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dc:title
"The Winter: Parataxes"^^xsd:string
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dc:date
"2007-11-07 10:49:37"
dc:description
"<p>&nbsp;</p> <p align="left" style="margin: 0pt; line-height: 100%;"><font size="4" face="Arial">&quot;Derek Bailey on acid!&quot;</font></p> <p align="left" style="margin: 0pt; line-height: 100%;"><em><font size="4" face="Arial">- Anthony Donaldson, Primitive Art Group</font></em></p> <p align="left" style="margin: 0pt; line-height: 100%;"><em><font size="4" face="Arial"><br /> </font></em></p> <p> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;">Instrumental improvisations from Wellington, New Zealand, 2003. Builds from acoustic intimacy around the winter fireplace to the Fushitsusha-esque electric blizzard climax of 'Parataxes 9'.<br /> </p> <br /> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><strong>Mike Kingston</strong> - cello, electronic composition (1,4,7), electric guitar (2), acoustic guitar and slide whistle (8)</p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><br /> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><strong>Dave Edwards</strong> - acoustic and electric guitars, harmonica</p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><br /> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><strong>Simon Sweetman</strong> - drums and percussion</p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000"><br /> </font></p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;">&nbsp;</p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000"><br /> </font></p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000">&quot;The Winter are a Wellington based improvising trio, and Parataxes is their 1st release. It documents both acoustic and electric live sets that drift from eastern sounding cello led pieces to fairly extreme feed-backy noise. A key member of the group is Wellington's master of pseudo-autistic intensity, Dave Edwards, whose guitar and harmonica work definitely moves the whole into a fairly edgy sphere. Over such a duration this can make pretty harrowing listening, but sometimes such immersions are worth it.&quot;</font></p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"><font size="2" face="Arial" color="#000000"><em>- Antony Milton, Pseudoarcana</em></font></p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p> <p style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial"><br /> </font></p> <p style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial"><br /> </font></p> <p style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial"> &quot;A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand's Pumice and classic '60s blues/folk and you're in the right ballpark.&quot;</font></p> <p align="right" style="margin-top: 0pt; margin-bottom: 0pt;"><font face="Arial">- <a href="http://thebrokenface.blogspot.com/">The Broken Face</a></font> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p> <p align="left" style="line-height: 100%; margin-top: 0pt; margin-bottom: 0pt;"> </p> <br /> <p align="left" style="margin: 0pt; line-height: 100%;"> </p> <p align="left"><font size="2" face="Arial">&quot;I can be pretty naive sometimes, and I often forget that it actually<br /> gets cold in New Zealand. For many of us Americans, we think of New<br /> Zealand as being somewhat tropical. It's an island after all, and we<br /> are brought up believing that islands are exotic places that exist in<br /> the middle of the warm oceans. This is obviously a mistake. Although I<br /> still forget that the seasons are opposite in the Southern hemisphere,<br /> the existence of dreary weather in New Zealand is cemented in my mind.<br /> A great deal of experimental music from New Zealand has a distinctly<br /> desolate, overcast feeling to it.<br /> <br /> &quot;Appropriately named, The Winter hail from Wellington, New Zealand.<br /> Most of you probably associate Wellington with the brilliant Pseudo<br /> Arcana label, and keeping that sound in mind, The Winter offer up over<br /> an hour of freeform aural explorations. These loose improvisations<br /> range from processed field recordings to gritty blues dirges to<br /> no-wave skronk. This trio consists of Simon Sweetman on drums and<br /> percussion, San Shimla on cello, and Dave Edwards, whose great solo<br /> albums have been circulating for years, on guitar and harmonica. All<br /> three artists have a firm grasp of their respective instruments and<br /> employ their talents well throughout &quot;Parataxes.&quot;<br /> <br /> &quot;One thing I enjoy most about this record is Edward's playing. On the<br /> second track, the highlight is when he gets into a real groove with<br /> his guitar and harmonica. The two complement each other perfectly, and<br /> it has this 1960s folk feel to it that somehow doesn't seem out of<br /> place. As Sweetman joins in using various metallic percussive<br /> instruments, the two start playing off each other. Their interaction<br /> is impressive, and adds a vague sense of structure to this otherwise<br /> scattered piece. I love when long improv sessions flow like a wave. At<br /> times, they're completely disjointed, but during rare moments<br /> everything seems to come together. These last few minutes of the<br /> second piece on &quot;Parataxes&quot; is one of those. It's excellent.<br /> <br /> &quot;Most of &quot;Parataxes&quot; is similar to the second track. Throughout long,<br /> meandering jams, the trio searches through musty fog, searching out<br /> common ground. As if in queue, they find each other, transfixed in the<br /> middle somewhere. During the times when it all comes together, this is<br /> as choice as any freeform improvisations I've heard in months.<br /> However, these tracks wouldn't this good if it weren't for the journey<br /> toward a collective state of mind. It might be all about the end<br /> result, but the means of getting there is just as important.<br /> <br /> &quot;The only complaint I have about &quot;Parataxes&quot; is that there is too much<br /> of it. At 70 minutes, this album would have worked better at about 50.<br /> That's not to say that most of the tracks aren't very good, because<br /> they are. However, this is anything but easily listenable music, and<br /> it's a task to take this in all the way through. But in the end, The<br /> Winter leave their mark. They soundtrack the devolution of autumn into<br /> the coldest, cruelest of months. Using sparse sounds and sometimes<br /> harsh instrumentation, &quot;Parataxes&quot; is all about finding the moment and<br /> maintaining it for as long as possible. Recommended.&quot;</font></p> <p align="left"><em><font size="2" face="Arial">- Brad E. Rose, Foxy Digitalis</font></em></p> <p align="left"><strong><font size="2"><font face="Arial"><em><br /> </em></font></font></strong></p> <p align="left"><strong><font size="2"><font face="Arial"><em>For photos and more info see <br /> </em></font></font></strong></p> <p align="left"><strong><font size="2"><font face="Arial"><em>www.fiffdimension.co.nz/thewinter.htm</em></font></font></strong></p> <p align="left"><strong><font size="2"><font face="Arial"><em><br /> </em></font></font></strong></p> <p align="left"> </p> <p> </p> <p>&nbsp;</p>"^^xsd:string
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