Distinct objects for predicate ns2:remarks in graph file:///var/www/sites/dbtune-rdf-services/classical/static-rdf/classicaldb-20091211-d.ttl sorted by frequency

ResourceCount
"""231
"for piano"153
"March"132
"for orchestra"110
"for voice and piano"77
"Song"67
"for violin and piano"33
"("Sound", the 24 Hours of the Day), Nr. 81-"25
""Bird catalogue"), piano (1956-58"21
"for chamber orchestra"20
"for organ"20
". Strophic Songs (1905-07)"20
"for string quartet"19
"Staatsbibliothek Berlin, ms. 447"19
"for prepared piano"18
"for piano and orchestra"17
"Movement numbers 2-7 are not authoritative, there are 2 lost movements between movements 1 and 10"17
"for string orchestra"16
"for two pianos"15
"Operetta"15
"voice and piano"15
"for chorus"13
"(for voices and bass continuo), Venice 1702"13
"lost"13
"orch. Inghelbrecht 1955"13
""secular""13
"for tape"12
"for voice"12
"Movement numbers 3-9 are not authoritative, there is a lost movement between movements 2 and 11"12
"Suite"12
"for violin"11
"s"11
"1830"10
"for Alto Saxophone and Piano"10
"for guitar"10
"for SATB chorus"10
"for soprano and bass continuo"10
"(guitar) c. 1828"10
"includes:"10
"One of the movements in the Suite is lost"10
"second series"10
"The movement numbers for the Suite are not authoritative, there is a lost movement from it"10
"5’"9
"first series"9
"for cello"9
"for cello and piano"9
"for Piano"9
"for piano, four hands"9
"for violin and orchestra"9
"Piece for trumpets and drums"9
"soundtrack"9
"1831"8
"Active in Italy"8
"for 2 drums"8
"for chamber ensemble"8
"for Clarinet and Piano"8
"song, text Dehmel"8
"10’"7
"15’"7
"1896"7
"2-track"7
"ballet"7
"(for 2 violins and basso continuo), 1722"7
"for Bassoon and Piano"7
"(for solo violin (in concertos only), 2 violins, 2 violas and basso continuo), Venice 1700"7
"open score"7
"opera"7
"SSAATTBB"7
"symphonic poem"7
"There are two alternative movement listings for the Suite"7
"7’"6
"cantata"6
"choral song"6
"for bass and piano"6
"for chorus and orchestra"6
"for chorus and organ"6
"for ensemble"6
"for flute"6
"for Flute and Piano"6
"for Guitar"6
"for Piano 4-Hands"6
"in C major"6
"No. 1"6
"The Suite is lost"6
"1936-37"5
"8vv"5
"ballet in 1 act"5
"for Alto Saxophone (or Flute or Clarinet or Violin or Cello) and Piano"5
"for flute and piano"5
"for mixed chorus"5
"for mixed chorus and orchestra"5
"for organ and orchestra"5
"for Piano""5
"for soprano and orchestra"5
"for soprano, mixed choir, and orchestra"5
"for tenor and piano"5
"for Trumpet and Piano"5
"for two voices or two horns"5
"for wind quintet"5
"piece for orchestra"5
"possibly by Josef Reicha"5
"spurious"5
"?"4
"1’"4
"1829"4
"1836"4
"1845"4
"20’"4
"3 cadenzas"4
"4’"4
"8’"4
"Albert Mombert"4
"ballet in three acts"4
"d-minor"4
"event"4
"for a capella choir"4
"for Brass Quintet"4
"for Cello and Piano"4
"for choir"4
"for choir and orchestra"4
"for clarinet"4
"for Flute Quartet"4
"for four voices"4
"for Horn and Piano"4
"for pedal piano"4
"for soprano, chorus and orchestra"4
"for String Quartet"4
"for violin and cello"4
"for Violin (or Cello) and Piano"4
"g-minor"4
"Has a single work in the Peterhouse partbooks"4
"in A major"4
""incomplete, unpublished and lost""4
"in D minor"4
"in E-flat major"4
"mixed-media performance"4
"now lost"4
"overture"4
"Overture"4
"Paul Hohenberg"4
"piano"4
"piano accompaniment arranged by Julius HarrisonJulius Harrison (1885-1863), composer and conductor. http://www.musicweb-international.com/scowcroft/Composerconductors3.htm Philip Scowcroft on Julius Harrison"4
"Represented by a single work in the Gyffard partbooks"4
"SATB"4
"song"4
"song cycle"4
"song, text Yeats"4
"tape"4
"Trio Sonata in G minor"4
"Vocal piece"4
"with Scott Hayden"4
"11’"3
"18??"3
"1838"3
"1883"3
"1958"3
"2’"3
"25’"3
"3’"3
"8-track"3
"Active in Rome"3
"a humorous piece for orchestra featuring the clarinet. Originally a musical sequence entitled "Promenade" from the movie "Shall We Dance""3
"a-minor"3
"cantata for tenor and orchestra, Bergamo, 1816"3
"chamber opera"3
"c-minor"3
"Duo In C Major for guitar and piano"3
"Fantasy in D minor"3
"for 2 Pianos"3
"for 3 voices, 1874"3
"for 4 male voices, 1866"3
"for a cappella SATB choir"3
"for alto and bass continuo"3
"for baritone and orchestra"3
"for baritone and piano"3
"for brass band"3
"for brass ensemble"3
