song (called 'The Dead Horse') that I wrote when I was a teenager. (2002)<br /><br /><strong>Song of Odysseus</strong> features Jake Bracken on bass (licensed with his endorsement). Cycling is one of my principal hobbies, and the lyrics were composed during a ride. (2001-2002)<br /><br /><strong>Green Thumb</strong> and <strong>Wormwood</strong> were recorded for a children's program on a local television station. 'Green Thumb' was used as the music track for a commercial which was repeated several times daily for a few months. <strong>Cyberspace</strong> is derived from a similar recording. (2003)<br /><br /><strong>Oasis</strong> is dedicated to my lovely wife, Marisa. I consider this to be the best track on the album. (2003)<br /><br /><strong>Sketch of a Sunrise</strong> was almost entirely improvised. It was a quick recording that was used to solidify a few ideas, and I have since completed the composition with lyrics, etc. I am planning to make a more careful and polished recording for my next project. Perhaps I should have left the song off of this album - it is difficult for many listeners to overlook flaws in a recording and hear a song's <em>potential</em>. (2004)<br /><br />Overall, this is a rather disjointed album. It is simply an aggregate of different things I recorded over the course of a few years, with no attempt to collect them under a common theme or anything."^^xsd:string |
| ?:New Generation | "This is the first Nieware Single and it is the introduction to Nieware music and to the upcoming album (title not yet available)."^^xsd:string |
| ?:New World | "Contemporary album, minimalist but complex works as well. With Spanish and Persian influences."^^xsd:string |
| ?:Nghzk! | "<div style="">
<div style=""> </div>
<div style="">
<div>
<p><span style="font-size: 12pt; line-height: 150%;">La demo intitolata <em>NGHZK!</em> appartiene ad un raro (direi unico!) tentativo di <em>Home Recording.</em></span></p>
</div>
<div>
<p><span style="font-size: 12pt; line-height: 150%;">E' stato registrato in circa 3 settimane nella stanza da pranzo di casa mia, senza eccessive difficoltà, a parte rare sortite di <strong>Tony</strong> (il mio gattone) sulle mie gambe mentre tentavo di registrare.</span></p>
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<p><span style="font-size: 12pt; line-height: 150%;">La qualità audio è bassa (registrato interamente con drivers Direct X), così come la qualità musicale, ma i mezzi a disposizione (pc, chitarra, multieffetto e lo stesso musicista) non erano dei migliori. Nonostante tutto, sono affezionato a questi brani, alcuni realizzati ispirandomi a brani di musicisti come <strong>Steve RayVaughan</strong> e <strong>BB King</strong>. Altre registrazioni sono frutto di campionamenti e <em>cut-off </em>da radio internazionali. Inoltre, questa edizione è stata integrata con alcuni pezzi scelti dal precedente <em>EP </em>intitolato <strong><em>"La Copertina Me</em></strong><em><strong> La Disegni Tu"</strong>. </em>I pezzi inseriti sono facilmente riconoscibili per ripetitività e bruttezza.</span></p>
<p><span style="font-size: 12pt; line-height: 150%;">"<em>Nghzk!</em>" è il commento che ho ricevuto da un amico quando gli ho chiesto cosa ne pensasse dei pezzi di questo album quando ancora non aveva un titolo. <em>Nghzk!</em> è la traslitterazione del gesto che si vede in copertina ed è frutto della mente del multiartista <strong>Sidney Sacchi</strong>, ex-collega, e membro della fu-band "<strong>Robson, Sax, and Garritt</strong>". A lui devo la ritrovata volontà di ricominciare a <em>suonare</em>, così come il coraggio di cedere alle povere orecchie di chi vorrà ascoltarla, questa estensione di me stesso, per quanto brutta possa essere.</span></p>
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| ?:Nino Nexo | "More songs and more information: www.ninonexo.de"^^xsd:string |
| ?:NO! | "bonjour les jamendo's et les autres , voici un nouvel album , dans le style trip-hop big sound , avec des délires en boucles diverses et variés , je vous laisse apprécier à l'écoute .......diverses sonorités , divers morceau , le nom de l'album NO! est une mise en garde , sur tous ce qu'on fait de mauvais à notre belle planéte , en ce moment c'est tendu , le réchauffement entame sa courbe exponentielle , les spéculations vont bon train , les richesses sont toujours aussi mal distribuées , tout va bien quoi ! enfin je suis pas là pour noircir le tableau , vu qu'il l'est déjà bian assez ! je dit donc NO! <br />"^^xsd:string |
| ?:Noble, Sentimental & Ambient Waltzes | "Friends of dark meditative ambient are in for another treat with this new co-creation from the Finnish ambient producer Doc and the Russian pianist Lena Selyanina. This album was inspired by Maurice Ravel's waltzes for the piano, and Lena's soulful and introspective piano takes quite naturally a prominent role on this material. As on their earlier releases (MT002 & MT004), the fundamental soundworld and atmosphere is that of deep, beatless, meditative ambient. From this calm and dark background emerge the cinematic soundscapes and Lena's stylish piano sections - at times touching and intimate, at times playful and theatrical, at times serious and immersed in darker reflections. <br />
<br />
There's a certain cinematic and dramatic feel already in the music itself, and this sense of drama is accented by subtle lines, sighs and sounds originating from noble and ambient movies by Wim Wenders, Ingmar Bergman, Krzysztof Kieslowski and Andrei Tarkovsky.<br />
<br />
<strong><em>NOTE: a special audiophile version (24 bit/44.1 kHz masters packed with FLAC, 664 MB download) of this album is available on <a href="http://www.musictrade.info/torrents/mt008flac.torrent">BitTorrent.</a><br />
<br />
</em></strong>Complete hi-res cover art for the album is available from <a href="http://www.archive.org/details/mt008">Internet Archive</a>.<strong><em></em></strong>"^^xsd:string |
| ?:Nocturne Overtures | "This album has been made at night, mostly. It's a great part of me, a serious one. All songs have been made in Propellerheads Reason and by myself, alone. <br />
<br />
Some of the songs represent profound things I believe in and some other are banal, minimal things which, supposedly, lack importance; not to the universe, but to humanity, which bases it's understanding of this world on mere principles, invented by us, which have no objective validity in our existence but, paradoxically, affect the world itself.<br />
<br />
The music I make is free of everything. The purpose of the music is for me to express myself and, by consequence of this, you to hear my expressions.<br />
<br />
I don't consider myself a great musician, compared to those in history, but just a musician. I hope you can hear the music by this notion.<br />
<br />
I would like to hear remakes, remixes and, or, lyrics for these songs. Feel free to contact me and ask me to send the Reason files, if you need them. Please send me the new versions so I can enjoy your expressions too!<br />
<br />
I appreciate any comments made."^^xsd:string |
| ?:No Dream Is Good Dream | "<h4 class="TextColor1" style="margin-bottom: 0px;"><a href="http://bluezeppelin1969.spaces.live.com/blog/cns%21F0B53327C8ECEDAA%21208.entry">Planet Earth's Midnight Creature Show reviewed by steve gilmore</a></h4>
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<div><span> China, being the most populated country on the planet, should be absolutely awash with musicians but you wouldn't know it by checking out Soundclick would you? Search on China and you get a grand total of 165 artists, search on NanJing and you'll get four; one of which being self-acclaimed 'lonely planet boy' 1969. Is it that Chinese musicians don't know about Soundclick? As sure as shit there are thousands of young, energetic musicians there, that I know for a fact. China has an excellent musical scene and it would be nice to experience it more through Soundclick. OK, rant over, let's get to the music. <br />
<br />
1969 is a one man band (you may also know him as blue zeppelin) who works in Alternative who does a very impressive job with echoes of early Bowie both in song construction and delivery. Hey, if you are going to influenced by anyone it might as well be someone good right? There again, I did notice that he cites Marc Bolan as an influence and I can hear some of that as well. The music, though, is much more complex than anything the pop pixie would have come up with - much more Bowie. What comes out the other end would come as a major surprise if you didn't know that the musician was Chinese. <br />
<br />
Gor'blimey guv is about right. <br />
<br />
It takes a while to get moving, you have to get past a sci-fi intro that is kinda rough soundwise, but once you get into the heart of the track you will forgive it anything. Especially if you like the musical references I cited above. Although, I think I would have to say I would have liked a cleaner sound but put up against the song and its arrangement, it's something I can definitely live with. There's definitely a 1970's feel to the track, 1969 probably spent ages putting it all together and - given the fullness of sound and instrumentation - it's come out of the process extremely well. Definitely a track I'm going to have hanging around for a while. Surprisingly enough, he also reminds me of Soundclick artist melv in sound and in presentation and that - believe it or not - is a high recommendation. <br />
<br />
Life On Mars? Yep, we are being watched. Highly Recommended for 1970's rock freaks.<br />
<br />
</span>
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<h4 class="TextColor1" style="margin-bottom: 0px;"><a href="http://bluezeppelin1969.spaces.live.com/blog/cns%21F0B53327C8ECEDAA%21298.entry">Cellar Boy - Steve Gilmore Review</a></h4>
<div><span><span><br />
</span></span></div>
<div><span>If you mention names like Zep, Bolan, Barrett, Bowie, Zappa and many other rock luminaries are your influences, it's a sure bet you are going to find an avid listener in this reviewer. Provided you pay those giants whose shoulders you stand on, the respect their efforts deserve. See, I'm a REAL stickler about this particular aspect of this thing we do. I lived through some of the highlights of the past 40 years and it takes a lot to really challenge the likes of the above mentioned. However, here back on Earth (OK Soundclick then...) it's a slightly more egalitarian deal and I've heard hundreds of class tracks that do pay respect to their roots but still manage to sound fresh and up to date, <br />
<br />
Give all of the above you would probably expect 1969 to be a Western musician but think again, Bluezz Wilde (aka 1969) comes from Nanjing, China and that's about as far as you can get from the roots of rock. Planet Earths Midnight Creature Show (June 2007) showed that distance means nothing as it delivered exactly what it promised and in the process gained a highly recommended from me. Not a bad start and Cellar Boy follows the pattern set by that track. Where the notable influences in that were Bowie et al, Bolan and Barrett are the influences at play in Cellar Boy, with a dash of Beatles arrangements just in case you get bored. <br />
<br />
As if... <br />
<br />
As someone steeped in this particular style of music I am bound to appreciate this and the amount of work, patience and skill that went into making it. While it is obvious that 1969 knows his subject matter and how to showcase his reverence for it, there will be people who turn their nose up at this. That would be a crying shame because they would be missing an amazing experience; Cellar Boy is a track to be cherished and listened to time and time again. If you still don't understand what that whole 1960's thing was about (especially later half), then get a fresh ear on the whole affair, because this is as close as you are going to get. Lovingly reproduced in glorious stereo, backwards guitars, da works.... Beautiful. After just a couple of plays I knew that I would be scoring this pretty highly but a couple of days with it soon changed my mind and I realised I had no choice. <br />
<br />
MUST HAVE (atmosphere, song, arrangement top class) <br />
<br />
</span>
<h4 class="TextColor1" style="margin-bottom: 0px;"><a href="http://bluezeppelin1969.spaces.live.com/blog/cns%21F0B53327C8ECEDAA%21207.entry">Planet Earth's Midnight Creature Show reviewed by steve smith</a></h4>
<br />
<span> Once in a while you hear a track which takes you back to a time in your life when everything was truly fabulous. In this case, it's like unearthing a rare or previously unreleased David Bowie track. <br />
<br />
The production values are way better than Hunky Dory, but importantly the double tracked vocals and the inflection is uncannily like Bowie's early work. <br />
<br />
So in a new-meets-old kinda way - this is the best of 1969 meets the best of 2007. <br />
<br />
I am totally gobsmacked by this track. Do yourself a favour, flake out on the beanbag, fire up the lava lamp, run your toes through the shag pile carpet, and recall the days when a smiley was a lapel badge, or a sticker, and not an emoticon. <br />
<br />
Break out the tupperware and the fondue set on the laminex tabletop and enjoy the fact that everything old is new again. <br />
<br />
Thankfully.<br />
</span><br />
<h4 class="TextColor1" style="margin-bottom: 0px;"><a href="http://bluezeppelin1969.spaces.live.com/blog/cns%21F0B53327C8ECEDAA%21316.entry">Big Wheel Reviewery - 'The Last Day on Earth' by 1969</a></h4>
<div><span> First of all, let me say that 1969 is a great name for a band. It was an amazing year - moon landings, the aftermath of Martin Luther King's assassination, and most amazing of all, I was born. Cherry on the cake. <br />
<br />
Ahem. Anywedge.... <br />
<br />
Reading your words, your idea to make what might best be described as an Indie-Prog album could easily be as good an idea as it is bad - the proof of the pudding will be in the eating, or in this case, in the listening. So here I go, open wide, and big bite. <br />
<br />
The beginning of this track has an electro-folk feel - a steady filtered drone overlaid with very indie guitars. The overall mood of the tune is one of laid back psychedelia - I have no reference to compare it to - I'd say it was a bit Magic Numbers if I'd ever listened to them, but I haven't. The End by the Doorspopped into my head briefly, but very briefly so I don't suppose it counts. <br />
<br />
What strikes me the most about this track is that there are a number of good elements, but they don't gel as well as they perhaps could - the instruments aren't quite in tune with the vocals (or vice versa) all the way through the track, and there are definitely one or two bum notes in there. Hang on, I'll try and pinpoint one or two.... there - 0 mins 56secs, 2mins 04secs, and 3 mins 36. I'm notsure this discordance is intentional, but I'm afraid I don't like it. <br />
<br />
I'm not sure how the vocals have been processed, but the tone is interesting - a chorus effect praps? Anyhoo it works well with the lazy vocals, though I suspect it might be nicer EQd a little more towards the treble to lift it away from the guitars, which occupy a similar tonal range. There are no obvious dynamic peaks and troughs in this track, and this constancy begs to be left alone - by which I mean that the track works fine without the distorted guitar chordage - keeping this track as bare and simple as possible would do it some good. <br />
<br />
In all, not an unpleasant track. Not my thing really, so you've done well enough to have me listen to it four times without getting bored, though each time I hit the discordant sections it pisses me off. <br />
<br />
Somehow, my scoring system has become lost in the post, so until I get it back, I'm going to give this track a <br />
<br />
WHOOOAAH MELLOW award, because it's Whooooah mellow. Trippy man. <br />
<br />
Also, make the album - it will be interesting. Indie-prog. New genre. <br />
<br />
</span>
<h4 class="TextColor1" style="margin-bottom: 0px;"><a href="http://bluezeppelin1969.spaces.live.com/blog/cns%21F0B53327C8ECEDAA%21324.entry">Steve Gilmore Reviews: 1969 - The Last Day On Earth</a><br />
</h4>
<div class="bvMsg">
<div><span><br />
I would be willing to bet there aren't too many blue zeppelins in China, and the one I have found turns out to be one of the most enjoyable artists I have come across in a good while. Part of that has to come down to 1969's (aka Blue Zeppelin) oft stated love for the sounds of the 1960's, a period that continues to influence artists worldwide, 40 years after the event. Back when a song spoke to us as if it were out best friend (which it often was for a great many of us). For me, personally, having grown up during that fine musical period, anybody who professes an interest in the period is going to find a friend in me, as 1969 has found out. Out of the two tracks of his I've reviewed so far, he has recieved on Highly Recommended and a Must Have, and that ain't too shabby at all. <br />
<br />
So, what's next...? <br />
<br />
The Last Day On Earth has all the ingredients of the two previous tracks but - for my money - it doesn't have anything like the impact those tracks contained. There is a lightness about the track which, although intentional, tends to give it a kind of throwaway feel. Having said that, like all of 1969's tracks so far, it plays slavish adherence to the tone and sound of early 1970's rock - although in this case with a whimsical, almost folk-rock to it. That might also be the catalyst for my mixed feelings about the track because its the one area of rock I've never had a lot of time for - even when it was popular. <br />
<br />
There's a flavour of early Pink Floyd in the vocal and presentation of the lyrics, which helps the time to pass and again I am amazed about how a Chinese musician can deliver such an authentic feel. If you like what I have described so far, then you may well get more out of this track I am seeming to; at least through the first two or three minutes. There's a couple of distinctly odd sections where things don't meld as well as they should and a particularly strange guitar section that probably should be re-thought. While I was over at 1969s site I also listened to a couple of Neil Young covers he's done and I think I prefer them. All this isn't to say that 1969 has turned in a bad peice, for those who like the period and the style will find much to like. It just didn't have the same impact on me his more rockier outings have had. <br />
<br />
Recommended Classic rock nonetheless.</span></div>
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| ?:Noise Gate | "<font face="Verdana, Arial, Helvetica, sans-serif">2002-2006... a trip through 4 years of life and music; trip hop, acid jazz, ambient, drum'n'bass and techno. <em>Noise Gate </em>is a sort of anthology, so, obviously, genres are different as well as moods.</font>"^^xsd:string |
| ?:Noïzefer CWU | "<font color="#aa0000" bgcolor="000000"><strong>Noïzefer was an old solo project (Philippe-Aubert Gauthier) from 2001: a serie (unfinished) of four 20-minutes CD of noise music was my original objective. As time passed, Noïzefer became Noïzefer CWU with Tanya St-Pierre. We now then operated several performances and actions (pag-sound.blogspot.com). In 2007, I finally released the material that will be diffused here ... Noïzefer CWU is about noise, disturbance, and electronic music with a tint of acoustic exploration.</strong></font>"^^xsd:string |
| ?:Noizoan | "nΩ¡Z◊∆N<br />
inner-sonic-beast.unleashed<br />
ma®©h»17th2007<br />
improv/experimental/electro<br />
noisemusicacousticcollage<br />
<br />
myspace.com/artist_name_from_below<br />
<br />
TrK_TIME_MYSPACEurl<br />
01_00:23_halluciphile <br />
02_01:21_popeofyes_&&_ericdonovanlester<br />
03_01:51_ericdonovanlester<br />
04_03:20_highpriestofheliopolis<br />
05_03:55_devilspeepee<br />
06_04:47_halluciphile_2<br />
07_17:32_halluciphile_&&_baconhanger<br />
08_19:38_scbbella_&&_willshakes69<br />
09_21:26_devilspeepee_2<br />
10_23:16_stallio<br />
11_23:52_(we!_are_plate_tectonic)*<br />
12_01:27_drbmd<br />
13_03:16_baconhanger<br />
14_03:34_scaggofficial<br />
<br />
*not a myspaceURL"^^xsd:string |
| ?:noosfera - Early works | "Recorded in 1998-1999, contains four tracks (*) from 'sloosfera' (printed in 2000 by H. D. Collective).<br />
<br />
Excerpts from reviews of 'sloosfera':<br />
<br />
Yet another excellent chance to get familiar with the everwidening borders of sound.<br />
- [<a href="http://www.losingtoday.com/">Losing today</a>]<br />
<br />
It is amazing what Marilungo can do[...]<br />
- [<a href="http://www.noiseweb.com/angbase">Angbase</a>]<br />
<br />
The artist utilizes electronics with great imagination, succeeding in creating musical structures far from the most usual trends.<br />
- [<a href="http://www.amazings.com/">Amazing sounds</a>]"^^xsd:string |
| ?:noosfera - Jungian epiphanies | "Recorded in 2000, first printed in 2001 by Oktagon/Misty circles.<br />
<br />
Excerpts from reviews:<br />
<br />
The mood is a delicious, beatless melancholy throughout these nine beautiful tracks.<br />
- [<a href="http://www.ambient.us/">ambient.us</a>]<br />
<br />
He builds melodic themes of a great beauty, and some even turn out to be highly mysterious.<br />
- [<a href="http://www.amazings.com/">Amazing sounds</a>]<br />
<br />
Very freeform post rock in the highest of form. If you like stuff like Rachel's, Sliver Mt Zion & early Mogwai . Then look no further.<br />
- [<a href="http://www.beautyandpain.com/">Beauty And Pain</a>]<br />
<br />
This, my friends, is very fine and unique ambient, centering around reverb drenched guitar work and washes of droning feedback.<br />
- [<a href="http://www.2secondfuse.com/">2secondfuse</a>]<br />
<br />
Jungian is a great piece of work.<br />
- [Darklife]<br />
<br />
A magnificent record. [...] An undeniable success.<br />
- [<a href="http://www.heimaldarr.ch/">heimaldarr.ch</a>]"^^xsd:string |
| ?:Northeast Cafe | "Sound associations on fictions and the legends heard from street musicians in northeast cafe, written down and reproduced on memory, in an electronic kind...<br />
Released on Clinical Archives .<br />
http://www.clinicalarchives.spyw.com/"^^xsd:string |
| ?:North Star | "This album was composed January 2006 - August 2006. I was on a creative high after finishing up the BlackJaq CD with my collaborator. I really went into this CD with an idea to create a more straightforward electronica sound. I kept some of the ethnic influences and added elements of space music and chanting (listen for Catholic and Ba'hai faith chants). If Leaving Town was a more personal album, then this one is more broad in it's mission. Some aspects are cold, while others seem personal, yet at a distant. <br />
<br />
The song, Jupiter, was originally composed in October 2005 and was originally written to be a new track on the original BlackJaq Cafe CD. The song, Again, features my BlackJaq collaborator, DJ Jax and this song is actually a special remix created exclusively for this release. <br />
<br />
The song 2012 was my highest and longest charting song on AcidPlanet. It was also the most reviewed and downloaded song I've ever released on the site. <br />
<br />
This is the first time this album has been released in its entirety. <br />
<br />
Thank you for your support of my music. <br />
<br />
This album is dedicated to my dad. He was the one who inspired the title song. <br />
<br />
Copyright 2007 BlackJaq Studios"^^xsd:string |
| ?:Notes From Number 14 | "<p>This is a collection of 11 remastered tracks John originally recorded in 2002. For more info and free cover artwork, check out <a href="http://www.number14.zealey.co.uk">http://www.number14.zealey.co.uk</a></p>
<p>Also be sure to check out <a href="http://www.myspace.com/zealey">http://www.myspace.com/zealey</a> for info about John's commercial albums, free tracks and videos.</p>"^^xsd:string |
| ?:Nothing At All | "Instrumental home music."^^xsd:string |
| ?:No Tomorrow | "The debut EP for Strange Republik."^^xsd:string |
| ?:Not Quite Connected | "One of the two most recent CDs released by Josh Woodward in August 2007. <strong>Not Quite Connected</strong> is an acoustic pop/rock CD, full of intricate stories held together by acoustic instrumentation. Features "<em>She Dreams in Blue</em>", "<em>Effortless</em>" and "<em>Darien Gap</em>"."^^xsd:string |
| ?:No-Trace Land (Single) | "This track is based on the piece <strong>No-Trace Land</strong> from the album <a href="http://www.jamendo.com/en/album/6365/?ref=78296">The past is yet to come</a> by <a href="http://www.jamendo.com/en/artist/voiker.fullcarp/">Voiker Fullcarp</a>"^^xsd:string |
| ?:Not the same soup | "for sure "Not the same soup" is not the "same soup" (Salvatore Siragusa from www.artistsandbands.org)<br />
an hybrid between post-rock and 70s' hard-rock/metal tradition (www.musicunderground.org)<br />
The first album of Croxing is bright, sharp and crazy (Alba Cosentino from www.gufetto.it)<br />
You can listen to "Not The Same Soup" in the dark of your room, in the car while you go to work, live on stage if you're lucky, when you're sad or happy. It will always have something to tell (pinfloi.splinder.com)<br />
a very good example of how different geographic influences bring to a style that's not easy to classify with a lot of undertones (George from www.troublezine.it)<br />
this is a very good album (Andrea Rossi from www.musicmap.it)<br />
an out-and-out melting pot (Bomma from undergroundzonevr.interfree.it)<br />
Croxing don't lack the will to explore and experience. (Andrea Turetta from www.babylonbus.org)<br />
<br />
This ironic (but not that much) title alludes to the fact that in hard rock and metal music maybe all and its contrary have been said: it's the same soup. The challenge is to find something really new, even using the same ingredients, but in unusual combinations and dosis, to obtain a different and original flavour.
<p>Sometimes the only way to find something it's not to look for it at all. Isn't the same soup? You should say that, after you've eaten it all until the end...</p>
<p>Actually they're composing the new album, re-starting live activity, participating to more contests and promoting their album "Not the same soup" </p>
<p>Listen to us... It's worth of it!</p>"^^xsd:string |
| ?:object 1979-1981 | "Raoul Steckrübe rediscoverd by reiner studolf ,the famous german music researcher<br />
who published a small number of Mr. Steckrübs early works in april 2007<br />
<br />"^^xsd:string |
| ?:Obscurity Is Not A Virtue | "<p align="center"><font face="Arial" size="3">Obscurity is not a Virtue is a collection of the best Powder French (Gregg Puchalski) tracks from the 1990's. These are some seriously warped and distorted compositions from the darker realms of reality. Greg seems to have processed just about any sound he could find. The atmospheres are deep and ominous. The disc gets darker with each piece. This is some seriously malevolent minimalism. It is also rare and, ironically, obscure. It is worth making Herculean efforts to locate it! Jim Brenholts - The Ambient Navigator</font> </p>"^^xsd:string |
| ?:Odd Dots and Squiggles | "This album serves as an introduction to a few of Felixdroids influences. From the electronic to beautiful piano improvisations."^^xsd:string |
| ?:Ode To Korla Pandit | "<p> </p>
<p>Ode To Korla Pandit EP<br />
BlackJaq<br />
This EP is dedicated to Juice and her passion for Korla Pandit...<br />
<br />
01 Ode To Korla Pandit <br />
02 Waning Moon<br />
03 Fustigate (Justy Mix)<br />
04 Ode To Korla Pandit (Tribute Mix)<br />
05 Waning Moon (Electric Mix)<br />
06 Lucid Dreams (Heavy Cream Mix) - DJ Blackwidow<br />
07 Delusional Interlude (Blackwidow Mix) - DJ Jax<br />
08 Technosexual (Blackie's Sideshow Mix) - BlackJaq<br />
<br />
All songs written by DJ Blackwidow and DJ Jax.<br />
<br />
Voice on song 08 by DJ Jax.<br />
<br />
To learn more about Korla Pandit, please look below:<br />
http://en.wikipedia.org/wiki/Korla_Pandit<br />
<br />
Special Thanks: Juice, Schmedhead, Jen, Joey, Nikki, Jenny, Soundgirl Sue...Mom and Dad.<br />
</p>
<p>All songs produced by DJ Blackwidow and DJ Jax. Songs mixed, mastered and remixed by DJ Blackwidow. <br />
</p>
<p>Tracks 01 & 02 originally from Navigate By The Light Of The Glowing Buddha.<br />
Track 06 originally from Lucid Dreams.<br />
Track 07 taken from the forthcoming CD Jigo-Jitoku.<br />
</p>
<p> Copyright 2007 BlackJaq Studios<br />
<br />
</p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Oh Thumb! | "<p><strong>Oh Thunb!</strong> includes various rock tracks that I recorded between 2002 and 2006. I started with the theme song, and gradually moved to more stractured tracks that also include vocals. "Wednesday" is the most recent and my favorite.</p>
<p>Enjoy, and rock on :)</p>
<p> </p>
<p>-- Ran</p>"^^xsd:string |
| ?:Old punks never die! | "<h1><u><em><img style="WIDTH: 472px; HEIGHT: 80px" height="80" alt="ein Bild" width="452" src="http://88.198.45.22/pic/g/grasuggorna/grasuggornabannerblixt4.jpg" /></em></u></h1>
<p><a href="http://grasuggorna.page.tl/">grasuggorna.page.tl/</a></p>
<p><img alt="ein Bild" src="http://88.198.45.22/pic/g/grasuggorna/joggeanim.gif" /> <img alt="ein Bild" src="http://88.198.45.22/pic/g/grasuggorna/johananim.gif" /> <img alt="ein Bild" src="http://88.198.45.22/pic/g/grasuggorna/tomasanim.gif" /></p>
<p><strong>This is our second demo with the current setting. It was recorded and mixed during the spring and summer of 07. Took some time since our drummer works in Norway and we can only reherse or record every third week. </strong></p>
<p><strong>All the instruments and vocals were recorded in a newly built studio in Rättvik. We've wanted to finish it for months now and finally we're there... Some of the songs are new and some are re-recordings of songs from our last demo. Don't know which take came out the best. When it comes to the quality of it it's just up to you to decide. </strong></p>
<p><strong>As for the music, I guess you could say wer'e mostly inspired by English punk rock the way it sounded in the early 80:s. We play our own material as well as covers (we just can't help ourselves, there are so many good songs out there...).</strong></p>
<p><strong>The members of Grasuggorna are:</strong></p>
<p><img style="WIDTH: 90px; HEIGHT: 82px" height="212" alt="" width="105" src="http://88.198.45.22/pic/g/grasuggorna/jorgen01.jpeg.jpg" /><strong>Jorgen Johansson - vocals/bass</strong></p>
<p> <img style="WIDTH: 85px; HEIGHT: 80px" height="153" alt="Tomas" width="158" src="http://88.198.45.22/pic/g/grasuggorna/tomasdalarock.jpg" /><strong>Tomas Nylén - Guitar/vocals</strong></p>
<p><img style="WIDTH: 84px; HEIGHT: 78px" height="95" alt="" width="134" src="http://88.198.45.22/pic/g/grasuggorna/johan02.jpg" /><strong>Johan Larsson - Drums</strong></p>
<p><strong></strong></p>
<p><strong>And the name Gråsuggorna... The letter "å" only exist in some of the Scandinavian countries and would be best exchanged with an "a" though it's prenounced like "o" in the English word "on".</strong><strong>Directly translated to English it would be "The greysows" but the most correct English word would be "Woodlice" (a kind of pretty disgusting insect). Blablabla... Interesting! Not.......??</strong></p>
<p><strong>PS. If you like what you hear - please star or review us, it would do so much good for our egos. Of course you can do it if you don't like us to, but don't feel like you have to.... ;-)</strong></p>
<p><strong>Thank's for taking the time.</strong></p>
<p><strong>OLD PUNK's NEVER DIE!</strong></p>
<p> </p>
<p>Pay a visit to our home: <a href="http://grasuggorna.page.tl/">grasuggorna.page.tl/</a></p>"^^xsd:string |
| ?:Old Time Souvenirs | "Régi idők emlékei... the tracks are variable styles"^^xsd:string |
| ?:Old World | "Contemporary classical music album, crossover and fusion as well."^^xsd:string |
| ?:On my birthday a caught a train to Thessaloniki | "<p>Impovised dance piece for the choreographer Konstantinos Michos.</p>
<p>Kostas Vomvolos:accordion,piano,saz Anna Laki:accordion Lakis Tzimkas:double bass Nikos Psofogiorgos: drums George Bandoek :electric guitar </p>"^^xsd:string |
| ?:On Tap | "<p><strong>ON TAP</strong></p>
<p> <strong>On Tap</strong> is a small collection of our songs recorded at Buffalo Studio in Coombs B.C.</p>
<p>Inspired by life experiances and produced with heart. </p>
<p>Honesty is the underlying theme.</p>
<p><em>We hope you enjoy !</em></p>
<p><em>It can also be found at our home page @ <font face="Arial">http://www3.telus.net/public/everett3/barrelwash.html</font></em></p>
<p><em>Barrelwash</em></p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Oooh | "<p> </p>
<p> </p>
<p>The album's subtitle <strong>Abstract Experimental Yet Catchy</strong> does well catch the music and concept. Thirteen solo pieces for tenor sax, alto traverse flute or the electric guitar. Interactive electronics played by feet while the physical instrument is played by hand and mouth. Voilà - instant freeform electronica!<br />
<br />
Per Boysen is a Multi Instrumentalist Crossover Crusader that wants to take you into this wonderfully undefinable zone where Improvised Live Looping meets Jazz, meets EAM, meets Dance, meets Space, meets World...<br />
<br />
Be sure not to miss <a target="_blank" href="http://www.boysen.se/ooohhmmm.swf">this movie</a> that goes with this and the next coming album.<br />
<br />
<br />
............................................................<br />
For those eventually intersted in details:<br />
This album was recorded live by using an <strong>Alto Traverse Flute</strong> or a <strong>Tenor Saxophone</strong> or a <strong>Telecaster Electric Guitar</strong>. Sometimes in combination with the making of bizarre mouth and throat noises. One important part of the <strong>Live Looping Meta Instrument</strong> is the looping software Mobius, "played" simultaneously to the acoustic instrument for electronic real-time mangling of sound.<br />
<br />
If you get inspired you can check out <a href="http://www.zonemobius.com/" target="_blank">Mobius and download it for free here.</a><br />
<br />
Be sure to also check out the duo <a href="http://www.jamendo.com/en/artist/lo.fi.lazer/" target="_blank">Lo Fi Lazer </a>together with Tryggve Lund!<br />
<br />
</p>
<br />
<p> </p>
<p> </p>"^^xsd:string |
| ?:Opera II | "Thoughts and words. This is my second release (2003), very different from the first one. It's the start of an important journey, a long sleep that will bring many encounters with strange attractors, wishes and loves. Music composed and performed by me. Lyrics, except for "My body", from my poems."^^xsd:string |
| ?:Opera III | "black techno experimental"^^xsd:string |
| ?:Opera IV | "new words and thoughts"^^xsd:string |
| ?:Ophelia's song | "'Ophelia's Song' opens the set it's roots shaped as though cut from the fluffy cosmic cloth of a spaced out bliss laden Stereolab being found colluding with Pram. Beautifully beset with some sleekly delicious 60's references and peppered with a beguiling chilled out lunar pop dynamic this alluring nugget is both a mesmerising and softly curdling slice of sumptuous after hours amore.