"for carillon"3
"for Chorus"3
"for clarinet and cello"3
"for clarinet and piano"3
"for clarinet and string quartet"3
"for Clarinet (or Flute or Oboe) and Piano"3
"for concert band"3
"for Flute and Guitar"3
"for Flute, Oboe, Clarinet and Bassoon"3
"for Flute (or Oboe) and Piano"3
"for four hands"3
"for harpsichord"3
"for military band"3
"for military band/wind orchestra"3
"for oboe and piano"3
"for Oboe and Piano"3
"for Oboe (or Flute) and Piano"3
"for Orchestra"3
"for orchestra and chorus"3
"for percussion"3
"for piano?"3
". For piano"3
". For Piano"3
"for Piano and Orchestra"3
"for piano four hands"3
"for soprano"3
"for soprano and alto"3
"for string trio"3
"for Trombone and Piano"3
"for two flutes"3
"for two trumpets"3
"Galop"3
"->"3
"Hymn"3
"in B minor"3
"in G minor"3
"Johannes Schlaf"3
"Johann Wolfgang von Goethe"3
"lyrics by Scott Joplin"3
""(manuscript; not published)""3
"motet for 3 voices and basso continuo"3
"op. 103b (1909)"3
"Op. 42"3
"Op. 55"3
"Op. 60"3
"Op. 83"3
"Op. 9"3
"Original music imitating three American musical personalities"3
"overture and incidental music"3
"Paul Altenberg"3
"poem by Gilbert Parker"3
"published posthumously in"3
"Rainer Maria Rilke"3
"song for voice and piano"3
"song, text from traditional Chinese writings"3
"symphonic poem & ballet"3
"to words by Bouchor"3
"(two guitars) c. 1833"3
"violin and piano"3
")"2
"14 canons on the First Eight Notes of Goldberg Variations Ground - organ"2
"18’"2
"1837"2
"1840"2
"1841"2
"1844"2
"1847"2
"1893"2
"1897"2
"1898"2
"(1901-02)"2
"(1910-11)"2
"(1914-16)"2
"1917-18"2
"1946"2
"1953, premiered by Charles Wuorinen"2
"1956-7"2
"1959"2
"1959–62"2
"1963"2
"(1965-66), children's opera in two acts"2
"1977"2
"1988, premiered by the San Francisco Symphony, Herbert Blomstedt conductor"2
"3"2
"30’"2
"3-act opera"2
"4"2
"4 Mazurkas"2
"(4 Sketches), Op.227"2
"4’ written to the words by Julian Tuwim"2
"553–560"2
"5 songs for voice and piano or chamber orchestra, Op.125"2
"6’"2
"Active in England"2
"Active in Spain"2
"a folk opera"2
"after Rossini"2
". Also for piano (Vienna, circa 1810)"2
""(also with piano accompaniment)""2
"a-minor, op. 103a (1908)"2
"aria for 2 voices and basso continuo"2
"arrangement of for piano four-hands, without voices"2
"at the Globe Theatre, Paul Whiteman conducting, orchestrated by Will Vodery"2
"azione musicale"2
"ballet for 2 cellos and percussion"2
"ballet for orchestra"2
"ballet for piano"2
"ballet in one act"2
"baritone, SATB, orch"2
"Brother of Orlando Gibbons"2
"ca. 9'"2
"cantata for soprano, tenor, baritone, and orchestra"2
"Cantata for voice and chamber ensemble (flute, trumpet, string quartet) or piano, Op.211"2
"cantata, lost"2
"choral suite"2
". Choral, text by H.H. Seedorff Pedersen"2
". Choral, text by L.C. Nielsen"2
". Clarinet Concerto"2
"(collaborative work of "The Five"), Act I"2
"Concert Suite"2
"Duo In D Major for guitar and piano"2
"Fantasy in F major"2
"Fantasy in G minor"2
". Five Piano Pieces"2
"for 2 baritone horns"2
"for 2 female voices and accompaniment"2
"for 2 flutes"2
"for 2 voices"2
"for 3 voices"2
"for 4 male voices, 1868"2
"for 6 percussionists"2
"for any number of performers and any kind and number of instruments"2
"for bass, chorus and piano"2
"for bassoon"2
"for Bassoon Solo"2
"for Bass Saxhorn (or Double Bass or Tuba or Bass Trombone) and Piano"2
"for Bass Saxhorn (or Tuba or Bass Trombone) and Piano"2
"for Bass Trombone (or Double Bass or Tuba or Bass Saxhorn) and Piano"2
"for Bass Trombone (or Tuba or Bass Saxhorn) and Piano"2
"for brass and percussion"2
"for brass quintet and orchestra"2
"for Chamber Orchestra"2
"for children's voices"2
"for choir and organ"2
"for chorus a cappella"2
"for chorus and soloists"2
"for chorus and tenor soloist with wordless chorus"2
"for chorus, organ and orchestra"2
"for Clarinet"2
"for clarinet and piano or orchestra"2
"for Clarinet (or Alto Saxophone) and Piano"2
"for Cornet or Trumpet and Piano"2
"for Double Bass (or Tuba or Bass Saxhorn or Bass Trombone) and Piano"2
"for English horn, bass clarinet, bassoon, horn, percussion, piano and string quintet"2
"for five trumpets, four horns, two tenor trombones, two bass trombones, tuba, two percussion and organ"2
"for Flute and Bassoon"2
"for flute and orchestra"2
"for flute, cello and piano"2
"for flute, clarinet and harp"2
"for flute, Nr. 44½ (1976/81)"2
"for flute, oboe, saxophone, harp, celesta and guitar"2
"for Flute Solo"2
"for four percussionists"2
"for harp"2
"for high voice and piano"2
"for horn"2
"for male choir"2
"for Oboe, Clarinet and Bassoon"2
". For orchestra. Also for piano (Vienna, circa 1807)"2
". For Organ"2
"for organ, brass and timpani"2
". For Organ or Harmonium"2
"for piano (1908-15)"2
"for piano (1944–45)"2
". For Piano, 2 volumes"2
"for piano and string orchestra"2
"for piano or harp"2
"for piano or prepared piano"2
"for piano solo or in an ensemble"2
"for prepared piano (1954, before October 17)"2
"for Recorder (Soprano / Alto) Solo or Flute Solo"2
"for SATB choir and organ"2
"for saxophone"2
"for small orchestra"2
"for soloists, chorus and orchestra"2
"for solo piano"2
"for solo Violin (1927-28)"2
"for soprano and chamber orchestra"2
"for soprano and instruments"2
"for soprano and piano"2
"for soprano and string quartet"2
"for soprano and tenor duet and piano"2
"for soprano, mezzo-soprano and two baritone soli, SATB choir and orchestra"2
"for soprano, tenor and small orchestra"2
"for string orchestra and piano"2
"for tenor"2
"for tenor and bass"2
"for three soloists and orchestra"2
"for trombone"2
"for trombone and orchestra"2
"for trumpet"2
"for trumpet and piano -"2
"for Tuba (or Bass Saxhorn or Bass Trombone) and Piano"2
"for Tuba (or Double Bass or Bass Saxhorn or Bass Trombone) and Piano"2
"for two pianos)"2
"for two pianos and orchestra"2
"for two prepared pianos"2
"for two saxophones"2
"for two soloists and chorus with piano accompaniment"2
"for two voices"2
". For Unaccompanied Choir, text by E. Aarestrup"2
". For Unaccompanied Choir, texts selected by Carl Nielsen and Anne Marie Carl-Nielsen"2
"for viola"2
"for viola and orchestra"2
"for Viola and Piano"2
"for Violin and Orchestra"2
"for Violin and Piano"2
"for violin, cello and piano"2
"for vocal quartet and piano four-hands"2
"for voice and closed piano"2
"for voice and orchestra"2
"for voice and orchestra or piano, Op.148b"2
"for voice and orchestra or piano, Op.223"2
"for voice and organ (or piano), Op.231c"2
"for voice and piano (1956)"2
"for voice and piano or chamber orchestra, Op.167"2
"for voice and piano or orchestra, Op.86"2
"for voices and orchestra"2
"for voices, chorus and orchestra"2
"for wind quartet"2
"for Woodwind Quintet"2
"Friedrich Rückert"2
"Great Duo In A Major for guitar and piano"2
"Greek Song for voice and piano"2
"(guitar) c. 1829"2
"(guitar) c. 1834"2
"H178, Op. 52"2
"Heinrich Heine"2
"http://www.grovemusic.com/ grovemusic.com (subscription access)"2
"http://www.recordsinternational.com/RICatalogNov01.html"2
"In A Major For Violin And Guitar"2
". Incidental music, text by A. Oehlenschlæger"2
"in c minor"2
"incorporated into "La vera storia""2
"in d minor"2
"in F major"2
"Introduction and end of Tableau 1"2
"Karl Busse"2
""Klavierstuck in E flat""2
""(later orchestrated)""2
"(Little Paradise) for four voices, chorus and piano"2
"LoC"2
"lyrics by Henry Jackson"2
"marching song for bass and mixed chorus with simple accompaniment for bayan or piano"2
"Martin Greif"2
""Mazurka in D""2
"mixed-media event"2
"motet for declamatory choir"2
"Movements 2 and 3 lost, both Songs, titles unknown"2
"Mussorgsky"2
"(NB not the 8 mvt work now known to be "Suite for Variety Orchestra""2
"on verses by Sully Prudhomme"2
"Op. 10"2
"Op. 11"2
"Op. 16"2
"Op. 17"2
"Op. 19"2
"Op.22"2
"Op.236"2
"Op.245"2
"Op.249"2
"Op. 25"2
"Op. 26"2
"Op. 27"2
"Op. 28"2
"Op.287"2
"Op.3"2
"Op. 32"2
"Op.329"2
"Op. 35"2
"Op.353"2
"Op.358"2
"Op.37"2
"Op.4"2
"Op.427"2
"Op. 43"2
"Op.433"2
"Op. 47"2
"Op. 48"2
"Op.49"2
"Op. 50"2
"Op. 51"2
"Op. 52"2
"Op. 57"2
"Op. 6"2
"Op. 67"2
"op. 68"2
"Op.7"2
"Op. 7"2
"Op.78"2
"Op. 82"2
"Op. 87"2
"opéra, 3 acts"2
"opéra, 5 acts"2
"opéra comique, 1 act"2
"opera in a greeting, four scenes, and a farewell, Nr. 65-71 (1995-98)"2
"opera in a greeting, two acts, and a farewell, Nr. 62-64 (1991-94)"2
"opera in four acts after Leskov"2
"opera in three acts, a greeting, and a farewell, Nr. 55-59 (1984-88)"2
"operetta"2
"opérette, 1 act"2
"organ"2
"Piece for violin"2
"(previously believed to be "Suite for Jazz Orchestra No. 2""2
"published in 1931"2
"radio event"2
"radio-opera in 1 act"2
"recitation with orchestra"2