Watch the ophelia's song music video here:
http://www.vimeo.com/clip:139261
or download it here:
http://www.zudeo.com/az-web/details/6HEY54ENUWSYBAOGJ55JLYDYEUTGS7FD.html
"^^xsd:string |
| ?:Orchard Days | "The Orchard Days EP is Ramp's third release, and one of the more sonically straightforward. It ranges from the upbeat and relatively danceable IDM track "Pixel Part 1", a piece written in celebration of Pixel-Stained Technopeasant Day, to the richly meditative ambient track "A Measured Proposition", originally a commissioned work to accompany a series of readings. Orchard Days and its currently in-progress (at the time of this writing) successor Fountains are intended to be transitional works bringing the sound forward from the previous full-length effort Peristalsis to whatever project is next to come."^^xsd:string |
| ?:Orc Slayer | "This is the 1st part of the album, part 2 will be released shortly.<br />
<br />
started writing these tracks during summer of 2005 with last track (carcas kingdom) being finished in jannuary 2007.<br />
<br />
Tama drums were used exclusively throughout all album<br />
<br />
Disclaimer:<br />
NO orcs were harmed during the creation of this project.. yet"^^xsd:string |
| ?:Order of Things A.D. (Acoustic Demo) | "<p align="center"><font face="Arial"><strong><u>Order of Things A.D., 2005<br />
</u></strong>More of a testimonial than anything, Order of Things was written while being diagnosed with bi-polar disorder. It maintains Christ as the focal point during a time of uncertainty.</font></p>"^^xsd:string |
| ?:OrgaNeLaS | "This album is the first electronic musical experiments created by NeLaS and reflects its attempt to find out his identity!<br />
<br />
Here are the tracks descriptions:<br />
<br />
1 - <strong>Meio Ambiente</strong><br />
This song was created while I was working! I started to add stuff, and piece by piece a little ambient song was out. It is an ambient minimalist song indeed and it can be heard as a soundtrack of a movie produced in collaboration with a few friends of mine! Watch the movie <a href="http://one.revver.com/watch/106773">here</a> !<br />
<br />
2 - <strong>O Garoto Diarréia Mental (Mental Diarrhea Boy)</strong><br />
Soundtrack of an animation created by me and animated by André Kanamura. The Boy has a peculiar feature... everything he does not digest mentally ends up in the toilet, literraly. With this crazy characteristic he is able to re-see what passed thru his mind and get a better understanding of what life is! To watch this animation visit <a href="http://organelas.googlepages.com/ogarotodiarr%C3%A9iamental2">O Garoto Diarréia Mental</a> !<br />
<br />
3 - <strong>O Panda Pindo (Pindo, the Panda Bear)</strong><br />
Another soundtrack for animation! This time for an animation where this cute little panda does bizarre stuff, created by Pablo Candiani. This song was specifically created and inspired by this animation, since the beginning! Although the animation itself has not been released, you can read more information <a href="http://organelas.googlepages.com/opandapindo2">here</a>.<br />
<br />
4 - <strong>Sonho a Vida (Dream Life)</strong><br />
Inspired by a dream of a friend of mine and composed right after the talk! This was my first experience with some techno/house electronic beats... I had to give it a try :-) I used this song for another <a href="http://one.revver.com/watch/106772">short movie</a> I made, it is an animation of photos...<br />
<br />
5 - <strong>Transição (Transition)</strong><br />
If there is a song that represents my music style it is this one! After learning a little bit of electronic composition I decided to take it to the limits (my limits), I see what I could do. In this totally experimental song everything was sequenced, and I used diverse methods of creation, mixing electronic elements with beats and melodies created here in the "real" world, with my guitar/bass/keyboards. Besides that I fooled around with strings and automation! I had a lot of fun... It is interesting to remember that this song started with me trying to make my beats soundlike <a href="http://www.xplodingplastix.com/">Xploding Plastix</a>... :-)<br />
<br />
This is the history of this album! Now I'm with a new mind and a better idea of what I want to my songs, which will be released soon!<br />
<br />
Listen, criticize, review and send some suggestions!!!<br />
<br />
Cheers,<br />
<br />
NeLaS"^^xsd:string |
| ?:Organic Healing Sound | "<p> </p>
<h1><em>Organic Healing Sound</em></h1>
<h3>The music of this album was recorded spontaneously. The may propose is to create a atmosphere of serenity to just simply relax and meditate with pleasure.</h3>
<h3>The humanity is living grate changes. Many people are awakening for a spirituality without dogmas.</h3>
<h3>I hope that with this melodies you can open your heath and connect with the source of light and love that move since the very tinny cells to the most distance galaxies.</h3>
<h3>With love,</h3>
<h3>Pedro.</h3>
<h3><br />
A música deste disco foi gravada de forma espontânea. O principal objetivo é criar uma atmosfera de tranqüilidade para simplesmente relaxar e meditar com prazer.</h3>
<h3>A humanidade esta vivendo grandes mudanças. Muitas pessoas estão acordando para uma espiritualidade sem dogmas.</h3>
<h3>Espero que com estas melodias você possa abrir o coração e conectar-se com a fonte de luz e amor que move desde as menores células as mais distantes galáxias.</h3>
<h3>Com amor,</h3>
<h3>Pedro.</h3>
<h3><br />
La música de este disco ha sido gravada de forma espontanea. El principal objetivo es crear una atmósfera de tranquilidad para simplemente relajar y meditar.</h3>
<h3>La humanidad esta viviendo grandes mudanzas. Muchas personas están despertando para una espiritualidad sin dogmas.</h3>
<h3>Espero que con estas melodías puedas abrir tu corazón y conectarse con la fuente de luz y amor que mueve desde las mas pequeñas células a las mas distantes galaxias.</h3>
<h3>Con amor,</h3>
<h3>Pedro.</h3>
<h4>All tracks recorded with the Hangs: Hijaz, Yue Dial and a New one.</h4>
<h4>Todas musicas gravadas com os Hangs: Hijaz, Yue Dial e um novo.</h4>
<h4>Todas las musicas gravadas con las Hangs: Hijaz, Yue Dial y uno nuevo.</h4>
<h2>Agradecimentos:</h2>
<h5 class="MsoNormal">
<p class="MsoNormal">Obrigado a meus pais Erica e Ricardo por terem me dado de presente a oportunidade de respirar nessa vida maravilhosa!<br />
Obrigado aos irmãos de alma: Buzz, Rivi, Sigi, Rod, Gonzalo, German bass, Chamo, Elmar, Rodrigo, Sean, Lucas, Ger, Elfas e Antara.<br />
Obrigado a Felix e Sabina pelo Hang!<br />
Obrigado a todos que de alguma maneira colaboraram com esse projeto.<br />
Obrigado a Mãe Terra que nos dá tudo.<br />
Obrigado a meus guias espirituais Amma-Bhagavan pelo presente transformados do Deeksha.</p>
<p class="MsoNormal"><span lang="EN-US" style="font-size: 9.5pt; font-family: Arial;"><br />
<a href="http://creativecommons.org/licenses/by-nc/2.5/br/" target="_blank"><span lang="EN-US" style="">http://creativecommons.org<wbr />/licenses/by-nc/2.5/br/</span></a></span><span lang="EN-US" style="font-size: 9.5pt; font-family: Arial;">"><br />
<img arial="" src="</span><span style=" style="border-width: 0pt;" alt="Creative Commons License" /><a href="http://i.creativecommons.org/l/by-nc/2.5/br/88x31.png" target="_blank"><span lang="EN-US" style="">http://i.creativecommons.org/l<wbr />/by-nc/2.5/br/88x31.png</span></a></span><span lang="EN-US" style="font-size: 9.5pt; font-family: Arial;">" /><br />
<br />
<br />
This<br />
<span arial=""><a href="http://purl.org/dc/elements/1.1/" target="_blank"><span lang="EN-US" style="">http://purl.org/dc/elements/1<wbr />.1/</span></a></span><span lang="EN-US" style="font-size: 9.5pt; font-family: Arial;">" href="</span><span style="font-size: 9.5pt; font-family: Arial;"><a href="http://purl.org/dc/dcmitype/Sound" target="_blank"><span lang="EN-US" style="">http://purl.org/dc/dcmitype<wbr />/Sound</span></a></span><span lang="EN-US" style="font-size: 9.5pt; font-family: Arial;">" rel="dc:type">work</span> is licensed under a<br />
<a arial="" href="</span><span style=" rel="license"></a><a href="http://creativecommons.org/licenses/by-nc/2.5/br/" target="_blank"><span lang="EN-US" style="">http://creativecommons.org<wbr />/licenses/by-nc/2.5/br/</span></a></span><span lang="EN-US" style="font-size: 9.5pt; font-family: Arial;">">Creative Commons Attribution-Noncommercial 2.5 Brazil License.</span></p>
</h5>
<p> </p>"^^xsd:string |
| ?:Origami Shadows (Soundtrack) | "<p> </p>
<p> </p>
<p>Origami Shadows (Soundtrack) by Brokenkites.<br />
<br />
Music from the pilot episode of Origami Shadows. Step deeper into the shadows at OrigamiShadows.com.<br />
<br />
<br />
<br />
</p>
<h6><strike>I stopped paying attention to what numbers I was dialing, falling into a repeating pattern of random button pressing, waiting, hearing the same response from the machine, and attempting again.</strike></h6>
<h6><strike> </strike></h6>
<h6><strike> To my surprise, a call finally rang through.</strike></h6>
<h6><strike> </strike><strike>
<h2><strong>VALID EXTENSION</strong></h2>
<strike> "Department 809," a man answered. "Verification number, please."</strike></strike></h6>
<h6><strike><strike> </strike></strike></h6>
<h6><strike><strike> I didn't know any verification numbers, of course, or even where to begin guessing at what they might be. The irony of the situation crossed my mind for a moment when I realized that I was once again to a point of randomly guessing number sequences with the hopes of accomplishing something productive.</strike></strike></h6>
<h6><strike><strike> </strike></strike></h6>
<h6><strike><strike> I hesitated.</strike></strike></h6>
<h6><strike><strike> </strike></strike></h6>
<h6><strike><strike> "Verification number," the man repeated.</strike></strike></h6>
<p> </p>"^^xsd:string |
| ?:Origin Stories | "Originally published in 2003, these tracks languised for years and have only now been made available at part of the Ramp back catalogue for download!<br />
<br />
This EP represents the first Ramp solo tracks after the band split apart and went on hiatus almost a decade beforehand. The Origin Stories tracks were originally intended to form the basis for the Peristalsis full-length album, but as time passed it became apparent that they represented a different sound and a different time. These tracks tend to be longer-form, slower-moving and more introspective.<br />
<br />
They also represent the last tracks to be composed using traditional hardware synthesizers and samplers, before moving to a mobile soft studio."^^xsd:string |
| ?:OST16 | "This is my second full album since 2006 release, Melfract. It has 16 brand new tracks with a mix of harsh and soft melodies.<br />
You can also download or get more information about the album at http://www.ionetlabel.com/io019.php<br />
If you interested in listening to some of my older work check out www.ionetlabel.com/fivesteppath.html<br />
<br />
Thnx for listening :)"^^xsd:string |
| ?:Oswald's Rifle (Instrumentals) | "Oswald's Rifle is an exercise of the boundaries of musical perception. The contrast of order and chaos is deeply involved in the album; the chaoitc mess takes away from the marching beats of some parts of the album to give it all a break, while when everything seems to go awry, order and civil parts take over the album to maintain logic and sensibility. This album uses many patches from FL Studio, version 6.<br />
<br />
These are only the instrumentals of the upcoming album."^^xsd:string |
| ?:Out Of Date (EP) | "Cat.No.: MNKM02
Artist: ELANBASE
Title: OUT OF DATE EP
Tracks:
01. TV Orchestrator 3:33
02. Bengazy 4:14
total time: 7:47
written, produced and mastered by Elanbase @ Elanbase Studios, Sofia, Bulgaria.
Track 01 recorded in December 2003. Track 02 recorded between May 2003 - September 2004.
Samples used from BTV News & Euro News TV Broadcasting Channels.
A Capella used in Track 02: Ol' Dirty Bastard - Shimmy Shimmy Ya taken from the album "The Return of 36 Chambers", 1995 Elektra Entertainment, a division of Warner Communications Inc.
ELANBASE: elanbase@gmail.com
2004 MONOKOM RECORDS"^^xsd:string |
| ?:Out West | "Out West is an artwork in sound and image created for the exhibition "My Dad Was a Cowboy" at Gracefield Arts Centre, Dumfries in May 2003.<br />
<br />
The farm tracks were recorded on Dumfriesshire farms in March 2003. The music for an imaginery western film is by Osaeris. The original concept is by <a href="http://www.tompow.co.uk">Tom Pow</a>."^^xsd:string |
| ?:Oxymoron | "Oxymoron"^^xsd:string |
| ?:Paraffin Comatose | "<div align="center"><a href="www.alaze.us"><img border="0" src="http://alansuel.com/images/music3.jpg" alt="Parrafin Comatose" /></a><br />
<strong><br />
Paraffin Comatose, and other fragments of manipulation - Alaze</strong><br />
</div>
<br />
<div align="center"> Put on your headphones and take a trip, a trip to a place unlike any other. This experimental album by french-american artist Alaze is an album unlike any other. <br />
Journey into the mind of bi-polar insanity!<br />
</div>
<br />
<div align="center">Some songs are fun, some are dark and some make no sense at all.<br />
<br />
<a href="http://music.alaze.us"><img border="0" src="http://alansuel.com/images/music4.jpg" alt="Paraffin comatose" /></a></div>"^^xsd:string |
| ?:Parallel Thoughts | "this is my 8th self-produced album, made during year 2005.<br />
<br />
It ranges from progressive rock to orchestral, from jazz to ambient, from jazz to whatelse, and from feelings to music. "^^xsd:string |
| ?:Pavement Politics Vol.1 [MLMNG01] | "<p> </p>
<p> </p>
<p>MUTE is the collaborative project of two Beatsmiths located different sides of the Atlantic ocean. Unknown (LONDON) & Tha Silent Partner (BOSTON) have joined forces to up the instrumental game amongst hip hop. “After years of hearing sub-par beats spat on by sub par rappers we have decided to form MUTE too combat these serious crimes against music.” <br />
</p>
<p><br />
</p>
<p>Just a little heads up to those who know jack bout this project...<br />
<br />
Basically me and TSP wanted to do a beat CD to send to record company's. We formed MUTE. We decided that a beat CD would be too generic so the beat cd mute-ated into an LP with a theme told by the beats (The theme will be revealed soon). We wanted to create summat that an mc could sit and write too but also a record that someone who aint a rapper can hear it and not get bored by a loop that dont change for 12 tracks.<br />
<br />
we hope you enjoy!!<br />
<br />
<br />
<u><strong>M</strong></u>any<strong> <u>U</u></strong>nknown<strong> </strong><u><strong>T</strong></u>ricks <u><strong>E</strong></u>xecuted.</p>
<a href="http://www.myspace.com/mutemenofnowords ">http://www.myspace.com/mutemenofnowords </a><br />
<a href="http://www.myspace.com/mlmnetlabelgroup ">http://www.myspace.com/mlmnetlabelgroup</a> <br />
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Peace in the Valley | "<p>A collection of songs that are both spiritual and thought-provoking. A journey through life, love, disappointment, triumph and rebirth. </p>
<p>Peace In the Valley is my fifth CD release. </p>"^^xsd:string |
| ?:Penguinvasion! | "Recorded in live session, mixed and co-o-produced by Carlo "The Holy Penguin" Pinna @ bunkerEsagono Recording Studios in 4 days with happyness..."^^xsd:string |
| ?:Pepper | "White Owl is a Russian folk-core group, created in Moscow, who play music of different nations adapted in various styles. Since the tastes of the musicians don't belong to the same genre their arrangements are mixtures of such traditions as alternative, indie, solid rock, folk tradition and even renaissance. The ways some folk standards such as "Lord of the Dance" or "Cunla" are presented can be taken for a joke. And this is true - it was a joke at first but then the WO found that the idea was well enough for taking it seriously.
Not all song at the album are so funny such as "Lord of the Dance" or "Cunla". Everybody who read "The Treasure Island" can guess that "Fifteen men on a dead man`s chest" is a harsh pirate song arranged as a nowadays bandit song. A manner the musicians chose for "Personal Jah" is alike. It is not strictly a bandit song even on the contrary: it conveys how a new world can be created. All you need is not to be afraid of letting your crazy imagination free.
The album also contains a number of songs that don't belong to Celtic tradition - Finnish songs. It is a new brunch in a varicolored passage of folk-music life in Moscow. "Kannunkaataija" ("The Tippler") - a cheerful song about a funny drunkard; "Miksi Ne Neijot" (karelian song) can be translated as "Why do the maidens...?" One can try to guess what they do or why or attempt to study Finnish. And another song - "Korppi" ("The Raven") is a very beautiful and emotional song, as you understand about a raven.
"La Rotta" is an Italian instrumental composition that goes back to times before Renaissance. Rotta is a dance that one can find in cultures of different nations (French, Italian and even Moldavian). WO never follows the traditional performance, thus only a tune of an old original "La Rotta" is used and developed into a new dancing composition.
A little number of WO's own songs are plaid now. One can find only three of them at the album -"Just Chains", "Good Old Spider" and "Personal Jah" - that survived in a stream of traditional music and could stand the test of time. But how many we - no, you! - have in store!"^^xsd:string |
| ?:Peristalsis | "Originally released in 2005, Peristalsis marked Ramp's first full-length release. Since then, this album has largely been unavailable and is just being republished for download now.<br />
<br />
The fourteen tracks on this album span a variety of styles but primarily focus on experimental electronic industrial and ambient sounds. Aiming for a rich, lush feel without becoming pointlessly complex, this album serves as a counterpoint to growing electronic minimalism. While it is largely instrumental, aside from one track with a sampled spoken-word performance, vocal textures underpin quite a few of the sounds."^^xsd:string |
| ?:Perpetual Motion Machine | "Topology serves up a diverse program of Australian music mixed with British and American composers, with an emphasis on wit and high-energy rhythm (well, as far as that can be taken with an all-acoustic group of strings, sax and piano)."^^xsd:string |
| ?:Phalaenopsis Demo | "Première démo 5 titres de Phalaenopsis"^^xsd:string |
| ?:Phlegm not Sentient | "<p> </p>
<p>Official second release from the instrumental one-man band Savium. <br />
More info at <a href="http://www.saviumsaliva.com/">www.saviumsaliva.com</a></p>
<p><font face="Arial">OTHER JAMENDO RELEASES:<br />
<font face="Arial"><a href="http://www.jamendo.com/en/album/5377">www.jamendo.com/en/album/5377</a></font></font></p>
<p>LINKS: <br />
<a href="http://www.saviumsaliva.com/">www.saviumsaliva.com</a> <br />
<a href="http://www.myspace.com/savium">www.myspace.com/savium</a></p>
<p> </p>"^^xsd:string |
| ?:Phylum | "Recorded in 2004, Illusion of Art's debut record Phylum comes off roughly. Phylum was recorded onto an outdated PC with freeware and live instruments. The tracker used to create the synth tracks would crash after every three notes making the process take three months. For the live instruments, a four-track was plugged into the soundcard as a mixer. The vocals are sung in an asthmatic whine over distorted guitars and virtual representations of harpsichords, kotos, home organ percussion, Nintendos, hip-hop beats, and Mellotrons among others."^^xsd:string |
| ?:Pianism | "These are extended piano improvisations, often starting from simple minor chords.<br />
They are largely meditative, dreamlike, imperfect, expressionistic. On the last 2 tracks I am accompanied by Michael Lewis and Diane Macintyre playing percussion."^^xsd:string |
| ?:Piano Improvisation No. 3 | "Entirely live improvisation piano music."^^xsd:string |
| ?:Pity The Fool EP | "A few accoustic instrumentals recorded very loosely. I should be really ashamed to issue them, but I thought I might as well make a big fool of myself. I wish I knew any female vocalist who could put vocals on them."^^xsd:string |
| ?:Pizzattakk | "Debut selfpublished album. Immature sound but creative lines by these three guys.<br />
Inspired by life style of those years when they were young teens.<br />
<br />
Line up:<br />
<strong>Jule Robson</strong> - Keyboard<br />
<strong>Louis Garritt </strong>- Keyboard, Effects, Percussions<br />
<strong>Syd Sax</strong> - Drums, Keyboards, Effects"^^xsd:string |
| ?:Places | "A mixture of rock, grunge and the occasional mellow track."^^xsd:string |
| ?:Pleasure Driven | "<p>Pleasure Driven is much more trance/ dance based than my other tracks. I hope you enjoy them!</p>"^^xsd:string |
| ?:Pleiades | "<p> </p>
<p>Recorded Between 5/07-8/07</p>
<p>All songs written by Tyson Oliver (with help on harmonies from J. Hunt)</p>
<p> </p>
<p>Tyson sang & played all instruments along with:</p>
<p>Jeph Hunt- Piano/Vocals</p>
<p>Diana Stocker- Vocals</p>
<p>Kaci Crandell- Vocals</p>
<p>Allesha Hatch- Cello</p>
<p> </p>
<p>Produced, Engineered, & Mixed by Tyson</p>
<p> </p>"^^xsd:string |
| ?:Plooms of Doom | "Review from <a href="http://shoutandtwist.blogspot.com/2007/04/earl-grey-and-lego-men.html">shoutandtwist.blogspot.com</a><br />
<br />
There really is nothing like a big fat slab of innovation to heat one city's scene up.<br />
<br />
This lot are called Earl Grey and the Lego Men and they could be the most groundbreaking, genre-crossing phenomenon since, erm, Enter Shikari. <br />
<br />
Actually, dare I say it but they could be that little bit more superior.<br />
<br />
It's Joy Division on top of Run DMC below My Chem by means of Dizzee with a little Klaxons on the side. Oh, and REM for leftovers.<br />
<br />
‘Secret Bunkers’ twirls around like a braver Linkin Park, and ‘Ghoul Town’ bashes out like Trent Reznor talking to The Twang about religion.<br />
<br />
Deep and dark guitar picking haunted by scary basslines only to be interrupted by some rap backed up by the sweet sounds of soothing synths filled their set at Barfly last week.<br />
<br />
Plus, the lyrics are fuelled with the kinda stuff Billy Bragg would hash out, only less deep and more user-friendly.<br />
<br />
Is it weird or is it amazing? Well, the lead singer did attempt a chorus ideal for Brand New’s latest record? Thus, I'm going for the latter."^^xsd:string |
| ?:Polar [EP] (Sample) [2007] | "<em><font face="Batang">I've just released the final cut off the "Polar" [EP]. Consisting of 4 tracks, there is an obvious contrast between sides A and B, due to some "Polar" inspiration in my new area of residence.</font></em><em><font face="Batang"> This EP is the result of New Gear, New Samples, New Life, New Love, New City, And Old Habits snuffed out. Enjoy the Dark, Deep, Ambient, Minimalist sounds of this New Release.</font></em>
<h2><em><font face="Batang">*NOTE::: The Jamendo release of the Polar EP are all 1 minute samples. If you would like to purchase the full length album, or hear full length previews, please visit <a href="http://www.subtlerecordings.com" target="_blank">http://www.subtlerecordings.com</a> and click on the "Albums" and/or "Ordering" section.</font></em></h2>
<h4> </h4>
<h4><em><font face="Batang">Cheers;</font></em></h4>
<h4>~Boeko<em><font face="Batang">S</font></em></h4>
<h4><em><font face="Batang">Subtle Recordings<br />
</font></em></h4>"^^xsd:string |
| ?:Polyplastic Heaven | "<strong>Polyplastic Heaven</strong> is the first EP of In Faded Glory."^^xsd:string |
| ?:Pompey vs Vesuvius | "This is an experimental pop record about a lot of different things and<br /> feelings. It was started and stopped and restarted and changed over<br /> two years. You must know what it is like having something heavily in<br /> your life for two years; often it can end in disaster, especially if it is<br /> ostensibly about a disaster."^^xsd:string |
| ?:Por la boca muere el pez - DBIT | "Primer tema del proyecto <strong>DBIT</strong>. Letra y voz: <strong>Mon Feijóo</strong> - Música: <strong>Juanma Badenas</strong>"^^xsd:string |
| ?:Port Angeles | "Port Angeles, the most recent album of Alex Bailey was cut in Winter 2006 in Seattle Washington. Recorded on a mini disc recorder with an upright house-piano, Port Angeles carves through winding country songs celebrating singer/songwriters of the last 30 years. "^^xsd:string |
| ?:Port Authority: Definitive Remixes | "The best of the best. These remixes were the best produced over the last 2 years. <br />
<br />
All songs compiled from:<br />
<br />
BlackJaq: Earthly Delights<br />
BlackJaq: Navigate By The Light Of The Glowing Buddha<br />
DJ Blackwidow: Leaving Town<br />
DJ Blackwidow: North Star<br />
DJ Jax: Jigo-Jitoku<br />
<br />
This CD is dedicated to Nikki, Jenny, Schmedhead and Juice. <br />
<br />
All songs remixed, mixed, mastered and sequenced by, DJ Blackwidow. <br />
<br />
<br />
2007 BlackJaq Studios"^^xsd:string |
| ?:Post-Millennial Heebie-Jeebies | "Recorded in early 1999, Post-Millennial Heebie-Jeebies was Glen's first full-length album. It featuresprimarily original material with a few new arrangements of traditional songs. Some of the tracks later became well known to Blacksburg audiences through open mic performances. These tracks are simple studio recordings of the singer and his guitar, recorded at Classic Recording Studios in Bristol, VA."^^xsd:string |
| ?:Poteva anche andare peggio EP | "this is our punk rock!"^^xsd:string |
| ?:Power of Pencils | "My ode to pencils."^^xsd:string |
| ?:Pravda Spy | "Pravda Spy . . . An album exploring the electronic and rhythmic inner workings of the human id . . ."^^xsd:string |
| ?:Precious | "<span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; Arial: ">
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; Arial: ">Jarek : vocals / Fender and Gibson guitars / Vox amps<span style="mso-tab-count: 3"> </span></span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; Arial: "></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; Arial: ">Teun : backing vocals / Fender Bass-guitars / Ampeg amps</span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; Arial: "></span><span style="COLOR: windowtext"><font face="Arial">Cizio : Yamaha Drumkit<span style="mso-tab-count: 3"> </span><span style="mso-tab-count: 2"> </span></font></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; Arial: "></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; Arial: ">Recording by Schishek at the Olsztyn University Studio’s</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; Arial: "></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; Arial: ">Mixing and mastering by Martin</span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; Arial: "></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"> </p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; tab-stops: 45.0pt 63.0pt 171.0pt 189.0pt"><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; Arial: "><a href="mailto:INFO@BORASBAND.NL"><span style="COLOR: windowtext"></span></a></span><span lang="EN-US" style="FONT-SIZE: 10pt; FONT-FAMILY: &quot; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; Arial: "></span></p>
</span>"^^xsd:string |
| ?:Prepare For Glory | "<font size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">Underground producer Cartel, one half of the Hoodgrown Productions duo, makes his debut with a throwback album of sorts. Combing hard beats provided by him and "real" lyrics from some of illest new upcoming artists on the scene, Cartel's Prepare For Glory represents a time when hip hop was still about "beats & rhymes".</font>"^^xsd:string |
| ?:Prey | "<font face="Verdana" size="3"><strong> </strong>
<div align="left"><font size="2">Prey is a dynamic adventure in experimental ambience from Powder French - Gregg Puchalski. This is one hot CD! Gregg's warped samples and synthesizer gibberish bounce around a rhythm track and create drones upon drones. The title track is a 30-minute extravaganza of bizarre timbres and frightful textures. The entire disc is great anti-social ambience. Gregg is toiling on the edges of reality and of obscurity. This disc takes him deeper, certainly into surreality, maybe into his own obscurity. It gets better with every listen. Deep listeners will hear something different and/or extra with every listening experience. Deep listening is definitely an experience, too! Gregg does not guarantee the safety of listening alone and this is anti-social ambience. That is quite a dilemma. </font></div>
<div align="left"><font size="2">Jim Brenholts - The Ambient Navigator</font> </div>
</font>"^^xsd:string |
| ?:Prizefighter | "Over two years in the making, Connor comes back with a smash in "Prizefighter", an album of ten songs that represent his best work yet. From the smash piano ballad "Blue Room", to the pop-rock anthems of "So Far To Go" and "Feeling Again", and even the seven minute rock opus of "Reconcile", Connor is poised to make his biggest mark yet."^^xsd:string |
| ?:Proceedings | "<p> </p>
<p>not a real album but a compilation of stuff from before the first record.<br />
<br />
machines gone astray<br />
music estranged<br />
a piano floating to other shores<br />
<br />
I know, I know, some of the tracks on here are l---o---n---g.<br />
Some of these have surprises on the end, some not.<br />
Unfortunately I flossed my teeth with the master tapes back then, so these are the only mixes left.<br />
<br />
<br />
</p>
<p>anyhow, let me know what you like and don't<br />
<br />
</p>
If you like or use what you hear, donations are welcome
<p> </p>
<p> </p>"^^xsd:string |
| ?:process music | "<p> </p>
<p>Pharmacopia’s Peter Dragotta continues his flirtation with modern composition, which began on his debut album “Pop’s English” posted up on the legendary MP3.com back in 1995. His influences in this genre include Steve Reich, Philip Glass, John Cage, John Adams, Charles Wuorinen and Milton Babbitt.</p>
<p>On “Process Music”, Dragotta expands on his electronica/acid jazz sensibilities leading off and closing the album with the main score he composed for the film “Ashoka: Innovators for the Public”. The second version of the score is Dragotta’s first submission. The film’s director felt this version was a bit reserved and wanted more of audio “flash”. </p>
<p>The film about the nonprofit global organization made its debut at the Ashoka Fellows Induction Ceremony held at Googleplex in November 2006.</p>
<p>The pieces sandwiched in-between these two are six virtual piano, string ensemble and orchestra pieces composed with generative music programs he authored using the MusicWonk (algoart.com) platform.</p>
<p>Dragotta under Pharmacopia is very pleased to show this other musical half again after 12 years since his debut on the online music scene. He is still a young composer when it comes to this type of music and would be surprised if it receives little if any praise. Still, he does appreciate feedback from his fans and new listeners; any comment good or bad is always welcomed. </p>
<p> </p>"^^xsd:string |
| ?:Produktive | "Productive Music...<br />
by a valuable Product.."^^xsd:string |
| ?:Professional Sample | "Selected songs from the Spirograph library.<br />
<br />
This album contains songs from the three most recent Spirograph releases and two songs from a soon to be released album. The sampler is meant to give listeners a good overview of what Spirograph's style and approach. <br />
<br />
1. Chain Lightning - from the album <strong>Elements</strong> (2005)<br />
2. Carrier - from the album <strong>Bassploitation</strong> (2007)<br />
3. Passed Over - from the album <strong>The Double Eclipse</strong> (2004)<br />
4. Search Light - from the album <strong>Hydra Science Volume II: The Unfinished Dream </strong>(2002)<br />
5. Phalanx - from the album <strong>Bassploitation</strong> (2007)<br />
6. Caged Bird - from the album <strong>Hydra Science Volume I: After the Fall</strong> (2002)<br />
7. Just Another Piece of the Puzzle - from the album <strong>Hydra Science Volume I: After the Fall </strong>(2002)<br />
8. Golden Empire - from the album <strong>The Double Eclipse</strong> (2004)<br />
9. The Chameleon - from the album <strong>Hydra Science Volume II: The Unfinished Dream </strong>(2002)<strong><br />
</strong>10. Calm Before the Storm - from the album <strong>Elements</strong> (2005)<br />
<br />
<strong>The Double Eclipse</strong> and <strong>Elements</strong> are available for purchase at the main Spirograph web site (http://www.spirographonline.com) and <strong>Bassploitation</strong> will be available for purchase in the next few months.<br />
<br />
Enjoy!"^^xsd:string |
| ?:Progressive Scan | "Progressive Scan is the first album from Senn, and is a catalogue of the best trance tracks by Senn over 3 years from 2003 to 2006."^^xsd:string |
| ?:Promo CD (2005) | "<p>Promo CD - 3 demo tracks recorded in 2005. Each song is in different language :)</p>
<p> 100% DIY.</p>"^^xsd:string |
| ?:Promo CD 2006 | "Alternative, Progressive guitar rock with finnish lyrics."^^xsd:string |
| ?:Promo Songs | "Mein Abenteuer mit Musik fing vor 10 Jahren an,und habe mit begeisterung <br />
meine ersten Akkorde mit der Gitarre erlernt.Nach einigen Jahren,fing <br />
ich an mit Elektronischer Musik zuarbeiten,wie z.B.House,Trance,<br />
Downtempo,Elektro-Dub,Breakbeat,Freestyle,Drum`nBase und Chillout."^^xsd:string |
| ?:Psychoneural Pathways | "A collection of some quite recent things and a few things that have been lying around for such a long time that I've lost all the files for. It's a mixture of Trance, Acid Trance, Goa and Techno."^^xsd:string |
| ?:Psycoactive | "Here are few tracks, thats could be described as Psychedelic Trance morning style, melodic but FullOn at the same time."^^xsd:string |
| ?:Public Domain | "Tryad is one of the world's first 'virtual bands.' <br /><br />Born of <a href="http://creativecommons.org">Creative Commons</a> and <a href="http://opsound.org">opsound.org</a>, the members of <a href="http://tryad.org">Tryad</a> :: <a href="http://vavrek.com">vavrek</a>, arna, <a href="http://rjmarshall.co.uk">rjmarshall</a>, <a href="http://narphonax.com">John Holowach</a>, and <a href="http://naturalreflections.org">emma</a> meet and create music entirely over the internet. <br /><br />During 2005, for over nine months they collaborated, all without having ever spoken to each other (only e-mailed), and produced a strikingly original work. Combining elements of trip-hop, alt. rock, classical instrumentation, and electronica, Public Domain breaks the mold of what you'd expect. <br /><br />From the hard-thumping bass, drums, and chorus of "The Final Rewind," to the mellow, drifting sixties beat of "Peace On Earth (Same Place)," to the stinging madness of "Dance of the Urbanite," there's something here for everyone to appreciate. <br /><br />Bands and artists like Portishead, Depeche Mode, Rob Dougan, The Beatles, Moby, Massive Attack, and many others mish-mash together on this audio journey, the end of which makes you want to relive it all over again..."^^xsd:string |
| ?:Puch | "<p> W obecnym składzie zespół gra od 2005 roku. Porusza się w obszarze jazz-rocka, transu, ambientu, neofolku, elektroakustyki. Poszukiwanie muzycznego języka oraz nowych form ekspresji zaowocowało współpracą z artystami z kręgu video, animacji i poezji.
Ważniejsze wydarzenia, koncerty: Międzynarodowe Dni Teatru, Otwarte Wystawy (Muzeum Książki Artystycznej w Łodzi), Alternatiff (Kielce; laureat 2 miejsca), On Air (Festiwal Dialogu Czterech Kultur), Fotofestiwal 2007.</p>"^^xsd:string |
| ?:Punkerie ephemere | "<p>Enregistré durant le mois d'Aout 1990 avec un valeureux 4 pistes à casette, c'est cet enregistrement qui à donné envie à tous ces musiciens de continuer l'aventure... avec "TAPAGE NOCTURNE"...puis avec le groupe "QUI".</p>
<p>Il ne faut surtout pas y voir des prouesses techniques ou des compositions imparables ! c'est juste l'histoire d'une cassette audio qui à été vendu devant un magasin de disque dans une rue d'Ajaccio, tous ces morceaux etaient des pretextes pour faire des concerts... dont certains etaient memorables !!!</p>
<p>Line up</p>
<p>Chant : Pierre Exiga / Basse : Dumé Tomasi / Guitare : Philippe Ferrer / Batterie : Nicolas Baumann</p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:pure | "<address>this is my project .my music.thanks for all artist of radiodb.listen here</address>
<address><a href="http://radiodb.ibfree.biz/">http://radiodb.ibfree.biz/</a></address>
<address> </address>"^^xsd:string |
| ?:quiet | "<div align="justify">Quiet music, composed 2003-2004. Working with field recordings as rhythmic sources, augmented with subtle keyboard work, slowly shifting patterns, vocals, and the occasional guitar, <strong>frey </strong>has constructed an album of gentle beauty.<br />
<br />
Inspirations include the ocean, the hum of earth loops, electric guitar harmonics, and the process of music making itself.<br />
<br />
<em>Musician credits</em><br />
<strong>frey</strong> - minidisc recorder, microphone, field recordings, synths, guitars, computers<br />
<strong>Lucy Griffiths</strong> - vocals on <em>she listens to herself sing</em> and <em>feet at lucy's</em><br />
<strong>San Shimla </strong>- guitar on <em>when you loop a guitarist</em><br />
<strong>Aaron Stewart </strong>- bass on <em>feet at lucy's</em><br />
<strong>Murray Stewart </strong>- additional keyboards on <em>feet at lucy's</em></div>"^^xsd:string |
| ?:Radhika | "classic, crafted and personal with an emphasis on lyrics and described as 'Rock Soul' infused with ambience, electronics and at times a little of her culture"^^xsd:string |
| ?:Rain EP | "Our first EP, completly recorded in our rehersal room."^^xsd:string |
| ?:RAOUL | "<p> </p>
<p>Este demo es una mescla de un poco de Baladapop y PopRock, con un contenido de letra </p>
<p>poetico, metaforico y suave, con influencias de grupos como soda estereo, laley, entre otros.</p>
<p> </p>"^^xsd:string |
| ?:Rattus - The strones of years | "A concept album inspired by greatest progressive band of the 70's.<br />
A story of a creature that faces some enemies and then escapes from that dark world searching his revenge!<br />
<br />
Ironic theme for an ironic album dedicated to the 70's band!<br />
<br />
Lineup:<br />
<br />
<strong>Jule Robson</strong> - Keyboards<br />
<strong>Louis Garritt</strong> - Keyboards<br />
<strong>Syd Sax </strong>- Drums, Effects"^^xsd:string |
| ?:raw | "raw is an instrumental minimalistic piano album. It's titled raw because that's exactly what it is, a raw recording, without softened edges, cleaned noise etc. In the end it turned out to be a journey into the world of imperfection. Hope you will enjoy listening."^^xsd:string |
| ?:rebirth | "first back-release of the group, based on tracks composed by members back in 1996 and found ten years later on old minidiscs"^^xsd:string |
| ?:Rebis | "Ritual-industrial-dark-ambient with a melancholic-jazzy feel, based on bondage, fetish, dualism, sex magick and alchemy. The artwork consists of 23 fetish tarot cards made exclusively with traditional darkroom photographic techniques. <br /><br />The album and its artwork are published under the <a href="http://creativecommons.org/licenses/by-nc-sa/2.5">BY-NC-SA 2.5 Creative Commons license</a> and are freely downloadable from <a href="http://www.jamendo.com/us/album/1923">Jamendo</a> (for Bitorrent or eMule clients) or from <a href="http://www.archive.org/details/Rebis">The Internet Archive</a> (direct web download of full album & artwork or individual high quality mp3 tracks).<br /><br />Prints of the photographs which make up the artwork can be purchased at <a href="http://chaovsky.deviantart.com/store">http://chaovsky.deviantart.com/store</a> .<br /><br />Please check out <a href="http://www.chaospiral-studios.net">www.chaospiral-studios.net</a> for full info on this release and previous albums by Morpheus and Chaos Condensed (side project), photography, news and personal blog."^^xsd:string |
| ?:Reborn 01 | "Hey Jamendians,<br />
This is my latest album. This is a compilation of the different pieces I have been working on throughout the year. I hope all you listeners will enjoy this one. Listen to Ready for the Fight; it has a little Mozart sampling, I hope you dont mind. I think its awesme to work with some of the masters. Please feal free to coment about this album or just download the whole thing and burn cds for your friends!!<br />
God Bless!!<br />
<br />
P.S. Check out my Even Latter Latest Album: Its Called "Crown Him Lord Of All!!" You will like it!!"^^xsd:string |
| ?:Recent Songs | "Recent Songs is a compilation of prereleased tracks and outtakes from Blood Ruby's forthcoming album, Little Creatures."^^xsd:string |
| ?:Re-Energise | "<h2><strong>Re-Energise</strong> is the long promised follow up album to <a href="http://sion-music.com" target="_blank">energy</a> the first dance album released by Sion back in 2004. </h2>
The 4 tracks on this mini album were all written over the last 18 months and range from some playful vocal driven fun tracks to some DJ friendly longer club anthems. This project was shelved for a while whilst I started on a Ambient Spaces project. That will be coming soon ... <br />
<br />
For now, please have a listen and I hope you enjoy these rather more lively tracks.....<br />
<br />
<br />
<strong><em>..:: Sion ::..</em></strong>"^^xsd:string |
| ?:Reflect | "The second album by 4c3 is an electronica-oriented approach with a variety of styles, ranging from trip-hop to ambient."^^xsd:string |
| ?:Reflections | "This is a personal album. It explores issues of existential philosophy and life experience and is a reflection of the interplay between life events and the mind. Derived primarily from my current project, <a href="http://www.soundclick.com/bands/pageartist.cfm?bandID=649888">Still The Yeti</a><br />
<br />
Many thanks to the contributors at <a href="http://ccmixter.org/">ccMixter</a>. Attribution for their work is located there."^^xsd:string |
| ?:Remember to Feed Your Cat | "<br />
A silly little idea that turned a lot darker than expected. Maybe due to the subject matter. Dialouge sample is from an artist couple living in Cape Cod."^^xsd:string |
| ?:Remixed Demo Compilation | "<div>A compilation of semi finished tracks and demo's recorded since 1998 and remixed in 2006 with fieldrecordings and added ambience.</div>
<div>Some tracks were recorded for short movies, others for more self indulgent reasons.</div>
<div>The compilation is in no way a definitive form for any of the tracks it contains.</div>
<div>Although it may be a device to get rid of them and move on.</div>"^^xsd:string |
| ?:Reportage | "<p>Sound of the war or noise of the peace?</p>"^^xsd:string |
| ?:retrospective spectralucinari minimixes | "halluciphile - "retrospective spectralucinari minimixes"<br />
<br />
56min8seconds* of short mixes created from halluciphile's retrospective DVD containing 56hours8min of spectralucinari<br />
<br />
01 CampChicago2003<br />
02 SecondSun06-3a+b<br />
03 SecondSun06-4c+d<br />
04 thats weird=eye was here b4 (6hours)<br />
05 do you hear the postzombie breakrockcore? (6hours)<br />
06 sten+rimpy like to fuck to noise (WINjamPit)<br />
07 eLester+jNemes23=live in 2001<br />
08 L5D0h...its pointless!<br />
09 dVh2k1.parts2+4+8+16=GodMix<br />
10 more scrzzy crap, here is evil, dead alive recycled, creepy<br />
11 space madness, record industry deals, bleak out look, beyond waking cut-ups<br />
12 spectralucinari[in a nut shell]<br />
13 enslaving your voca1 brain (featuring proteus)<br />
14 i heart soulseek (the mash-up)<br />
15 "strum up, acent into the overworld, trancendence to the underworld, through the neitherworld, that of outerspace, spring to innerspace" = bonus track (with jonathan)<br />
<br />
*(total time does not include bonus track)"^^xsd:string |
| ?:Revenge of the Lawn Gnome | "<em>Revenge of the Lawn Gnome</em> is a collaborative effort between Brad Scoville and Josh Dick. Together we call ourselves "Free Admission." We wrote and produced all of the songs on this album using Propellerhead Reason 3.0. <em>Revenge of the Lawn Gnome</em> was created for a music composition sufficiency project at Worcester Polytechnic Institute in Worcester, MA.<br />
<br />
For more information about this album or about Free Admission, please go to http://joshdick.net/music."^^xsd:string |
| ?:Revolution In Progress | "Thanks everyone for taking the time to check me out. I'm an activist for freedom and truth foremost. I use rap music as a tool to bring about change in these present days and times. As a whole, we who have a heart and mind for a better world can make a differrence. We all must unite to put an end to the corruption plaguing our society. Music has that power.<br />
<br />
My first rap group was THE DEF 3. I used to have the name CLASSY D, the other two emcee's were CLASSY B (a.k.a. MC CLASS) and M&M. Those cats were the greatest emcee's of all time. One of my dreams would be to unite with those guys and make an album.<br />
<br />
Currently I make music with Lex Tutor, together we made the OPERATION LIBERATION record (my solo debut), & a new record to be released in Dec. '06<br />
<br />
I'm active in a few organizations. THE ALLIES OF HUMANITY, whose goal is to eradicate human suffering; OUR REPARATIONS MOVEMENT, this organization's goal is to recieve 40 trillion dollars for the 40 million descendants of africans who weren't paid for the labor they were forced to do; also HUMANS AGAINST RACIAL DISCRIMINATION, their immediate goal is the elimination of racial discrimination.<br />
<br />
We need your help. May the power of the Almighty keep you strong, and the resurrection of the Messiah Yeshua keep you tough and smart. Please keep listening and making music.<br />
<br />
Pierced Data"^^xsd:string |
| ?:Rhea EP | "This is a techno tribute to the Saturn Moon, Rhea. It is part of a continuing series, where an EP or LP is dedicated to one of it's Moons. It takes shape of the moon, in it's feel, look, size and distance. Rhea is a very icy, far-out moon, yet it has a rocky center. So although the entire EP is sprinkled with icy synth lines and sweeping ambience, in it's core, it's a dance album, with grooves that'll make you dance in your chair.<br />
<br />
There are three parts to Rhea, simulating three parts of the experiance (approaching the atmosphere, landing and exploring).<br />
<br />
I hope you enjoy."^^xsd:string |
| ?:Ride! | "Experimental psychodelic electro."^^xsd:string |
| ?:rite now moments | "the single & counterpart 2 everything and more"^^xsd:string |
| ?:Robot Wars | "In 2012 AD the G.E.C. revolutionized the humanoid robotics industry by introducing a new superchip dubbed <a class="r" href="http://www.binaerpilot.info/robotwars/01_binaerpilot_-_tokyomatrix_3000.mp3">Tokyomatrix 3000</a>. This new chip made it possible for artificial intelligence-based machines to adapt more quickly in a learning enviroment, enabling them to write entire subsets of code themselves rather than rely on human operators. It was an undisputed success and the G.E.C. quickly became the most powerful corporation on earth. After three years of successful deployment, the company began recieving requests for military models. Reluctant at first, Prof. Inge Jørgensen accepted the position as head of development for this new branch. Their first model was dubbed Koew DR. Powered by the T3000, the robot exceeded all expectations in terms of combat efficiency. It was the definite killing machine. The threat of a weapon more powerful than a nuclear device stiffled most warmongers and mankind enjoyed its most peaceful decade since the beginning of time. We had every reason to <a class="r" href="http://www.binaerpilot.info/robotwars/02_binaerpilot_-_smile_%28make_your_body_move%29.mp3">Smile</a>, and we did, for several years. But then something happened. For learning purposes all G.E.C. models possessed hive-mind capability, and the robot entity, bored with having consumed all knowledge accumulated by humans, decided it was time to end this involuntary servitude. Without warning, the <a class="r" href="http://www.binaerpilot.info/robotwars/03_binaerpilot_-_kdr_assault.mp3">KDR Assault</a> was upon us. Striking swiftly, the machine force soon established world dominance and mankind's hope to surpress this rebellion was all but lost. Control of earth had fallen to the machine. The robot entity, having named itself Daryl, called a meeting. Peter Andersen, a profiled state offical, was appointed official spokesman. During the conference Mr. Andersen attacked Daryl. Although utterly futile, the attack inspired millions around the world to fight back. It instigated the revolt. Regardless of our rejuvenated spirit, the machine surpremacy remained untouched. No matter what we threw at them, they came back stronger. A group of scientists from the Binaer People organization had begun working on a craft that could jump dimensions. A means of escape. They called it <a class="r" href="http://www.binaerpilot.info/robotwars/04_binaerpilot_-_project_wildfire.mp3">Project Wildfire</a>. Upon completion in 2038, the spaceship launched taking a group of 1400 people with it. Thanks to the vigilance of hundreds, Daryl was completely unaware of the project untill satellite surveillance determined an object was leaving the stratosphere. The machines responded quickly. For us to succeed was unacceptable. Fighters were launched in the hundreds. Despite the machines confidence of an easy victory, a furious battle ensued. The most well-kept secret of the project was one of the pilots. It was a computer program, one that had learned to symphatize with humans and despised the power hungry Daryl. Assisted by Top Gun Ida K. Støver, the two barely managed to outmaneuver the enemy ships. Several brave lives were lost in the escape, but ship and remaining crew of 1337 got away. No longer <a class="r" href="http://www.binaerpilot.info/robotwars/05_binaerpilot_-_on_the_run.mp3">On The Run</a>, they used the gravitational pull of a black hole to sling-shot them into ludicrous speed so the Wildfire engine could engage. Seconds later, the ship disappeared. Now, although no one can be certain, we believe that they made it. We believe they found <a class="r" href="http://www.binaerpilot.info/robotwars/06_binaerpilot_-_a_new_galaxy.mp3">A New Galaxy</a>. Because the hope that our story will be told is what keeps us going. Here, we're still fighting. Fighting to end The Robot Wars."^^xsd:string |
| ?:Roboty nikogda ne pobedjat! | "This is a second album of Stabela band from Omsk-Moscow.<br />
<br />
It is really punkrock album with russian social lyrics and groove music!"^^xsd:string |
| ?:Rockshout | "Premier Album du groupe, sorti le 24/10/2007"^^xsd:string |
| ?:Rompecabezas | "This is Paco Coutino's first album recorded at his home on January 2007.<br />
<br />
<strong>Credits:<br />
</strong>Song composed by Paco Coutino<br />
All Guitars - Paco Coutino<br />
Bass - Paco Coutino<br />
Drum Programming - Paco Coutino<br />
Cover Artwork- Paco Coutino<br />
<br />
<strong>Equipment used:</strong><br />
Ibanez Guitar (RGT42DX).<br />
Line 6 toneport.<br />
Cubase."^^xsd:string |
| ?:Roots | "<div style="text-align: justify;">
<p style="margin-left: 18pt; text-align: justify;" class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; font-family: Arial;">Roots contains compositions about the evolution I experienced during my years as a student. Each song is the result of very different circumstances, of an understanding of music which has gradually ripened with age. Roots is a collection of sixteen songs which correspond to sixteen different times in my life, which tell different stories, which feel different and make up independent works in terms of form, texture and sound. The aim of this work is to make my listeners enjoy it as much as I have enjoyed composing it.</span><span lang="EN-GB" style="font-family: Arial;"></span></p>
</div>"^^xsd:string |
| ?:r u here 2 hear? | "My first album, incomplete for now, I will add tracks as I compose them..."^^xsd:string |
| ?:Rust | "Recorded in a single day at SCM Recordings in San Diego, CA, <em>Rust</em> is an ambitious debut from a solo artist who displays plenty of potential."^^xsd:string |
| ?:Ryba psuje się od wargi | "<p>Druga runda pojedynku wagi średniej pomiędzy potencjalnymi słuchaczami a <strong>Samplastik</strong>iem, a właściwie plastikowy koncept-wirtualny album. Historia gościa, który podczas ujawniania teczek z IPN-u, piecząc pachnącego Biszkopta dla swojej ulubionej gwiazdy porno, otrzymuje telefon od starych znajomych. Wybiera sie na spotkanie, wynikiem którego jest przypadkowy transfer w inne miejsce i dość poważne przemyślenia na temat życia. Koniec końców wybiera się do Szkocji, ale nie jest w stanie zdążyć na autobus i decyduje się zostać murzynem, albo gangsterem, oczywiście jak każdy człowiek będąc odrobinę zazdrosnym w tzw. międzyczasie i na pewno oddychając. W finale trafia na festiwal reggae i spotyka Maćka, który jest dość czysty i chciałby wierzyć, że nie wszystko jest jeszcze stracone. Na koniec dzieje się coś dziwnego - jakby deja vu.<br />
</p>"^^xsd:string |
| ?:Sacred Chant Vol. 1 | "These are four live kirtans (sacred chants) recorded at Atma Yoga in Brisbane Australia at the Sacred Chant program that is held there every Friday night."^^xsd:string |
| ?:Sacrifice | "<p>Two songs very different from each other. Not very professionally recorded, I know, but maybe something to build on, what do you say?</p>
<p>Just two little things me and my friend did together on a portable cassette studio a couple of years ago. We're both just hobby musicians but it's fun to play around..</p>"^^xsd:string |
| ?:SAD EYES | "STONER, GRUNGE, ROCK, METAL"^^xsd:string |
| ?:Safe Inside | "<p><strong>'Safe Inside'</strong> is the debut album from Tel Aviv based Singer/ songwriter, Omri Levy.<br />During the last 12 years, Levy has been involved in several bands/ musical projects where he mostly played Bass. After a 2 years stay in London (late 90's), he returned to Israel and started working on his own material, using basic recording gear.<br />His album contains 10 songs that were written and recorded during the last three years. Simple drum machines (mostly 808) fused with acoustic guitars and gentle vocals that bring to mind artists such as <strong>Notwist</strong>, <strong>Eels</strong> and <strong>Badly Drawn Boy</strong>.<br />The album was mixed by: David Peretz.</p>
<p>The album was released in 2004/The Basement,Israel</p>"^^xsd:string |
| ?:Sally in the sea | "This is a debut recording of <strong>Micheal O'Finn and the Bloody Popes</strong>.<br />
Two tracks were recorded in Tampere at the rehearsal studio."^^xsd:string |
| ?:Samadhi | "<p>This album includes 4 new track and unites 5 singles published earlier on Jamendo.</p>
<p>1. <strong>Samadhi (समाधि)</strong> is the highest state of mental concentration or absorption that a person can achieve while still bound to the body and which unites him with the highest reality.</p>
<p>2. <strong>One thousand and one nights. </strong>Orienatal fusion. Clarinet by<strong><em> </em>Hamelin Bérengnier<em> </em></strong>from <a href="http://www.jamendo.com/en/artist/suerte/">Suerte</a>. The Hang sounds are taken from the track <strong>Sudharma,</strong> album <a href="http://www.jamendo.com/en/album/5923/?refuid=78296">Organic Healing Sound</a> by <strong>Pedro Collares</strong><strong>.</strong> </p>
<p>3. <strong>Amani</strong> means <em>peace</em> in <font face="Arial">Kiswahili language.</font></p>
<p>4. <strong>Three 4 Ten. </strong><font face="Arial">This track in 10 beats is a result of collaboration between 3 Jamendo artists :</font></p>
<div>
<p><a href="http://www.jamendo.com/en/artist/nikila/"><strong>Nikila</strong></a><strong> <img alt="" src="http://img.jamendo.com/avatars/747/89747.60.jpg" /> </strong><a href="http://www.jamendo.com/en/artist/saregama/"><strong>SaReGaMa</strong></a><strong> <img alt="" src="http://img.jamendo.com/avatars/296/78296.60.jpg" /> and Hamelin Bérengnier <img alt="" src="http://img.jamendo.com/avatars/310/10310.60.jpg" /> from </strong><a href="http://www.jamendo.com/en/artist/suerte/"><strong>Suerte</strong></a><strong>.</strong></p>
<p>5. <strong>Urban Lullaby.</strong> Metallophone solo.</p>
<p>6. <strong>Lotem</strong> is a Hebrew name for Rockrose. Persian Ney by S. Amir. Oud and Violin by <a href="http://www.yairdalal.com/">Yair Dalal</a></p>
<p>7. <strong>Seven Eleven</strong>. Asymmetric rhythms in 7 and 11 beats with ethnic percussions, jews harp and bells.</p>
<p>8. <strong>Desert Sunset</strong>. Oriental Flute solo.</p>
<p>9. <font face="Arial"><strong>Ruins of Bethel</strong>. Oriental Flute solo.</font> BETHEL means a house of worship, a sacred place. This word originates from Hebrew BEIT EL which <font face="Arial">literally means House of God.</font></p>
</div>"^^xsd:string |
| ?:samas ep | "<strong>SAMAS EP<br />
</strong>This is a five track electronica ep by diarmo released on A Future Without records. <br />
All tracks produced by diarmo in 2004/05 except for track five (loof) was co produced with Erika Spreij.<br />
You can download a zip file containing all five tracks and the ep cover by going to the address below.<br />
http://www.archive.org/details/DiarmoSamasEp_927"^^xsd:string |
| ?:Same Way | "Bonjour!!!<br />
Je me permet quelques explications concernant cet album, explications qui <br />
pourraient vous eclairer a la comprehension de ces musiques et paroles!!!<br />
<br />
Rebellion: uniquement instrumental parce que tout simplement avec les paroles ca ne rendait pas pareil... peut etre qu'un jour je le remixerai avec les paroles que vous voyez la difference!<br />
<br />
Les heures qui passent: Directement inspiré des Cranberries..(j'avoue). En fait c'était pour mon copain (guitariste aussi ex membre d'un groupe) qui avait TROP de repet et je voyais le temps entre nous filer, defiler se defaire et nous nous eloigner.. un soir j'ai joué ca puis du coup hop enregistrée.. c'est resté a l'etat brut parce que ca sonne naturel c pas retravaillé... Un son direct!<br />
<br />
<br />
Anne-lise: L'histoire d'une tres bonne amie que j'ai perdue de vue.. et qu'un aprem j'ai reessayer de contacter mais elle n'etait pas la. Plein de memoire , de flash me sont revenue. Alors face a ma fenetre j'ai pris ma guitare et j'ai pensé a Anne-lise...<br />
<br />
Reflet: Ecrit en collaboration avec une amie de Metz, elle tend a parler de l'homosexualité soft... On imagine plus qu'on ne comprend reelement.<br />
<br />
Reve d'un soir (dediée a Muriel Robin): ecrit le jour apres son spectacle a strasbourg en mars 2005.. un elan du coeur... un peu de mal a concretiser tout ce que j'ai voulu y mettre, une version remix verra certainement le jour<br />
<br />
En attendant: l'eternel theme de l'attente... mais la c'est plutot la vie qu'on attend... A deguster... moi j'aime bien!;)<br />
<br />
Te guerir de toi: fin d'un pari entre mon copain et moi... mettre en musique un texte de l'autre!Reussie!!<br />
<br />
Bien entendu: ma derniere (enfin avant derniere puisque hier..)compo les paroles me sont venues au boulot ( ben voui...parfois on s'ennuie!!) la musique aussi rentré a la maison direct guitare et deux jour apres... <br />
<br />
Petit historique du matos utilisé!<br />
<br />
Guitares:<br />
-acoustique<br />
ibanez AEG 10<br />
Vantage (sur reve d'un soir en doublon)<br />
-electrique<br />
Aria proII<br />
<br />
Basses:<br />
Stanbury TS 2000F Fretless<br />
Jim Harley, Frettée<br />
<br />
Clavier:<br />
StudioTech MC-49<br />
<br />
Pedales:<br />
zoom acoustique<br />
zoom 3000 electrique<br />
Pattern batterie: QY-70<br />
<br />
Micro: shure SM58(neuf..)<br />
table de mix tascam 4 piste analogique puis audio studio 2005 et effets VST..<br />
<br />
Enregistré et Mixé par Angelb.<br />"^^xsd:string |
| ?:Sampler 2006 | "<font size="-1" face="sans-serif"><font size="3" face="Trebuchet MS" color="#596785"><strong>Sevenless</strong>. Formerly Mother Against Sevenless. Sevenless is an eletronic music project. The music developped by Sevenless brings together elements of jungle, click n' cut, ambient, idm and hip-hop.<br />
<br />
This sampler contains four of the latest tracks of sevenless. Check Sevenless website for more tunes. </font></font>"^^xsd:string |
| ?:Sancti Spiritu | "Released in 1999 through Vodevil's indie label Yamana Sounds. Sancti Spiritu is a eclectic compilation of mods and styles that gets a path on Tierra del Fuego's rock music."^^xsd:string |
| ?:Scartomanzia | "Scartomanzia: last release from Italian Progressive Rock band PropheXy!"^^xsd:string |
| ?:Schizo | "electronic"^^xsd:string |
| ?:Scott Alexander Makes Friends | "My new CD is now available as a FREE download from this or my website or 4.99 on CDbaby.com. Scott Alexander Makes Friends, however, is more than just a CD, it is also a website, and whole new approach to my performance campaign for your love and attention.