"Reflections on a Song of Dowland, op.48a for Viola and Piano"2
"SATB choir, text Shelley"2
"SATB, strings"2
"Scène lyrique"2
""'Scottish"'"2
Skipped 4,977 rows
"Surviving music includes a four-part Mass apon ye Square, in the Gyffard partbooks"1
"Swedish composer, best known for his lieder and choral works"1
"Swedish composer, known for"Swedish Rhapsody", contributions to choral music, and five symphonies"1
"Swedish composer, wrote symphonies, operas, vocal and piano music"1
""'Swiss"'. Active in Germany"1
"Swiss-born German composer, best known for eleven symphonies, most of them program music"1
"symphonic legend after Uhland"1
"symphonic movement for orchestra, d-minor"1
"symphonic picture in D major"1
"symphonic picture in three parts"1
"symphonic poem (1897-8)"1
"symphonic poem after Dante"1
"symphonic poem after Victor Hugo, 1845-87"1
"symphonic poem for orchestra"1
"symphonic poem for orchestra and chorus, 1886-88) (M. 47"1
"symphonic poem for piano"1
"symphonic poem in B minor"1
"symphonic poem in C minor for orchestra"1
"symphonic poem on a legend of the Round Table"1
"Symphonic Poem, Op.63"1
"symphonic prelude"1
"symphonic prologue in C major -"1
". Symphonic Rhapsody in F"1
"symphonic sketches"1
"symphonic study"1
"symphonic suite (1919-21)"1
"symphonic suite for orchestra and wordless male choir"1
"symphonic suite (one movement, 'Nuages d'automne sur les forêts')"1
"symphonic triptych"1
"symphonic variations"1
"symphony (1874-5)"1
"Symphony/Cantata for chorus and orchestra (1889-92)"1
"Sz. 102, BB 110"1
"Sz. 106, BB 114"1
"Sz. 110, BB 115"1
"Sz. 111, BB 116"1
"Sz. 113, BB 118"1
"Sz. 114, BB 119"1
"Sz. 68, BB 76"1
"Sz. 76, BB 85"1
"Sz. 77, BB 86"1
"Sz. 85, BB 93"1
"Sz. 91, BB 95"1
"Sz. 97, BB 103"1
"Tango"1
"tape (April–September 1979; a realization of "____,____ ____ circus on ____", a set of instructions on transcribing any book for any ensemble)"1
"tape for radio"1
"tape loops"1
"Teacher of Schoenberg and Korngold"1
"(Teach Me) for mixed chorus and plucked and beaten sounds"1
""Telegrams""1
"television opera"1
"Tenor.Baritone.Fl.Cl.Pno.Perc.St Quintet) (ca. 25'"1
"Tenor.SATB Chorus.Orchestra"1
"tenor solo, ch. & orch"1
"ten pieces for piano"1
"ten romances, op. 66"1
". Terzen-Übung und Etude für die Linke Hand. (Three etudes for the left hand alone.)"1
". Text by A. Aakjær. FS 50"1
". Text by A. Munch. Ouverture to the play FS 9"1
". Text by A. Oehlenschlæger. FS 57"1
". Text by A. Oehlenschlæger. FS 65"1
". Text by A. Oehlenschlæger. FS 89 (1918-19)"1
". Text by A. Olrik. FS 26"1
"text by C. Nielsen"1
"Text by Coburn Britton - 1977, premiered at Somerset County College, NJ, Charles Wuorinen conducting"1
"text by Coburn Britton - 1979, premiered by Paul Sperry and Charles Wuorinen"1
"text by Dylan Thomas - 1991, premiered by the Southwest Chamber Music Society, Phyllis Bryn-Julson, soloist"1
". Text by E. Christiansen. FS 71"1
". Text by E. Christiansen. FS 98. (1921-22) (only two songs)"1
"text by G. Macfarren, voice and piano"1
". Text by G. Wied & J. Petersen. FS 30"1
". Text by H. Bergstedt. FS 117"1
". Text by H. Drachmann. FS 17"1
". Text by H. Drachmann. FS 31"1
". Text by H. Drachmann. FS 37"1
"(text by Hebble), op. 144b"1
". Text by H.H. Seedorff Pedersen"1
". Text by H.H. Seedorff Pedersen. FS 140"1
". Text by H.H. Seedorff Pedersen. FS 153"1
". Text by H.H. Seedorff Pedersen. FS 302"1
". Text by H. Rode"1
". Text by H. Rode. FS 80"1
"text by James Fenton, premiered by Lucy Shelton"1
"text by James Tate - 2006, premiered by Wilbur Pauley, bass and Christopher Hall, tuba"1
". Text by L.C. Nielsen; collaboration with E. Bangert. FS 54"1
". Text by L.C. Nielsen. FS 44. (1907-08)"1
". Text by L.C. Nielsen. FS 49"1
". Text by L.C. Nielsen. FS 56"1
". Text by L. Holstein. FS 43. (1906-08)"1
". Text by N.F.S. Grundtvig. FS 156"1
". Text by N. Møller"1
". Text by O. Bentzon. FS 45"1
"text by Paul Auster - 2004, premiered by Mary S. Nessinger, mezzo-soprano and Mark Steinberg, violin"1
". Text by S. Michaelis"1
". Text by S. Michaelis. FS 150"1
"text by Vincenzo Monti, Milan, 1820 (lost)"1
". Text by V. Rørdam"1
". Text by V. Rørdam. FS 303"1
". Text by V. Rørdam. FS 86"1
"text by V. Rørdam, written for the Olympic Games in London, 1908)"1