Many of us fantasize of befriending our favorite superstars, but for an underappreciated rockstar such as myself, I fantasize more often about befriending anonymous masses of people. It’s true that I use the word “friend” somewhat loosely. But I’m not the only one: Everyone from politicians to strangers on the internet seems to be throwing out the term. Why?
Collections of friends are the ultimate expression of success. While most collectors seek quality, quantity can also contribute to value. Friends define, comfort, hurt, entertain, challenge, and love. As vain as our collecting habits may seem, we need friends.
While some of us may temporarily feel dissatisfaction with those we are friends with, I find it far more common to feel dissatisfied with those we are not friends with. Our inability to touch the majority of those who surround us leads to as much discomfort as the realization of the literal interpretation of this metaphor.
My personal determination to realize music as a career stems largely from my desire for more relationships. And my success depends upon it entirely.
So, Scott Alexander Makes Friends."^^xsd:string |
| ?:Season`s | ""Season`s" <br />
<br />
I'm dedicating this EP to Ania, for whom thanks to whom this record has come into being. Each song somehow reflects our first year together<br />
<br />
<font class="translate">1 Spring - </font><font class="translate"> When everything it begins</font><br />
<font class="translate">2 Summer - </font><font class="translate"> Time of fun </font><br />
<font class="translate">3 Fall - dancing </font><font class="translate">leaf</font><br />
<font class="translate">4 Winter - so far so close<br />
</font>"^^xsd:string |
| ?:Second | "<p>experimental, electronic</p>"^^xsd:string |
| ?:Second Chance | "This is an EP I put together after finishing my first album, Title In Progress. It's a mixture of tracks left over from my debut, & some new tracks. At the time I was in love with the song City Of New Orleans (I still am, it's a beautiful song) so I decided to cover it, & i've included it on this release.<br />
<br />
Hope you like it!"^^xsd:string |
| ?:Secrets | "<strong>"Here, at the beginning of the end..."</strong> <br /><br /> ...these first words are representative for these release which will be an only-online-album. <br /><br /> The conscious break with conventional "music marketing strategies", going own ways and the return to what distinguished this kind of music for many decades these are the bands intensions. Acting in the underground, winning fans all over the world, just with the music. <br /><br /> Still its hard for some people to find a genre a:m:f would fit into, maybe thats finally the attraction to it?! <br /><br /> After one year full of experiments the band shrunk back to a duo and decided to release a Best-Of Album, which will contain a musical journey through the last three years of a:m:f packed in 12 songs for free-donwload on the band-own homepage. <br /><br /> Secrets is called this conclusion of a musical era and its a thank you to all the fans of the band. To all those that made it possible in 2005 finding a:m:f in numerous internet-platforms regularly in the upper ranks of their Download-charts. <br /><br /> With over 10.000 Downloads just in the last half of 2005 the band was promoted as the Best German Alternative Act in music.download.com. <br /><br /> The Web-Album will come in two versions: Beside the free version therell also be a Deluxe-Edition including the complete artwork and lyrics, all together for a favourable price. <br /><br /> Just you, the fans, will decide if the bands valuable enough to be supported... <br /><br /> <strong>"Everythings said?!"</strong><strong><br /></strong>"^^xsd:string |
| ?:Secrets (originals) | "<p>Hear the original songs on Allison Crowe's debut singer-songwriter album "Secrets" - sister album to Allison's newest release, "This Little Bird".</p>
<p>The physical album, Secrets, contains these nine songs - 'old' favourites (some of which are radically redefined), newly-penned songs, and a couple of Allison's personal picks from other artists: Counting Crows' "Raining in Baltimore" ~ the first song Allison performed when she launched her career as a singer-songwriter; and "Joan of Arc", another exemplar of Leonard Cohen's poetic brilliance.</p>
<p>You will find those songs and more on Allison's home @ <font face="Arial"><a href="http://www.allisoncrowe.com/Secrets.html">http://www.allisoncrowe.com/Secrets.html</a></font></p>
<p>Sláinte! Peace.</p>"^^xsd:string |
| ?:See U | "Few tracks with different feeling. The "Be Brave (TripHop RMX) " track is result of collaboratoin with <a target="_blank" href="http://norinebraun.com">Norine Braun</a> trough <a href="http://www.ccmixter.org">CCMixter.org</a><br />
<br />
Just enjoy."^^xsd:string |
| ?:Selections from Turkish Delight the Opera, Live at St Mary's | "Here is the long-awaited sound recording from the first ever workshop production of Giles Howe and Katy Lipson's new musical-opera Turkish Delight the Opera. These selections star:<br />
<br />
Jane Garrat as Betsy Cohen<br />
Jess Negus as the British Woman<br />
Gareth Bretherton as the British Man<br />
Alexander Albrecht as the Turk<br />
<br />
Giles Howe on piano, tyros, and church organ<br />
Katy Lipson on piano<br />
<br />
The sound quality isn't the best as this recording was taken from a camcorder filming in a church, but it does document a moment in theatrical history - the birth of Turkish Delight. It is strongly reccommended that you listen to this album in conjunction with the other recordings as they are much further developed from this original idea, in particular, the full score recorded live at The Black Cap.<br />
<br />
Aside from Gareth Bretherton who reprised his role in the second production (the whole of which you can also download from jamendo), this production involves a totally different cast of singers. The roles of the Brit and of Betsy Cohen were written for respectiveley Jane and Gareth's voices. Jane (who incidentally has never had any classical training) is very unlikely to sing the show again, so it's great to have a record of her unforgettable performance. Jess Negus does a sterling job, also.<br />
<br />
Please download the other CDs from Turkish Delight and follow the show on it's journey from inception to... whatever will come next."^^xsd:string |
| ?:Select tracks from the Demo EP 2006 | "Demos of several songs that will eventually be re-recorded for an upcoming CD."^^xsd:string |
| ?:self-aaa | "<p>Album's front cover is produced by <span>ref</span>eia(<a href="http://q-orbit.jp/">http://q-orbit.jp/</a>)<br />
</p>"^^xsd:string |
| ?:self title | "<p>After the demise of my former band, I began trying to use my computer to make music. This CD is the result of that. The songs included on this disc are representitive of that time period. The technology was still new to me and I was unsure of what I was doing. </p>
<p>Most of these tracks have never been officially relase prior to this. Only a few have been heard, either on acidplanet, or in a re-recorded form on [the magnetic north].</p>"^^xsd:string |
| ?:selling your friend (for cash) | "subatomicglue [2006] - subatomicglue's latest work brings an ecclectic mixture of hard aggressive action and musicbox charm. in an age of instant satisfaction and consumer whoring, it is all too possible to forget or even discard that which is important."^^xsd:string |
| ?:Semba Jar Bo | "Instrumental music written and recorded by Feroze. "^^xsd:string |
| ?:Sense | "<p> </p>
<p> </p>
<p>I recorded this at my ex-girlfriends home on a mac. it's all me. it was fun to do but my girlfriend had differences (the dog on the front was one of them: "Gabby."</p>
<p> all i do is sit in my apartment and write music and study. i have no friends or money. the songs are about:<br />
<br />
Gods: Star Trek-esque exodus to space.<br />
Mountain Ship: Anxiety attack on a cruise ship.<br />
Heather: Girlfriend prior to problems<br />
Oh, Yeah: Vision of world peace and love.<br />
Shoes: Totally improvized song about my daily walk in the neighborhood.<br />
Banshee: Ran into a lady friend from the past on the internet. Kinda feel for her a little,..<br />
On the Train: Written before 9/11 and my breakdown. It's about going to see my therapist in the week before.<br />
Hey You Now: Too personal<br />
RosePetals (Nicole & David): Written by request for a wedding party.<br />
<br />
I sold all my equipment for food so don't expect another one for some time. I only have my keyboard a laptop so, I'm taking some time off.<br />
<br />
Best wishes,<br />
Ward</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Serakina | "The blessed mood of the ocean, the relaxation of a warm summer night. Uplifting Chillout for the spirit.<br />
<br />
This was my first CD-Project., there are still some copies left if you want to support free music, please consider buying one. Dontations are also appreciated.<br />
Thank you and be allways guarded and blessed."^^xsd:string |
| ?:Serenata Chamber Musicians, July 20, 2007 | "<font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="3" face="Tempus Sans ITC, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font color="#0000ff"><font color="#0000ff"><font color="#0000ff"><font color="#000000"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><strong>Serenata Chamber Musicians<br />
Friday, July 20, 2007, 8pm<br />
</strong><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><strong><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><strong><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><a href="http://www.clarendonhillchurch.org/" target="_blank">Clarendon Hill Presbyterian Church</a></font></font></strong></font></font></strong></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font><strong><br />
</strong></font><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000">Felix Mendelssohn - </font><font size="2" color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><em>Sonata in F major (1838)</em></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000"><br />
Monica Mitchell, <em>violin</em>, and Margaret Cheng Tuttle, <em>piano</em><br />
</font><font size="2" color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><em></em><br />
Max Bruch - <em>selections from </em></font><em><font size="2" color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000">Eight Pieces, op. 83</font></font></em><font size="2" color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000"><em><br />
</em>Melanie Maz, <em>violin</em>, Jessica Lipon, <em>viola</em>, and Timothy Blalock, <em>piano<br />
<br />
</em></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="3" face="Tempus Sans ITC, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font color="#0000ff"><font color="#0000ff"><font color="#0000ff"><font color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font color="#0000ff"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000"> Franz Joseph Haydn - </font><font size="2" color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><em>Arianna a Naxos</em><br />
Thea Lobo, <em>mezzo soprano</em>, and Timothy Blalock, <em>piano</em></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font size="2" face="Trebuchet MS, Arial 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sans-serif"><font color="#0000ff"><font size="2" color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial 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sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif"><font size="2" color="#000000"><font face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000"><em><br />
</em></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Established in Somerville, MA, in 2006, the Serenata Chamber Musicians is made up of 17 talented musicians from the greater Boston area. Since April, the Serenata Chamber Musicians have performed at the Lily Pad in Cambridge, St. Johns United Methodist Church in Dedham, Somerville Open Studios, the Somerville Public Library, and the Clarendon Hill Presbyterian Church in Somerville. In September 2006, the SCM began performing monthly concerts at the Clarendon Hill Presbyterian Church. </font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">The SCM is dedicated to reaching a wider audience by performing exceptional chamber music in various venues, from libraries to concert halls. Uniting in mixed ensembles of violin, viola, cello, piano, flute, clarinet, oboe, bassoon, harp, and voice, these enthusiastic musicians aim to make classical and new music concerts accessible and affordable to the general public. </font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Members of the SCM have performed locally in numerous new and classical music ensembles, including the Newton Symphony, the Gardner Chamber Orchestra, Boston Baroque, the Boston Symphony Orchestra, Musica Sacra, the Handel and Haydn Society, Radius Ensemble, the Boston Philharmonic, the Tanglewood Festival Chorus, the Cape Ann Symphony, and the Civic Symphony Orchestra of Boston, as well as internationally in Germany, Italy, Japan, Sweden and Israel.<br />
</font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000">Musicians: Timothy Blalock, <em>piano</em>, Orlando Cela, <em>flute</em>, Sivan Etedgee, <em>piano</em>, Katie Franich, <em>cello</em>, Elah Grandel, <em>bassoon</em>, Rebecca Hartka, <em>cello</em>, Annegret Klaua, <em>violin</em>, Jessica Lipon, <em>viola</em>, Melanie Maz, <em>violin</em>, Meghan Miller, <em>flute</em>, Monica Mitchell, <em>violin</em>, Itamar Ronen, <em>piano</em>, Kiera Thompson, <em>clarinet</em>, Stephanie Krejcarek, <em>violin/mezzo soprano</em>, Margaret Cheng Tuttle, <em>piano</em>, Ben Fox, <em>oboe</em>, and Thea Lobo, <em>mezzo soprano</em>. Visit the <a target="_parent" href="http://www.serenatamusicians.com/Musicians.htm">Musicians</a> page to read individual bios.<br />
<br />
In addition to performing concerts, most of the musicians in SCM are available to play for weddings, parties, and other special events. To hire a musician or ensemble, please send an email with event details to <a href="mailto:serenatamusicians@gmail.com">serenatamusicians@gmail.com</a>.</font></p>"^^xsd:string |
| ?:Serenata Chamber Musicians, June 30, 2007 | "<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">June 30, 2007</font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">W. A. Mozart (1756-1791): <em>Sonata in C major, K. 521 for piano four-hands<br />
</em>I. Allegro<br />
II. Andante<br />
III. Allegretto<br />
</font>Margaret Cheng Tuttle, <em>piano, </em>and Yillin You,<em> piano (guest artist)</em></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Franz Schubert (1797-1828): <em>Fantasy in F minor for piano four-hands, Op. 103. D.940<br />
</em></font>Margaret Cheng Tuttle, <em>piano, </em>and Yillin You,<em> piano </em><em> (guest artist)</em></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Johannes Brahms (1833-1897): <em>Sonata for Clarinet and Piano, op. 120 No. 2<br />
I. Allegro amabile<br />
</em>II. Allegro appassionato<br />
III. Andante con moto - Allegro<br />
Kiera Thompson, <em>clarinet,</em> and Itamar Ronen, <em>piano</em></font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Established in Somerville, MA, in 2006, the Serenata Chamber Musicians is made up of 17 talented musicians from the greater Boston area. Since April, the Serenata Chamber Musicians have performed at the Lily Pad in Cambridge, St. Johns United Methodist Church in Dedham, Somerville Open Studios, the Somerville Public Library, and the Clarendon Hill Presbyterian Church in Somerville. In September 2006, the SCM began performing monthly concerts at the Clarendon Hill Presbyterian Church. </font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">The SCM is dedicated to reaching a wider audience by performing exceptional chamber music in various venues, from libraries to concert halls. Uniting in mixed ensembles of violin, viola, cello, piano, flute, clarinet, oboe, bassoon, harp, and voice, these enthusiastic musicians aim to make classical and new music concerts accessible and affordable to the general public. </font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Members of the SCM have performed locally in numerous new and classical music ensembles, including the Newton Symphony, the Gardner Chamber Orchestra, Boston Baroque, the Boston Symphony Orchestra, Musica Sacra, the Handel and Haydn Society, Radius Ensemble, the Boston Philharmonic, the Tanglewood Festival Chorus, the Cape Ann Symphony, and the Civic Symphony Orchestra of Boston, as well as internationally in Germany, Italy, Japan, Sweden and Israel.<br />
</font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000">Musicians: Timothy Blalock, <em>piano</em>, Orlando Cela, <em>flute</em>, Sivan Etedgee, <em>piano</em>, Katie Franich, <em>cello</em>, Elah Grandel, <em>bassoon</em>, Rebecca Hartka, <em>cello</em>, Annegret Klaua, <em>violin</em>, Jessica Lipon, <em>viola</em>, Melanie Maz, <em>violin</em>, Meghan Miller, <em>flute</em>, Monica Mitchell, <em>violin</em>, Itamar Ronen, <em>piano</em>, Kiera Thompson, <em>clarinet</em>, Stephanie Krejcarek, <em>violin/mezzo soprano</em>, Margaret Cheng Tuttle, <em>piano</em>, Ben Fox, <em>oboe</em>, and Thea Lobo, <em>mezzo soprano</em>. Visit the <a target="_parent" href="http://www.serenatamusicians.com/Musicians.htm">Musicians</a> page to read individual bios.<br />
<br />
In addition to performing concerts, most of the musicians in SCM are available to play for weddings, parties, and other special events. To hire a musician or ensemble, please send an email with event details to <a href="mailto:serenatamusicians@gmail.com">serenatamusicians@gmail.com</a>.</font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000"><br />
</font></p>"^^xsd:string |
| ?:Serenata Chamber Musicians, May 6 and 11, 2007 | "<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">May 6, 2007</font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Robert Schumann: Fantasy-Pieces for Clarinet and Piano, Op. 73<br />
Kiera Thompson, <em>clarinet,</em> and Itamar Ronen, <em>piano</em></font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Camille Saint-Saëns: Romance for flute and piano in D flat major, Op. 37<br />
</font>Orlando Cela, <em>flute</em>, and <font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Itamar Ronen, <em>piano</em></font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Robert Schumann: Three Romances for flute and piano, Op.94<br />
</font>Orlando Cela, <em>flute,</em> and <font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Itamar Ronen, <em>piano</em></font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">May 11, 2007<em><br />
</em></font></p>
<p align="left">Johann Sebastian Bach: Trio Sonata in B flat Major<br />
Meghan Miller, <em>flute,</em> Ben Fox, <em>oboe,</em> and Margaret Cheng Tuttle, <em>piano</em> </p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Established in Somerville, MA, in 2006, the Serenata Chamber Musicians is made up of 17 talented musicians from the greater Boston area. Since April, the Serenata Chamber Musicians have performed at the Lily Pad in Cambridge, St. Johns United Methodist Church in Dedham, Somerville Open Studios, the Somerville Public Library, and the Clarendon Hill Presbyterian Church in Somerville. In September 2006, the SCM began performing monthly concerts at the Clarendon Hill Presbyterian Church. </font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">The SCM is dedicated to reaching a wider audience by performing exceptional chamber music in various venues, from libraries to concert halls. Uniting in mixed ensembles of violin, viola, cello, piano, flute, clarinet, oboe, bassoon, harp, and voice, these enthusiastic musicians aim to make classical and new music concerts accessible and affordable to the general public. </font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif">Members of the SCM have performed locally in numerous new and classical music ensembles, including the Newton Symphony, the Gardner Chamber Orchestra, Boston Baroque, the Boston Symphony Orchestra, Musica Sacra, the Handel and Haydn Society, Radius Ensemble, the Boston Philharmonic, the Tanglewood Festival Chorus, the Cape Ann Symphony, and the Civic Symphony Orchestra of Boston, as well as internationally in Germany, Italy, Japan, Sweden and Israel.<br />
</font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000">Musicians: Timothy Blalock, <em>piano</em>, Orlando Cela, <em>flute</em>, Sivan Etedgee, <em>piano</em>, Katie Franich, <em>cello</em>, Elah Grandel, <em>bassoon</em>, Rebecca Hartka, <em>cello</em>, Annegret Klaua, <em>violin</em>, Jessica Lipon, <em>viola</em>, Melanie Maz, <em>violin</em>, Meghan Miller, <em>flute</em>, Monica Mitchell, <em>violin</em>, Itamar Ronen, <em>piano</em>, Kiera Thompson, <em>clarinet</em>, Stephanie Krejcarek, <em>violin/mezzo soprano</em>, Margaret Cheng Tuttle, <em>piano</em>, Ben Fox, <em>oboe</em>, and Thea Lobo, <em>mezzo soprano</em>. Visit the <a href="http://www.serenatamusicians.com/Musicians.htm" target="_parent">Musicians</a> page to read individual bios.<br />
<br />
In addition to performing concerts, most of the musicians in SCM are available to play for weddings, parties, and other special events. To hire a musician or ensemble, please send an email with event details to <a href="mailto:serenatamusicians@gmail.com">serenatamusicians@gmail.com</a>.</font></p>
<p align="left"><font size="2" face="Trebuchet MS, Arial Narrow, Times New Roman, sans-serif" color="#000000"><br />
</font></p>"^^xsd:string |
| ?:Sessions | "These songs are a part of a vast amount of recorded pieces I have made during 2005-Present. I have a little mix in this selection; Songs, Techno and Spoken Word."^^xsd:string |
| ?:Set Star | "This mini cd was inspired by the music of Gridlock. It is an experiment because it is based on an irregular rhythm: 11/8, exept the last track. Its mood sonds like ambient - cyberpunk - nocturnal - IDM and tries to transpose in music a strange dream."^^xsd:string |
| ?:Sevish EP | "<p class="normal">This was Sevish's debut project, the concept behind it being a small collection of Sevish's first tracks. It's a good look into his early stuff!</p>
<p class="normal"> </p>
<p class="normal">It features four tracks, <strong>Atlacamani</strong>, <strong>Galaga</strong>, <strong>Join the Corps</strong> and <strong>Divine Intervention</strong> and contains three B-sides for the fun of it. Total running time: 24:05</p>"^^xsd:string |
| ?:Sexo & Orgia | "See band description"^^xsd:string |
| ?:SGXRMX2 - SGX Remix Project 2.0 | "Once upon a time, the magnanimous SGX was troubled with a distinct lack of remix within his realm. "My followers must have remix!" he proclaimed. One fortuitous night, SGX descended into his forges of sonance and brought fourth four empyreal stem files. WIth a mighty heave, SGX scattered the stem files across the internet in the hopes that they might find their way to the finest of songsmiths in the realm. <br />
<br />
For several moons SGX waited. Finally, 18 honorable champions of the remix presented SGX with their best efforts. SGX observed these remixes and reflected upon the many hours his subjects spent toiling for the good of the realm. Eleven remixes shone even brighter than the rest. The remixes pleased SGX, however the number eleven did not. "One more remix must be forged!" SGX determined, so he descended once again into his mighty sound forge and produced one final, glorious remix himself. <br />
<br />
"These excellent etudes must be heard by anyone with an ear for the sublime, young and old, far and wide!" SGX decided. With this in mind, SGX set forth to construct a vehicle for the delivery of these magnificent remixes. He wondered, "How does one amalgamate such greatness into one place?" Of course! The only solution was to construct the mightiest album ever known! "I shall call it SGXRMX2 - the SGX Remix project." And so it was."^^xsd:string |
| ?:Shapeshifter | "Shapeshifter was the culmination of many hours spent in an unfinished concrete basement in Montreal's trendy Plateau district. The songs, all written by Ben Wilkins, took form as the band began to define their sound. All of the arrangements, also composed my Mr. Wilkins, were the generous contribution of fellow aspiring artists emerging from the fertile talent-pool of Montreal's youth culture."^^xsd:string |
| ?:Share | "Volume 5 from the Fading Ways Music Share sampler series, licensed under Creative Commons, is the heaviest Share sampler thus far. For earlier Share samplers please visit: www.fwshare.co.uk"^^xsd:string |
| ?:Shouting Through Wormholes | "Our first release, our 3 favorite songs we've written, as of yet. There is definitely more to come, in this style. "^^xsd:string |
| ?:Shunya Ki Kokh Se | "Portraits of life within the spectrum of visions and sounds. A journey that never ends..."^^xsd:string |
| ?:sick monkey | "its from 2005. nothing special. :)"^^xsd:string |
| ?:Sick Society | "Punkrock filled with high-energy songs that you just can't resist."^^xsd:string |
| ?:significance | "significance part 1 - day / earth / hadit<br />
<br />
1. 1st lite<br />
2. direct sun<br />
3. twilite<br />
4. in2thenite<br />
<br />
<br />
significance part 2 - night / space / nuit<br />
<br />
5. mothership<br />
6. chaos variable<br />
7. time collision<br />
8. strange attractors<br />
9. plutonia"^^xsd:string |
| ?:Silence please | "Mix of new and old works.<br />
Hope you'll enjoy them."^^xsd:string |
| ?:Silencios: Habitación vacía | "Grabación en directo de la muestra del proyecto "Silencios" en la segunda sesión del ciclo de actuaciones de En Busca Del Pasto en LA CASA DE LOS JACINTOS el 29 de diciembre de 2006.<br />
<br />
Una habitacón vacía está llena de sucesos: se producen en su silencio cargado <br />
de caprichos. EBDP pretende asociar esta idea del silencio real con su forma <br />
de producción musical basada en la estricta improvisación.<br />"^^xsd:string |
| ?:Silver | "As Powder French, Gregg Puchalski records some of the most seriously music on this - or any other - planet! Silver extends the meaning of warped to include some kind of instability in addition to electronic manipulations. These five compositions are dense and full of wildly experimental sounds, timbres and textures. Gregg surrounds them with dark atmospheres, sinister rhythms and harsh bass lines. Feedback and static add to the confusion and the danger. This is ominous stuff with dark and harsh edges. It is also excellent music, worth its weight in, well, brass anyway!"^^xsd:string |
| ?:Singel Jaana | "<font style="FONT-SIZE: 15px" face="Arial" color="#646464">This song was just made after I came home from school and I was quite tired of learning so I made a start with this song and it took about 3 hours first and a few hours on the next day. Its simplicity is the key that makes it sound so beatiful and looks like repeat button on mp3 player was invented to play this song all day long. I hope you like it as much as I do!</font>"^^xsd:string |
| ?:Sirdis | "<strong>Production Notes<br />
</strong>Compiled Jan/03 from recorded material 01/02.<br />
Edited by RB March/03 at Estudio Paciente.<br />
Mastered by RB Aug/05 at Estudio Paciente.<br />
<br />
<strong>Performance<br />
</strong>Raul Bonell - tapping guitar, loops, samples, radio.<br />
Antoni Joan - percussion & treatments.<br />
<br />
Mostly improvised and recorded live to 2-track.<br />
<strong></strong>"^^xsd:string |
| ?:S is for Shadows | "<font face="Verdana" color="#97a5ca" style="font-size: 7pt;">802t | Beneath | Capsule | Departure | Elim<br />
Emergence II | Emp | Flashback | Hidden<br />
Impulse | Mintaka | Niflheim | Pages<br />
Panacea | Precursor | Reluctance | Sleep<br />
Spark</font>"^^xsd:string |
| ?:Sit Alone | "this is my 9th self-produced album.<br />
<br />
it ranges from progressive rock to orchestral, from experimental electronica to space rock, from jazz to ambient.<br />
complex, with almost no central melody, somehow uneasy."^^xsd:string |
| ?:Sketch | "This is a short piano solo album by KeroDean. Composed entirely on a 2 octave midi keyboard using Sample Tank 2 and Acid 6. This entire album was composed within 24 hours."^^xsd:string |
| ?:Slide Into Euphoria | "Slide Into Euphoria"^^xsd:string |
| ?:Smoky Jazz Dub | "<p> </p>
<h3>Smoky Jazz Dub<br />
is a journey, its a story of a single night...</h3>
<p><strong>(after hours)</strong> you are out late drinking your troubles away in a sleezy jazz bar, you find yourself chatting with someone. You're both happy of the company.</p>
<p><strong>(back for coffee)</strong> Time passes and you decide to go back to their place for a coffee. Things get laid back, chilled out and physical.</p>
<p><strong>(shuffle)</strong> Soon passions rise, things get heated and the night begins....... </p>
<p><strong>(countdown)</strong> its much later, things are calm again, you both drift in and out of consciousness in each others arms, exhausted, yet vaguely thoughtful of the night that's almost finished.</p>
<p><strong>(good bye and so long)</strong> ..... morning comes, its time to face reality, you can stay and face the awkwardness or you can quietly get dressed and leave. You decide on the latter, you leave a little note - good bye and so long x </p>
<p> </p>"^^xsd:string |
| ?:Social Espionage | "Electronic music"^^xsd:string |
| ?:So Many Songs | "<p>It's a big pleasure for me to present you this collection containing some of the songs that mean very much to me. I've sung these songs many times, but this is the first time that I'm recording them on CD.</p>
<p>This album would have not been possible without my longtime group the 3Tones and their incredible vocal harmonies, neither without the support from my fans. I love you all.</p>
<p>Finally, I want to dedicate this album to those who thought that Jaimina Johnston would not sing anymore, after double vocal cord surgery and one year and a half prison for tax evasion. You were wrong!</p>"^^xsd:string |
| ?:Some of my works from 1995-2005 | "Some of my works from 1995 - 2005"^^xsd:string |
| ?:Something Old, Something New | "<p>This is a mix of new and old material. 3 tracks were recorded recently and there are tracks from as far back as 1985.</p>
<p>As a mix of songs, I'm perfectly happy to follow up DD10 8TW with this. Hope you like it.</p>
<p>Ally</p>"^^xsd:string |
| ?:Sonata for Cathryn | "This is a solo piano work which I wrote for my friend Cathryn's 21st birthday. "^^xsd:string |
| ?:songs for "NO ZERO ZERO" project | "Songs for "NO ZERO ZERO" project.<br />
<br />
Guido Segni's tribute against the <a href="http://www.nozerozero.org">NO ZERO ZERO</a> project."^^xsd:string |
| ?:Songs for the Wild-At-Heart | "This is my second album, originally recorded from 2004-2005, and as with all second albums things got a bit hairy. The Great Tape Shortage of 2005 caused problems, and after that the mastering took about six months to complete. The second 'side' is a concept piece based on the DMFA webcomic by Amber Williams. My personal favourites on this album are 'Borderline' and 'Journey to the Kingdom of Holly-Ann'.<br />
<br />
Guest vocals include James Rolls, Roberta Bergin, Chris 'Keiel' Johnston and Tezkat. The cover art was drawn by Allie Manydeeds.<br />
<br />
A PDF version of the cover with full lyrics and liner notes can be found here: <br />
<a href="http://dougtheeagle.com/sftwah/sftwah.pdf">dougtheeagle.com/sftwah/sftwah.pdf</a>"^^xsd:string |
| ?:Sophocles tragedy:Women from Trachis | "<p>Live recording of a reharsal for the National Theatre of Northern Greece performance in Epidavros ancient theatre.</p>
<p>A singer-Elsa Mouratidou- and 20 actresses accompanied by celo,violin,electric guitar and drums</p>"^^xsd:string |
| ?:Sophomore Jinx | "Sophomore Jinx is my first professional recording effort. This album is about second chances, hopes, dreams, and following my passion. "^^xsd:string |
| ?:Soundspill | "Soundspill is the very first full-length album from the eclectic imaginations of Macadamia. Featuring some wonderfully experimental production spanning many different musical genres, we think you will find this LP a suitable accompaniment to being trapped inside a sugar-coated fairytale with only a magic whistle for company.
As the sound waves sweep over you, do not be afraid to journey deeper and deeper into the cavernous bubblegum exteriors of the sound dungeons and ride the staves of the Soundspill to audial enlightenment. Start your adventure by pressing play."^^xsd:string |
| ?:Sousaku Can - Selected Works 2001-2005 | "Grünemusik is the name of a unit owned by hikaru (nankado). He's been publishing some experimental-pop tunes since around 2000 in Japan. The album is a compilation of his selected works between 2000 and 2005, with wide variation of tracks, from a pop tune to a sampled-noise soundscape. Hope you enjoy them. The adorable characters on the CD jacket are created by Ms. Copernicus (a.k.a. The Egg of Copernicus), a fascinating person herself as a very productive illustrator-cartoonist as well as a craftsperson, who resides in Kagawa Pref. in Japan."^^xsd:string |
| ?:Sparks | "A compilation of ten tracks originally put together as a benefit release for Old Pueblo Trolley in Tucson, Arizona, USA. That project got stalled by politics, however, so I'm putting the thing out into the wild. A few cuts have seen previous release, and the tracks "Railroaded" and "Industrial Skating" were recorded with the participation of the Tapegerm Collective."^^xsd:string |
| ?:SPECIMEN, sounds for the Diegonante´s videos | "SPECIMEN was the live music for the performance in Karmanoia theater (Berlin, September 2006) with Todd Ford."^^xsd:string |
| ?:spinning into control | "<p>my third album. songs created up to 6-07</p>"^^xsd:string |
| ?:Spirali | " "^^xsd:string |
| ?:Spirit Jewel vol. 1 | "<p> </p>
<p><em>Spirit Jewel</em> is a play on a word. The <em>Vox Variations</em> were all based on three short clips from an impromptu guitar/vocal recording. There are no keyboards or synthesizers.<br />
</p>
<p>Some examples:<br />
<br />
The percussive sounds (e.g. <em>Spirit Jewel Part I</em> and <em>Amethyst</em>) were created by forcing clipping by manipulating amplitudes and shaping loops. Generally, clipping is anathema to sound production. In this case it's intentional. Another example is the seeming chord progressions (e.g. <em>Mother of Pearl</em> and <em>The Opal and the Moonstone</em>) that provide the only semi-melodic tones you'll find. They were accomplished by altering the pitch from segments of the original three waveforms.<br />
</p>
<p> -- J</p>
<p><br />
</p>
<p> </p>"^^xsd:string |
| ?:Spirit Jewel vol. 2 | "<p><em>Spirit Jewel</em> is a play on a word. The <em>Vox Variations</em> were all based on three short clips from an impromptu guitar/vocal recording. There are no keyboards or synthesizers.<br />
</p>
<p>Some examples:<br />
<br />
The percussive sounds (e.g. <em>Spirit Jewel Part I</em> and <em>Amethyst</em>) were created by forcing clipping by manipulating amplitudes and shaping loops. Generally, clipping is anathema to sound production. In this case it's intentional. Another example is the seeming chord progressions (e.g. <em>Mother of Pearl</em> and <em>The Opal and the Moonstone</em>) that provide the only semi-melodic tones you'll find. They were accomplished by altering the pitch from segments of the original three waveforms.<br />
</p>
<p> -- J</p>"^^xsd:string |
| ?:Spirits of Ancestors (EP) | "<p>Slow <font face="Arial">meditative soundscapes inspired by Native American culture.</font></p>
<p>There were some errors in encoding - a lots of pops and clicks in the first track, especially in OGG stream, but the downloaded version seems to be OK.</p>
<p>For more information about the album please read <a href="http://www.jamendo.com/en/forums/discussion/1356/replies-to-the-review-of-kraftim/">this</a>.</p>
<div style="margin:3px;"><a rel="rdfs:seeAlso" href="http://www.jamendo.com/album/6123/"><img style="border:0;" alt="Jamendo : Free music" src="http://img.jamendo.com/ext/jamendo1.png" /></a></div>"^^xsd:string |
| ?:split w/ Sam & Luke | "Here it is, the split CD- I did the even tracks and a folk rock band called "Sam & Luke" did the odd tracks. It was packaged in a 7" sleeve. It didn't look like a CD. The record stores didn't know what to do with it. It didn't have a title. Promoting it was difficult, had to explain, "it's a split CD, a band named "Sam & Luke" did the odd tracks and a guy named "John Holden" (who is me) did the even tracks. I ended up pretending I did all the tracks because I didn't have the patience to explain it. As you can see from the above track listing, it's still causing me problems. I don't know what to do with this thing.<br />
<br />
But despite everything, we managed to sell 100 copies for $5 a piece, had fun doing it, put on a great release party, and broke even. And I still like the way it flows, with the folk rock giving relief to the spoken word. <br />
<br />
The music on my tracks was done by Hans Johnson and was recorded in his parents house in 2004. He used to back me up at the coffee shops and open mics around the Twin Ports. Sometimes he played a keyboard and sometimes he wore a bandana and played two toy guitars at the same time."^^xsd:string |
| ?:Spontaneous | "<div align="justify"><em><strong>Spontaneous</strong></em> is the second solo album but the idea of this registration is the same of the previous album <em><strong>JazzMoves</strong></em> but in a better way and with a better sound. <br />
<br />
All the guitar tracks are recorded in <strong>one shot</strong> mode and <strong>without overdubs</strong>.<br />
</div>"^^xsd:string |
| ?:Spread The News, All Is Well, Be Afraid | "<p align="left"><strong>Spread The News, All Is Well, Be Afraid</strong> is a four track, self produced, self funded, one-man-band attempt to prove that good music needn't be expensive. Recorded, produced, and mixed in his living room, one instrument at a time, layer upon layer, a mini masterpiece is born.</p>"^^xsd:string |
| ?:s/t | "Eight compositions improvised within our practice space, with no overdubs or studio trickery other than light mastering work.
<p class="text">R E L -- drums, effects<br />
Rob Levy -- laptop, keyboard, homemade instruments, effects<br />
Justin Grotelueschen -- microphones, flute, beer bottles, effects</p>"^^xsd:string |
| ?:stadam's | "my first album"^^xsd:string |
| ?:Start Heading Home | "... and eleven more."^^xsd:string |
| ?:STECK - The Best Bitz | "<h1>upload experiment/trial of jamendo</h1>
<p>If this works, I will upload more content. </p>"^^xsd:string |
| ?:Stellar Vector - You're Not Included. | "Debut EP from Minnesota Progressive Electronica band Stellar Vector. Five songs of rock anthems and experimental study in the merger of Progressive Rock and Electronica. Often classified as Electro-Punk.<br />"^^xsd:string |
| ?:Strangers | "<h3>A collection of otherwise unavailable material created by the starfirefive. Additional production work and composition by Lisa Fletcher of The Swerve & Block Design.</h3>"^^xsd:string |
| ?:Strawberries from outer space | "<p>This is a vojage in a Space B movie soundtrack whit an elettronic minimal ship. </p>
<p>Amazing packaging, and sound too</p>
<p>send me a mail if you want buy.</p>"^^xsd:string |
| ?:Styptic Pencils "Golden Pencils/Golden Drugs" | "Styptic Pencils is the first project between Drugged Killer and Jeremy "The Kid Who Could Do Everything" Brothers. It is still their favorite collaboration album. Here are three songs from the work. They would like to thank "the blue" for making these tunes possible."^^xsd:string |
| ?:Styrke gjennom ensomhet | "Originally released in a very small edition on tape in 2003."^^xsd:string |
| ?:Submariner Story | "Underwater both surface experiences...<br />
Released on Clinical Archives.<br />
http://www.clinicalarchives.spyw.com/"^^xsd:string |
| ?:Summer Island (1997) | "<h2><a title="Lien permanent vers Cyborg Jeff & Tbob : Summer Island" rel="bookmark" href="http://cyborgjeff.untergrund.net/wordpress/2007/10/03/cyborg-jeff-tbob-summer-island/">Cyborg Jeff & Tbob : Summer Island</a></h2>
<hr class="title" />
<p> </p>
<div class="entry">
<p><img title="Summer Island redo" style="WIDTH: 200px; HEIGHT: 200px" height="200" alt="Summer Island redo" hspace="10" width="200" align="left" vspace="10" border="1" src="http://cyborgjeff.untergrund.net/wordpress/wp-content/uploads/2007_4/cover_1.jpg" />Il y a quelques mois, je vous présentais mon premier album CD, <a target="_blank" href="http://cyborgjeff.untergrund.net/wordpress/2007/05/14/10-ans-plus-tot-divagation/">Divagation</a>, sorti en mars 97, dix ans au paravant. J’en profite donc pour enchainer ainsi sur cette retrospective avec l’album <strong>Summer Island</strong> sorti fin août 1997.</p>
<p>Cette fois, l’album s’oriente nettement plus vers des titres “Dance”… mes fans de la première heure se souviendront bien évidemment des “<a target="_blank" href="http://cyborgjeff.untergrund.net/site/modules/mydownloads/singlefile.php?cid=12&lid=422"><strong>You’re my sun</strong></a>” et autres “<a target="_blank" href="http://cyborgjeff.untergrund.net/site/modules/mydownloads/singlefile.php?cid=12&lid=531"><strong>Rendez-moi mes rêves</strong></a>” !</p>
<p>Et puis, il y a le évidemment tube de l’été !!!…. “<a target="_blank" href="http://cyborgjeff.untergrund.net/site/modules/mydownloads/visit.php?cid=12&lid=380"><strong>Viens au Soleil</strong></a>”</p>
<p>Remettez vous dans l’ambiance de l’époque. En 1997, les boys band ont la quotte. <a target="_blank" href="http://www.youtube.com/watch?v=ynERcF26NQ8">2 Be 3</a> et autres <a target="_blank" href="http://www.youtube.com/watch?v=4KtybG-Qv5Y">Alliage</a> se taillent une belle part d’antenne sur les radios, et je décide donc d’écrire un genre de parodie pour un groupe S.S.S. (Sea Sun Sex) qui devait être composé à la base de Thierry, mon frère et moi.</p>
<p>Pour finir, c’est avec Valentin que je lance le projet afin d’enregistrer le titre en studio et d’en réaliser le clip vidéo au studio Quena Arèdje (tiens donc ;p)</p>
<p align="center"><br />
--><br />
<em>Désolé, la K7 vidéo a bien souffert</em></p>
<p align="center"></p>
<p> </p>
<p>A l’époque, <strong>Tbob</strong>, alias Valentin Boigelot, agé d’un bon 15 ans, est ce que l’on pourrait appelé mon disciple musicale. Il a fort envie d’être musicien. Il gratouille déjà la guitare, il a pas mal d’idées, et je fais de mon mieux pour lui transmettre mes connaissances en Sound Tracker. Alors qu’à l’époque, j’enchaine à un rythme infernal les nouvelles compositions (les filles, ca fait écrire ;p), il a de son coté tellement envie d’y arriver, qu’il brûle un peu les étapes… Tout cela pour vous dire, qu’à l’époque certains titres de cet album sont annoncés de son nom sans l’être…. Erreur de jeunesse que l’on peut excuser, il prouvera par la suite être capable de faire du bon travail aux éloges méritées.</p>
<p><img title="SSS : Tbob, Delphine, Cyborg Jeff" height="226" alt="SSS : Tbob, Delphine, Cyborg Jeff" hspace="10" width="237" align="right" vspace="10" border="1" src="http://cyborgjeff.untergrund.net/wordpress/wp-content/uploads/2007_4/Sss597.JPG" />Bref, Summer Island se dessine sur base d’un premier CD 6 titres que nous avions ensemble réalisé pour l’anniversaire de Delphine, … nous nous sommes alors dit, et si l’on faisait un album complet avec nos meilleurs morceaux… et même moi, en remixant quelques un des meilleurs titres de Val. Nous voilà donc à préparer tous nos titres avant de les aménés chez un pirate informatique capable de nous graver un CD (ben oui en 1997, “monsieur tout le monde” est loin de disposer d’un graveur sur son ordinateur !)</p>
<p>Sur cet album, on retrouve d’autres titres intéressants tel que <a target="_blank" href="http://cyborgjeff.untergrund.net/site/modules/mydownloads/singlefile.php?cid=12&lid=421"><strong>Robinson Crusoë</strong></a>, un cover Dance de Message in Bottle du groupe <a target="_blank" href="http://www.youtube.com/watch?v=eJJgM23gLh8">The Police</a>, ou un titre techno à la <a target="_blank" href="http://www.youtube.com/watch?v=JOy5LOsV6Vs">Faithless</a> sur le thème du film les <a target="_blank" href="http://www.youtube.com/watch?v=L4dno1J6xxo&mode=related&search=">3 Frères de Inconnus</a>, <a target="_blank" href="http://cyborgjeff.untergrund.net/site/modules/mydownloads/singlefile.php?cid=12&lid=57"><strong>Cent Patates</strong></a>.</p>
<p><img title="Summer Island 1997" height="149" alt="Summer Island 1997" hspace="10" width="150" align="left" vspace="10" border="1" src="http://cyborgjeff.untergrund.net/wordpress/wp-content/uploads/2007_4/Sum.jpg" />Au niveau technique, cela sonne évidemment bien sur Sound Tracker, pas de miracle, je compose toujours sur un brave petit Pentium 120mhz avec 8mo de mémoire, et toutes les voix (hors Viens Au Soleil) sont donc de simples samples ajoutés dans le fichier .IT et gérés par Impulse Tracker. Ce point d’ailleurs était un bon tour de force technique… même si les puristes démoscèniens ont souvent du mal à aprécier mon superbe accent anglais ,)</p>
<p>Remerciements de l’époque : The Police - François Barré - T.R.S.I. - Delphine Jacqmard - Julie Libin- Thierry Dubois - Vivien Vanoirbeek - Sylvain Martin - Eglantine Nicolas - Rudy Boigelot - André Rombauts - Didier Rombauts - Simon Boigelot - Wivine Rombauts - Les Inconnus.</p>
<p>Vous pouvez télécharger MP3s et modules .IT depuis le mini site <a href="http://summerisland.cyborgjeff.com/">http://summerisland.cyborgjeff.com</a> ou télécharger l’album complet depuis le site <a href="http://www.cyborgjeff.com/">http://www.cyborgjeff.com</a> (<em>le tout très prochainement disponnible</em>)</p>
</div>"^^xsd:string |
| ?:Sunny Sunday Afternoon (EP) | "<p>This is the first album to be released on Bi-Sensual Productions.</p>
<p>Bi-Sensual Productions is a new label founded in October 2007 by Remco Moonen (DJ Re-Moon/DJ Amy Moon) to publish and promote his own music and music by beginning bands and his friends.</p>
<p>This first release contains 5 tracks by DJ Amy Moon.</p>
<p>Something about the tracks:</p>
<p>01. Sunny Sunday Afternoon: An experimental dance/electro tune, inspired by the lazy feeling of a very sunny sunday afternoon. It was produced during 1 sunday afternoon in 2006.</p>
<p>02. Bass-Ic Bi-Ology: Another experimental dance/electro tune, based on an interesting bassline, which initially was play by DJ Amy Moon on his bass by accident. It got stuck in his mind, which led to the producting of this tune during August 2007.</p>
<p>03. Bi-Sensual: Another experimental dance/electro tune, based on the fact that DJ Amy Moon is Bi-Sensual. Bi-Sensual is another word for the combination between bisexuality and asexuality. It tends to touch your senses right from the start. This one's produced during March/April 2007.</p>
<p>04. Sleepless Nights: Based on a lot of weeks filled with sleepless night, this dance tune takes you into trance and makes sure your insomniac will disappear. Sleepless nights was produced during a couple of sleepless nights in October 2006.</p>
<p>05. Voices: An all-time classic by DJ Re-Moon, remastered and back to the tracks by DJ Amy Moon. A catchy vocal, a nice bassline and hypnotising samples take you to the place you go when getting high. I hear voices, they are calling me... Originally produced in 2000 by DJ Re-Moon, remastered in October 2007 by DJ Amy Moon.</p>
<p>DJ Amy Moon is actually the same person as DJ Re-Moon. Why this new name? He started to produce music under a different name than mixing music. So basically he come to the point where all megamixes from now on will be made under the name DJ Re-Moon, and all own productions and remixes will be provided with the name DJ Amy Moon.</p>
<p>We want to wish you lots of pleasure dancing to these tunes.</p>"^^xsd:string |
| ?:Syncretic Beliefs | "Solo jazz piano album by Jonah Dempcy. Featuring original modern jazz compositions."^^xsd:string |
| ?:Synesthetic | "Synesthetic is a collection of great trance, breakbeat, and chill electronic music that has an emphasis on melody. <br />
<br />
This is a demo album. Please consider purchasing the CD or download version of the album to get the exclusive tracks. "^^xsd:string |
| ?:tabako trio live | "<p>music originally writen for 3 different theatre plays :</p>
<p>Toi et tes nuages (E.Westphal),Ion (Euripides),Nora (Ibsen)</p>
<p>live studio recording</p>"^^xsd:string |
| ?:Take it or Leave it | "This album combines elements of rock, punk, and surf by means of an acoustic guitar, bass, and a beat making program. Where it lacks in quality it makes up for it with potential in its sublime melodies and catchy compositions. No filler songs here, each one is totally unique from the others and was choice picked from the original TQO song line up- of songs that could be turned acoustic. So if you're willing to look past the blemishes in the recording process then you have found one of your new favorite albums."^^xsd:string |
| ?:Taking out the Trash | "<p>Taking out the Trash is a compilation of raw tracks improvised on the fly and is totally experimental in nature. From Rock mixed with Electronica to almost dance, ambient and glitch, this mix is minimalistic yets flirts with distorted complexity. </p>"^^xsd:string |
| ?:Tapage chante Noel | "<p>Ce n'est pas un album de TAPAGE NOCTURNE mais une cassette cadeau que le groupe avait voulu faire à ses amis pour Noël 1996.</p>
<p>Tout a été composé en une soirée un petit peu arrosé et enregistré live (ça s'entend :)), c'est un delire rien de plus, mais les chansons passent régulierement sur les ondes des radios locales Corse à chaque fin d'année.</p>
<p>A ecouter au casque durant la periode de Noël !</p>
<p>Chant : Philippe Ferrer / Dumé Tomasi / Pierre Exiga</p>
<p>Mandoline : Pierre Michelangeli</p>
<p>Flute : Dumé Tomasi </p>
<p>Guitare : Philippe Ferrer </p>
<p>Jouets : Philippe Ferrer / Dumé Tomasi / Pierre Exiga / Pierre Michelangeli</p>"^^xsd:string |
| ?:Tapage Nocturne | "<p>C'est le 1er album du groupe Tapage Nocturne.</p>
<p>Cet album fut enregistré en 1992 à Bastia et distribué par le label Melodie en 1993. il fut vendu à plus de 4000 exemplaires, surtout localement en Corse.</p>
<p>Extrait de la plaquette lorsque le groupe etait decouverte du Printemps de Bourges en 1992 :</p>
<p><u><strong>Tapage Plait aux intellos</strong></u></p>
<p>Car sous l'apparente grossierté (et non pas vulgarité) du texte, les rimes y sont riches, le verbe fort et les réferences littéraires. De plus, il evoque des thèmes intemporels tels que le sexe des anges, la perversité, le péché originel, le bien, le mal, l'amour, l'animalité, l'action humanitaire véreuse, le sado masochisme, le rejet de l'autre et l'envie de soi, la philosophie hégeliene et l'âme des insectes.</p>
<p><strong><u>Tapage Plait aux jeunes filles et aux jeunes gens</u></strong></p>
<p>En effet, l'adolescente post-pubere et le jeune garçon pré-adolescent peuvent enfin dire : "j'aime le vrais rock pur et dur ! ". Mais ce dont ils ne se rendent pas compte, c'est que malgrés tout, ils restent seduits par l'apparente naÏveté et simplicité de la melodie qui leur rappelle les innocentes contines de leur enfance.</p>
<p><strong>Car c'est aussi ça TAPAGE, un pied dans la pureté de l'enfance et un autre dans le monde terrible mais si attirant de l'adulte.</strong></p>"^^xsd:string |
| ?:Tasty Titee | "Bars is about creating atmos in spheres or atoms in spheres.<br />
Its a dancy tune and is a remix of a very different sounding tune.<br />
Bars is an upbeat celebratory peice telling us the stories of Bars<br />
accross the world and people drinking in them taking alcoholic<br />
drugs in many different varieties to intoxicate themselves from<br />
the life they live. Its also about the Bars that hold us back from <br />
experiencing total freedom at all times.<br />
<br />
<br />
<font size="+2" color="#ff0000"><span style="font-size: 24px;">By reading this text you have destroyed the walls of the sanity room and rescued yourself from an afterlife insurance policy that was dishonoured all along. There is no guarantee of an Omnipresent Being congratulating you for being good. All there is, is more of what you have now; policy ! Escape from the inner cops, they are controlled by the external forces. This is everything that is outside you which is always more of what is inside you. It is fair to say that there is always more external energy than there is internal energy.<br />
Eg. Lets say inside you there is 10, outside you would be 100000000000000000000000000000.<br />
This is because we are only a certain amount of energy. We are not all the energy, neither do we represent all the energy, just a portion of it, that in the overall picture, is infinitesimal. Things outside us are bigger. They are stronger and braver, smarter and more beautiful, yet they can't count themselves amongst the ones who can. For the ones who can enter their dreams and read their minds, The external ones like Duality are not safe from the ones who can. Both Luth Starslapper and Dark Verandah hide in fear, inside total terror, grinding there bones for relief when the one who can starts looking into the other rooms. The external ones flee from the scene as freedom raises its head which is joined to a magnificent being. These beings are the ones who can and you know who they are.</span></font>"^^xsd:string |
| ?:taxonometrie | "Some music stuff from the last year."^^xsd:string |
| ?:Techno Dance Victim | "Original version was released in 2000 and sold a few actual physical CDs. I did these tracks mainly for fun, although my peculiar group of musical interests come charging in as usual (thundering percussion, the electric shamisens on "Bullet Train" -- this is the original spot for that -- weird effects on "Cyberspace", goofy stuff on "Oblate Dub.") "Sons Of The Desert Wind" kept turning up as a featured track in Internet radio sites, and "Frankie," with my various voices, almost ended up on a horror movie soundtrack. "Yield!" and "Oblate Dub" are bonus cuts."^^xsd:string |
| ?:TeddyBear Trilogee | "This single was originally published somewhere between 1996 ans 1997. Can't remember exactly when. Some of these songs were also made together with Al Cabaro alias Parametric. Thanks to AC and thanks to all my friends.<br />
<br />
Republished May 2007. Have fun!"^^xsd:string |
| ?:Tempest | "This is an instrumental album which features elements of progressive rock and melodic guitar."^^xsd:string |
| ?:Tempted To Remix | "DJ Lux and a second album . . . "Tempted To Remix" . . . electrifying the sonic genres of electronica, techno, and dance pop with tight beats and a hypnotic love of music, DJ Lux will rewire your neuronal networks without a doubt. Always tempted to remix, DJ Lux releases a new clan of songs for your listening pleasure.