"text by W.H. Auden - 2001, premiered by William Ferguson, tenor and Phillip Bush, piano"1
"text Maurice Maeterlinck"1
"text of Donald Hall - 2009, premiered by Thomas Meglioranza, baritone and Peter Kolkay, bassoon"1
"text of Richard Howard - 1970, premiered by Richard Frisch, Harvey Sollberger, Fred Sherry, Charles Wuorinen"1
"text of Wallace Stevens - 1989, premiered by Phyllis Bryn-Julson and James Winn"1
"text: Pietro Metastasio, the music forms the basis for : "Le départ, Romance en forme d´étude" -"1
"text Richard Dehmel"1
". Texts by A. Berntsen (1924-25)"1
"The 14th and 15th string quartets can be performed separately as well as simultaneously as a string octet"1
""The Ascension"), orchestra (1932-33; organ version including replacement movement, 1933-34"1
". Theatre music, text by H. Drachmann"1
". Theatre music, text by N.F.S. Grundtvig"1
". Theatre music, text by S. Michaelis"1
". Theatre music, text by S. Michaëlis"1
""The Bayadere""1
"(The Bells), Op.259"1
"(The Beloved Vagabond), Op.150"1
"The Cat Duet"1
"(The Cave of the Winds) for wind quintet"1
"("The city on high"), piano solo, brass, wind and percussion"1
"(The Contest Between Phoebus and Pan) "secular""1
"The Fairy-Queen, collab. Edward J. Dent, unpubd"1
"The Festival of Flora (arr. of Henry Purcell)"1
"(The first meeting) op. 21 no. 1 arr. for song and orchestra"1
"the first part of the Dante trilogy - 1993 - two versions: orchestral (premiered by the Toledo Symphony Orchestra Andrew Massey conducting) and 2-pianos"1
"("The forgotten offerings"), orchestra"1
"("The Jet Whistle") for flute and cello"1
"the Kite of the Guttersnipe, a symphonic episode"1
"(The Lord of All), psalm for mixed chorus, cantor and organ"1
"("The Lord's nativity"), organ"1
"(The Mayor's Dilemma), Op.196"1
". Theme by Foglar (F major; 1, 2, 0, 2 - 2, 0, 0, 0, piano, strings)"1
". Theme by Meyule"1
"Theme from Processional Interlude"1
"the melody is by Gottfried Heinrich Stölzel"1
""theme taken from 4th mvt. aria (duet) of Cantata BWV128""1
". Theme with Variations. For piano (1916-17)"1
". Theme with Variations. For Piano (1916-17)"1
"Theodor Storm"1
"(Theodor Storm), voice and piano, composed 1907, published in 1930 & 1955"1
"(Theodor Storm), voice and piano, composed 1925"1
"(The Opening of the Wells), cantata for soli, female chorus and instrumental accompaniment"1
". The opus number 36 is sometimes assigned to this work.)"1
"the other 3 movements are the work of Robert Schumann and Albert Dietrich"1
""The Oxford Dictionary of Opera", 782 pages, ISBN 0-19-869164-5"1
". (The Parakeet.) 1884"1
"The proposal at Helgoland) (lost"1
""The Publicists""1
"There are 2 arrangements of this piece, Z 013A and Z 013B respectively"1
"There are 2 arrangements of this piece, Z 017A and Z 017B respectively"1
"There are 2 arrangements of this piece, Z 058A Z 058B, and a further Z 58C, which is a Full Anthem"1
"There are also two more chamber sets assembled in 1934 that are found listed in the same Work-List of Compositions"1
"there is an original version for two pianos, 2 cellos and horn"1
"There is another Z 046, a fragment of a Verse Anthem, "Praise the Lord, ye servants""1
"There survive a Pavan in a Fitzwilliam Museum, Cambridge MS, an "Allemanda" in the Fitzwilliam Virginal Book, No. 187; "The Marchants Dream" in a MS in the British Museum, and a "Pavan" and "Galliard" in another British Museum MS."1
"The Sea is Still (静寂の海)"1
""The Seasons", versions for piano and for orchestra"1
"The second movement of the septet, entitled 'Etude in controlled chance' is a rare example of Milhaud embracing aleatoric compositional devices"1
"the second part of the Dante trilogy - 1995 - two versions: chamber (premiered by the New York New Music Ensemble, Charles Wuorinen conducting) and orchestral (premiered by Deutsches-Sinfonie-Orchester, Berlin, Bradley Lubman conducting)"1
"These legends, which include "The Swan of Tuonela""1
"(The Sorrowful One) 1888"1
"(The sound of the bells) op. 54 no. 6 arr. for orchestra"1
"the theme of which was used in the "Trout Quintet" (see above)"1
"the third part of the Dante trilogy - 1996 - two versions: orchestral and chamber, premiered by the Buffalo Philharmonic, Charles Wuorinen conducting"1
""The Transfiguration of Our Lord Jesus Christ"), large 10-part chorus, piano solo, cello solo, flute solo, clarinet solo, xylorimba solo, vibraphone solo, large orchestra (1965-69"1
"(The Traveller without Luggage), Op.157"1
"the two-finger theme of this work is known also as "Tati-tati" or a version of "Chopsticks""1
"Third Hour"1
"(Third Region) with orchestra, Nr. 22⅔ (1969)"1
"third series"1
"thirteen numbers only"1
"thirteen pieces for piano"1
"This Z number is shared by a Suite in G major"1
"(Thomas Nashe: Pleasant Comedy), baritone, chorus and orchestra, 1932-5; FP 29 January 1936"1
"Though Elgar's title is the fictitious "Sevillaña", he was probably aware that the correct Spanish would be "Sevillana""1
""Thousand and One Nights""1
"Three Duos for guitar and piano"1
"Three Night Songs"1
"three original tracks, as well as material from "Powaqqatsi", "Anima Mundi" and "Mishima""1
". Three pieces for Langeleg"1
"three pieces from 1906–13:"1
"Three rounds in a British Museum MS ("MS 31922")"1
"Three Small Duos for guitar and piano"1
""Three small liturgies of the Divine Presence"), women's voices, piano solo, ondes Martenot solo, orchestra (1943-44"1
"Three Sonatas for solo guitar"1
"Three Sonatinas for guitar and piano"1
". three songs from the ply by A. Oehlenschlæger (1918-19)"1
"three songs without words for piano"1
"three symphonic overtures after Schiller (1870-81)"1
"Three Waltzes for guitar and piano"1
"three waltzes for piano"1
""Thunder & Lightning""1
"Ti dansk Smaasange, "Ten Little Danish Songs". Texts by various authors (1923-24)"1
". Tillæg til Folkehøjskolens Melodibog, Supplement to the People's High School Songbook"1
""Time-colour"), orchestra (1959-60"1
""Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955-56"1
""To Her", "Daisies", "The Pied Piper", "Sleep", "A-oo!""1
"to the drama of Oscar Wilde"1
""Totus in corde""1
"to words by A. Jounet (1896)"1
"to words by Alfred de Musset"1
"to words by anon"1
"to words by A. Silvestre"1
"to words by A. Silvestre (1879)"1
"to words by Charles Baudelaire"1
"to words by Dante, for four voices (1896-7)"1
"to words by Gautier (1880)"1
"to words by Honoré de Balzac"1
"to words by Jean Lahor (1887)"1
"to words by Jean Moréas (1898)"1
"to words by J. Richepin"1
"to words by Leconte de Lisle (1879-80)"1
"to words by Leconte de Lisle (1880)"1
"to words by Leconte de Lisle (1882)"1
"to words by Leconte de Lisle (1887)"1
"to words by Louise Ackermann (1882)"1
"to words by L.-P. Fargue"1
"to words by Paul Bourget (1880)"1
"to words by Paul Verlaine (1885)"1
"to words by Théodore de Banville"1
"to words by Théophile Gautier (1880)"1
"to words by Victor Hugo"1
"to words by Villiers de L'Isle-Adam (1887)"1
""tragédie lyrique" in four acts, libretto by Edmond Fleg"1
"tr. Alma Strettell; 2. "Whether I find thee", tr. Andrew Lang; 3. "After many a dusty mile", tr. Edmund Gosse; 4. "It's oh! to be a wild wind", tr. W. M. Hardinge; 5. "Feasting I watch", tr. Richard Garnett"1
"transcription for band"1
"Transcription for Chamber Orchestra"1
"transcription of Fuga (Allegro) from Violin Sonata No. 1 in G Minor, BWV1001."1
"(Trauerode) "secular""1
"Trauungslied for Soprano, Alto and Organ""1
""Treasure Waltz""1
"Treatise on Instrumentation"1
"Trio for piano, clarinet and cello"1
"Trio for Reed Instruments"1
"Trio for violin, viola and cello"1
"Trio for voices"1
"Trio Sonata in A major"1
"Trio Sonata in B-flat major"1
"Trio Sonata in B minor"1
"Trio Sonata in C minor"1
"Trio Sonata in E-flat major"1
"Trio Sonata in E minor"1
"Trio Sonata in F minor"1
"Trio Sonata in G major"1
"trio version, Nr. 41 9/10 (1974/83)"1
"("Trumpetent"), for 4 trumpeters, Nr. 73"1
"Trumpet Quintet) (ca. 12'"1
"("Tuning"), for 6 vocalists, Nr. 24"1
""Turkish March" in A major, K. 331"1
"twenty-four pieces for piano"1
"twenty-four popular Gregorian canticles, for voice, union voices, and organ"1
"("Twenty gazes on the Christ-child"), piano"1
"twenty-six songs (4 books)"1
"Two 18th century arrangements for viols of keyboard pavans in a MS in the British Museum survive"1
"シグナルズ・フロム・ヘヴン - Two Antiphonal Fanfares -"1
"Two Duos On Themes By Rossini for guitar and piano"1
"(two guitars) c. 1832"1
"(two guitars) c. 1837"1
"two movements for piano"1
"Two Nocturnes for guitar and piano"1
"two pieces for small orchestra"1
". Two songs for the play by Jeppe Aakjær"1