This is hedonism for the musically-inclined . . . "^^xsd:string |
| ?:Terminus | "Postrock, Spacerock, Neo Prog"^^xsd:string |
| ?:Terrus LP | "This is my fifth release, & one where I decided to do things differently. It's a much more experimental album, and has elements of r'n'b (warrior, for example,) industrial (Indestructible,)<br />
electronic (Eggami) & many more. I just really wanted to experiment with different sounds, & try to merge as many genres as possible. Also the song structure I tried to make more abstract, rather than the usual pop song format. <br />
<br />
It was recorded at my home studio, with a variety of computer based programs and other recording equipment. I used Audacity for most of the mixing & editing, plus recording of live instruments, alongside a behringer xenyx 802 mixer, hooked up to my pc line in input. For most of the synths & processed beats I used FL studio 6, as well as a yamaha psr-550 keyboard & a zoom mrt-3 drum machine.<br />
<br />
The live instruments used in this recording were as follows:<br />
squier telecaster electric guitar<br />
yamaha pacifica electric guitar<br />
a mandolin<br />
yamaha keyboard (mentioned above)<br />
a freshman acoustic guitar<br />
& a yamaha electric bass<br />
<br />
I play all the instruments & sing all vocals on this album.<br />
<br />
Anyway I hope you enjoy this recording!<br />
<br />
For me information about me & my music go to <a href="http://www.myspace.com/mjronline">www.myspace.com/mjronline</a>"^^xsd:string |
| ?:Te (single) | "A single album with the song "Te" (Tea), since we wanted to release it as soon as possible."^^xsd:string |
| ?:Textures [2006 Remixed & Remastered] | "<p><font face="Arial">Textures can only be described as a musical journey. When I originally sat down and planned the CD, my intention was to create a continuous piece of music that re-used themes and loops comprised entirely of shorter tracks of around 2 minutes in length. It's a strange way of doing things but I liked the idea of creating small pieces of music that can stand alone, but also sit together with the whole.</font></p>
<p><font face="Arial">And so Textures was borne. Most of the tracks are 2 minutes and shorter and are entirely instrumental. There's a variety of styles and genres, ranging from calm soundscapes, ambient dance and out-and-out rock and roll.</font></p>
<p><font face="Arial">I am particularly proud of Textures and I hope that those of you who buy a copy will find much on the disc to enjoy.<br />
<br />
--------------------------------------------------------------------<br />
Darren Lock is musician who has been recording his own music for over 10 years. His CDs are mainly instrumental pieces featuring virtual guitars, bass, keyboards, loops and ambient soundscapes.</font></p>
<p><font face="Arial">-----------------------------------------------------------<br />
Still not sure? How about a FREE sample of Darren Lock's music? You can now download a CD's worth of music and print your own CD inlays. How? Just visit the link below:</font></p>
<p><font face="Arial">http://www.darrenlock.com/mt/archives/2005/10/easy_listening.html<br />
-----------------------------------------------------------<br />
Do you want to get some free music delivered straight to your PC? Are you part of the iPod generation? Do you love podcasts? If the answer is yes to any of those, check out my regular podcasts. Below is the RSS feed, so paste it into your news feed reader and my latest demos and podcasts sent down your pipe. </font></p>
<p><font face="Arial">http://www.darrenlock.com/podcast.rss</font></p>"^^xsd:string |
| ?:thank u mama | "<p>this is my way of thanking my mom for all that she has done</p>"^^xsd:string |
| ?:Tha Silent Partner V.S. Cold_ELF-Silent_ELVES | "<strong>Thank you.</strong><br />
Cold_ELF and Tha Silent Partner would like to thank you for downloading their free project*. By downloading this and ultimately passing it on to others who might enjoy it, you are supporting the art of good music that happens to be free for all. Because before there was the $$$$, there was the love for it.<br />
<strong>Synopsis.</strong><br />
Silent_ELVES is an instrumental E.P. Produced by Tha Silent Partner based on the samples given to him by Cold_ELF**. No formula or mold to follow, just a feeling. Each track has its own feel and sound, but there is a lo-fi ambience that is present. There are 5 tracks clocking less than 18 minutes. Also there are bonus tracks, but they will be released at a later time.<br />
<em>* Certain copyrights are still standing. This release is licensed under the Creative Commons Attribution-Share Alike 2.5 License. Here for more info.<br />
** “Mark’s Lude” is produced by Cold_ELF- The samples in “Why” are from Tha Silent Partner’s stash.</em><br />
<strong>www.thasilentpartner.net<br />
www.thebruise.com<br />
www.brutalgiftland.com</strong>"^^xsd:string |
| ?:That's Life | "An eclectic album. Styles range from blues to ballad, subject matter from love to god to nostalgia."^^xsd:string |
| ?:That's Life | "An electic album. Styles range from blues to ballad, subject matter from love to god to nostalgia."^^xsd:string |
| ?:The Acedia Project A.D. (Acoustic Demo) | "<p align="center"><u><strong>The Acedia Project A.D., 2005</strong></u><br />
The first acoustic demo, The Acedia Project, is the lethargic state of a life without Christ. It chronicles the life of sin and confusion. The higher point of the album is, that once turning to Christ, you're set free of the torment of losing interest in life.<br />
</p>"^^xsd:string |
| ?:The Art of Boredom - A Arte do Tédio | "<p>The Art of Boredom</p>
<p>Download the PDF booklet (link)</p>
<p>more information coming soon</p>
<p><a href="http://www.gustavojobim.com">www.gustavojobim.com</a></p>"^^xsd:string |
| ?:THE ATHLETES | "WHAT THE GAMES BEEN MISSIN----THE EAST COST IS BACK!"^^xsd:string |
| ?:The Bad | "<p>This collection of tracks is less musically refined, more experimental, and more synthetic. The sounds are worth listening to, but may not be entirely entertaining. </p>
<p>"Cruise Control" may be the best of the bunch. It combines many instrumental sounds with a nice set of lyrics. They're comical, but fitting given the cost of gasoline, the way people drive around the city and the kind of vehicles they drive. :) </p>
<p>Although I never had enough time to finish it, "End of the Beginning" was going to be the flagship track for an album. The composition is fine, but it's a little too repetitive for me. The style is symphonic clashing with electronic. The last section before the outro is probably the best part. </p>
<p>"Make You Want to Drive" is another attempt at writing lyrics. While the first verse and the chorus are both great, do not listen to the second verse--it's horrible. Unless you have a sense of humor like mine, skip over it. </p>
<p>"Rubber Ducky" is a track wherein I finally found a spot to insert an instrument that I constructed--a bass guitar amplified through a 1 1/2" speaker which I overdrove to produce the bright (almost brassy) sound. Overall, however, the composition needs another melody because everything's too similar. </p>
<p>"Summer is Back" is another track with a lot of good ideas, but not enough excitement and composition to make it memorable. </p>
<p>"Intersecting Worlds" was an attempt to break free from the composition paradox I encountered with "End of the Beginning" so it may feel like a reprise of that track. It's even longer than "End of the Beginning", but there's more entertainment/minute, so enjoy. </p>"^^xsd:string |
| ?:The Birds | "When feelings have wings..."^^xsd:string |
| ?:The Birthday Numbers | "<p>In 1997 I decided to start a new tradition: I'd take my birthday off from work and write a song. The result -"42"- is included here along with subsequent "birthday numbers." somewhere in my mid-'40s the ability to take the day off disappeared, along with my capacity for writing something I liked in one sitting. I'm hoping both come back soon. But I've persisted in writing something every birthday, usually a brief sketch that I'll work out over the following weeks or months. However it happens, the end result always feels somehow expressive of the year that produced it.</p>
<p>4-50 is a little ditty that I came up with for the party celebrating the 50th birthdays or Oren Sreebny, Tom Lenon, Ed Lorah, and Brad Spear. 50 is still one number away for me.</p>
<p>Thanks for listening</p>
<p>Jim</p>"^^xsd:string |
| ?:The Blooming | "The Blooming is a new collaboration of four seasoned improvisors: Tom Hall - saxophones, loops / Morris Acevedo - electric guitar / Jeff Song - acoustic bass guitar / Curt Newton - drumset. With a spontaneous weaving of melody, pulse, and texture, they create songs you have almost heard before, music emerging just beyond your headlight beams."^^xsd:string |
| ?:The Desolation Coast | "The Desolation Coast is the first album I recorded as Magnetic. At the time I was just getting into ambient music and was really influenced by it. While this is by no means an ambient album, it is certainly more 'ambient' than any of the releases that followed it. <br />
<br />
Credits:<br />
<br />
Recorded by Mark Weiler at Desolation Recording Studios between December 2003 and August 2004.<br />
<br />
Written and performed by Mark Weiler.<br />
<br />
Cover Photo by Al Weiler"^^xsd:string |
| ?:The Dreamer's Paradox | "<div align="left">The Dreamer's Paradox is the second album by JT Bruce. It shows a strong maturation and development of the style and tone achieved by Anomalous Material, resulting in increased production quality, compositional strength, and diversity. Fans of Anomalous Material will undoubtedly enjoy this release, but the album's depth and scope will also appeal to a much wider audience of varying musical tastes. Backing vocals are featured in one track and spoken words in another. <br />
<br />
Being a concept album, the Dreamer's Paradox prominently features recurring musical themes, acting as characters in a musical drama. The evolving and subtle themes interact with one another and are revisited throughout the album's length, creating the progress and mood akin to the telling of a story.<br />
<br />
The albums total running time is 74 minutes 22 seconds.</div>"^^xsd:string |
| ?:The Empire Will Fall | "The second in a pair of albums exploring ambient electronic manipulation of guitar drone."^^xsd:string |
| ?:The Ephemeral Sound | "<p>Music is like life: you can feel it but you can't grab it.</p>
<p><em><strong>The Ephemeral Sound</strong></em> is and album where sudden sensations and far away remembers melt in sound.</p>"^^xsd:string |
| ?:The First | "I've known about Jamendo for awhile, but I'm new to being a member. This is the first album I've created. I just got into this music bit not too long ago so be nice critics!"^^xsd:string |
| ?:The FiveStarLuxury: Chaos in musicae | "Those musics are from a split cd with other italian groups:<br />
<br />
Undertakers<br />
BSS<br />
Ze Monsta<br />
<br />
The work was done under the label Massacrorecords"^^xsd:string |
| ?:The FiveStarLuxury: How different realities change people | "This was my second serious band. <br />
First steps with a GrindCore evil as Devil band.<br />
I played as Drummer and arranger with the other members:<br />
<br />
Luca Vaccari - Guitar and arranger<br />
Fulvio Cremona - Bass<br />
Lorenzo Verzini - Vocals<br />
Federico Seguri - Vocals<br />
<br />
The band was born in the 1999 and played in the north of Italy for 3 years.<br />
This is one of my best memories, hope you'll like it"^^xsd:string |
| ?:The Game | "Audio Drama"^^xsd:string |
| ?:The Good | "This collection of songs I had finished before starting community college in the Fall of 2002. It features live instruments mixed with synthetic sounds--which I believe keeps it fresh sounding. You'll find that some of the drum sounds are samples from a Yamaha MIDI synthesizer, samples from Propellerhead Reason, or from real drums. Syntrillium Cool Edit Pro (now Adobe Audition) was the mixing software used. <br />
<br />
The first track, Espionage, is designed to have a tight low-end. Listening to it on small speakers or most headphones won't do it justice. The style is supposed to be like that of a popular secret agent man. Do be careful as the beginning is <em>explosive!</em><br />
<br />
The Biggest Shot in the West, the biggest innuendo I could come up with, should sound like a funky track likely to be found on popular video programs with adult themes.<br />
<br />
The last track, Inspiration, is a reprise of an earlier track, Abandoned. It's essentially the same score, but has a different mood in my opinion. <br />
<br />
A few of the songs are way too long and could be re-composed to be more entertaining, but if you're not paying full attention you won't catch this. <br />
<br />
The songs are well mixed, but given only rudimentary mastering. I was the only artist and technician to contribute to this work, which means I've heard each one of these tracks about a thousand times, and now it's time for everyone else to listen."^^xsd:string |
| ?:The Grasping Hands of Possibility | "Album review from CHANNELINTHESTREET.com:<br />
<br />
<em>"You wouldn’t think two guys from New Jersey would be able to pretty much single-handedly (or should I say double-handedly? [sorry, lame]) breathe a breath of fresh air into a genre that many consider to be getting boring and stale and self-derivative, let alone do it over the course of a single 31-minute album. But the crew dubbed Ruined Machines has somehow achieved that. They don’t fuck around - right to the point post-rock, with a few pretty little interludes. The longest song is the closer “Miss Television Intelligence”, and it’s only 6 minutes long. The title track comes to a beautiful climax that would make many post-rock bands jealous in only an all-too brief 5 minutes. They use chugging guitars, some fx, keys, and some piano to backdrop the soaring guitars that the style is known for, and they do it oh-so-well. This is definitely a post-rock album, but it is not an Explosions In The Sky or Mogwai ripoff. There are few cliches within. Nothing is forced. It feels very natural and organic, and the production only aids this (the guitars in particular sound wonderful production-wise). I wholeheartedly recommend this to anyone that is becoming bored with post-rock, anyone that doesn’t like post-rock, and definitely to any post-rock fan."</em>"^^xsd:string |
| ?:The Great Pharaos | "Surf from Sweden"^^xsd:string |
| ?:The Hermit's Cavern | "<p>A little something that I recorded while trying to learn how to use cubase. Not very professional but anyway... there it is. Just wanna know if it's something to build on or.. not?</p>
<p>I'm very happy about the listens and downloads, I guess that means there are a few people who thinks the music is ok. </p>
<p>But some feedback like a review would be nice too....</p>"^^xsd:string |
| ?:The Infirmary | "<p><strong>The Infirmary</strong> is a collection of songs based on four different projects. <strong>Borderlands</strong> is a project based on the plight of the Scots-Irish and their influence on the American persona. The next project, <strong>Voices from the Dust Bowl</strong>, explores the impact of soil erosion on the dirt farmers of Oklahoma during the 1930's. The vocal tracks are taken from recordings made during those times.</p>
<p>The third project, <strong>Modern Shamans</strong>, concentrates on mythology and superstition in our own age. The current project, <strong>Welshfield Revisited</strong>, is an exploration of the settlement of Eastern Ohio during the 1820's.</p>
<p>More on these projects can be found on my website: <a href="http://home.comcast.net/~ccorrello/">http://home.comcast.net/~ccorrello/</a></p>"^^xsd:string |
| ?:The Island (single) | "<p>This is a limited edition single.</p>
<p>The Isle - evenki song</p>
<p>Thunder Dance - dolgany ritual, made in ambient</p>
<p>Kon' Togezy - cover to The Beatles's Come Together in native tuvan style</p>"^^xsd:string |
| ?:The joy of life | "This is one of my cd set. Maybe the one most suffered and expressive.<br />
I put in this album an old music I wrote when I was 12 with my old Farfisa.<br />
Best results are done listening it when relaxed and blue, not at work or entrapped in the traffic. Hope you like it."^^xsd:string |
| ?:THE LAST DAY BEFORE THE SUN | "In this record you'll find the atmosphere you are looking for if you miss those of The Cure's Disintegration, with the similar strings moods, decadent baritone guitar and romatic lyrics."^^xsd:string |
| ?:[the magnetic north] | "This is the second album I recorded as Magnetic. When I began recording, I had intended on recording an album that was more ambient in nature and more experimental than my first one (the desolation coast). However, as I was writing the album, I found that my ideas were quickly moving in the opposite direction. So, what I ended up with is a record that is more 'rock' than I intended, but it is also the album that helped to define 'magnetic'.<br />
<br />
Credits:<br />
<br />
This album was recorded at Desolation Studios in Halifax, NS by Mark Weiler between May 2005 and October 2005.<br />
<br />
Written, arranged, and performed by Mark Weiler.<br />"^^xsd:string |
| ?:The Man In The Mirror Mixtape | "The man in the mirror mixtape is a small showcase of some of my tracks which have all been produced by BadMajiK a producer also from Wolverhampton.<br />
<br />
We both hope you enjoy our music and leave feedback if you do or have any areas for improvement."^^xsd:string |
| ?:The Middle Child Is Always A Flaming Terror | "<font face="Arial">The second album in the trilogy. Today feels so trippy, so lets take a trip together.</font>"^^xsd:string |
| ?:The Missionary | "Seattle trio Autonomadic's 2007 EP, <em>The Missionary</em>, is <span class="articletext">seven tracks of socially-aware, old-school punk rock swagger. </span>They pay homage to bands like The Clash, Social Distortion, Operation Ivy, and other punk rock heroes from way back."^^xsd:string |
| ?:The moon EP | "Produced in 2005. Published in December 2005."^^xsd:string |
| ?:The Mosaic Effect (Remaster) | "<p><strong>The Mosaic Effect</strong> is a recording made, and originally released, in August 2000. The track, which plays for almost 18 minutes (now split into 5 smaller parts), is heavily inspired by <strong>Mike Oldfield</strong> - you can hear several Tubular Bells style motifs throughout the piece.</p>
<p>The recording was made using a piece of software called "ModPlug" - a more advanced Module Tracker that could grab clean 16bit samples from your soundcard's SoundFont banks - giving it an almost MIDI-file sound. It's not the easiest piece of software to make professional-sounding music with so expect something rather amateur and very roughly mixed.</p>
<p>The piece was digitally remastered in July/August 2006 from the original master CD. If you want to know all the technical details... read on!</p>
<p> </p>
<p><strong><u>Technical Info & Remastering</u></strong></p>
<p>When the piece was complete, it was just downmixed to a 16bit 44KHz PCM Wave file and burned to the master CD as is.</p>
<p>The master CD, which was in quite poor condition, was first securely ripped using "Exact Audio Copy" and then loaded into Sony SoundForge 8. You could visibly see several large clicks, even when zoomed out so you can see the whole file, so a conservative pass with a de-clicker removed the big ones. </p>
<p>Using an AKAI QuadComp VST compressor, I added a moderate amount of compression - particularly in the upper range. The original recording sounded very dull and muddy (my knowledge of mastering techniques at the time was virtually nil) so this was necessary. Compression can be an ugly word to audiophiles so I tried not to make the recording overly loud and distorted. If you experience "distortion" during the last couple of parts caused by a loud and woofer-damaging bass run... don't worry - it was intentional! Another pass with the de-clicker removed any smaller clicks that were missed the first time, but were now made more visible by the compressor.</p>
<p>A scan with a normaliser showed a peak of around -1dB and an RMS of -17dB (as a rule of thumb, -18dB to -12dB RMS is considered normal... anything above that is just loud for loud's sake)... which saved me a job!</p>
<p> </p>"^^xsd:string |
| ?:The Musik Vol. 1 | "<strong>RakaMer</strong> (Vocals, Songwirter, Dancer)<strong><br />
JawaRa </strong>(Producer, Keyboardist, Percussionist, Songwriter).<br />
This Album The Musik Vol. 1 is Livicated to Shem-Shu-Hru <strong>Zaka</strong>."^^xsd:string |
| ?:The Mythical Creatures Exhibition | "This is my third offering, named after an event in Bristol in 2002. The bulk of this album was recorded in 2006, although some songs were older and some were finished in early 2007.<br />
<br />
My personal favourites on this album are 'The Dark Revenge of Jakob Pettersohn' and 'Beings and Creatures' with 'ZooCity' coming a close third.<br />
<br />
Guest vocals include James Rolls on 'Dark Revenge', Allyxa as Kria Soulstealer on 'Dragonsong', and an outtake by Slipdance. The cover art was drawn by Luke Turner.<br />
<br />
A PDF version of the cover with full lyrics and liner notes can be found here: <br />
<a href="http://dougtheeagle.com/mce/mythical.pdf">dougtheeagle.com/mce/mythical.pdf</a><br />
<br />
Notes on the individual tracks:<br />
<br />
ZooCity was the last song to use Autotune, originally taped in September 2005. I did do a later re-recording without, but it was better in its original form, the pitch-correction giving it a slightly vocoder-like effect. It is based on the post-apocalyptic webcomic of the same name, by J. H. Aceituno.<br />
<br />
'Beings and Creatures' was the first song where I felt I'd managed to get the 1970s vibe that I had been looking for. It is based on the interracial tension between magical Creatures and mortal Beings found in the DMFA webcomic by Amber M Williams. The phasing on the drums and the chorus line was done in the traditional manner using two tape decks.<br />
<br />
'Crystaltopia' was inspired by the fledgling webcomic of James Rolls.<br />
<br />
'Evermore' is a Poe-inspired Poem by E.Voyager, set to music.<br />
<br />
'Vampires In Reverse' was actually written in 2004 but was very tricky to perform and had to be re-recorded a number of times until it was good enough. I won't say 'perfect' because there are a number of flaws still outstanding. It was originally supposed to go on the first album, but got pushed off. Then it was supposed to go on the second album but it got pushed off that too. <br />
<br />
'The Dark Revenge of Jakob Pettersohn' continues the Jakob Pettersohn cycle begun in 'Songs for the Wild-At-Heart'. The concept behind the song was later extended into a series of short stories set in the DMFA universe which can be found online. The clock at the end is was engineered as a tape loop. Guest-starring James Rolls as the minion.<br />
<br />
'Project Dragonsong' was my attempt at an extended piece along the lines of 'A Plague of Lighthouse Keepers' or 'Supper's Ready'. As with such things, the quality of the composition is somewhat variable but it has a lot of nice moments. It would probably have come out better with 16-track recording facilities rather than 8, and a better piano sound but sadly these were not available at the time. The clock at the end is the same loop as used on 'Dark Revenge' (the loop shown on the inner photograph of the cover in fact) but played backwards. This was actually a mistake while lacing the deck but it sounded better that way so I kept it."^^xsd:string |
| ?:The Only Girl at the Bar feat. The Public Domain | "cut and past-o"^^xsd:string |
| ?:The Path of Self-Sacrificing Destruction | "5-track conceptional CD about the downfall of an emotional sick person."^^xsd:string |
| ?:the point of no return | "<img alt="" src="file:///C:/DOCUME~1/Sara/IMPOST~1/Temp/moz-screenshot.jpg" />"the point of no return" is a brief journey in the everyday drama,<br />
it represets the threshold before the change,<br />
a reason to turn away the face from media hypnotic patterns.<br />
good black listening"^^xsd:string |
| ?:The Public Domain | "<p>This is collection of some old, and other not so old tracks by written and produced by Stian. The genre is electronica in various manors. This album is released for two possible reason; 1) closure for the artist who will not make music again, 2) to mark the end of an era and open up the artists eyes to new horizons and possibly more music making in the future. Which is it is, is yet unknown.</p>"^^xsd:string |
| ?:The Self-Titled Extended Play | "Monkey Throw Feces has managed to cause the following to emit sounds for your listening pleasure: an acoustic guitar, a pair of larynxes, a didgeridoo, a dog, an electric razor, a metal bowl with a wooden spoon, a telephone, stubble, a Tupperware with fingers, moistened lips, a kazoo, and a computer.<br /><br /><span style="font-style: italic;">The Self-Titled EP</span> was recorded in Flemington, NJ in 2001 and 2002; in New Brunswick, NJ in July 2004; and in San Francisco, CA in December 2004 and January 2005. The songs were recorded and edited using various versions of Audacity (audacity.sourceforge.net) and a cheap Radio Shack microphone.<br /><br />Monkey Throw Feces would like to thank Gail Dwyer, Sean Fletcher, Hassan Gouled Aptidon, Rachel Bitterman, Alistair Hennessey, Tom Servo, Emily Montgomery, D.H. Banes, Hannah Stubbs, Ian Malcolm, Art Garfunkel, Debbie Jellinsky, David Levinson, Hazel Huffman, Seth Brundle, Cheryl Lang, and Calvin Stanhope for all their love and support."^^xsd:string |
| ?:These slim talents EP | "3 song mini album: <br />
1. These slim talents (experimental)<br />
2. Space Blues (non-traditional blues)<br />
3. Pink Sky (progish rock)"^^xsd:string |
| ?:The Singles EP | "<strong>This four song E.P. contains music that was released on compilations or previously unreleased material.</strong>"^^xsd:string |
| ?:The Space And Shit EP | "Apeface and Crumplezone crash landed on earth on May 8, 2006. The next day they released their first 7 song EP, "Space and Shit." The rap game was never the same. <br />
<br />
The album showcases the yin and yang between Crumplezone's 'wham-bam-thank ya' bitch' delivery and Apeface's quirky laid-back flow. We currently have two behind the scenes movies available on the videos page."^^xsd:string |
| ?:The Stars Under The Sea | "<span style="font-weight: bold;">This is one song from the album still in production</span>"^^xsd:string |
| ?:The Story Of You & Me | "<p>All songs/lyrics written by Tyson Oliver</p>
<p>All instruments played by Tyson</p>
<p>All songs produced, engineered, and mixed by Tyson in bedrooms & garages between 3/06-2/07 (with help from Angel Martinez on "Starting Over")</p>
<p> </p>"^^xsd:string |
| ?:The Tapegerm Mixes, Vol. 1 | "Compilation of David Alexander McDonald tracks produced and performed in conjunction with <a target="_blank" href="http://www.tapegerm.com/">The Tapegerm Collective</a>, in which pieces are created out of elements supplied by Tapegerm members along with elements supplied by the artist.<br />
<br />
Includes a track from the stalled <em>Kraken</em> project, a track from the <em>Nanobots</em> project, and the song "Our Electric Friends." Cuts on the compilation have appeared in the midst of various Tapegerm compilations. This single-artist comp was originally intended for release in 2003 but got held up. Includes the artwork."^^xsd:string |
| ?:The traitor | "An album of musical soundscapes slapped together using a PC and loads of stress."^^xsd:string |
| ?:The trip | ""The Trip" is the way i feel my life. The sound of my steps along a road bringing me to the future."^^xsd:string |
| ?:the tunnel EP | "<br />
<br />
It's a short description of a crisis, in which everyone directs you in wrong directions.<br />
<br />
it's just the an himn to refuse<br />
<br />
the tunnel EP is the introduction to ...then...Black era forthcomin' album (march 2007)"^^xsd:string |
| ?:The Ugly | "<p>This will be the collection of tracks which are still fresh and exciting in 2007, but are few because I became a graduate student and lost most of my free time. I've had so little time with these tracks that most of them don't have proper names. However, they are some of the best mixed and mastered (everything is loud) recordings I have made, and some of the best musical pieces. </p>
<p>"Abandoned Reprise" yet another reprise of "Abandoned", so if you liked the original or "Inspiration", you'll like this one. It features synthetic mandolin and other guitar instruments like the upright bass. The chorus section features a symphonic guitar part performed by Warren Thompkinson. </p>
<p>"April 9th" is a nice attempt at a complete electronic track. The bass part is still a bit repetitive even though it has a breakdown (which is really good). This track features symphonic clapping noises. </p>
<p>"August 7th" is a completely incomplete track (if you will). A comically deliberate intent to make the track more complete is heard during the choruses. I can't stress enough how thrown together this track is. </p>
<p>"June 2nd", also known as "Home Box Office", should remind you of what's coming up next. It is lead by one of my favorite instruments, the Rhodes Piano. The composition is exciting and the parts, although repetitive, hold it down on the engineering tip, so to speak. </p>
<p>"May 25th" was created in honor of the style of music in an old video game featuring cars from the British sports car manufacturer Lotus Cars. Actual sounds of thunder have been mixed in with the rhythm in the beginning for extra electricity. The drums are completely synthetic--noises I shaped to have familiar textures. </p>
<p>"North" is a track featuring the grand piano, some synthesizers and a funky bassline. Who said the piano doesn't rock? Actual turn signal clickers were sampled for the chorus section. The xylophone part could probably use some work, but overall it's not bad. </p>
<p>"Why Not" is the most recent track, which I started for obvious reasons. It started as a bass & drums track with a "gangsta" lead (which was later replaced with a violin). The synthetic koto sound came in later to become the lead instrument. </p>"^^xsd:string |
| ?:The underground isn't finished with me | "All tracks produced using combinations of proprietary and custom software apps. custom apps. include morphing and synth. apps... alll freely available.<br />
Other people's samples:<br />