". Two songs to the play by E. Christiansen"1
". Two songs to the play by E. Christiansen (1921-22)"1
"two versions"1
"two versions for different chamber ensembles"1
"Tyve folkelige Melodier', "Twenty Folklike Melodies'". Songs, texts by various writers (1917-21)"1
"Uncle of Giovanni Gabrieli"1
"unfinished Opera"1
"unfinished work"1
"unidentified), Rome 1726 (text and music lost"1
"(unidentified), Venice ca. 1710"1
"unison choir and organ/piano"1
"unison choir, instrumental ensemble and organ"1
"unison choir/SATB choir and organ/piano"1
"(unnumbered), H. 4"1
"unperformed version of Shakespeare's "A Midsummer Night's Dream""1
"unpublished comic opera, 1851-53"1
". Unpublished miscellaneous songs"1
"using music from the song "Death and the Maiden""1
"Valse"1
"Valses"1
"Valses Melancoliques, Deuxième Preludes; Valse-Phantasie"1
""Variation No. 6 in E from "Hexameron""1
"variations"1
"Variations for Orchestra"1
"variations for piano"1
"Variations for violin & piano in F major"1
""Variations in A" - - "Souvenir de Paganini""1
""Variations in E major for flute and piano on the air "Non piu mesta" from the opera "La Cenerentola""1
"variations on a theme by Grétry and a rondeau, Op. 102"1
". Various brass trios and quartets (1879-83, lost)"1
". Various movements for string quartet (1883-87)"1
". Various songs. Texts by E. Aarestrup, J.S. Welhaven, G.B. Byron, P.B. Shelley, J.J. Callanan, R. Burns; translated by Caralis, a pseudonym for C. Preetzman (1887)"1
"Vater unser im Himmelreich (large version)"1
"Venezuelan composer known for his strikingly beautiful and unabashedly tonal melodies"1
"Venice, 1795 (lost)"1
"version for alto flute or flute, Nr. 3 ex 55 (1986)"1
"version for basset horn, Nr. 2 ex 55 (1986)"1
"version for basset-horn, Nr. 3 ex 59 (1989)"1
"version for flute, Nr. 4 ex 59 (1989)"1
"version for small orchestra, Nr. 16½ (1964/67)"1
"version for string quintet of Sinfonia"1
"version for vibraphone and electronics"1
"version of "On a Bach Prelude" from "Baroque Variations""1
"versions for voice and piano (cabaret song), for solo piano (as "Intermezzo américain""1
""Viennese Blood""1
""Viennese Garrison""1
""Viennese Joyful Greetings""1
""Viennese Ladies""1
"Viennese popular song"1
""Viennese Sweets""1
"(Vincenzo Cassani), Venice 1724"1
"viola and piano"1
"viola da gamba"1
""Violets""1
"Violinist and conductor."1
"Violinist and virtuoso pianist, known for his contribution to the piano repretoire."1
"Violin.Piano) (ca. 9'"1
"Violin Sonata No. 1"1
"Violin Sonata No. 2 (1923-27)"1
"Virtuoso cornetist, wrote the 'Grande méthode complète pour cornet à pistons et de saxhorn' now referred to as the 'Trumpeter's Bible.'"1
"("Visions of the Amen"), two pianos"1
"Vn solo + 2.2.2.2-2.2.1-perc.-strings) (ca. 18'"1
". Vocalise-Etude, for Soprano and Piano"1
"vocal, text Blake"1
"vocal, text Claude Flight"1
"vocal, text Katherine Kendall"1
"vocal trio with orchestra"1
"(voice & guitar or pianoforte), c. 1820"1
"voice and piano, composed 1905-8, revised and orchestrated 1928"1
"voice and string quartet, text John Donne"1
"voice, piano or 8 insts, 1926-9; FP 30 October 1929; dedicated to Anna May Wong"1
""Voices of Spring""1
"voice, violin, and piano, text Detlev von Liliencron"1
"voix de femmes, soli et chœurs féminins et lyres"1
"Volume II. Songs, in collaboration with T. Laub (1914-17)"1
"Volume I. Songs, collaboration with T. Laub (1913-15)"1
"Vulgata 126) for male chorus a cappella, Op.72"1
". "Wagner Werk-Verzeichnis (WWV): Verzeichnis der musikalischen Werke Richard Wagners und ihrer Quellen" ("Catalogue of Wagner's Works: Catalogue of Musical Compositions by Richard Wagner and Their Sources"). Mainz, London, & New York: Schott Musik International"1
"waltz"1
""Waltz in A flat""1
""Waltz in A minor""1
""Waltz in E""1
""Waltz in E flat""1
""Waltz in E minor""1
""Waltz in F sharp minor" - (unknown)"1
"(Warsaw Suite), 35mm documentary film"1
"was a German musician, a concert pianist and director of the Max Laistner Choir. He made piano transciptions of the classics, including an "Etude de Concert" after Chopin's Valse in D-flat major "Minute Waltz""1
"was an English author of poems and childrens books, many of them illustrated by Louis Wain"1
"was appended as No.3. Op.41 was then called "Trois Romances sans paroles""1