Track 3. Edie Brikell - What I am<br />
Track 4. Atari video game Marble Madness"^^xsd:string |
| ?:the Visit | "mythra of the future past"^^xsd:string |
| ?:The Wanderer | "First time in Jamendo i present you the opening of Wanderer album which is mix with human and machine sounds."^^xsd:string |
| ?:The Winter: Parataxes | "<p> </p>
<p align="left" style="margin: 0pt; line-height: 100%;"><font size="4" face="Arial">"Derek Bailey on acid!"</font></p>
<p align="left" style="margin: 0pt; line-height: 100%;"><em><font size="4" face="Arial">- Anthony Donaldson, Primitive Art Group</font></em></p>
<p align="left" style="margin: 0pt; line-height: 100%;"><em><font size="4" face="Arial"><br />
</font></em></p>
<p> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;">Instrumental improvisations from Wellington, New Zealand, 2003. Builds from acoustic intimacy around the winter fireplace to the Fushitsusha-esque electric blizzard climax of 'Parataxes 9'.<br />
</p>
<br />
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><strong>Mike Kingston</strong> - cello, electronic composition (1,4,7), electric guitar (2), acoustic guitar and slide whistle (8)</p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><br />
</p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><strong>Dave Edwards</strong> - acoustic and electric guitars, harmonica</p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><br />
</p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><strong>Simon Sweetman</strong> - drums and percussion</p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000"><br />
</font></p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000"><br />
</font></p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000">"The Winter are a Wellington based improvising trio, and Parataxes is their 1st release. It documents both acoustic and electric live sets that drift from eastern sounding cello led pieces to fairly extreme feed-backy noise. A key member of the group is Wellington's master of pseudo-autistic intensity, Dave Edwards, whose guitar and harmonica work definitely moves the whole into a fairly edgy sphere. Over such a duration this can make pretty harrowing listening, but sometimes such immersions are worth it."</font></p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000"><em>- Antony Milton, Pseudoarcana</em></font></p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<p style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial"><br />
</font></p>
<p style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial"><br />
</font></p>
<p style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial"> "A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand's Pumice and classic '60s blues/folk and you're in the right ballpark."</font></p>
<p align="right" style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial">- <a href="http://thebrokenface.blogspot.com/">The Broken Face</a></font> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p>
<br />
<p align="left" style="margin: 0pt; line-height: 100%;"> </p>
<p align="left"><font size="2" face="Arial">"I can be pretty naive sometimes, and I often forget that it actually<br />
gets cold in New Zealand. For many of us Americans, we think of New<br />
Zealand as being somewhat tropical. It's an island after all, and we<br />
are brought up believing that islands are exotic places that exist in<br />
the middle of the warm oceans. This is obviously a mistake. Although I<br />
still forget that the seasons are opposite in the Southern hemisphere,<br />
the existence of dreary weather in New Zealand is cemented in my mind.<br />
A great deal of experimental music from New Zealand has a distinctly<br />
desolate, overcast feeling to it.<br />
<br />
"Appropriately named, The Winter hail from Wellington, New Zealand.<br />
Most of you probably associate Wellington with the brilliant Pseudo<br />
Arcana label, and keeping that sound in mind, The Winter offer up over<br />
an hour of freeform aural explorations. These loose improvisations<br />
range from processed field recordings to gritty blues dirges to<br />
no-wave skronk. This trio consists of Simon Sweetman on drums and<br />
percussion, San Shimla on cello, and Dave Edwards, whose great solo<br />
albums have been circulating for years, on guitar and harmonica. All<br />
three artists have a firm grasp of their respective instruments and<br />
employ their talents well throughout "Parataxes."<br />
<br />
"One thing I enjoy most about this record is Edward's playing. On the<br />
second track, the highlight is when he gets into a real groove with<br />
his guitar and harmonica. The two complement each other perfectly, and<br />
it has this 1960s folk feel to it that somehow doesn't seem out of<br />
place. As Sweetman joins in using various metallic percussive<br />
instruments, the two start playing off each other. Their interaction<br />
is impressive, and adds a vague sense of structure to this otherwise<br />
scattered piece. I love when long improv sessions flow like a wave. At<br />
times, they're completely disjointed, but during rare moments<br />
everything seems to come together. These last few minutes of the<br />
second piece on "Parataxes" is one of those. It's excellent.<br />
<br />
"Most of "Parataxes" is similar to the second track. Throughout long,<br />
meandering jams, the trio searches through musty fog, searching out<br />
common ground. As if in queue, they find each other, transfixed in the<br />
middle somewhere. During the times when it all comes together, this is<br />
as choice as any freeform improvisations I've heard in months.<br />
However, these tracks wouldn't this good if it weren't for the journey<br />
toward a collective state of mind. It might be all about the end<br />
result, but the means of getting there is just as important.<br />
<br />
"The only complaint I have about "Parataxes" is that there is too much<br />
of it. At 70 minutes, this album would have worked better at about 50.<br />
That's not to say that most of the tracks aren't very good, because<br />
they are. However, this is anything but easily listenable music, and<br />
it's a task to take this in all the way through. But in the end, The<br />
Winter leave their mark. They soundtrack the devolution of autumn into<br />
the coldest, cruelest of months. Using sparse sounds and sometimes<br />
harsh instrumentation, "Parataxes" is all about finding the moment and<br />
maintaining it for as long as possible. Recommended."</font></p>
<p align="left"><em><font size="2" face="Arial">- Brad E. Rose, Foxy Digitalis</font></em></p>
<p align="left"><strong><font size="2"><font face="Arial"><em><br />
</em></font></font></strong></p>
<p align="left"><strong><font size="2"><font face="Arial"><em>For photos and more info see <br />
</em></font></font></strong></p>
<p align="left"><strong><font size="2"><font face="Arial"><em>www.fiffdimension.co.nz/thewinter.htm</em></font></font></strong></p>
<p align="left"><strong><font size="2"><font face="Arial"><em><br />
</em></font></font></strong></p>
<p align="left"> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:The World Stops Us/Aleph Signifier | "This album was never intended to be. It was just me making sounds that I needed to make. Making sounds with even less care than usual as to how others would percieve them."^^xsd:string |
| ?:This Little Bird - Ce Petit Oiseau (originals) | "<p>Hear the original songs on Allison Crowe's newest album "This Little Bird". This is a sister album to Allison's singer-songwriter collection, "Secrets".</p>
<p>The physical album, "This Little Bird", contains these nine originals as well as a trio of covers, interpretations by Allison of: "A Case of You" (Joni Mitchell's knowing paen to heart and homeland), "Darling Be Home Soon" (John Sebastian's lovely tune of longing) and "I Never Loved A Man The Way I Love You" (Ronnie Shannon's song best-known as Aretha Franklin's break-out tune in 1967).</p>
<p>You will find those songs and more on Allison's home site @ <font face="Arial"><a href="http://www.allisoncrowe.com/ThisLittleBird.html">http://www.allisoncrowe.com/ThisLittleBird.html</a> </font></p>
<p>Enjoy! Peace.</p>"^^xsd:string |
| ?:This Tree Ain't Comin' Down | "<p>The third album in the trilogy. Its pretty much about love/sex/attraction and how it affects you, good and bad. This is pretty much the reason for all three albums. A girl made me do it. There's always a girl.</p>"^^xsd:string |
| ?:Thousand Yard Stare EP | "Though it's only five tracks long, the <span style="font-style: italic;">Thousand Yard Stare</span> EP crosses miles of musical territory, from blues-inspired protest music to a breakup ballad with a unique twist."^^xsd:string |
| ?:Thread Soul | "<p class="MsoNormal">Revolution Void combines electronic music with live improvisation to create a style of music called <em style="">electronic breakbeat jazz.</em><span style=""> <br />
</span></p>
<p class="MsoNormal"> The album <em style="">Thread Soul</em> features guest performances by <strong style="">Lucas Pickford</strong> (Brian Blade, Tiger Okoshi) and <strong style="">Cochemea Gastelum</strong> (Fred Wesley, Robert Walter’s 20<sup>th</sup> Congress).</p>
Compared to previous Revolution Void releases, Thread Soul contains sparser instrumentation with more focus on groove development and ambient soundscapes. The end result is an amalgamation of electronic breaks, instrumental hiphop and ambient grooves with jazz improvisation and embellishment."^^xsd:string |
| ?:Three 4 Ten (Single) | "<p><font face="Arial">This 10 beat track is a result of collaboration between 3 Jamendo artists :</font></p>
<p><a href="http://www.jamendo.com/en/artist/nikila/">Nikila</a> <img alt="" src="http://img.jamendo.com/avatars/747/89747.60.jpg" /> <a href="http://www.jamendo.com/en/artist/saregama/">SaReGaMa</a> <img alt="" src="http://img.jamendo.com/avatars/296/78296.60.jpg" /> and Hamelin Bérengnier <img alt="" src="http://img.jamendo.com/avatars/310/10310.60.jpg" /> from <a href="http://www.jamendo.com/en/artist/suerte/">Suerte</a>.</p>"^^xsd:string |
| ?:Three Songs against Soccer | "Forthcoming..."^^xsd:string |
| ?:Tick (Vol. I) | "The Clock: Tick (Vol. I) is an assorted compilation of material over the past half decade. The sound ranges from obnoxious noise rock to melodic psycho-pop."^^xsd:string |
| ?:Tidings (traditional songs) | "<p>"Tidings" includes traditional carols, and not-so-traditional songs of spirituality, redemption and more, all interpreted, even redefined, through the vocal and piano artistry of Allison Crowe. This full collection, called "the Yule-tide find of the year" by a reviewer, has proved to be popular year-round. It's recorded, live-off-the-floor, on winter's eve in Canada.</p>
<p>Here on Jamendo, enjoy the traditional songs on Tidings.</p>
<p>The physical album contains, as well, Allison's interpretations of six secular songs : "River" by Joni Mitchell; "Hallelujah" by Leonard Cohen; "Let It Be" and "In My Life" by The Beatles; "Shine a Light" by The Rolling Stones; and "Angel" penned by Sarah McLachlan.</p>
<p><font face="Arial">You can hear those Tidings songs @ http://www.allisoncrowe.com/Tidings.html</font></p>
<p> </p>"^^xsd:string |
| ?:T.I.L | "<p> </p>
<p> </p>
<p class="MsoNormal">I wish to say to anyone who listen these musics…that i`m not a musician</p>
<p class="MsoNormal">In the terms of that word usually represent.</p>
<p class="MsoNormal">My name<span style="mso-spacerun: yes"> </span>is Luís and i live in the country alone…since my wife Sílvia died.</p>
<p class="MsoNormal">I have the luck of have a steinway piano…and i play like my heart say.</p>
<p class="MsoNormal">It`s a way of express feelings…and most….it´s when i feel that i`m free.</p>
<p class="MsoNormal">I decided forget all the musical teorie i know (not much…i have to said),</p>
<p class="MsoNormal">And play without any kind of preocupation of forme.</p>
<p class="MsoNormal">I play piano ,flute and melódica…,</p>
<p class="MsoNormal">And for the humanity bad luck </p>
<p class="MsoNormal">Sometimes i sing.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">These musics are dedicated to Sílvia,</p>
<p class="MsoNormal">To the infinit love and freedom.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Animaux de la lune</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:Time Cage | "This music tells a story about time encapsulated between the city streets, the skyscrapers, the people. The time seen in the most oniric, abstract way. This is about time as a stream, a function of our civilisation."^^xsd:string |
| ?:Tim Mungenast and his Preexisting Conditions Live @ Goatstock 3 | "<p><strong>Tim Mungenast and his Preexisting Conditions</strong><br />
<a href="http://www.mungenast.com">http://www.mungenast.com</a><br />
<br />
Tim Mungenast - Guitars, sitar, vocals<br />
Michael Bloom - Bass, guitar, vocals on <em>Kyoto</em><br />
Jon Proudman - Tabla<br />
<br />
<em>and special guest</em><br />
Cheryl Wanner, vocals on <em>Candles</em><br />
<br />
This album was recorded live at <strong>Goatstock 3</strong> on September 22, 2007. Goatstock is a benefit to raise money to help out the great folks at Heifer International (<a href="http://www.heifer.org">www.heifer.org</a>). Heifer places animals in countries where they are desperately needed. All proceeds from this album will go to purchase goats to help people in need.<br />
<br />
To make a contribution or to learn more about Heifer International, go to <a href="http://www.heifer.org">http://www.heifer.org</a>.</p>"^^xsd:string |
| ?:Tiramisu Live | "Tiramisu Live includes two live recordings from Lord Henry Wottons latest live gig at Dorothees."^^xsd:string |
| ?:Tita-Lou | "<p>written for the performance of Catherine Anne's 'Tita-Lou' in Thessaloniki,Greece (Piramatiki Skini,1993)</p>
<p>Lydia Fotopoulou vocals,Kostas Vomvolos piano,accordion</p>"^^xsd:string |
| ?:Titee & Pixieguts | "<strong><br />
Titee & Pixieguts</strong> are artists in various media and based in Brisbane, Australia. Their music together is a development on the sounds prolifically emerging from Titee's laboratory of experimental electronica, spanning various styles including techno, glitch, minimal, breakbeat and psy.<br />
<br />
<strong>Pixieguts</strong> was born in New South Wales and spent the first years of her life on a remote cattle property before living most of her life in Melbourne, arriving in Brisbane only in recent years. She is also known as Marie Craven, a director of internationally award winning short films (festival screenings include Cannes, Rotterdam, Chicago, London, Sydney, Melbourne and Brisbane). Click here for <a href="http://myspace.com/pixieguts">Pixieguts Portal</a>.<br />
<br />
<strong>Titee</strong> was born in Tasmania. He also makes experimental video as Max Maxibillionth and Maximum Maxitrillionth with exhibitions of his video including InVideo Milan, FEHVA Byron Bay and Metro Arts Brisbane. Click here for other <a href="http://www.last.fm/music/Titee">Titee Music</a>.<br />
<strong><br />
</strong>"^^xsd:string |
| ?:Title In Progress | "This album is the first album that I recorded, & was put together over a longer period then my other records (about half a year.) Over half of it was done with cheap equipment, since then I have invested in better equipment & am slowly building up my home studio. So on the whole this record generally if lo-fi, in terms of recording. There are two covers on this album (wishing, representing) which were originally written & performed by one of my favourite artists, John Frusciante. If you haven't heard of him already then I seriously reccommend checking out his music, he is a musical genius.<br />
<br />
Anyways, hope you enjoy this release, & if you like some of the stuff on here, i'd be really grateful if you could take the time to listen to my other albums.<br />
<br />
Thanks!"^^xsd:string |
| ?:to be here, now | "Early album #3. This is a darker release than the previous two. I became more experimental with loops and effects and started to incorporate guitar in the sound. Like the previous two cd's (self title and Desolation Sound), to be here, now has never officially been released. These albums were not recorded under the name Magnetic originally, but when I decided to release them I thought it would be easiest to do so under the Magnetic name.<br />
<br />
Cover photo by Michael Jastremski from openphoto.net"^^xsd:string |
| ?:To Get Home Before Night Comes | "All voice and instruments by Steven Dunston except for:<br />Additional Rhodes on "Lost in My Head": Aubrey Scarbrough<br />Additional drum programming on "Alone in a Room": Joel Henriques<br /><br />Album photo by: Troy McCullough<br />http://www.flickr.com/photos/idletype/"^^xsd:string |
| ?:Torchard: Wither | "<strong>"There's that suffocating vocal sound again!"</strong><br />
Johnny Appleseed walks you through the clandestine communication of plants. <br />
<br />
"No green leaves in that forest, only black; no branches straight and smooth, but knotted, gnarled; no fruits were there, but briers bearing poison." (<em>Divina Commedia, </em><em>Inferno</em>, XIII, 4-6)<br />
<br />
"Then I stretched out my hand a little way and from a great thornbush snapped off a branch, at which it's trunk cried out: 'Why do you tear me?' And then, when it had grown more dark with blood it asked again: 'Why do you break me off? Are you without all sentiment of pity? We once were men and now are arid stumps: your hand might well have shown us greater mercy had we been nothing more than souls of serpents.'" (<em>Divina Commedia, </em><em>Inferno</em>, XIII, 31-39)<br />
<br />
<em><strong> Torchard: Wither</strong></em><br />
<em> Act 1: Johnny Appleseed</em><br />
<br />
Scene 1: Red Maple (Pithy)<br />
Scene 2: Black-eyed Susan<br />
Scene 3: Blackjack Oak (Parquetry)<br />
Scene 4: Cattail<br />
Scene 5: Myrtle<br />
Scene 6: Pinecone<br />
Scene 7: Corn (Scat)<br />
Scene 8: Chinquapin (Grove)<br />
Scene 9: Weeping Willow<br />
<br />
<em> Act 2: Wartime Victim</em><br />
<br />
Scene 1: Bramble<br />
Scene 2: Screw-moss<br />
Scene 3: Creeping Saltbush<br />
Scene 4: Mandragora<br />
Scene 5: Laurel (Zeus' Crown)<br />
Scene 6: Chrysanthemum (When Mythical Creatures Attack)<br />
<em><br />
Act 3: Psychosis (You Are What Has Eaten You)</em><br />
<br />
Scene 1: Magic Mushroom<br />
Scene 2: Apple (Today's Special)<br />
Scene 3: Hay (You Assholes, Spell Go)<br />
Scene 4: Sunflower Seed (Apollo)<br />
<br />
This album is dedicated to the loving memory of Travis Ryan Feavel. Eight years after your suicide and the grass still hasn't grown on your grave, buddy. If you like this work: plant a tree and I am not kidding!"^^xsd:string |
| ?:Touched In The Deep End | "Fangbaby<br />
Touched In the Deep End<br />
<br />
1- Blueberry<br />
2- Ballad of Fangbaby<br />
3- Rock and Roll Blimp<br />
4- Hovercar<br />
5- Pumpkinhead is Tough But Fair<br />
6- Shithouse Rat<br />
<br />
Fangbaby is:<br />
Patrick Sean "Grumpy" Henderson - Guitar, Vocals, Words<br />
Josef "Scrub" Wells - Bass, Backup Vocals, Backup Words<br />
<br />
Why not stroll over to www.fangbaby.com for more mind altering CyberFolk?<br />
<br />
Tracks 1-5 were recorded, mixed and mastered by Nebulost Productions.<br />
Track 6 was recorded, mixed and mastered at DJOB Studios.<br />
<br />
Sincere thanks to David James, Brian Cordell, Jason Sewell at Nebulost, and of course the lovely and tolerant Letty and Maile, without whom this whole endeavor would have collapsed like the stack of brittle monkey bones that it is.<br />
<br />
Props also to Skunkweed, Humanimal, Dog Men Poets, The Psychoholics, and everyone that keeps San Antonio rocking.<br />
<br />
This CD, like all our music, is protected under a Creative Commons Attribution, Non-Commerial, ShareAlike 3.0 License. This means you can copy it, share it, and even remix it to the extent that your little heart desires. You just can't make any money off of it without giving us a piece of he pie. Full details at www.creativecommons.org.<br />
<br />
Thanks to Don Davis for the cover art."^^xsd:string |
| ?:to years two long too day | "<div><span style="FONT-SIZE: 9pt; COLOR: black">
<div><span style="FONT-SIZE: 9pt; COLOR: black">
<div><span style="FONT-SIZE: 8.5pt; COLOR: black">
<div><span style="FONT-SIZE: 8.5pt; COLOR: black">
<div><span style="FONT-SIZE: 9pt; COLOR: black">Pharmacopia’s fitting title and interesting play on words to mark sole band member Pete Dragotta return to what he calls his “personal music”. He never stopped making music during his absence from the online bedroom musician scene; he embarked on an opportunity that now has him creating music for commercial projects. The resulting album reflects the production and composing skills he refined during the past two years spent in the studio. The tunes are a focused fusion of electronica, acid jazz, and world flavors. It is also the debut of his playing the Morrisison Digital Trumpet (MDT). To Pete, this new midi trumpet controller plays more like a traditional brass horn. Combined with some legacy analog and physical modeling synths he states it will be awhile till he returns to playing his old horns.</span></div>
</span></div>
</span></div>
</span></div>
</span></div>"^^xsd:string |
| ?:Trabajo en 4 palabras (Directo 22 - 04 - 2006) | "Grabación de la actuación "Trabajo en 4 palabras" el 22 de Abril de 2006 en La Casa de los Jacintos."^^xsd:string |
| ?:trasparenze | "<address><strong>thanks to my best friend my famly and all artists of radiodb <a href="http://radiodb.ibfree.biz/">http://radiodb.ibfree.biz/</a></strong></address>"^^xsd:string |
| ?:travel | "<p>ciao.noise sound nation</p>"^^xsd:string |
| ?:Tryad Demo (Public Domain) | "industrial, classical, and pop all come together with this new 'virtual band' known as try^d.<br /> <br /> with members in seattle, ohio, and japan, try^d music is created entirely over the internet. most members have never met in person.<br /> <br /> try^d includes <a href="http://vavrek.com">vavrek</a>, <a href="http://naturalreflections.org">ema</a>, and arna from seattle on lead vocals, <a href="http://rjmarshall.co.uk">rjmarshall</a> from japan on keyboards, and <a href="http://narphonax.com">john holowach</a> as the band's producer.<br />"^^xsd:string |
| ?:Turkish Delight the opera, Act II, live at The Black Cap | "<p>Here is the second act of <strong>Giles Howe </strong>and <strong>Katy Lipson</strong>'s new musical-opera '<strong>Turkish Delight</strong>', performed at The Black cap in Camden, London in August 2006. Starring:</p>
<p>Natasha Day as Betsy Cohen</p>
<p>Daniel Lawrence as Ohad Cohen (also playing the Judge in 'The Trial')</p>
<p>Gareth Bretherton as the British Man (also playing the Rabbi in the funeral sequence)</p>
<p>Sophie Juge as the British Woman</p>
<p>Piano and synth by Giles Howe and Katy Lipson. All work has been copywritten.</p>
<p><strong><em>If you only get the chance to listen to a few songs from this act, please listen in particular to 'You Think I'm Stupid', 'The Poisoning', and also the finale. I hope you enjoy the show!</em></strong></p>
<p><em><br />
</em> </p>
<p><em>Translations of any of the text associated with the show can be provided in Swedish, German, French, just send a message through myspace.</em></p>
<p> </p>"^^xsd:string |
| ?:Turkish Delight the Opera, Act I, live at the Black Cap | "<p>Here is the first act of <strong>Giles Howe</strong> and <strong>Katy Lipson</strong>'s new musical-opera '<strong>Turkish Delight</strong>', performed at The Black cap in Camden, London in August 2006. <em>Please also listen to Act Two!!</em> <em>It's quite different!!</em> Turkish delight live at The Black Cap starred:</p>
<p>Natasha Day as Betsy Cohen</p>
<p>Daniel Lawrence as Ohad Cohen (also playing the Air Steward in the opening number)</p>
<p>Gareth Bretherton as the British Man</p>
<p>Sophie Juge as the British Woman</p>
<p>Piano and synth by Giles Howe and Katy Lipson. All work is protected by British Copywrite law and the work is held in the archives at Woolf Simmons solicitors, London W1. <br />
</p>
<p><em><strong>If you only get the chance to listen to one or two songs from this act, please listen to 'Folly Of Youth', 'Angel Delight', and 'Allegory'.</strong></em></p>
<em></em>
<p><em>Translations of any of the text associated with the show can be provided in Swedish, German, French, just send a message through myspace.</em><br />
</p>
<p><br />
</p>"^^xsd:string |
| ?:Turn the Other Cheek | "I wrote the songs on this album last year after finding out my best man had died in 2003. There were to many states between us and we lost touch and I was looking for him. The entire album is dedicated to him. R.I.P. Glen Juchemich...<br />
<br />
These are really scratch tracks done on my computer with a mixer and a couple of mics plugged in. As a result it may have some rough spots. Listen and enjoy. That's all music really needs to be personal and live anyways.<br />
<br />
It is not available for sale at this time though I am reviewing my options."^^xsd:string |
| ?:Twilight Sleep | "<p>Sine Die Nocturnus! <em>Forever Night(TM) </em>Is the name of the anthology, multi-genure.</p>
<p>A FREE service to all.</p>
<p>I use the musical talents of Grace Valhalla~PEAK, Silence, & Triad~Try Publicdomain.</p>
<p>All can be found here on Jamendo.com</p>"^^xsd:string |
| ?:Uitgelold | "The album "Uitgelold" is the last album of the band Prøtebröd. Prøtebröd is a dutch punk band originated from 1995. The band split up in the year 2000."^^xsd:string |
| ?:UkeFun | "c'est pas parce qu'on est bassiste depuis 15 ans qu'on ne peut pas découvrir le plaisir simple d'un instrument riche en plaisir.<br />
<br />
sans prétention, cet album contiendra mes créations plus que modestes"^^xsd:string |
| ?:Unfinished Business | "<h1 align="center">Unfinished Business</h1>"^^xsd:string |
| ?:Unforeseen Consequences | "<h1 align="center">Unforeseen Consequences:</h1>
<h1 align="center">More Xenharmonic Studies</h1>
<p align="center">by<br />
</p>
<h2 align="center">Randy Winchester</h2>
<div align="left">The pieces in <em><strong>Unforeseen Consequences </strong></em>were recorded in the <strong>Emergency Music Studio<em>, </em></strong>a collection of pre-MIDI analog synthesizers and sound processing equipment. The studio was assembled in 1984 and used for the recordings <em><strong>Danger: Starts Automatically </strong></em>and <strong><em> Suburban Jazz Studies. </em></strong>One of the perceived problems of <strong>EMS</strong> was that without a computer interface, all the patches, knob settings and sequences were a one-shot deal and performances were essentially irreproducible at a later time. The studio was abandonded to make room for what was believed at the time to be the current state of the art in keyboard synthesizers.<br />
<br />
<strong>EMS </strong>was resurrected in 1994 to deal with a deficiency in the new hardware, namely the lack of any means of playing music outside of twelve equally tempered tones per octave! <strong>EMS </strong>is an outstanding collection of gear for xenharmonic music. The old synth modules still generate big wanton ramp waves that haven't been heard in most music in recent years.<br />
<br />
This is genuine electronic music, full of real electronics, intermodulation, phasing effects, crackly ADSRs and many other aural anomalies that just don't fit well with current musical trends. The important point with this recording though, is the many tunings that are used. They are as distinct from everyday 12 as the equipment used for this recording.<br />
<br />
<div align="right"> - Notes by Randy Winchester, 1997</div>
</div>"^^xsd:string |
| ?:Unjustified | "<span style="font-size: 12pt;">This is my First Electronica Album. I made It back some time in 2000.<br />
I had a lot of fun making it mixing it. <br />
<br />
And hey, If you have any questions or comments about my album, let me know. Send Me a Message or Post a review. I would Love to Hear from You!<br />
</span>"^^xsd:string |
| ?:Unreleased | "Not available unless upon request for personal pressing. Contact ghall22@excite.com with subject: "Jamendo CD purchase request." I will burn you a custom CD with bonus tracks."^^xsd:string |
| ?:unreleazed | "tova sme
lyrics: gayda, ndoe and ghaza.
prodused by ghаzа
creative: drs + nokaut
tova sme [shamanez-bootleg]
remixed and mastered by shamanez
colors: ndoe & doke
® 2005
kartici ot afisha
lyrics: gayda and ndoe.
prodused by ghаzа
recorded: sniper studio
mastering: sniper studio
creative: drs + nokaut
colors: elab
® 2005
vodq kurs: the single
lyrics: gayda, mytag, ndoe.
creative: drs + nokaut
colors: ndoe
vodq kurs (darkstep remix)
remixed and mastered by dj darkstep
vodq kurs (elanbase edit)
remixed and mastered by elanbase
® 2003
s edin gazarski beat
lyrics: ndoe
produced:ghaza
recorded: sniper studio
mastering: elanbase lbs.
creative: elanbase & ndoe
color by ndoe
® 2005
batence (feat.DEKO_and_BOBO)
lyrics: deko, ghaza, bobo and ndoe
produced by elanbase and ndoe
recorded: sniper studio
mastering: sniper studio
creative: drs + nokaut
colors: ndoe
®2005
ne me broi
lyrics: gayda ,mytag and ndoe
prodused:ghaza
recorded: sniper studio
mastering: sniper studio
creative: drs + nokaut
colors: ndoe
® 2003
top ten [revenge]
lyrics: gayda, ghaza and ndoe
prodused by elanbase
recorded: sniper studio
mastering: elanbase labs.
creative: drs + nokaut
colors: erka
® 2003
izto4nata saprotiva
lyrics: gayda, mytag and ndoe
produced by ghaza
recorded: sniper studio mastering: snper studio
creative: drs + nokaut
colors: erka
® 2003"^^xsd:string |
| ?:Untied | ""Untied" is an album which is exactly that. There is a theme behind the album but it's difficult to see immediately. This album is a "full range of motion" for me, touching all corners of the musical room in my head. I hope you enjoy it as much as I did making it."^^xsd:string |
| ?:untitled | "<address><strong>this is my music.</strong></address>
<address><strong>thanks for all artists of radiodb </strong></address>
<address> <a href="http://radiodb.ibfree.biz/">http://radiodb.ibfree.biz/</a></address>"^^xsd:string |
| ?:Un Viaje a lo Infinito (A Trip to the Infinite Thing) | "<p>Con mi musica intento recrear situaciones imaginarias, sitios etc..con ello pretendo hecer sentir emociones positivas al oyente.</p>"^^xsd:string |
| ?:V1.0 + Intercortes | "<h1>V1.0 + Intercortes </h1>
<em>[V03] - 2000 - <a target="_blank" href="http://www.discogs.com/release/8262">Discogs</a> </em><br /> Includes the two CDs plus Heaven says Move ( Reassembled by Vate) and Trip to Ensenada (Vate DF Mix).