"was a translator of Polish literature. His main work was the poems of Mickiewicz. He lived in King's Norton, Worcester from the Polish of Krasinski"1
"was born in Wolverhampton, England into a show-business family. He was an actor, poet, violinist, conductor, composer and arranger of music. He was a friend of Elgar's and played at the same desk in the violins. His father Henry Hayward was a violinist known as the "English Paganini". The family emigrated to New Zealand where he, his brothers, their wives and other family (known as "The Brescian Family") made their living in the theatre, which included the novelty of a moving picture show or bioscope as it was called. He died in Adelaide, Australia. His most well-known song (he wrote the lyrics and the music) is called "Come back to me" which was sung by his sister Florence Hayward. (1903; originally published 1884 without opus number as "A Soldier’s Song")"1
"was commissioned for the 1988 Nottingham Festival"1
"was commissioned for the 1990 Cardiff Festival and was premiered there by the Delmé Quartet. It is dedicated to the BBC producer Graham Melville-Mason and his wife Alex"1
"was identical in subject with one of the Russian airs treated by Leopold de Meyer"1
"Was thought to be lost but was reconstructed in 2000 from parts by John B. Turner"1
"Water Music (水の曲)"1
"Weihnachts-Oratorium"1
""'Welsh"'. Also spelt "Lloidd", "Floyd". Active in England. Works include the complex Mass on "O quam suavis""1
"("Wer uns trug mit Schmerzen in dies Leben"), for a capella choir, Nr. 1/9"1
"What is Music?"1
"When wilt thou save thy people?"1
""Where the Lemons Blossom""1
"(William Shakespeare), flute, two trumpets and percussion, 1944, FP London, 11 Feb 1944, unpubd"1
""Wine, Women and Song""1
""Wings of the Phoenix""1
"winner of the 1992 Grawemeyer Award for Music Composition"1
"with Bériot"1
"withdrawn"1
"with glass harmonica"1
"with later additions (1859-62)"1
"with Léonide Massine"1
"with Louis Chauvin"1
"with Louis Moreaux Gottschalk"1
"with Melody, for piano"1
"with optional chorus, Op. 26"1
"with Oskar Schlemmer"1
"Woody Allen"1
"words by Arthur L. Salmon,Arthur Leslie Salmon"1
"words by Arthur Macquarie, dedicated to C. Alice Elgar"1
"words by Barry Pain (1892)"1
"words by C. Alice Elgar"1
"words by Christina Rossetti"1
"words by John Hay (1885)"1
"words by Longfellow from a Rondel by Froissart"1
"words by Philip Bourke Marston"1
"words by 'Pietro d'Alba'"Pietro d'Alba" (alias "Peter Rabbit") was Elgar's pseudonym for himself"1
"Worked all his life in Poland"1
"Works survive in manuscript"1
"Works survive in MS"1
"xxxiii - xxxix"1
""You Only Live Once!""1
""Youthful Dreams""1
"|Zangezur""1
"zarzuela"1
""Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 41½ (1974-75"1
"Весна-красна: "Повстречал перехожий калика" (былина) = Vesna-krasna: "Povstrečal perekhožij kalika" (bylina) ("also with orchestral accompaniment")"1
". Ленинград: Гос. публичная библиотека им. М.Е. Салтыкова-Щедрина, 1990"1
""Мистический хор" = "Mističeskij khor", for women's voices and orchestra or piano, text from Dante's "Purgatorio""1
"三つの映画音楽 『ホゼー・トレス』『他人の顔』『黒い雨』"1
"三月のうた"1
"乾いた湖"1
"二つのレント"1
"二十一歳の父"1
"儀式"1
""1
"十一月の霧と菊の彼方から"1
"危険旅行"1
"古都"1
"噛みつかれた顔役"1
"四季"1
"オール・イン・トワイライト -ギターのための四つの小品-"1
"土砂降り"1
"地平線のドーリア"1
""1
"夢の引用 - Say Sea, take me -"1
"夢の時"1
"夢窓"1
"夢の縁へ"1
"夢見る雨"1
"太平洋ひとりぼっち"1
"女体"1
"妖精の距離"1
"室内協奏曲"1
"こどものためのピアノ小品"1
"ギターのための小品 -シルヴァーノ・ブソッティの60歳の誕生日に-"1
"小さな空"1
"小さな部屋で"1
"島へ"1
"巡り -イサム・ノグチの追憶に-"1
"(弦楽のためのレクイエム), for strings"1
""1
"彼女と彼"1
"径 -ヴィトルド・ルトスワフスキの追憶に-"1
"心中天網島"1
"恋のかくれんぼ"1
"悲歌"1
"(手作り諺 -四つのポップ・ソング-)"1
"揺れる鏡の夜明け"1
""1
"日本脱出"1
"明日ハ晴レカナ、曇リカナ"1
"星・島"1
"星たちの息子 -第一幕への前奏曲『天職』-"1
"春を待つ人々"1
"昨日のしみ"1
"最後の審判"1
"(木・空・鳥), tape"1
"朱と緑"1
"東京裁判"1
"森の中で -ギターのための三つの小品-"1
"樹の曲"1
"○と△の歌"1
"死んだ男の残したものは"1
"海へ"1
"海へ II"1
"海へ III"1
"涙を、獅子のたてがみに"1
"熱海ブルース"1
"燃える秋"1
"狂った果実"1
"環礁"1
"異聞猿飛佐助"1
"白と黒"1
""1
"秋のうた"1
"秋庭歌一具"1
"空、馬、そして死"1
"精霊の庭"1
"系図 -若い人たちのための音楽詩-"1
"素晴らしい悪女"1
"群島S."1
""1
"芝生"1
"虹へ向かって、パルマ"1
"裸体"1
"見えないこども"1
"リタニ -マイケル・ヴァイナーの追憶に-"1
"ノスタルジア -アンドレイ・タルコフスキーの追憶に-"1
"マイ・ウェイ・オブ・ライフ -マイケル・ヴァイナーの追憶に-"1
"トゥウィル・バイ・トワイライト -モートン・フェルドマンの追憶に-"1
"めぐり逢い"1
"遠い呼び声の彼方へ!"1
"遮られない休息"1
"銀輪"1
"閉じた眼"1
"閉じた眼 II"1
"雨ぞふる"1
"雨の呪文"1
"雨の樹"1
"雨の樹素描"1
"雨の樹素描 II"1
""1
"そして、それが風であることを知った"1
"風の馬"1
"鳥は星型の庭に降りる"1
"鳥が道に降りてきた"1
"黒い絵画"1