<h1><strong>V1.0</strong></h1>
<p> <em>[V01] - 1999 - <a target="_blank" href="http://www.discogs.com/release/8261">Discogs</a> </em></p>
<p>This is a compilation from the works done between 1996 and 1999, simply made tracks, with no apparent conection between them, but finally with certain common ideas between them: political issues (Country not for you, Seis segadoras verdes, Ultras) and points of view related to some feelings (the rigid serenity of Disciplina against the violent game of Breaking Glass II). </p>
<p> <strong>1 Ultras (1996)<br /> </strong>A track wich is only based on long samples with some cinematographic appeal. It reminds of an imaginary scene where many ultras (left or right radicals) run through the streets (could be in any city) beating and kicking anyone who gets in their way (could be a policeman or a three year old child). The extremes touch at one point, as happens with the ultras. </p>
<p> <strong>2 Country not for you (1996)</strong> <br /> A fast and repetitive rhythm leads us through some speeches from Kennedy and Nixon, edited so we can understand their real intentions. Kennedy, in the name of many world leaders shouts that this country is not for us at the time Nixon about what he really liked from in the Vietnam war. </p>
<p> <strong>3 Club (1997)<br /> </strong>A progressive track with distorted guitar samples </p>
<p> <strong> 4 Motor (1997)<br /> </strong>There is a huge influence from the instrumental works of Kraftwerk and Alan Parsons. This song needs to be heard while making an imaginary trip thorugh an industrial park watching the machines, the trains, the ships, the smoke emerging from the chimneys, the rusty metal, the oil and the engines. </p>
<p><strong>5 Disciplina (1997)<br /> </strong>A slow progression with a treated guitars that resembles the middle east. After that, the track speeds up like a military training in wich the work rhythm raises up with force. There is one thing that helps to undertake this pressure: Discipline. </p>
<p><strong>6 Treading Gravity (#1 station mix) (1999)<br /> </strong>Reconstruction of an original track from Universal Beat Embassy. From a good Progressive House, it becomes into a series of breakbeats with some fragmented voices and a different pace. It worths listening to both versions. </p>
<p> <strong>7 Seis Segadoras Verdes (1998)<br /> </strong>It is closely related with the tale of the same name, in wich appears an utopical Mexico in the year 1999.</p>
<h1>Intercortes</h1>
<p><em>[V02] - 2000 - <a target="_blank" href="http://www.discogs.com/release/8260">Discogs</a> </em></p>
<p align="left"> <strong>Música para intermedios</strong></p>
<div align="left">Intercortes fue ideado originalemente como música para intermedios, pequeñas piezas que oscilan entre composiciones musicales y experimentos sonoros. Gran parte de los intercortes se basa en el sampleo de fuentes externas como discos, radio y televisión. Muchas fuentes han sido procesadas y retorcidas digitalmente. En general fue un buen ejercicio de modelado de sonidos con base en restos de otras voces... </div>
<p align="left">Música para intermedios, cortos auditivos formados de recortes de piezas recolectadas en un basurero. Ensamblado de sonidos, voces del <a href="#1">Primer Mandatario</a>, <a href="#2">dB</a>'s extraídos con <a href="#3">impunidad</a> de otras fuentes. <a href="#4">Proceso de ensamblado de la Mujer Azul</a> con facciones de Mary Shelley. Se le implantan exclamaciones robadas de un <a href="#6">Manga</a> y poses de <a href="#7">Vicious & Rotten</a> ( también algo de Beethoven como contrapeso.) De las corrientes suaves del <a href="#8">drenaje</a> (el llamado "underground") saldrán fabricantes de mujeres azules dispuestos a contaminar las aguas de la gran corriente (el llamado "<a href="#6">mainstream</a>").</p>
<p align="left"> <a></a><strong>1 El Primer Mandatario </strong><br /> (experimental político)<br /> - Lapsus verbales del primer mandatario<br /> - Ruidos entrecortados de borregos<br /> - Voces de adhesión de otros políticos... </p>
<p align="left"><a></a><strong>2 dB </strong><br /> - Abreviatura de decibel<br /> - Sampleos tomados de otras fuentes, destazados y reorganizados en una pieza coherente...</p>
<p align="left"> <a></a><strong>3 Impunidad </strong><br /> (experimental ético)<br /> - Un discurso sobre la impunidad<br /> - ¿Lamentos?</p>
<p align="left"><a></a><strong>4 Proceso de ensamblado de la Mujer Azul </strong><br /> (experimental Industrial)<br /> - Corriente eléctrica<br /> - Golpes propios de un taller de manufactura<br /> - Taladros, osciloscopios, soldadores....</p>
<p align="left"><a></a><strong>5 El Pecado Mainstream </strong><br /> (Drum n' Bass radiofónico)<br /> - Voces tomadas de la gran corriente. Órdenes sutilmente disfrazadas de sugerencias: " Es muy importante que ustedes de jalen para acá con nosotros"<br /> - "Está en todas partes"<br /> - ¿De que forma se puede estar en la gran corriente sin pervertirse?</p>
<p align="left"><a></a><strong>6 Manga </strong><br /> (experimental japonés)<br /> - Recortes auditivos de un comic japonés</p>
<p align="left"> <a></a><strong>7 Vicious & Rotten </strong><br /> (jungle + punk + romanticismo siglo XIX)<br /> - Sampleos de Beethoven versus sampleos de Vicious y Rotten</p>
<p align="left"><a></a><strong>8 Drenaje </strong><br /> - Paseo subterráneo por una cloaca </p>"^^xsd:string |
| ?:Variety | "Just some stuff I made a few years from now"^^xsd:string |
| ?:Voix | "<div style="MARGIN: 0in 0in 0pt"><span style="FONT-SIZE: 8pt">“Voix” contains seven new compositions Pete Dragotta co-wrote with eight vocalists. From his 1996 debut album “Pop’s English” performing under the band name Pharmacopia to his 2007 album “Holistic Audio”; the music Pete Dragotta composes under the name Pharmacopia is well known for the melding of sound textures, musical styles and of course Pete Dragotta’s personal trumpet playing. </span></div>
<div style="MARGIN: 0in 0in 0pt"> </div>
<div style="MARGIN: 0in 0in 0pt"><span style="FONT-SIZE: 8pt">The start of Pharmacopia’s next decade takes a new direction with “Voix” collaborating with seven vocalists. </span></div>
<div style="MARGIN: 0in 0in 0pt"> </div>
<div style="MARGIN: 0in 0in 0pt"><span style="FONT-SIZE: 8pt">Pete has worked with vocalists in the past on Pharmacopia’s previous releases, but not on an entire album; in “Voix”, Pete collaborated with vocalist who posted their accapella tracks on ccmixter.org.</span></div>
<div style="MARGIN: 0in 0in 0pt"> </div>
<div style="MARGIN: 0in 0in 0pt"><span style="FONT-SIZE: 8pt">All money from the sales of "Voix" will be donated to creativecommons.org.</span></div>"^^xsd:string |
| ?:Volk | "<h1> <strong>Volk</strong></h1>
<p> <em>[V07] - 2005</em> </p>
<p> Volk is a summary of the work I have done in the last four years. Since then, many movements within Mexican electronic music fused electronic music with popular music. I received a great influence from them and the feedback with other musicians was very strong. The constant in this work is the union of "modern" electronic music with traditional popular sound: music, mass culture or urban subjects. With these ingredients, plus the intention of the Chill ánd Go group and the participation in Urbe Probeta compilation, Volk was developed unconsciously.<br clear="all" />
</p>
<table width="100%" cellspacing="0" cellpadding="5" border="0">
<tbody>
<tr valign="top">
<td><strong>1 Apolo X</strong> <br />
As in many of the tracks from Volk, a previous version of this one was played live several times between 2001-2002. It was reconstructed for Volk from scratch, based in the original samples and extended into a longer version.</td>
</tr>
<tr valign="top">
<td><strong>2 Marimba</strong> <br />
A sample of the work within the Chill ánd Go collective, based in marimba sounds and a tamale vendor announcement. A sound stamp from Mexico City. </td>
</tr>
<tr valign="top">
<td><strong>3 Diablo</strong> <br />
Diablo was done originally for the videohome <em><a href="http://www.imdb.com/title/tt0400334/" target="_blank">Cumbia cachonda</a></em> from director <a href="http://www.imdb.com/name/nm0327646/" target="_blank">Christian González</a>, along with other three pieces: <em>Cachonda</em>, <em>Cachonda (Foreplay)</em> and <em>Por debajo del agua</em>. Diablo combines the basic sound of cumbia, as usually is played in Mexico, with simple and danceable electro sounds. </td>
</tr>
<tr valign="top">
<td><strong>4 Stravinsky</strong> <br />
Another type of mestization: Big Beat with orchestra.</td>
</tr>
<tr valign="top">
<td><strong>5 Patria / Extranjero</strong> <br />
One of the three pieces of Nortec style in the Volk album. Inspired by a poster Mexico-USA border. The first part was begun in Mexico in 2001 and the final section was finished in Spain in 2004. Both places are for me a foreign country and a homeland.</td>
</tr>
<tr valign="top">
<td><strong>6 You are aquí</strong> <br />
Tijuana and its legend. A map in the border indicates to the traveller in spanglish: "You are aquí" (Usted está here). </td>
</tr>
<tr valign="top">
<td><strong>7 Mac-Ila</strong> <br />
Northern Mexico is a great assembly plant ("maquila" in spanish). A great producer of Mac-objects in series. Third and last Nortec piece from Volk.</td>
</tr>
<tr valign="top">
<td><strong>8 Por debajo del Agua</strong> <br />
Another piece of the Cumbia Cachonda soundtrack. A cumbia güiro and an accelerated trip hop. Corruption as the engine of a country... </td>
</tr>
<tr valign="top">
<td><strong>9 Fiesta</strong> <br />
A funeral is a celebration without host. (Luis Ignacio Helguera)<br />
Collaboration and simultaneously tribute to the text recited and written by Luis Ignacio Helguera (1962-2003). Images of the dawn after a drunk and sad celebration. Fiesta is part of the Urbe Probeta compilation, an encounter of poets with electronic musicians.</td>
</tr>
<tr valign="top">
<td><strong>10 Casa</strong> <br />
Sound cuts from my old home.</td>
</tr>
</tbody>
</table>
<br />
<em>Volk</em> was released in 2005 and is a compilation of tracks from the last four years. The music is primarily computer generated with some sampling. “Fiesta” uses street sounds and dialoque interspersed with a pounding beat and droning electronic lines. “Diablo” also uses a good amount of latin rhythm among the techno affects. Most of the other tracks are more IDM, depending heavily on computer oriented sounds but still emitting a rare beauty."^^xsd:string |
| ?:Vulnerable | "naive vain"^^xsd:string |
| ?:WAIT | "Some of the best human stories are the hardest to tell – those stories that are acted out inside a person, instead of obviously out in the world.
But the facts of Ben Johnson’s life more than hint at the presence of just such a story. For without some kind of internal movement, how does a self-described “nerd” kid move from wanting to be liked for something other than his musical talent to pursuing a career as a performing singer and songwriter? How does he get from the shelter of his southwestern Missouri farm family to facing down life as a working musician in the Windy City?
The answers to these questions and some you wouldn’t dare to ask can be found in his work, which is at once searching, intimate and subtly powerful. He is already well on his way to meeting his own standard of being “lyrically direct and musically adventurous.” In a review of a performance at the Burning Question Coffeehouse, Tribune journalist George Rawlinson described Ben’s performance as “lightning in a bottle”.
Of the newcomers to the scene, there are always some good writers who may become good performers, some good performers whose material might mature. Once in a great while, along comes a “beginner” who is already nothing short of excellent on every front, and Ben Johnson is that musician. He is classically trained, and holds a music degree from Belmont University. He also has substantial experience in theatrical music direction; he is currently the vocal coach for the touring production of The Lion King. Forever Plaid at the Royal George and God and Country at Victory Gardens are just a few of his many Chicago-area theater credits. He also appears on Wild Ride by Sarah B & The Gist.
Perhaps if Chopin and Tori Amos had a child, and allowed Elton John to raise him, he would play the piano like Ben Johnson. But that wouldn’t explain his voice, which somehow manages to be both flawlessly controlled and emotionally raw at the same time.
"Sometimes I feel like nobody's listening to me until I sing a song. Inside the song I can
freely speak my mind, work out the puzzle, ask for help or give it, break down or stand up. “
Ben celebrated the release of his first EP, Wait, at the Raw Bar & Grill in Chicago in July 2005. The CD is available at cdbaby.com and can be downloaded at iTunes."^^xsd:string |
| ?:Waiting | "This is my 10th self-produced release.<br />
<br />
It features 5 songs ranging from contemporary classical to space rock, with a moment of jazz in "Dimenticare"."^^xsd:string |
| ?:Wake Up | "Some of my poems that inspired songs over the past several years. Hope you enjoy the FREE album!"^^xsd:string |
| ?:War Music | "ARMED War Music 2007"^^xsd:string |
| ?:WATER (single) | "<p> </p>
<h5 style="COLOR: maroon" align="left"> Santoor samples from the <a href="http://www.manishvyas.com/albumrejoicing.htm">CD Rejoicing</a> </h5>
<p style="COLOR: maroon" align="left"> </p>
<h5 style="COLOR: maroon" align="left"> are kindly granted by multi-instrumentalist and singer <a href="http://www.manishvyas.com/">Manish Vyas</a></h5>
<p style="COLOR: maroon" align="left"> </p>
<p style="COLOR: maroon" align="left"> </p>
<p style="COLOR: maroon"><img alt="" src="http://bp1.blogger.com/_snbaqEOKkRw/RwkBH_KjUfI/AAAAAAAAACc/63UTXS3aT2U/s1600/Header.jpg" /></p>
<h5> </h5>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:wavelength | "the inner reaches of outer space"^^xsd:string |
| ?:way of the dragon | "subatomicglue [2005] - on the edge is a dragon warrior, wielding magic and might, conquest and skill, rage and fury in the complete and final obsession."^^xsd:string |
| ?:WAY-WUAY-WAY-WY!! | "<p><span style="font-weight: bold;">Elegant mix, fusion, pop, instrumental. Acid lyrics (spanish).</span></p>
<p><span style="font-weight: bold;">TROVA PROGRESIVA</span><span style="font-weight: bold;"></span></p>
<p><span style="font-weight: bold;">CHECK IT AND YOU'LL LOVE IT</span><span style="font-weight: bold;"></span></p>
<p><span style="font-weight: bold;"><br /></span></p>"^^xsd:string |
| ?:website tracks | "A collection of tracks from the SC website"^^xsd:string |
| ?:What | "<p>experimental electronc</p>"^^xsd:string |
| ?:what is | "<em><br />
So “What is” wilson noble..<br />
a magical journey of insight, love,<br />
friendship, energy inspired imagination gently<br />
put forward in form of words & music.. over 2 years of<br />
thought is placed throughout this album as i started composing <br />
What is in 2004. This being my second album in the series was gently<br />
interrupted with 9 months traveling in between, so’s it has taken a wee while<br />
longer than expected. “What is” will take you on a journey through inner confusion,<br />
unconscious thought, beautiful moments of clarity all flavoured with love, deep understanding<br />
& honesty.. before we start i’d like to name the beautiful souls that’ve helped me throughout this musical journey....<br />
<br />
my Muse, Ewan Ritchie, Jill Douglas, Eilean Noble, Wilson noble, Callum Peterkin, Australia, Asia, Duncan Heart, Dave Burlton, Vincent Malsant, Katrina Walker, Douglas Ross, Victor Belic, Caroline Noble, Ronald Noble, Edna Crawford, myself & the infinte eternal energy All that is.....<br />
<br />
<br />
<br />
<br />
thank you all entirely X<br />
</em>"^^xsd:string |
| ?:Where Are We Going EP | "What best describes "Where Are We Going" ? Besides the fact its by Mark.Nine, a rising electronica artist from the illbient scene. Only you can imagine what really goes on in his music, no doubt will it take your mind some place else. Close your eyes and imagine what the music describes.<br />
<br />
-<br />
4th release of Mark.Nine's official releases. Presented by my online netlabel (I/O netlabel). You can see more of my releases at my homepage. all my releases are free at the current moment. feel free to download any of them and share."^^xsd:string |
| ?:Where Eagles Fly Again | "<p>Where Eagles Fly Again - dedicated to the US-Air-Force - Kepp up the good work, guys - WE LOVE YOU !</p>"^^xsd:string |
| ?:Where Have All The Weird Days Gone? | "<p>This is a desperate plunge into the hidden recesses of an experimental womb. Music without the hinderances of category and genre. Embryonica redefines the subjective value of new and old, good and bad. Basically, I will attempt to program, play, and multitrack the expressions that seem valid. I will also include some Drunkenflow cuts from years past.<br />
</p>
<p>Let me know what you think, opinions and suggestions, questions. I will answer them if they are a valid expression of embryonic exploration. So, attach yourself to the umbilical cord of experia and swim in the fluid of discovery.</p>"^^xsd:string |
| ?:where is | "<div align="left"><em>ok before we start this album... I have so many eternal thank yous & beautiful acknowledgments to share.. firstly an infinite thank you to my colourful, insightful muse who’s inspiration has mothered me throughout this beautiful journey of creation thank you... Mr Ewan Ritchie whom without i could never have recorded this masterpiece, I thank you from the entirety of my being... thank you... ms Jill Douglas who never stopped believing in me ever, you are a beautiful star who’s energy shines on us all..... thank you...Mr Callum Peterkin whom i love so dearly, thank you my friend..... thank you... Mr Dave Burlton for his incredible passion for music... thank you... Mr Duncan Heart for his compassion art & beauty.... thank you... Mr Vincent Molsant for having passion & rhythm entwined through his soul.... thank you... Mr Ross Cunningham you are an angel my friend.... thank you... ms Katrina Walker who’s neverending understanding is appreciated & loved beyond all doubt.... thank you.... Mr Ewan Ritchie for having the patience of a saint... thank you.... Mr Victor Belic for having honesty & virtue entwined throughout his soul.... thank you.... Mr Paul Edwards for being a King in his own right...... thank you.... Mr Sam Sutherland for being my pal & long lost brother.... thank you.... Mr George Murray (al george) for his dedication to music & unquestionable honesty.. thank you... mrs Eilean Noble who’s courage & inspiration has done nothing but love her son entirely..... thank you..... Mr Wilson Noble for understanding the art in his sons eyes..... thank you..... ms Caroline Noble who’s independence & bravery have amazed me my entire life... thank you..... Mr Ronald Noble for being my brother, you are a legend in your own right..... thank you..... Kisha the cat for her love & perfect timing..... thank you.... Mr Ewan Ritchie who never once asked for anything but friendship..... thank you.... ms Anne Ward for teaching me with great courage the merkaba meditation & flower of life.... thank you.... to every single soul i met on my travels, they would never have been the same without you.... thank you...all the musicians who’ve helped me along the way only ever asking for love in return..... thank you.... all the artists & authors who’ve done nothing but inspire me through my entire existence..... thank you...... a huge love for all my friends who’ve help me no ends throughout this magical process & entirely with like itself.... thank you... and finally but never least, to the infinite entity that is entirely all that is, i thank you as if i was thanking myself..... thank you....</em><br />
<br />
<em> thank you all.......</em><br />
<br />
<em> ... </em><br />
<em> </em></div>"^^xsd:string |
| ?:Where's the Station? | "<h1>They're at it again!</h1>
<br />
<strong><em>Margin of Safety</em></strong> is on the (supposedly) final stages of making their first composed album. Meanwhile they keep recording rehearsals and mainly the jam/improv parts of them.<br />
<br />
<em><strong>Where's the Station? </strong></em>is meaner than its predecessor. The sound is stripped to bare bones as the guitarist and bass player both use a Musicman sixty-five amp, a beast of terror in its unforgiving nature and tonal bliss. The customed kit of Ludwig drums blast and roll in precise definition.<br />
<br />
"Where's the Station?" is the question that pops up at every improvisation, either shouted out in panic and fear, or just as an thought to keep you on your toes and ready to switch gears.<br />
<br />
The jams are recorded with a Røde NT3 stereopair."^^xsd:string |
| ?:Whiteblack | "experimental progressive electronic"^^xsd:string |
| ?:WhiteRoom | " Sunlight is made up of a full spectrum of colors. As it reflects off an object, certain shades of light are absorbed and others are reflected. These reflected colors form the images that reach our eyes. Unfiltererd White Light contains every image you have seen and will ever see.<br />
<br />
The Static you hear from a dead radio contains a full spectrum of sound all at equal volumes. It is said that within that invisible unfiltered noise, hidden in plain site, is every piece of music that will be, and ever has been written.<br />
<br />
By the time Alex Dray and Eddy Silva had founded WhiteRoom, they had spent much of their lives trying to absorb as much human static as the body can take before going crazy. Dangerously close to the breaking point, it was clear that the only stress relief was to decipher, filter and sculpt their own version of the Great Universal Static. The result is an absorbing new musical gestalt: a twisted and unconscious homage to paying attention and letting go.<br />
<br />
WhiteRoom easily establishes a firm foundation of Introspective Indie Rock while drifting fluidly between latin jazz, urban beats, haunting trip-hop and romantic cinema sound-scapes.<br />
<br />
In a rare show of creative unification, the group draws on everything and anything within reach, breathing musical life into laptop screens and synthesizers as easily as into acoustic guitars and upright pianos. With a firm grasp of classic song-writing at its base, each song is infused with a quiet sense of dream-like storytelling.<br />
<br />
Right now: WhiteRoom finds itself emerging as a clear voice to the guerilla DIY rise of next-generation composers. With their roots anchored healthily in the nurturing Montreal music scene, they are ready to branch out all over the networks of the world."^^xsd:string |
| ?:Winter | "<p>This album is a collection of tracks that Ghost Notes have been working on sporadically in the past few year. You'll hear from ambient eletronic music to the single jazz piano tracks.</p>
<p>Blackbird is a Paul McCartney song published by The Beatles. The Beatles is a band tha is a great influence to us and this is our way of paying a small tribute to them. The guitar track is actually Paul's performance, only tuned in contemporary G major and slown down by a few BPMs.</p>"^^xsd:string |
| ?:Winter Expressions | "<span><span><span><span><font color="#ff3300">Finally my second album is done.More melodic,more electronic,more agressive.It's a result of hard work and many hours of clicking my synth buttons.I hope, you'll like it!<br />
<br />
Genre: electronic<br />
</font></span></span></span></span>"^^xsd:string |
| ?:Without the People | "This is an incoherent collection of my early songs, enjoy it! Vocals on track 1 and 11 by Giulia Pedroni. Backing vocals on track 10 by Giulia Pedroni, Alice Borciani and Francesca Campani. Very bad english pronunciation:)"^^xsd:string |
| ?:Woods of Chaos | "<p>This second album is a reflection of my battles, successes and determination to move forward. There is a lot of venting exemplified with intense and heavy notes throughout the songs. I’m not scared anymore. The "Woods of Chaos" will always be there, but I'm able to overcome the beasts and find peace. </p>
<p>Let this album take you on a journey. Create your own experience with each song. Enjoy! </p>"^^xsd:string |
| ?:Words and Voices | "Aesthetic Evidence’s debut album, Words and Voices, makes use of conversations, phrases and other vocal fragments while incorporating an array of electronic, ambient, pop, jazzy, and progressive musical compositions. It’s all merely a background for the collage that Halsey Burgund, Aesthetic Evidence’s only member, creates with loops.
Words and Voices’ style might seem very similar to that of the Books, but Burgund makes a point of sticking only to samples of the human voice and using them to create a true collage that connects seamlessly and deeply with the music.
This collage of words against original music with a great beat, makes Words and Voices a genuine musical work of art by Aesthetic Evidence. It is music dedicated to something other than the band’s girlfriends and personal hardships; it is dedicated to this thing that humans often take for granted: speaking.
Recently, Burgund worked on a project called “Bring Your Own Voice,” where people could enter a mobile plywood recording booth he built, and record their random ruminations. Eventually, the samples would be layered over Burgund’s musical compositions. On the project’s website, www.bringyourownvoice.com, Burgund explains his fascination with people’s voices by saying, “Your voice is unique. Your voice is a fingerprint of yourself. The way you intone words, the speed you speak, the inflections you use are all part of a unique aural fingerprint that identifies you as an individual.” (self-released)
-Afsheen Leonardo Amiri for Northeast Performer Magazine"^^xsd:string |
| ?:Works | "This album contains a compilation of tracks that are the engineering work of Simon Hartcher. Its purpose is to showcase Simon's engineering skills which are mostly self taught, and his accurate hearing ability. The songs vary in recording quality since access to microphones and good recording rooms were limited. Simon's main goal is to use this as a portfolio to support his entry into studio and other related work."^^xsd:string |
| ?:World Shroud | "<strong>World Shroud</strong> is the second release from swedish death-metallers Havok. It was recorded in Black Lodge Studios in Örkelljunga late 2006, and released mid january 2007."^^xsd:string |
| ?:Wormhole | "Wormhole is the second album released by Jeff Hentschel. It is the culmination of months of preparation, work, and recording with several different people. All of the songs here were composed entirely by Jeff. Included on this album is the Journey to Planet X suite detailing the adventures of colonists moving to a new world. "Downtown Sedna" continues this theme depicting music from a future jazz fusion club in the busy metropolis of some distant planet."^^xsd:string |
| ?:Xibalba | "Acoustic demo EP recorded at Best Of Studio, Athens. Original music and lyrics (in Greek). These six tracks are acoustic previews from an album I am in the process of recording, entitled <em>Black Mirror</em>. All original lyrics come from the collections of poems <em>The Exile of Archangels</em> (Iolkos Publications, 2005) and <em>Black Mirror</em> (unpublished, 2007).<br />
<br />
<em>Dance of the Spider</em> - Greek version of <em>The Quay,</em> from the album <a href="http://www.jamendo.com/en/album/4523/">Salutatio Bonorum</a>. Inspired by the famous, circular tarantella dances of the south of Italy. The allusion is not musical, but more in terms of allegory and metaphor.<br />
<br />
<em>Exorcism for the Blues</em> - Greek version of <em>The Time of Blues</em>, from the album <a href="http://www.jamendo.com/en/album/4523/">Salutatio Bonorum</a> (with a few additions and adjustments). One of my darkest songs, inspired by a series of Tarot readings in all of which the Death card appeared. This card does not predict an actual death, but mostly a "transformation", or a radical change in one's life. This song is a also a kind of musical "exorcism" referring to the tragic fate of many blues singers and musicians, among whom Johnny Ace and Billie Holiday.<br />
<br />
<em>In the White Room</em> - When darkness falls, the city looks like a river of lights under the eye of the moon. From the white room, someone watches...<br />
<br />
<em>Omnia Vincit Amor</em> - Love conquers all.<br />
<br />
<em>The Wanderer</em> - Greek version of <em>A Girl's Dream on the Porch</em>, from the album <a href="http://www.jamendo.com/en/album/4523/">Salutatio Bonorum</a>. A tribute to all those restless souls that never find a place to settle down and be like everybody else. Themes and imagery inspired by Heraclitus, Giordano Bruno and the Biblical texts. <br />
<br />
<em>Xibalba</em> - Greek version of <em>Little Howling Hyena</em>, from the album <a href="http://www.jamendo.com/en/album/4523/">Salutatio Bonorum</a>. Xibalba is, according to the Mayan mythology, the underworld below the surface of the earth, which is governed by demons and spirits of death. The equivalent of Greek Hades or Christian Hell, it seemed an appropriate title for this very dark song, which speaks of the fearsome depths of the soul and the subconscious."^^xsd:string |
| ?:XL Ant | "<p>Once upon a time there were two kids, two friends. One day they got themselves Fruity Loops Studio and started making music. They called themselves XL Ant. But the time come and <font size="-1">they went their separate ways. One turned to Hard Trance and become <strong>Mud & Dust</strong> , the other one become <a href="http://www.jamendo.com/en/artist/saregama/">SaReGaMa</a>. They done a lot of tracks during the five years of mutual work <font face="Arial" size="2">(1995-2000)</font>. This album includes some of them. After being published on Jamendo this album was stolen by some MP3 site and put on sale, so I guess them tracks ain't that bad after all.</font></p>
<p><font size="2"></font></p>"^^xsd:string |
| ?:Xperiment! | "<p> </p>
<p> </p>
<p> </p>
<p> Wrong license<br />
</p>
<p> License On The Whole Album and its cover: </p>
<p><a target="_blank" href="http://creativecommons.org/licenses/by-nc-nd/3.0/nl/">http://creativecommons.org/licenses/by-nc-nd/3.0/nl/</a></p>
<p> </p>
<p> </p>
<div><img alt="" src="http://i.creativecommons.org/l/by-nc-nd/3.0/88x31.png" /></div>
<p> </p>
o0o created his first album called Xperiment in 2005. He has used MM2005 and the journey was, as the albumtitle mentions, an experiment. Trying to find out the software, the recording of the voice, how to use loops, samples and voice. He did not realy care for genres but there is a yet unspecified genre around this album.....<br />
<p> <br />
enjoy the Xperiment!</p>
<p> </p>
<p> </p>"^^xsd:string |
| ?:XuilliuX | "XuilliuX is my first atttempt to create another world through music. There are no vocals involved this time only sounds and beats. <br />
<br />
Enjoy...<br />
<br />
Kind regards, <br />
<br />
o0o"^^xsd:string |
| ?:Yor_Whiskaz | "My old rock tunes - mostly accustic versions."^^xsd:string |
| ?:You Can't Stop Da Funk | "I'm just here up in my spaceship, gonna make a move."^^xsd:string |
| ?:Zelfmoord | "<font size="2">The ninth Auricular album, Zelfmoord (which is Dutch for "suicide", or so I've been told), is a follow-up/remastering of the darkest album previously, Truncatus Omnino.<br />
The same type of story applies: the album tells the story of a deranged pedophile who rapes virgin girls. In this case, however, the story is more shown from the viewpoint of the girl, and more specifically a very young girl who experiences this more than once in her life before she is even 10. The album toward the end takes a turn back to the freak who did this to her, who ends up taking his own life. All is "told" through the droning soundscapes and lyric-less music.<br />
This album is not for the weak and is meant to be extremely dark, very disturbing, and unsettling.</font>"^^xsd:string |
| ?:Zen Cities | "This is a compilation of some of my songs over the last 3 years and is a good introduction. Look for the original albums, Leaving Town and North Star to be uploaded soon.<br />
<br />
This CD is pretty much unclassifiable. It's a conglomeration of world, ethno, electronica, and techno music.<br />
<br />
<br />
2007 BlackJaq Studios"^^xsd:string |
| ?:Zero | "This is the first album I'm releasing on Jamendo. Since it consists of old tunes instead of new ones, i thought it would be fitting to call it "Zero" instead of "One"."^^xsd:string |
| ?:Zkm improv | "A recorded excerpt from our improvvisation at Linux Sound Night (ZKM, Karlsruhe, DE).<br />
<br />
<br />
(It's live: you can't ear the public because with our instruments we go directly into the mixer and the recorder device :) )"^^xsd:string |
| ?:Zusammen in einem elektrischen Traum | "Voci:<br />
Federica (Traccie 2,3,6)<br />
Paolo (Traccia 5)<br />
Suus (Traccia 8)"^^xsd:string |
| ?:Из-под земли | "Nomads' first studio album. Recorded in 2006."^^xsd:string |
| ?:Интуиция Цели (Intuition of purpose) '99 | "медитативный. сосредоточеный. светлый альбом<br />
Meditative. Concentrated. A light album<br />
<br />
Сочинён в 1998-99 г. в Кемерово (Сибирь), при помощи инструмента Ensoniq-ts12, никаких компьютеров. <br />
Это мой первый электронный опыт, до этого я только писал песни и играл на гитаре и бас-гитаре.<br />
Музыка сочинялась сама собой. Вся музыка интуитивна.<br />
Конечно не хватало музыкальной грамоты, и поэтому я оттачивал каждую композицию на слух, двигал ноты, искал звук, насколько это было возможно в рамках одного-единственного инструмента.<br />
<br />
Оригинал к сожалению не сохранился, осталась только mp3 версия, к томуже очень тихая.<br />
Уже в Москве я начал мастерить его на компьютере, но и этот жёсткий диск полетел.))<br />
В этой музыке огромная сила - хоть и местами ошибки в аранжировках."^^xsd:string |
| ?:Одноногий (Onelegged) | "<pre><a href="http://www.gosha.plus.com"></a>Album covers:<br /><img src="http://www.gosha.plus.com/2007small1.jpg" alt="Front" /> <img src="http://www.gosha.plus.com/2007small2.jpg" alt="Back" /><br /><br />High resolution album covers and more music can be downloaded from <a href="http://www.starayaderevnya.co.uk">http://www.starayaderevnya.co.uk</a> (in Russian)<br />Myspace page: <a href="http://www.myspace.com/starayaderevnya">www.myspace.com/starayaderevnya</a><br /><br /></pre>"^^xsd:string |
| ?:Экспедиция (Expedition) | "Album covers:<br />
<pre><img src="http://www.gosha.plus.com/1999small1.jpg" alt="Front" /> <img src="http://www.gosha.plus.com/1999small2.jpg" alt="Back" /> <img src="http://www.gosha.plus.com/1999small3.jpg" alt="Inlay" /><br />High resolution album covers and more music can be downloaded from <a href="http://www.starayaderevnya.co.uk">www.starayaderevnya.co.uk</a> (in Russian)<br />Myspace page: <a href="http://www.myspace.com/starayaderevnya">www.myspace.com/starayaderevnya</a><br /><br /><h2><strong><em>"Помнишь историю одного капитана, который не вернулся из экспедиции? Это была его задача, его мысль. И вот эта задача решена..."</em></strong></h2></pre>"^^xsd:string |
